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LITTO NEBBIA

Crossover Prog • Argentina


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Litto Nebbia biography
Argentinian composer, instrumentalist and producer Litto NEBBIA (real name Félix Francisco Nebbia) is a veteran of the Argentinian rock scene. A highly influential one at that, and a pioneer. In the first half of the 1960's he sought his fortunes in rock music, and as a forming member of Los Gatos he got his share of fame and fortune early. A part of his career that inspired many contemporary musicians too, with artists such as Charly García and Luis Alberto Spinetta acknowledging the importance of Nebbia and Los Gatos as inspirations for their own careers.

While most renowned as an instrumentalist, jazz musician and for his later day excursions into other styles, the 1970's saw Nebbia exploring a stylistic field rather more refined. A string of albums issued between 1971 and 1977 saw Nebbia either incorporating elements from or actively exploring progressive rock, fusion and jazzrock. This period of his career concluded with the advent of The National Reorganization Process in Argentina and Nebbia's subsequent exile in Mexico, and when he moved back again in the 1980's he had moved on to different pastures as a composer and musician both. And while he continued being, and still is, a driving force in the Argentinian music scene, for fans of progressive rock it's his albums from 1971 til 1977 that may be worth investigating.

Litto Nebbia official website

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19921992
Import
Gld 2007
Audio CD$25.94
Bella MadridBella Madrid
Import
MEL 2008
Audio CD$1.99
$45.92 (used)
Bolero AfrolatinoBolero Afrolatino
Audio CD$15.99
$94.22 (used)
CelebracionCelebracion
EPSA Music 2011
Audio CD$9.89
$65.92 (used)
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LITTO NEBBIA MUERTE EN LA CATEDRAL LP ARGENTINA US $32.70 Buy It Now 13 days
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LITTO NEBBIA discography


Ordered by release date | Showing ratings (top albums) | Help Progarchives.com to complete the discography and add albums

LITTO NEBBIA top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.00 | 1 ratings
Nebbia's Band
1971
3.00 | 1 ratings
Despertemos en America
1972
3.00 | 1 ratings
Huinca
1972
2.10 | 2 ratings
Muerte en La Catedral
1973
3.00 | 2 ratings
Melopea
1974
3.09 | 3 ratings
Fuera del Cielo
1975
0.00 | 0 ratings
Cosas Que No Quieren Morir
1975
2.10 | 2 ratings
Bazar de Los Milagros
1976
4.05 | 3 ratings
El Vendedor De Promesas
1977
0.00 | 0 ratings
Creer
1980

LITTO NEBBIA Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

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LITTO NEBBIA Reviews


Showing last 10 reviews only
 Melopea by NEBBIA, LITTO album cover Studio Album, 1974
3.00 | 2 ratings

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Melopea
Litto Nebbia Crossover Prog

Review by apps79
Special Collaborator Neo Prog Team

3 stars By 1973 Nebbia had set up his own backing group, also known as Litto Nebbia trio, with him singing and playing guitars and keyboards, Jorge Gonzalez on bass and Nestor Astarita on drums.His next album ''Melopea'' was named after the greek work of the ability of a musician to create melodic songs based on texts and poems.This word would also become the name of Nebbia's label, established in early-80's.It was released in 1974 on RCA, featuring Jazz guitarist Rodolfo Alchourrón, Rodolfo Mederos, sax/flute player Hector Bingert and Mirtha Delfipo.

The album consisted of 13 short tracks, forming a long Melodic Pop Rock suite, highlighted by Nebbia's poetic voice and the mass of electric and acoustic shifts.Part of this work sounds like a rather typical Singer/Songwriter album with lots of vocals, acoustic interludes and pretty conventional song structures, basically focusing on melodies.But several spins will surface lots of hidden treasures.Nebbia had colored his lyrical style with influences from Psychedlic Rock, Jazz and Orchestral Music, starting with dominant string sections, passing by sweet, psychedelic soundscapes with irritating musicianship and flirting with Jazz/Fusion, based on the flawless guitar solos of Alchourron and the sax lines of Bingert.''Melopea'' still suffers from some syrupy melodies of a poppier approach, but it marks a nice step forward for Nebbia as a composer.The material is refined, well-built around the different influences and the arrangements are tight with memorable tunes.The guest list appears to have been a great help for the trio, even if extended instrumental themes are absent.The music in the background is very good with intense textures and atmospheric passages, offering a good result combined with Nebbia's lyrical presence.

