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JEAN-PIERRE LOUVETON

Crossover Prog • France


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Jean-Pierre Louveton picture
Jean-Pierre Louveton biography
Born 1970-06-30 (Le Puy, France)

Jean-Pierre Louveton is the guitarist from the promising French progrock band NEMO and records since 2002 under the moniker JPL. This is his third solo album featuring the new NEMO bass player Lionel B. Guichard along other guest musicians.

Why this artist must be listed in www.progarchives.com : Nemo guitar player has succeeded to make a pleasant and varied album that has some echoes from NEMO but in general sounds very original featuring JPL his fiery and heavy electric guitar work.

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JEAN-PIERRE LOUVETON top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

4.22 | 9 ratings
Bienvenue Sur La Terre
2002
3.24 | 10 ratings
Noir & Blanc
2003
3.53 | 19 ratings
Cannibales
2005
3.46 | 22 ratings
Retrospections - Volume 1
2008
3.93 | 39 ratings
MMXIV
2014
3.90 | 30 ratings
Retrospections - Volume II
2016
3.99 | 112 ratings
Le Livre Blanc
2017
3.65 | 39 ratings
Retrospections - Volume III
2018
3.93 | 83 ratings
Sapiens Chapter 1/3: Exordium
2020
3.92 | 51 ratings
Sapiens Chapitre 2/3: Deus ex Machina
2021
3.92 | 21 ratings
Sapiens Chapitre 3/3: Actum
2022

JEAN-PIERRE LOUVETON Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

JEAN-PIERRE LOUVETON Videos (DVD, Blu-ray, VHS etc)

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JEAN-PIERRE LOUVETON Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

4.15 | 4 ratings
La machine
2020

JEAN-PIERRE LOUVETON Reviews


Showing last 10 reviews only
 Sapiens Chapitre 3/3: Actum by LOUVETON, JEAN-PIERRE album cover Studio Album, 2022
3.92 | 21 ratings

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Sapiens Chapitre 3/3: Actum
Jean-Pierre Louveton Crossover Prog

Review by JohnProg

4 stars With a style that combines the most traditional forms of progressive rock with the strength of Hard Rock - Heavy Metal, Jean-Pierre Louveton set out to make a trilogy of albums 'SAPIENS CHAPITRE' with a Dystopian science fiction theme - with certain allusions to the condition human - ending with the album 'Actum'. One might think then that this is a pretentious work - partly due to the idea of ​​playing transcendental themes - but the truth is that the music - which is what should matter most to us - does not become excessive or mannerist, instead, it What we have is an austere album (within the parameters of progressive rock, of course) that doesn't seek to surprise with gratuitous virtuosity (even when dealing with a brilliant guitarist) or far-fetched formulas. Each instrument is played on its own to create counterpoints between exquisite melodies and strong moments (like the great riff on 'Dansez Maintenant'). Even in the latest composition 'Memento Mori', the themes develop naturally - ranging from small orchestrations to more jazzy moments - without giving the impression that we are dealing with an epic or definitive work.

I recommend not only listening to this interesting album but also reviewing the complete trilogy, which both fans of classic progressive rock and enthusiasts of more modern proposals may like.

 Sapiens Chapter 1/3: Exordium by LOUVETON, JEAN-PIERRE album cover Studio Album, 2020
3.93 | 83 ratings

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Sapiens Chapter 1/3: Exordium
Jean-Pierre Louveton Crossover Prog

Review by ElChanclas

4 stars As the album title states, this is the first chapter of the Sapiens trilogy and 9th studio album by French multi instrumentalist Jean-Pierre Louveton, and is my point of entry to his solo work.

The all instrumental Mastodontes opens the album with some horns & string arrangements bringing the first heavy and memorable metal riff, outstanding doom-like track with magnificent instrumentation.

Homo Sapiens smartly blends in and represents the first challenge for me, the vocals are in French! Don't worry, it really doesn't matter because the music is so bloody amazing that it makes the whole thing look, sound and feel appealing. Middle eastern guitar licks emerge from Louveton guitars and deposits the first hook. BTW, he also plays bass guitar and does all arrangements in this album, my god!

