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CROSSOVER PROG

A Progressive Rock Sub-genre


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Crossover Prog definition

Crossover Prog contains progressive rock music that, though 100% progressive, may have a musical connection to popular music-- whether it be the lack of emphasis on extended compositions, or an influence from mainstream music in addition to classical, jazz and folk. Compositions, however, still exhibit a high degree of sophistication, sometimes outright complexity, and the musicianship and virtuosity is often on a par with established Prog acts. Much like their kin in the established prog sub-genres, these groups will incorporate many major parts of what defines prog rock: the fusing of rock with the structures and discipline of more traditional musics, the use of syntheisizers and new technologies, intelligent thematics, and the expansion of the form.

The defining characteristics of Crossover Prog are a pop music influence that is largely vacant in typical prog rock. Songs tend toward shorter, more concise presentations though still reach beyond the typical verse, bridge, chorus pattern. The harmonic, melodic, and rhythmic structures may be more easily digested in Crossover while not losing the musical integrity that a prog listener expects. Whereas Prog Related bands are generally commercial groups with certain prog elements or players that were involved in prog acts, Crossover Prog artists are predominantly progressive with elements of popular music.

The most representative examples for this genre include The MOODY BLUES, SUPERTRAMP, DREDG, CINEMA SHOW, RADIOHEAD.

- written by micky (Michael) and Chus (Jesus)

Current Team Members as at 01/01/2014

Evolver (Scott)
kev rowland (Kevin)
ProgShine (Diego)
tszirmay (Thomas)
Second Life Syndrome (Jason)

Crossover Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Crossover Prog | More Top Prog lists and filters

