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FISH ON FRIDAY

Crossover Prog • Belgium


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Fish On Friday biography
Formed in September 2009, Fish On Friday are made up of William Beckers - Keyboards & Drums and Frank Van Bogaert. Started in Aartselaar, Antwerpen Belgium the band plays excellent crossover progressive music accessible to both pop and prog music listeners. In 2010 they released their first album, titled , Shoot The Moon

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GodspeedGodspeed
Import
Imports 2014
Audio CD$8.83
$7.93 (used)
Shoot the MoonShoot the Moon
ACE 1004 2010
Audio CD$18.17
$236.61 (used)
AirborneAirborne
Single
Ace 2012
Audio CD$7.89
$7.88 (used)
Airborne by AceAirborne by Ace
Ace
Audio CD$35.70
Airborne by Fish on FridayAirborne by Fish on Friday
Ace
Audio CD$49.38
Godspeed by Fish On FridayGodspeed by Fish On Friday
Esoteric/Antenna
Audio CD$44.74
Shoot the Moon by Fish on FridayShoot the Moon by Fish on Friday
Import
Audio CD$46.99
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FISH ON FRIDAY discography


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FISH ON FRIDAY top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.70 | 30 ratings
Shoot The Moon
2010
3.99 | 40 ratings
Airborne
2012
3.92 | 29 ratings
Godspeed
2014

FISH ON FRIDAY Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

FISH ON FRIDAY Videos (DVD, Blu-ray, VHS etc)

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FISH ON FRIDAY Reviews


Showing last 10 reviews only
 Godspeed by FISH ON FRIDAY album cover Studio Album, 2014
3.92 | 29 ratings

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Godspeed
Fish On Friday Crossover Prog

Review by tszirmay
Special Collaborator Crossover Team

4 stars I am guilty for not having picked up on this Belgian band earlier, I guess being a Thomas makes me some kind of biblical sceptic, doubting all the time! Fish on Friday maybe a perfect name for a Christian rock band but that was not what coloured my decision to delve into their craft and make me hesitate. It was ultimately the numerous positive reviews as well as the clincher, my recent infatuation with Nick Beggs' bass and stick wizardry. This master bass man was only a guest on the preceding release 'Airborne' (which I will now hunt down quickly) and is a full- time component on this studio recording. So let it be written: this is a fabulously entertaining recording with immense melodies, scintillating pace and endless instrumental brilliance. Imagine a huge dash of Supertramp (prog and pop sensibilities), Floydian propellant moods and a definite mid-period Genesis flair, sewn with unending details that keep the pace exciting and unexpected. There is also a smoothness that one could associate with prime Roxy Music, especially when the sax kicks in. Brainchild of keyboardists William Beckers and Frank van Bogaert (who also supplies the soft-edged vocals that will remind one of a certain Dave Gilmour), the blessed crew is fleshed out by ace guitarist Marty Townsend, steady drummer Marcus Weymaere, sax/flute icon Theo Travis (Fripp, Wilson, the Tangent) and of course, the solid sonic undertow of Mr Beggs.

The captivating title track sets the prog standards aloft with an epic 10 minute + swoop, illuminating a well-forged path of mood, atmosphere and stylish magnificence. The saintly pace is bold and confident, piano twinkling like liquid gold, haunting mellotron backdrop and 'godly' vocal work, both lead and harmony that may remind of vintage Barclay James Harvest. Marcus Weymaere really riffles like some madman on his thumping kit, while Townsend adorns some marvelous little licks on the guitar. A simply divine first communion of the finest order, wailing mellotron notwithstanding.

'Just a Nightmare' sources darker themes, piano, organ and synths in the lead, carving out a suave vocal that enthuses right from the get go. Nick Beggs' rumble underpins a brisk stride that embellishes a lovely main melody, dreamy and hopeful. Theo Travis introduces a sensational sax break that inspires and cajoles, remindful of Andy Mackay's passionate style.

Romanticist inspiration continues on 'She Colours the Rainbow', a lighter mood that remains firmly piano driven, pushed along by swirling keyboard work and a gentler swoon. A short ballad that is both heartfelt and fragile. Very pretty indeed.

Having been banished into a such a gentle space, 'Callin' Planet Home' revs up the rockets somewhat, the electric guitar taking up the challenge as it curls around a rather insistent chorus, infused by Travis' devilish flute medley, a churning organ and a smooth as silk rhythmic foundation. Massed choir voices relay a sense of density and majesty. Townsend's languid slide guitar break winks at Dave Floyd, so one can certainly appreciate the suave intent.

'Ghost Song' is another proggy high point, a slow cooker that nods towards the classic Pink Floyd sound, what with the smoky lead voice and seductive backing vocal crescendos. Theo Travis adds his usual amazing touch with some inspired wind instrumental savvy. Another highly addictive melody.

The lightweight but compelling 'Radio' has a humorous radio intro and a punchy discourse, adding more sweeping choir work and lavish keyboards and offering a magical melodic ride not unlike recent work by Nick Magnus, Patterson-Eyre and such. The endless vocal labyrinth is truly phenomenal and addictive. Yes, it poppier material but very enticing indeed.

The persuasive 'Sanctuary' is another extended extravaganza that will immediately remind some fans of the more prog elements of Alan Parsons Project, the vocal department being very adept at multiple surges and drilling the chorus into eternity and armed with a heavier guitar-led crescendo, elevating the piece to lofty heights.