Ecce Homo is the 2nd instrumental track of the album and is more evidence of this guy's excellent song crafting and is also the perfect bridge for the next highlight, A Condition, one of my favorite songs here. Rocker, jazzy, bluesy, heavy, memorable, catchy, melodic, immense! It also kind of works as prelude to the unearthly Le Chaud et Le Froid, my definite favorite! This amazing song has everything I crave on in progressive rock with a little downside with the female narrative vocals, which kind of remind me of those on Eloy's Dawn, thank god in this case much less pungent. The Gaelic harmonizing between the piano, the bagpipes and guitars is simply fenomenal, enough to fall in love forever with the album.

And when you think that it just can't get better, Mr. Louveton unleashes his finest artillery and presents another set of twin tracks in Planetè A and the album closer Alpha Centauri. Back in the game are the heavy riffing, flawlessly layered to welcome the fat bass and intricate drumming and soundscape arrangements, How can it be possible? (That's why I think I hear him singing in French, coincidence?)

Epic seems like something very familiar with this guy, that's how he treats his music, like epic music because the whole album is totally epic and this ending is proof of that statement. Honorable mention to drummer Jean Baptiste Itier who sounds enormous and amazing throughout the whole trip, a perfect partner for JPL and his rhythmic creations. I can't recommend this album enough, give it a try, it is both interesting and perfect top to bottom! Enjoy!

 Sapiens Chapitre 3/3: Actum by LOUVETON, JEAN-PIERRE album cover Studio Album, 2022
3.92 | 21 ratings

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Sapiens Chapitre 3/3: Actum
Jean-Pierre Louveton Crossover Prog

Review by tszirmay
Special Collaborator Honorary Collaborator

4 stars The intrepid Jean-Pierre Louveton has made a name for himself with French prog band Nemo, with ended its run of brilliant albums in 2015 with the startlingly amazing Coma, deciding to embark on a full-fledged solo career which had already paralleled the band with a series of delicious albums under the moniker JPL, beginning in 2002, Le Livre Blanc (2017) being a masterpiece in my mind.

JPL undertook a huge epic task ,a three-section opus on the human condition (a French fascination with celebrated names like Malraux, Pascal, Zola, Baudelaire, Voltaire, Hugo, Proust, Camus etc..), labelled Sapiens, all three have gorgeous artwork that has created quite a commotion as well. Chapter 1 Exordium (2020), followed by Chapter 2 Deus Ex-Machina (2021) and now Chapter 3 Actum (2022). The first two chapters have received huge critical acclaim, but I will review first this third one, as it is, IMHO, the finest of the trio. In fact, JPL with compile all three into one boxset, with even more glorious artwork, a gift I fully intend to give myself.

For those who are unaware of Louveton's musical qualities, let me state for the record that he is an exceptional electric and acoustic guitarist as well as a fine vocalist in the theatrical French prog tradition (Le Guennec, Decamps, Balzer etc..). He provides an equally deadly bass guitar as well as occasional keyboards. He has a compositional style down pat that highlights melody, harmonics, technical bravura and lyrical commentary (mais oui, it helps to know French). He has always demonstrated prolific tendencies, a mind constantly creative and adventurous. The very first moments set the standard to follow, as an ominous electronic burp morphs into a hard-jazz groove that is truly ear-catching and most pleasant.

"Paradis Perdu" has a crispness, a slash and burn methodology, and a chugging sizzle that are hard to ignore. Nemo drummer Jean-Baptiste Itier propels forcefully as JL rants in Gallic splendour, hushed, raging and exalted, as per the style. His guitar uncorks a humble rip, a prelude of what is to follow further down the setlist. "Mon Cerceuil" is a lazy furrow, eventually evolving into a choppy lament where flute delicacy and rhythmic dread co-habitates skillfully. Drummer Florent Ville taps hard and fast in maintaining the jumpy almost funereal ambience, slowly elevating the angst level with added effusive bombast, as the e-guitar twirls mightily. The outro is a gentle whimper of resolution. Sounding more like classic Nemo, the steamrolling "Alias (La Machine2)" offers desperate vocals, underpinned by harder axe blasts, a slippery bass, berserk synths as well as Ville's thunderous pace. Brash harshness defines the mood here, a pulsating piece full of bold defiance. Other Nemo colleague Guillaume Fontaine helps on keys. The sadness surfaces on "Dansez Maintenant" (Dance now), JP's melancholic vocals serving to set up the almost ZZ Top like rhythm guitar onslaught, as the duet of electric guitar and synths then parallel each other defiantly, in a terrific setting, adding a lovely hurdy-gurdy tidbit to the loud guitars. Very cool and very French.