4.34 | 1066 ratings
CRIME OF THE CENTURY
Supertramp
4.34 | 870 ratings
OMMADAWN
Oldfield, Mike
4.31 | 1145 ratings
THE RAVEN THAT REFUSED TO SING (AND OTHER STORIES)
Wilson, Steven
4.25 | 714 ratings
DOOMSDAY AFTERNOON
Phideaux
4.27 | 371 ratings
~
iamthemorning
4.20 | 1169 ratings
GRACE FOR DROWNING
Wilson, Steven
4.21 | 610 ratings
PETER GABRIEL (3 - "MELT")
Gabriel, Peter
4.60 | 61 ratings
CORVUS STONE II
Corvus Stone
4.19 | 748 ratings
ENGLISH ELECTRIC (PART ONE)
Big Big Train
4.17 | 666 ratings
SNOWTORCH
Phideaux
4.17 | 538 ratings
THE UNDERFALL YARD
Big Big Train
4.14 | 537 ratings
DAYS OF FUTURE PASSED
Moody Blues, The
4.29 | 122 ratings
BELIGHTED
iamthemorning
4.14 | 446 ratings
NIGHT
Gazpacho
4.10 | 561 ratings
ENGLISH ELECTRIC (PART TWO)
Big Big Train
4.25 | 116 ratings
THE SHAMING OF THE TRUE
Gilbert, Kevin
4.17 | 179 ratings
QUICKLY QUICKLY QUICKLY
Tea Club, The
4.11 | 311 ratings
PASSION
Gabriel, Peter
4.15 | 195 ratings
THE HEMULIC VOLUNTARY BAND
Ritual
4.21 | 125 ratings
LOVE REMAINS THE SAME
Von Hertzen Brothers
4.10 | 336 ratings
WAR AND PEACE & OTHER SHORT STORIES
Filkins, Sean
4.06 | 783 ratings
TUBULAR BELLS
Oldfield, Mike
4.11 | 252 ratings
PAMPERED MENIAL
Pavlov's Dog
4.08 | 412 ratings
AMAROK
Oldfield, Mike
4.10 | 249 ratings
SPIRIT OF EDEN
Talk Talk
4.18 | 123 ratings
SECRETS OF THE BEEHIVE
Sylvian, David
4.08 | 263 ratings
LUNATIC SOUL
Lunatic Soul
4.12 | 161 ratings
ACT I: THE LAKE SOUTH, THE RIVER NORTH
Dear Hunter, The
4.35 | 57 ratings
THE EDGES OF TWILIGHT
Tea Party, The
4.02 | 702 ratings
OK COMPUTER
Radiohead
4.03 | 492 ratings
TALES OF MYSTERY AND IMAGINATION - EDGAR ALLAN POE
Parsons Project, Alan
4.22 | 83 ratings
THE GNOMON
Sunchild
4.06 | 220 ratings
EL CIELO
Dredg
4.05 | 263 ratings
TO OUR CHILDREN'S CHILDREN'S CHILDREN
Moody Blues, The
4.16 | 102 ratings
MODRA RIJEKA
Indexi
4.01 | 408 ratings
TICK TOCK
Gazpacho
4.36 | 49 ratings
TIME
Time
4.05 | 221 ratings
SHINE ON BRIGHTLY
Procol Harum
4.00 | 452 ratings
NUMBER SEVEN
Phideaux
4.08 | 160 ratings
THE LONG DIVISION
3RDegree
4.00 | 428 ratings
UP
Gabriel, Peter
4.03 | 203 ratings
FOR YOUR PLEASURE
Roxy Music
4.02 | 195 ratings
ROXY MUSIC
Roxy Music
4.14 | 85 ratings
AND THE GLASS HANDED KITES
Mew
4.06 | 131 ratings
CINEMATIC
Lebowski
4.01 | 171 ratings
ACT II: THE MEANING OF, AND ALL THINGS REGARDING MS. LEADING
Dear Hunter, The
3.99 | 218 ratings
GHOSTS
Frequency Drift
3.95 | 420 ratings
EVEN IN THE QUIETEST MOMENTS....
Supertramp
3.95 | 343 ratings
MARCH OF GHOSTS
Gazpacho
4.03 | 126 ratings
AS YOUR MIND FLIES BY
Rare Bird
3.98 | 185 ratings
ACT III: LIFE AND DEATH
Dear Hunter, The
4.01 | 147 ratings
ENOUGH BLAME TO GO AROUND
Disconnect
3.92 | 546 ratings
KID A
Radiohead
3.92 | 489 ratings
BREAKFAST IN AMERICA
Supertramp
3.98 | 185 ratings
LAID TO REST
Frequency Drift
4.13 | 68 ratings
AN OCEAN HELD ME
Mice On Stilts
4.38 | 34 ratings
CHROMIUM
Talisma
3.92 | 391 ratings
HERGEST RIDGE
Oldfield, Mike
3.92 | 426 ratings
PETER GABRIEL (4 - "SECURITY" OR "MASK")
Gabriel, Peter
3.94 | 292 ratings
AMUSED TO DEATH
Waters, Roger
4.16 | 60 ratings
BLUE JAYS
Hayward & Lodge (The Moody Blues)
3.99 | 148 ratings
BROKEN CHINA
Wright, Richard
4.12 | 66 ratings
WHITE ROCK EXPERIENCE
State Urge
3.94 | 238 ratings
PERFECT BEINGS
Perfect Beings
3.96 | 177 ratings
LAUGHING STOCK
Talk Talk
3.95 | 183 ratings
AS FAR AS THE EYE CAN SEE
Sunchild
4.25 | 42 ratings
SELECTIVE MEMORY
Témpano
3.91 | 297 ratings
INCANTATIONS
Oldfield, Mike
3.92 | 259 ratings
DEMON
Gazpacho
3.97 | 139 ratings
RETURN TO MINGULAY
Oceans 5
4.18 | 48 ratings
VEIL OF GOSSAMER
Bainbridge, Dave
4.04 | 79 ratings
THINK LIKE A MOUNTAIN
Ritual
4.02 | 87 ratings
KAYAK II
Kayak
3.95 | 135 ratings
TROUBLE WITH MACHINES
District 97
4.11 | 57 ratings
DREAMLAND
Plant, Robert
4.19 | 43 ratings
D'APRČS LE HORLA DE MAUPASSANT
Box, The
3.90 | 228 ratings
PROCOL HARUM
Procol Harum
3.93 | 148 ratings
THE WAR OF THE WORLDS
Wayne, Jeff
3.95 | 126 ratings
THE END IS BEGUN
Three
3.97 | 107 ratings
LA QUARTA VITTIMA
Zuffanti, Fabio
3.89 | 216 ratings
CHUPACABRAS
Phideaux
3.90 | 173 ratings
MOMENTS
IOEarth
3.99 | 87 ratings
FEATHERGUN
Rishloo
3.91 | 154 ratings
WET DREAM
Wright, Richard
4.11 | 49 ratings
THE PATH OF LEAST EXISTENCE
Jet Black Sea
3.83 | 657 ratings
INSURGENTES
Wilson, Steven
3.90 | 157 ratings
CORVUS STONE
Corvus Stone
3.99 | 83 ratings
MAPS OF NON-EXISTENT PLACES
Thank You Scientist
4.04 | 63 ratings
TURN OF THE TIDE
Arz
3.95 | 103 ratings
GENERATION 13
Saga
3.94 | 104 ratings
THE ANCIENT TALE
Fatal Fusion
3.96 | 93 ratings
VESPERTINE
Björk
4.29 | 29 ratings
THE LONG GOODBYE
Procol Harum
3.90 | 144 ratings
SYNAESTHESIA
Synaesthesia
3.83 | 490 ratings
SO
Gabriel, Peter
4.05 | 54 ratings
ANCHOR DROPS
Umphrey's McGee
4.09 | 47 ratings
TODD
Rundgren, Todd
3.85 | 237 ratings
ELDORADO
Electric Light Orchestra
3.91 | 117 ratings
DELUSION SQUARED
Delusion Squared
3.87 | 160 ratings
OVER
Frequency Drift