The obligatory sweet love ballad 'Stay' definitely stays in your mind once seduced by the shockingly striking choral work. A breathtaking and starry-eyed piece of heartfelt beauty that will pull at the heartstrings in that most convincing way possible. Yes, simple can be so lovely! Immediately marshaled to my daily 'hit' list, as I could listen to this gem on and on and on. The guitar break rekindles fond memories of Ian Bairnson's finest solos, where verve and exhilaration combine to dazzle.

The highly impulsive 'Don't Love Me to Death' is lyrically intriguing, a much rockier disposition with rambling guitar rampage, swooning keyboards and a driving beat, the voices adding incredible depth to the mix ('You don't give me room to breathe') and a slippery synth solo to seal the deal.

Quirky and quite progressively tinged 'Tick Tock' is strangely remindful of Dream Academy, a short-lived synth-pop group of the 80s that had a brief moment in the spotlight, especially in view of the massed voices and the intricate keyboard cascades that overwhelm and conquer. The razor sharp guitar exchange is quite welcome, together with the ringing orchestral backdrops.

The very short, acoustic and frivolous 'My Dog' adds a little personality and a bark or two. 'Cheesy lyrics' indeed! This is a killer album that caught me quite unaware but better late than never. Shame on me for letting this epic scroll go by, mea culpa, mea culpa, mea maxima culpa!

4.5 divinity hustles

 Airborne by FISH ON FRIDAY album cover Studio Album, 2012
3.99 | 40 ratings

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Airborne
Fish On Friday Crossover Prog

Review by robbob

5 stars Why is so delightful to listen to Fish On Friday....Well is like to eat a very tasty fish on friday after work....or studies.... And excellent improve ...what can you expect in next album...better and better.... This is a light neo prog...but not light because of light compositions...light instrumentation or arrangements ...because is easy listening ...delightful listening...nothing very complex...but complex in its creation. The music is in the line of their Netherland neighbours Moon Safari...there is special sound going out from these two countries Belgium and the Netherlands.... It reminds me very much the music of the disappeared Supertramp...is as Supertramp is still alive but the good Supertramp(until 1982) . So great expectations for their 2014 album... Sure it is going to be as good or better that this one. In this original kind of prog for me a masterpiece..5 stars
 Airborne by FISH ON FRIDAY album cover Studio Album, 2012
3.99 | 40 ratings

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Airborne
Fish On Friday Crossover Prog

Review by Conor Fynes
Prog Reviewer

4 stars 'Airborne' - Fish on Friday (7/10)

Today, it is Thursday, and I am drinking a now-lukewarm cup of coffee. Less than an hour ago, I had a ham sandwich. Given these circumstances, it's a refreshing change of pace to hear Fish on Friday, a relatively new Belgian ensemble. Taking after the Alan Parsons Project, here's a band that incorporates the best elements of pop and progressive rock, creating a sound both clever and catchy. "Airborne" is their second album thus far, and while I have never heard of them before listening tonight, it's clear that they have plenty of musical experience and maturity. Fish on Friday's sound is perhaps a little tame by contemporary prog standards, but the songwriting's smart and the musicianship is top notch. Who could plausibly ask for more in a pop-prog crossover?

Fish on Friday start off "Airborne" with a fantastic opener. "Welcome" is a great showcase of their sound. Reminiscent of the clever pop sensibilities of latter-era Genesis, Fish on Friday maintain a strong focus on melody, backing up the surface catchiness with a thick production and versatile musicianship. Although proggers will be first drawn towards the cameo of the well-versed Nick Beggs (of Steves Hackett and Wilson fame), the glory on "Welcome" lies in the way so many different sounds are used. It's still based around a concise pop structure, but there's symphonic string and horn samples, soulful guitar leads, ambient atmosphere and subtle vocal effects all tossed into the mix. Were it not for the extent Fish on Friday have gone to make the music a sonic feast in regards to the production, "Welcome" would not sound out of place on a popular radio station. Take that as you will.

"Airborne" has a strong sense of diversity to it. Each song sounds generally different from the one that came before. Other highlights include the Porcupine Tree-ish "This Cruel World" and the Floydian anthem "Back to Your Moon". Although there is a clever versatility in the songwritng however, the songs themselves rarely change up their pace once they've locked themselves in a certain mood. Whether its a slow, atmospheric ballad or something a little more rock-oriented, listeners won't find themselves too surprised once hearing the first minute or so of each track. It's certainly not an adventurous experience musically, especially for the more seasoned progressive listeners out there. "Airborne" is kept largely afloat through the way its executed. The production here is excellent and wonderfully mixed, and the depth of the arrangements keeps it interesting on the second and third listen. One thing that's less successful here however are the lyrics. Although there are exceptions where the sentimental approach really works (on "This Cruel World" and the irrevocably sincere "Alien City"), the lyrics often feel cheesy, particularly when phrases and painfully unfitting expletives are used. It's a small concern in the overall scheme of the music, but it does serve to detract from what is otherwise a remarkably solid pop album.

Fish on Friday are lodged somewhere between the melancholy of Porcupine Tree, the atmosphere and warm vocal harmonies of Pink Floyd and the upbeat pop of 1980's Genesis. It's rare that I enjoy an album so much on the first listen. Unfortunately, repeated listens do not do much for the experience. Although Fish on Friday have a solid depth to their sound, the songwriting offers all tricks up front, and this robs "Airborne" of a 'grower' effect when it comes to follow-up listens. Of course, as a pop-based record, the key is in the immediate enjoyment, and this is something "Airborne" succeeds in wholeheartedly. In playing it safe, Fish on Friday have managed to make something enjoyable and intelligent.

Thanks to chris s for the artist addition.

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