Epic time as the 5 parts "Memento Mori" lunges ahead, with its running time of 23 minutes. Orchestral maneuvering sets the tempo, a welcome classical overtone that will supply fabulous contrast to the glorious guitar march towards the unknown, choir mellotron in tow. The tortuous frets twist in unison with the bass and drums, creating a glum, almost war-like atmosphere, Itier once again demonstrates his percussive skills with some solid touches. JP delivers hushed yet angry vocals, as he fulminates over the human condition, occasionally tossing sweeter segments verging on insanity. Did I mention theatricality earlier? Even if one does not speak French, the gist will appear in his delivery clear as fractured crystal. The bass pops like the best corn, as the guitar goes on an extended rant, with that patented frizzy overtone that JP seems to favour. Ornate piano from Stephanie Vouillot adds a touch of drama, and a lovely as well as unexpected jazzy soprano sax solo (Sylvain Haon) seals the deal. Nothing sedate, all the material is jumpy, nervous and edgy. The tremendous fifth part pitches in wobbly bass, bombastic mellotron choirs as well as sensational keys, propellent drums and the usual marvellous guitar reflections.

An excellent conclusion to the series, again all three releases combine to provide an amazing modern prog ride, JPL is an artist that needs your attention and support as Nemo was a highly rated and appreciated member of the prog community, and his solo stuff is just an onward journey.

4.5 keepsakes of the dead

 Sapiens Chapitre 2/3: Deus ex Machina by LOUVETON, JEAN-PIERRE album cover Studio Album, 2021
3.92 | 51 ratings

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Sapiens Chapitre 2/3: Deus ex Machina
Jean-Pierre Louveton Crossover Prog

Review by alainPP

4 stars JPL is releasing its 10th album, the second on the Sapiens trilogy. JPL is Jean-Pierre, singer and composer of WOLFSPRING and above all of the giant NEMO, with an appointed sweetness for both the group and the composer. A second part with influences from large progressive groups in the background. The sound is fresher, more current, more Cadbury or also Canterburyen; a very nervous crossover album. Cover of Stan W. DECKER graphic designer of large engines too. JPL who ages well, even too well, we slip into his homomusical universe.

"Le Flambeur" rock intro guitar forward, you will have to get used to it this guitar is the locomotive of this second opus, development based on a screaming, high-pitched guitar, but also recognizable among all, rock- pop of good quality, voice which tells you that he worked at the SNCF, which recites a little the big illnesses of the DSM-5, "duke" synth from GENESIS, progression in the literal sense of the term, mid-term development and leaked notes on a progressive rock base; it is the guitar that holds the title with its energetic convolutions with a more bluesy or dynamic boogie finish. "Deus ex Machina (1): La Machine" more rock pop, melodic, piano keys in unpretentious declination somewhere until a rise and a put?. solo from JPL, one of those you want to listen to again, simple and playful ending; in short, the gods would have really used a machine to come to us. In any case, the flagship track-45 rpm of the album, track where the voice slips into the flawless rhythm. "Deus ex Machina (2): A play to govern us all" intro that puts you in a trance from the start, the voice going better, I get used to it, more rounded. The guitar solo that draws its note, that melts you, piano break, vibrato solo, backing vocals after this moment of musical wisdom; a crescendo title in the right format where you never get bored and where you can navigate on sight in the prog area; a title which gives pride of place to the criticized, blasphemed but rediscovered guitar.

"Scorched Earth" enjoyable symphonic intro, lyrics clear enough to lend an ear, to an tune of "Rap Tout" by UNKNOWNs, yes I put my memories there even if it may seem strange to you, in fact I 'assume that you know how to read me with avidity !, I who usually take the voice as an instrument here is voice and instruments; break with synths and the nervous lurking guitar and it goes slowly to the point where you forget when; melodic prog rock with diffuse drawers, strange French typicality on a well-brought musical background. "Still human?" »And sound of Crimsonian spleen on the attack, guitar that may make you cry, a little flute, well GENESIS does not turn any more, synths that fall into the progressive avant-garde atmosphere, the xylophone, that's it we got off to a good start in this dreamlike prog universe with an indecomposable and inexplicable playful rhythm; the voice makes you go back to earth, my flat again, then the organ at the ANGEL allows you to set off again for a few moments in this forgotten world, in short, the major piece of the album brings soul back here and you?