Crossover Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Crossover Prog experts team

PRE-EMPTIVE FALSE RAPTURE
Chrome Hoof
FOLKLORE
Pez
STANDING STONE
Oliver
CONQUISTA
Alux Nahual

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Latest Crossover Prog Music Reviews


 Corvus Stone II by CORVUS STONE album cover Studio Album, 2014
4.58 | 58 ratings

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Corvus Stone II
Corvus Stone Crossover Prog

Review by GruvanDahlman
Prog Reviewer

5 stars I was approached by Colin Tench, asking me to listen to the new album by Corvus Stone and maybe review it on PA. Since I have had the great pleasure of giving Oceans 5, another of Tench's projects, a review I was more than happy to. I was fully aware that Corvus differed from Oceans 5 but I had no knowledge of just how this difference would manifest itself. Since I had no preconceptions to speak of I listened to the album with an open mind, not quite ready for just what lurked beneath the cover of the album.

Since I knew nothing, really, about the music inside I was amazed and impressed from the get go. The opening quartet of songs does not give the album away but is in itself an amazing set of songs. Pastoral, beautiful and gently flowing. 'Boots for hire', a cover apparently, opens up quite bluesy but changes direction quite a few times, going from blues to all out hard rock and ends on a choral, middle eastern note. Really impressive stuff, since it does not get the feeling of being forced. Rather it is very natural. The track 'Sneaky entrance to Lisa' is to me a perfect ending to this suite of music. Maybe I am only imagining it to be four parts of an epic work but I will cling to that notion, anyway.

The ZZ Top-ish 'Purple Stone' with it's Saxon overtones is quite refreshing but does not make my bells chime in the same way as the first four. It is a matter of taste, I suppose. It's good but I have not totally warmed to it. There is however a jamming section with organ and Tench's guitar which is really good. It does possess a certain refreshing quality, as I have stated, and kicks in like that wafer thin mint after a nice meal and that is certainly a good thing.

The pastoral and beauty returns for a spell with 'A stoned crow meets the Rusty Wolff Rat'. The very beautiful intro gives way to an almost avant garde fusion section which is energetic and engaging, before landing in a very spacious feeling. Tench's guitar and the keyboards feel like a cloud of sounds and sights.

There are a couple of really short tracks, like 'Dark tower' for instance, really deserving notice. They are like bridges or passages between the songs, guiding you through this bewildering palace of music. How these harmonize with everything else makes me marvel at the musicianship on display.

'Moaning Lisa'. Ah, now there's a track. Nigh on 15 minutes and built around a sense of renaissance music. It's like Henry Purcell or John Dowland going prog rock and really embraces the seemingly vast oceans of time and musical soundscapes. While one envisions the countryside manor house in the Elizabethan era in all it's glory, one is awakened by a mouth organ playing this furios solo. (In fact it reminds me of the mouth organ in 'The Wizard' by Black Sabbath. That is good, mind you.) It all finishes with a waltz. How do you pull that off? To Corvus Stone it is the most natural of things, it seems.

I will not go through every track, there's an incredible 16 of them, but worth noticing is the variation in styles without ever losing the sense of quality. There are no fillers. Everything from jazz, rock, hardrock, folk, latin (Scandinavians in Mexico), classical, medieval and contemporary share the same plate and it is a glorious plate. The way Corvus Stone approaches music, every song is treated as an entity of it's own, as is stated in the CD, is quite rare. That becomes very obvious when there's lyrics in finnish rather than english. That tom e is a strength and boldness.

The abundance of moods, genres and textures are really something to give them unashamed credit for. It is brave and visionary. Boldness in the shape of a CD. Despite the fact that there are such a mass of different genres I never feel lost or confused. It is a delicately ordered collection of songs moving through all and any territory without being forced or seem abnormal in the context of it all. It simply flows, glides and utilizes everything great about music and manages to capture the essence on top of that. It is an achievement and one that I think will grow into the conscience of others. I am also of the conviction that it will stand the test of time just perfectly.

So, all this praise and now for the final judgement. How to rate this album? I started out feeling that it obviously needed four stars and that would be quite enough but the more I listen, the more I hear and the more I discover I lean more and more towards five. And why shouldn't it get five stars? I cannot really come to any convincing reason as to why not. This is an extremely well written, well perfomed and solid album. On the strength of that notion I will award it five stars. I think they deserve it.