Argentinian vocal-based Psych/Prog with touches from Jazz and Pop.Old-fashioned listeners will love this album.Warmly recommended.

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 El Vendedor De Promesas by NEBBIA, LITTO album cover Studio Album, 1977
4.05 | 3 ratings

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El Vendedor De Promesas
Litto Nebbia Crossover Prog

Review by Evolver
Special Collaborator Crossover & JazzRock/Fusion Teams

4 stars I found Litto Nebbia's previous album, "Bazar de los Milagros" to be a bit of a letdown. There were a few progressive elements, but not many. Mostly, it was an album of latin flavored jazz. Not bad, but mostly uninteresting.

But on this album, Nebbia has returned to form. There is more than a hint of Canterbury styled jazz rock fusion here, and even a piano solo that seems to look to good old Keith Emerson for inspiration.

These are finely executed pieces, with changing themes, time signature play, and and well crafted solos. I particularly like the keyboard sounds he uses. They evoke the classic Todd Rundgren albums in my ears.

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 Bazar de Los Milagros by NEBBIA, LITTO album cover Studio Album, 1976
2.10 | 2 ratings

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Bazar de Los Milagros
Litto Nebbia Crossover Prog

Review by Evolver
Special Collaborator Crossover & JazzRock/Fusion Teams

2 stars I found this album to be much less interesting than "Fuera del Cielo", the only earlier album I have thus far heard from Litto Nebbia. Where that album was steeped in the Canterbury style of jazzy prog, this one is more of a straightforward South American light jazz rock set.

There are a few songs that captured my attention, however. The opener and title track, Bazar de los Milagros, while simple instructure has some nice solos. And Bituca, the only truly prog track from the original release, is as fine a somg as I've heard from Nebbia. And it also includes an excellent guitar solo.

My copy has some bonus tracks. While these are short and more experimental than anything on the original album, they all have an unfinished feel to them.

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 Muerte en La Catedral by NEBBIA, LITTO album cover Studio Album, 1973
2.10 | 2 ratings

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Muerte en La Catedral
Litto Nebbia Crossover Prog

Review by apps79
Special Collaborator Neo Prog Team

2 stars Litto Nebbia is an Argentinian singer-songwriter,who was original founder of the psych/rock band Los Gatos along with keyboardist Ciro Fogliatta,one of the major acts of the early Argentinian rock scene.Los Gatos disbanded in 1970,however Nebbia had already started his solo career in 1969 with an album under his name.Four more albums would follow in a typical singer/songwriter style:''Litto Nebbia Vol. 2'' (1970), ''Nebbia's Band'' (1971), ''Despertemos en América'' (1972) and ''Huinca'' (also 1972).

With ''Muerte en la catedral'',released in 1973 on RCA,Nebbia begins to add different elements from the growing progressive rock scene in his music,without leaving his psychedelic and folk roots behind.The album is quited dated I have to say with today's standards,but it contains some good moments of music.Helped by several musicians,Nebbia offers a work somewhat split between acoustic folk/psych and lightweighted prog with plenty of vocals.The acoustic material is in the typical Nebbia style,simple tunes with sensitive vocals,nothing trully exceptional.The most intricate side of the album delivers a slightly complicated sound with rich instrumentation,featuring clavinet,glockenspiel,synths,trumpets and electric guitars and tracks drawing influences from symphonic rock,horn rock and chamber music.These ones won't definitely satisfy the average progger,but they are good examples of what Nebbia was able for.

''Muerte en la catedral'' didn't grow very well through time,on the other hand it is a respectful psych/folk/rock album with a good amount of progressive influences and possibly a future purchase at a reasonable price for anyone wanting to broaden his psych/prog collection.

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 Fuera del Cielo by NEBBIA, LITTO album cover Studio Album, 1975
3.09 | 3 ratings

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Fuera del Cielo
Litto Nebbia Crossover Prog

Review by Evolver
Special Collaborator Crossover & JazzRock/Fusion Teams

3 stars From the sound of this album, Litto Nebbia must be from the Canterbury section of Argentina. By that I mean, other than the Spanish lyrics, this album sounds very much like what we know of as the Canterbury style of prog. From the electric piano and organ tones, the jazz fusion tinged arrangements, and even the vocal melodies, this album evokes Caravan, early Soft Machine and the like.

Of course, being from Argentina, there must also be some Spanish guitar, and even accordion (well, actually bandoneon, if you must be technical). And it all works well.

That said, for what this is, there is nothing that leaps out of the music and grabs me. No noticable standout performances or unusually great compositions. So I can only give this three stars.

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