JPL didn't kill NEMO, he transcended it, he shaped it; I was sad at his withdrawal; but JPL like a phoenix rising from its ashes released its second opus which I find a little more behind than the first; be careful, it's beautiful, it's good just that the last song showed me that he was capable of really big songs. And his two traveling companions from NEMO too.

 La machine by LOUVETON, JEAN-PIERRE album cover Singles/EPs/Fan Club/Promo, 2020
4.15 | 4 ratings

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La machine
Jean-Pierre Louveton Crossover Prog

Review by alainPP

4 stars Would the Gods no longer be able to (re) descend to earth? It does not matter, the machine is there to give them a helping hand, to grant their wishes. "Deus ex Machina (2): A play to govern us all" intro that puts you in the mood from the start, the voice that goes better, do I get used to it ?. The solo that draws its note, that melts you, piano break, vibrato solo, backing vocals after this moment of musical wisdom; a title in the right format where you never get bored and where you can navigate on sight in the prog space, in short, the gods would have really used a machine to come to us? The track single from the second album of the "Sapiens" trilogy is finally in the bins to change your mind about this never-ending pandemic.
 Sapiens Chapter 1/3: Exordium by LOUVETON, JEAN-PIERRE album cover Studio Album, 2020
3.93 | 83 ratings

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Sapiens Chapter 1/3: Exordium
Jean-Pierre Louveton Crossover Prog

Review by kev rowland
Special Collaborator Honorary Reviewer

4 stars JPL are back with their latest album, and while there are some guests on a few numbers this is for the most part Jean Pierre Louveton (guitars, bass, vocals, arrangements) along with his Nemo bandmate Jean Baptiste Itier (drums). Louveton has long been one of my favourite French progressive musicians, and I have always really enjoyed both his work as an integral part of Nemo and JPL (for some reason I have never heard much Wolfspring, really need to resolve that), and this is no exception. Unlike many progressive bands, here the guitar is often front and centre, and there is always loads of space within the music which allows plenty of room for Itier to also shine. All the lyrics are in French, as is the well-designed digipak and booklet, but unlike some I have no issue at all in listening to vocals where I have no comprehension of what is going on, as for me they become another instrument.

The orchestral introduction to the album soon gives way to the progressive music of JPL, where he happily goes from crossover progressive into fusion, neo, symphonic and also bringing in styles outside the genre. But the important aspect here is the sense of balance throughout, as there is reason for everything, and we are taken on a journey which also makes musical logical sense. With the two main musicians having worked together for the best part of 20 years together they have a solid understanding of what needs to be done in the studio. The English news clip at the beginning of 'Le Chaud et le Froid' has one musical style, yet when the songs starts in earnest we are treated to layered acoustic guitars, piano and vocal harmonies which lift it to a whole new level. Louveton continues to deliver albums which are packed full of classic songs, and one is taken to a world here it is only the music which exists and at the end one simply has to play it again. His understanding of dynamics and space are exemplary, and there is always the feeling of no need to rush and that is everything ahs been carefully considered with each layer having a part to play. He rarely allows himself the delight of really showing off his soloing skills, but he has them there in spades, and when the time is right, he lets loose to provide the dynamics and contrast required. Yet another outstanding album from JPL, both the band and the man himself.

 Sapiens Chapter 1/3: Exordium by LOUVETON, JEAN-PIERRE album cover Studio Album, 2020
3.93 | 83 ratings

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Sapiens Chapter 1/3: Exordium
Jean-Pierre Louveton Crossover Prog