 Sound Mirror by SYD ARTHUR album cover Studio Album, 2014
3.86 | 29 ratings

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Sound Mirror
Syd Arthur Crossover Prog

Review by Guldbamsen
Forum & Site Admin Group Site and Forum Admin

4 stars 'Songs you most likely are going to sing along to at some point'

This one could very well turn out to be AOTY for me. It's been a fun ride, even if I had quite the preservations coming into this thing, as I first laid eyes on the track listing: 10 songs and less than 35 minutes of music!?!??! Wtf! Even the debut had a long cut clocking in at about 8 minutes - feeling like a mini epic with big sweeps of violin and guitar. On Sound Mirror everything is concise and to the point, no time for riff raff or extended wild soloing, and I'll certainly be the first to admit it. I felt a little disappointed with this new development, because like most fans of rock that pushes the envelope (sometimes just a wee bit), I'm always looking for that ever so delightful and orgiastic long tune that sets my blood on fire and transforms my copious corpus into a quivering pool of jello.

Yet when I then got my hands on an actual release - unpacked the bugger like a mental person and frantically placed it in my stereo, every doubt and preconceived notion flew out my ear and left for the ceiling. I instantly loved the album! The tunes were shorter, but what they perhaps lacked in length - they conquered back in the band's violinist Raven Bush and her newly found love of the piano, mandolin and various keyboards - making Sound Mirror feel altogether more refined and matured. Now I personally tend to go for the young teen angst zeitgeist in rock music, but not to worry. Even if the band's sound palette seems to have grown in size, there's still a strong presence of the youthful nonchalance and carefree ways the debut was soaked in.

What Syd Arthur mostly has got going for them is something very rare inside modern PA releases. At least according to my tastes that is. I often find the vocals in modern prog horrific - with 90% of the lot sounding like tired versions of Andy Latimer. On here you get a warm and rather nasal charm to the vocals. You cannot help but feel joy and the energy of youth, whenever this guy opens his mouth. Liam Magill is a wonderful singer, and the things he does with the guitar ain't too shabby either, although he never really goes all out. He is first and foremost a terrific rhythm guitarist. The combination of his guitar and those brilliant vocals works like a real charm. Especially on a track like Chariots does this shine through...in spades! It's everywhere though.

Getting down to brass tax here! How does it sound? Any reference points? Well, one could be as glib as to call Sound Mirror the soul of a gifted singer songwriter coming together with the chops and gusto of a psychedelic folk rock group with a strong Canterbury odour. On the debut I heard some serious Caravan touches coming through in Raven's violin work, often reminding me of 'For Girls who grow plump in the Night'. With this new one the Caravan touch is still there, although coming through in other instruments. I am constantly reminded of the melodic work of Dave Sinclair, no matter what keyboard is afoot. It's by no means copycatting behaviour we're talking about, but merely a whiff of something familiar dressed up in an altogether different gown. In addition to the references, you'll find distinct sections where the group suddenly feels like a second cousin to Grizzly Bear and their brand of psychedelic folk rock.

The peaks on this baby are far too many to count, but there's of course the titillating riffs of Chariots, the bluesy expression of the opener Garden Of Dreams, the naive and always impeccably played 60s inspired rhythm section, the staying power of Forevermore with it's memorable chorus that'll be playing the rest of your evening from the insides of your skull - or perhaps the melancholy and slightly circus-like feel of the keys adorning the closer Sink Hole, - fact of the matter is wherever you look, there's magnificence. The grandeur of this release though doesn't exactly explode in your face upon first listen, but rather comes crawling through the window when you're not looking. It's a ninja thing.

The only negative thing this album is facing with the prog crowd is the fact that Liam sings so incredibly well and smooth, that there are bound to be folks writing him and the rest of his companeros off as a psychedelic Indie rock group. Maybe that's true - I certainly wouldn't call Syd Arthur a prog band, but then again I feel comfortable keeping this album right next to my Caravan and Hatfield and the North albums too. There's an effortlessness and breezy nature to the way they play making all technical sparks and turn overs feel natural and unforced. The 'Canterbury' sound may well be modern and hard to pick out among the straightforwardness of the songs, but the feel of things is still there.

In the end this is merely a collection of incredibly well performed songs. No bs just music with heart. 4.5 stars.

 Corvus Stone II by CORVUS STONE album cover Studio Album, 2014
4.58 | 58 ratings

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Corvus Stone II
Corvus Stone Crossover Prog

Review by Mat Cat

5 stars The first Corvus Stone album was brilliant. The 2nd is outstanding. I compare it to raising your 2nd child where you put in all the experience in the education you gained from the 1st one.