Review by alainPP

4 stars JPL released their 9th album at the start of the year, distilling a very NEMOsian sound but also fresher, more nervous, as if it had drawn a bit from the notes of WOLSPRING. An energetic album, sailing far beyond the PROG universe with eclectic, crossover, jazzy and bluesy atmospheres in addition to those symphonic, orchestral. 3 chapters for this new album and a 1st symphonic title at will on a nervous guitar, the time to warm the ears and to acclimatize with the different climates proposed in "Mastodonts"; a progressive orchestral piece opening Erectus, thunderous. "Homo Sapiens" continues on a Zeppelian sound like "Kashmir", a little oriental title, Jean- Pierre's guiare is here recognizable among all for its specific rendering, capable of passing from a nervous air to another fluid, then to a cascade. The voice passes well not too put forward and integrating in fact; "Ecce Homo" follows with a new, more jerky orchestral, on a varied declination of synth-piano, a beautiful moment reminding me at times from afar certain notes of the bald mountain; there is linear progression as if to close in the most beautiful way this 1st triptych. "A Condition" begins Exitium on a track reminding me the most of NEMO here, the voice in the center distilling its text and the instruments scattered around as if to magnify it; the guitar is splendid in rhythm with Crichton sounds from SAGA, I love it. The solo which arrives draws more air bluesy then launches more psyche notes, to note the final with a very bright synth break; "The Hot And The Cold" continues with a sweet melody on the piano, Stéphanie lending her voice to it with air on the acoustic guitar, a little resemblance to the LAZULI group in my opinion, a group with which he has already worked; the arpeggio of the piano is beautiful and delicate, there is also the old wheel, then energy with synth and guitar riff which bring up the sauce of the title; long orchestral and symphonic break well punctuated for an air that stays in mind ; end with return of the basic piano and the last verse then resumption of the characteristic, metronomic guitar by Jean-Pierre. Exodus comes to finish this triptych with "Planet A", a simple title, intimate, then which goes up without exploding, but which is likely to give you the thrill, listen to it is better! "Alpha Centauri" ends here the album with a bluesy composition, then jazzy limit which gives in the rhyme; then a small variation of well targeted adjectives before leaving on a dithyrambic progressive final with a very oily guitar there. a great album,simply.
 Retrospections - Volume III by LOUVETON, JEAN-PIERRE album cover Studio Album, 2018
3.65 | 39 ratings

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Retrospections - Volume III
Jean-Pierre Louveton Crossover Prog

Review by alainPP

3 stars JPL, Jean-Pierre Louveton is a guitarist who has worked on the legendary NEMO Group (one of the groups operated with less prog MINIMUM VITAL which by its musical quality and his texts would be good for the French music scene, but I digress!) and more WOLFSPRING sounding prog metal. It appears this assumption of 3 volumes of unreleased tracks dating back to the 2000s and re-recorded, of which this is the rock, but not that. He is accompanied by ITIER Baptist jeans. These parts are listening to represent the work of guitarist. His style of music is rather complex, its rhythmic compositions often making a mix in my opinion between NEMO and its parallel project more nervous. From "A finger on the trigger," one starts on an air of MORRICONE well catchy, kind of intro melodies; "A strange idea" hangs over the targeted text "Luvmoovs" with a basic beat and singing in English not so obvious to me, but the guitar solo and end with a nervous riff worth seeing. "Illusions" calls by its intro, her soft voice whispering women and a masterful solo part 2, bluesy limit, cool, clear. "On the slippery slopes of madness" comes to development prog "well made" with convolutions prog-metal FM around the guitar is purely enjoyable; it is also one of the titles over 6 ' perhaps a cause and effect relationship, at least if we drag with this music, it's tempting! "No Speed ​​Limit" as an interlude instrumental that Satriani or Vai could have put in one of their albums, just to say that the person using it there are good vibrations. Rest 3 tracks including "Away" and another development prog with his captivating intro, his break with some bells to warn us even more retro- progressive movement declination prog chorus after chorus verse couplet. "My comet" is posed with a louvetonien solo, a quiet atmosphere with keyboards to enjoy the "prog French". Finally, "My darkest hour" on the same starting structure, a title with soft keyboards, acoustic guitar, chorus, and then a flight to NEMO To complete this column, know that ¾ hours, here you can get an idea of ​​what the two above-mentioned groups have come out in recent years. My flat voice comes too common, too incisive in my opinion while the guitar just erase this fact through beautiful arpeggios; it is not the classic progressive rock of course, but the breaks and other convolutions lurking inside this album make room to (re) discover.
 Le Livre Blanc by LOUVETON, JEAN-PIERRE album cover Studio Album, 2017
3.99 | 112 ratings

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Le Livre Blanc
Jean-Pierre Louveton Crossover Prog

Review by alainPP

4 stars JPL, the leader of groups and NEMO WOLFSPRING released its 2017 "White Paper". So why not take the opportunity for you to say a word! For me it is the most successful of his creations with 9 titles and over an hour of music on the theme of distrust of religions. Musically, we dive here in typically PROG atmospheres where the sound takes us in dreamlike places of great beauty, with the help of drummer NEMO and WOLFSPRING. We do not forget the singing LAZULI at a time in this record. The atmosphere is more melodic rock with a presence of the acoustic guitar, but soon they are really prepared developments with rhythm breaks that give a level of prog-metal scalable. The flat is in my opinion too winded voice lacking musical creativity, paradoxically making even more pride to the instrumental flights. In any case very listenable who forgot that a great French band played in the veins of JPL!

"An open book" opens with a musical diversity with acoustic intro and combat guitar riffs, drums and piano. "The hermit" is more developed with progression based it on a heady riff of pure beauty, go to the deviation prog 4'35''et you will understand, my favorite! "Joker" English title lapping on resurgences DEEP PURPLE obvious! "Trompe death" with plaintive voices and a guitar that made his taff but nothing more. "The North Star" which for me is the future of JPL namely a LAZULI more about guitars that léode and text to music, and this simple but devastating riff on taking a digression prog supported! "Convoléances" the ballad of fresh album, spleen and crystalline guitar with present and well detached battery; "The plague and cholera" on a southern air ZZ TOP takes on a more incisive text digression level, personally I have always found that there were other areas in this level if I have music service regained some Rudess keyboards, voice level, it also goes really well, the final has something ANGEL made me melt even a little! "Joan" is the second major piece with everything you need to go very far, and more is that this musical universe changes with every listen: there is the Occitan MINIMUM VITAL in moments , what a must! "The White Paper" or the instrumental final to go smoothly. otherwise level music performance I've regained some Rudess keyboards, voice level, it also goes really well, the final has something ANGEL made me melt even a little! "Joan" is the second major piece with everything you need to go very far, and more is that this musical universe changes with every listen: there is the Occitan MINIMUM VITAL in moments , what a must! "The White Paper" or the instrumental final to go smoothly. otherwise level music performance I've regained some Rudess keyboards, voice level, it also goes really well, the final has something ANGEL made me melt even a little! "Joan" is the second major piece with everything you need to go very far, and more is that this musical universe changes with every listen: there is the Occitan MINIMUM VITAL in moments , what a must! "The White Paper" or the instrumental final to go smoothly. What a must! "The White Paper" or the instrumental final to go smoothly. What a must! "The White Paper" or the instrumental final to go smoothly.

This is a CD that should have more visibility and recognition, a disc as one can not imagine that it still can exist in France with sound, depth, the more nervous NEMO which should please even the fans of prog outside of France! Also a big pleasure to have chronicled as this was the only one I had not made the effort to listen to my great wrong!

 Retrospections - Volume II by LOUVETON, JEAN-PIERRE album cover Studio Album, 2016
3.90 | 30 ratings

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Retrospections - Volume II
Jean-Pierre Louveton Crossover Prog

Review by kev rowland
Special Collaborator Honorary Reviewer

4 stars As with the first album in this series, this album is based on unpublished music written by Jean-Pierre Louveton between 1992 and 2005, although this does also include songs from his first three albums which have been rearranged and re-recorded by the musicians playing live with him, as these would form part of the set list.

Released in 2016, this doesn't feel like a put-together compilation, but rather that this was an album which was conceived as an entity in its own right. Some of the songs feature just JPL, whereas others are by a full band, and we move from hard rock through progressive to areas that are more acoustic, but always with passion and forethought.

Drummer on the album, is Ludovic Moro who of course played with JPL in Wolfspring while Nemo's keyboard player Guillaume Fontaine is also very much in evidence, both musicians who have played with JPL for a large number of years, and this comes through very much in the music. It would be possible for this release to be seen as a 'stop gap' between 'MMXIV' and 'Le Livre Blanc', as it follows on from the 2008 album, but that would be incredibly unfair as this is a dynamic and enjoyable album in its own right, and flows and rocks, and in no way sounds like a collection of material from times past.

I have always enjoyed JPL, both solo and with his various bands, and this is yet another incredibly strong addition to his canon

Thanks to erik neuteboom for the artist addition. and to Quinino for the last updates

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