As a german DJ of a German Rock/Prog oriented internet station I normally don't write reviews, especially not in English. I comment on air and get feedback in the chat or by mail.

Playing songs like "Boots For Hire", "Purple Stone" or "Scandinavians" on air is a grateful task, my audience takes them on in no time and loves them as I do. Especially their version of "Boots" is mind blowing. The original song by Belgium's "Murky Red" is 10/10 for me, but this cover version extends the length and contents and richness of it and lifts it to another level. It does NOT make the original obsolete, but it lifts it to a sort of "dream level". When you have heard a song you like several times on repeat and go to bed, boozed or not, whilst fading into dreamland the song will play in your brain and your own fantasy will add dream stuff to it and will change it and you will like it even more before you fall asleep. I imagine Corvus Stone did just this, but had a magic dream recording machine running, which made it easy for them to put this fine cover together.

The dream machine was running on quite some of the other tracks too, but you should go and find out yourself. I hope you can spare an evening and listen to this album 3 times in a row, as I did a week after I got it. Before that I only had limited time to sneak into some of the songs and was not totally happy with all of them. But that evening they all started to make sense and as much as I opened up to them, they would open up to me and the 3rd run-through was like living in perfect harmony together. Especially with my "Moaning Lisa", which is track 15 on the album, but has it's 30 second overture "Sneaky Entrance in to Lisa" as track 4? the only thing I could nag about. But as a DJ I can change it to my liking? I played tracks 4 and 15 in a row and was happy.

 Brighter Skies by FREDDEGREDDE album cover Studio Album, 2014
3.86 | 74 ratings

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Brighter Skies
FreddeGredde Crossover Prog

Review by Progrussia

4 stars Being a busy dad doesn't allow for much web surfing. 5-minute bursts of activity on PA. So I have to pick my pleasure. Out of the myriad I selected, no strong reason, on a whim, Heliopolis and this. While both are prog albums by prog fanatics for prog fanatics, Heliopolis takes a decidedly retro approach, and Fredde updates classic prog with a modern sound. On a base of symphonic prog snippets of everything can be heard, from metal to jazz and country. Yet, despite the occasional punchiness, what I like is that Larsson never loses the playfulness - from his wacky alias to the tinkling synths and warm vocal that wouldn't be out of place on a children's show. But this is no simple record - in fact, it can get quite convoluted at times. Densely layered songs-suits, different parts and instrumental solos whizzing by at an often dizzying speed. Its pretty impressive for what basically is a single-man project, but sometimes you will get the feeling that there is simply too much stuff going on. If you like this, here are some similarly-minded bands to check out - Simon Says (Tardigrade) for the quirky bombast, ACT for the playfulness and Flaming Row for eclectic-ness.

 Pre-Emptive False Rapture by CHROME HOOF album cover Studio Album, 2007
4.11 | 14 ratings

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Pre-Emptive False Rapture
Chrome Hoof Crossover Prog

Review by siLLy puPPy
Prog Reviewer

5 stars CHROME HOOF is a London based outfit that excels at eccentricity. They consider themselves an experimental chamber rock orchestra. They are also known for their outrageous live shows where all of the many members dress in wild outfits and perform in strange avant-garde ways. I would love to see them! The story is that the founders and brothers Leo and Milo Snee were into totally different styles of music ranging from metal to electronic. When they decided to play together they couldn't decide which direction to go... so they went every which way at once! This is some unique sounding stuff indeed. Never before have I heard such a perfect fusion of metal, electronica, funk, swing jazz and chamber music. It is flawless. This is progressive music you can dance to.

PRE-EMPTIVE FALSE RAPTURE is their second album but the one that got them noticed. I have to say that this little sucka has really gotten under my skin. It keeps me coming back for more and more and more. I loved it upon first listen but now after a gazillion listens it just gets better. I'm constantly hearing it in new ways. The music takes major liberties in its development but everything stays within a fairly structured and accessible frame. The complexities are in the background and continue to reward time and time again. Each song focuses on a different genre of music but usually includes a bit from many. On some tracks there are multiple parts. You may get a funky metal beginning followed by a swing jazz break of some sort evolving into something more elaborate. Recently this album has percolated up to a 5 star rating for me. The sheer innovation is astounding. It is catchy and progressive at the same time. I could really see Cardiacs fans going for this one. It has that same totally whacked out approach to music but keeps it approachable at the same time.

 Through by AMITY IN FAME album cover Studio Album, 2014
4.00 | 2 ratings

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Through
Amity In Fame Crossover Prog

Review by Windhawk
Special Collaborator Honorary Collaborator

4 stars Austrian band AMITY IN FAME was formed back in 2008, and they released their debut album "Dinner for One" later the same year, and made it available as a free download on the Jamendo website, where it has been downloaded more than 40.000 times in the years that followed. "Through" is their second full length production, and was initially released through Graviton Music Services in 2012. Towards the end of 2013 this album was also made available on Jamendo.

Amity in Fame are commonly described as an acoustic rock band, and the band themselves have dubbed their specific take on rock as "powerful acoustic rock". Both descriptions are, as I regard it, only partially truthful. At least if this album is the one used to document such claims. The acoustic guitar is the main and the vital instrument throughout, which is where the acoustic stems from presumably, but this isn't an acoustic band as such. I rather doubt that the bass guitar is an acoustic one for starters, but even if it is the band does use keyboards to provide supplemental details fairly often, and unless I'm much mistaken there are some guitar riffs used for effects at times too. There's also a few guitar solo runs at hand that quite clearly doesn't originate from an acoustic instrument. The main dominant instrument details tends to be provided by acoustic instruments then, but this isn't an all out acoustic band. Not that it matters all that much, but in terms of knowing what to expect these may be important details for some.

For me, "Through" comes across as a solid production through and through, and one with quite a bit of variation to it as well. Opening cut Good Night And Shut Up is a dark and intense one that I suspect may be traced back to grunge as far as initial inspirations goes, and there may even be a slight punky vibe to this one. Longer tracks like Cyranoia and Kraken are more elaborate creations, fairly quirky at times, with a sound, mood and approach that gives me associations to a band like Radiohead more than anything else. The dark, dream-laden instrumental Mirrordrops is something else entirely, the bass guitar central on this one alongside what I suspect are electronic effects, while title track Through is more of a ballad oriented affair, light in tone and fairly smooth, but with a subtle underlying intensity that gave me associations towards good, old REM. The following piece, Burning the Witch, explores a darker and more intense territory again, and on this occasion the mood and vibes are much closer to grunge again, and on this occasion I'd toss in Nirvana in the name dropping department as far as my own associations go.

Careful keyboard details, sometimes also more elaborate ones with an orchestral orientation, supplement the bass, drums and acoustic guitar on key occasions throughout, some electronic effects are added here and there, and guitar riffs and electric guitar solo runs are added in as well. But gently plucked and more frantic acoustic guitar attacks dominates throughout, besides a lead vocalist with a fairly versatile set of pipes. From light toned and frail to harmonic and emotional to dark, edgy and almost threatening, this is a band with a skilled and talented lead vocalist that manage to use his voice to elevate the compositions. It's always a pleasure to listen to good lead vocals, and Amity in Fame comes across as a band that have found the perfect guy in this department.

Otherwise my general impression of "Through" is that it is a solid and well made production through and through. I suspect I'd sort them somewhere under indie or alternative rock when dealing with the art of placing squares in round holes, also known as genre description, but there are elements at hand that due to general sophistication and occasional quirkiness might interest those with a more defined taste for progressive rock as well. As far as defining a key audience goes, I would guess that most people that have the trio of REM, Nirvana and Radiohead in their music collection should find this album enjoyable.

 Fields by BAIRD, KEN album cover Studio Album, 1998
3.52 | 8 ratings

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Fields
Ken Baird Crossover Prog

Review by apps79
Special Collaborator Neo Prog Team

3 stars Ken Baird continued his safari of personal albums with another private release in 1998.The album was titled ''Fields'' and after a few years Baird teamed up with drummer Mike Truax, with whom he had been playing with in his former band Perpetual Angelus.Sue Fraser is again among the participants and the list closes with Jacob Moon, who plays the guitar in a couple of tracks, and saxophonist Mike Classen, appearing in one cut.

As Baird himself had admitted, with ''Fields'' he would partly abandon the long instrumental forms of ''August'' and turn into a more song-oriented style.Of course the material remains proggy enough, featuring again this unmistakable MIKE OLDFIELD aura and the light symphonic moves.Once again the music is driven by Baird's sweet piano themes and dreamy keyboard parts, I can hear even echoes of CLIVE NOLAN of the 90's PENDRAGON era in the album, but while the instrumental passages are somewhat reduced, the ethereal vocals of Baird, the angelic chords of Fraser and the orchestral synthesizers produce a beautiful and moving atmosphere.Certain pieces contain some tunes from recorders, making the MIKE OLDFIELD connections even tighter, but Baird's style was way more symphonic, resulting to an almost personal style.Longer tracks are not absent either, both ''No easy path'' and the very good ''Into night'' are fine examples of keyboard-based Neo/Symphonic Prog with folky overtones in a genuine mix of old and new atmospheres.The display of the guitar parts offer a stronger sense of teamwork and the mixture of male and female vocals delivers a nice, lyrical depth...not to mention that Baird's limited but still present flashy keyboards are more than fantastic.

''Fields'' is a work of emotional, lyrical and atmospheric Neo/Symphonic Prog, where the virtuosic keyboard parts have been sacrified in the name of a lighter still brilliant instrumental enviroment.Warmly recommended, especially to those into the softer and more melodic side of Prog Rock.

 In The Mist Of Morning by NORDAGUST album cover Studio Album, 2010
3.46 | 41 ratings

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In The Mist Of Morning
Nordagust Crossover Prog

Review by tszirmay
Special Collaborator Crossover Team

4 stars Hahahahahahahaha! Mellotron heaven, is there anything really that can top that feeling? Nah! Something about that metallic phantom sound that just gets me every single time. Nordagust comes from Norway, an iconic land that has understood the intricacies of glacial sound that the fearsome mellotron can provide, an irascible instrument that has been historically difficult to master, like a shrewish and seductive woman who refuses to be dominated by anyone and who in fact loves to return the favor and shove her own set of rules down anyone's throat. Swedes Anekdoten, Sinkadus, Landberk and Anglagard as well as fellow Norsemen White Willow have all colluded to create this famous Nordic sound, all ice and fire. We can add Nordagust to the mix, without too much hesitation. Unfortunately, according to their website, the group stopped its activity by 2012, after this debut album had made no inroads or impact whatsoever. Pity! So when I read some reviews and then checked out the sample of "Make Me Believe", I was gobsmacked once again as I have been countless times before in my 45 year love affair with prog. I ordered this sucker 'subito presto' (aka Fast!) and I am glad to include in my collection, just in time for the onset of the glacial Canadian winter, as if I needed a soundtrack to freeze! Truth is the entire disc is one hell of an arctic blizzard, from the grey frostiness of the cover artwork to the sweeping and chilly mellotron howls, these Norse gents have only the shrill voice of singer Daniel Solheim (which will be an acquired taste for many) but his insane intonations only make the music seem more admirable and original. Some have labelled this as a tad too dark and samey, which is perhaps what the endless winter seems to convey at times. If you want salsa, this is definitely the wrong place!

There are tracks that really stand-out, like the opener and title track "in the Mist of the Morning" which is eerily ethereal, hint of drakkars rowing gently in the arctic fog. The Hoggarth-like rant is plaintive and the guitar taciturn, draped in a blanket of sweeping choir mellotron strings, with distant bells peeling unceremoniously. Brrrr! "Expectations" has a gorgeous guitar line that is straight out of folk, with a relentless Jew's harp pounding away in the background. Plus the contrast coming from the tectonic mellotron and the piercing Solheim vocals. The oppressive effects-laden instrumental "In the Woods" serves as a perfect comprehensive intro for the epic "Elegy", a histrionic 9 minute lament that spares little sympathy and weaves a tortuous melancholia. All good tracks.

Middle-Eastern sounding insanity is found on the decidedly garrulous "Forcing", a harsh and somber sonic expanse that suggests relentless pressure and undeniable agony. While we are at it, "Frozen" could easily have been the title track for this album, in view of the grey sub-zero cover art as a backdrop. Both are refrigerated icicles of snowy doom and gloom. Very, very good tracks indeed.

But the absolute winners are the marvelous "The Tide" with its chaotic yet admirable lilt. Simple mellotron- drenched ecstasy, with grating guitar and some monster lead torrents, as an unassuming bass motif recons ahead, scouring a path for the mighty 'tron. Dispassionate and unendurable. Right behind we have the incredible 8 minutes and 31 seconds of "Make Me Believe", a blistering sonic whiteout of polar proportions and the reason why I purchased this unknown and undervalued gem. A pulsating bass motors along a slick orchestral surge, an unholy alliance of electric guitar and that mellotron monster, with Solheim exhorting passionately 'the pain of beauty' , the synthetic choir does this hopping thing, a truly brilliant move that proves that a real talented mind is at work here. The loud guitar has that metallic Gibson sheen used so well by the young Jeff Lynne on early ELO albums. A ghostly prog classic, I promise you, a perfect song in an otherwise imperfect though very cool (pun) album.

Sadly, a one shot-wonder. 4 sunrise vapors on the fjord

 Corvus Stone II by CORVUS STONE album cover Studio Album, 2014
4.58 | 58 ratings

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Corvus Stone II
Corvus Stone Crossover Prog

Review by Lute

5 stars I loved Corvus Stone's first album and planned to get this one as soon as it appeared. Then I saw that Sean Filkins is on it! Never imagined that combination. In fact it is hard to get my head around how many people are on this one. Finnish lyrics also.. check that out! The album sounds exactly like they did before but is wider and bigger and covers more styles than ever. Their blurb mentions Beatles and Jazz funk. After Jussipussi on album 1, it's obvious that there will always be surprises with this lot. Shock in fact. It is impossible to choose any favourites here. That changes with each play. I would be surprised to find anyone who didn't love at least half of this album. Incredible and yes it is even better than the first.
 A Sound & Space, Agreed by ONEVOICE album cover Studio Album, 2013
3.00 | 3 ratings

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A Sound & Space, Agreed
Onevoice Crossover Prog

Review by apps79
Special Collaborator Neo Prog Team

3 stars Onevoice is the pseudonym of a new artist from New York, USA, his name is Dan Costello and he appears to be a multi-instrumentalist and a singer.Citing Genesis, Yes and Rush as his main influences, he recorded and released his debut ''A sound and space, agreed'' in September 2013, making it available as a bandcamp free download.While no credits regarding the recording had been launched, it seems certain that he recorded this album all alone with only some help on female vocals.

Costello has done a great job, recording and mixing the vocal and instrumental parts of the album, which seem to be the key factors for offering a decent one-man album, as ''A sound and space, agreed'' could have been easily a team effort.Regarding the compositions, there range from decent to even excellent.Does his main influences appear on the album?The answer is yes, albeit more in the background, Costello actually uses the pomposity of the aforementioned legendary groups as a guiding light towards a very fresh and contemporary style, which also contains a heavy dash of Pop sensibilities.His work here reminds me of the solo albums by Sky Architect's drummer CHRIS with strong overtones by the sound of PHIDEAUX, A.C.T., ACTIVE HEED and JOHNNY UNICORN.His music is characterized by poppy vocal lines over a trully melodic still progressive content, which includes playful piano lines, tricky keyboards and dynamic guitar parts.A nice mix of Neo Prog, synth-driven Sympho Rock and Pop, featuring lots of grandiose keys, sometimes with a Classical background, flashy and powerful synths, atmospheric soundscapes and a great number of tempo changes, eventually delivering a nice little treasure.Moreover Costello found a way to create a very natural sound, even if the drum parts, for example, are definitely programmed.Costello's music menu contains also some very dramatic tunes in the vein of Classic Prog bands, which combined captivating arrangements with melodramatic lyrical textures.

Under-the-radar dynamic, updated and fresh Prog Rock release.Mostly keyboard-based, featuring fast-paced rhythms, intense melodies, pleasant tunes and intricate breaks.Strongly recommended...3.5 stars.

Data cached

Crossover Prog bands/artists list

Bands/Artists Country
17 PYGMIES United States
3 United Kingdom
3 LEGGED MONSTER United States
3RDEGREE United States
7TH KIND United States
90 DAY MEN United States
A.L.F. Brazil
AARDVARK United Kingdom
AARDVARK' Finland
THE AARON CLIFT EXPERIMENT United States
ABACUS Germany
ABARAX Germany
ABBFINOOSTY United Kingdom
ABIOGENESI Italy
LEE ABRAHAM United Kingdom
ABSENTE H Spain
ABSINTHE JUNK United States
ACANTHE France
ACTIVE HEED Italy
THE ADDICTION DREAM United States
THE ADVANCEMENT United States
AFTER... Poland
AGATHORN Denmark
AHOORA Iran
AKIN France
AKROPOLIS Denmark
ALIAS EYE Germany
ALL OVER EVERYWHERE United States
ALTERNATIVE 4 United Kingdom
ALUX NAHUAL Guatemala
AMAROK Poland
THE AMAZING Sweden
AMITY IN FAME Austria
TORI AMOS United States
AMPERA Norway
ANALOG MISSIONARY United States
THE ANALOGUE United Kingdom
ANANTA Venezuela
ANAWA Poland
LAURIE ANDERSON United States
ANGULART Chile
ANOTHER ROADSIDE ATTRACTION Canada
ANTARES Italy
ANUBIS SPIRE United States
ANYWHERE United States
APATHEIA Czech Republic
APOCALYPSIS Greece
APOGEE Germany
APPLESEED Poland
AQUILA United Kingdom
ARCHANGELICA Poland
ARCHIVE United Kingdom
AREA 39 United Kingdom
ARGENT United Kingdom
ARGO Lithuania
ARNIOE Australia
BRADY ARNOLD United States
TONY ARNOLD United States
THE ARS SUPERNOVA United States
ART BY NUMBERS United States
ART CINEMA Denmark
ART DECO Finland
ARTLAND Israel
ARZ United States
AS FOLLOWS United States
AS TALL AS LIONS United States
ASFALTO Spain
ASGARD United Kingdom
ASIDE BESIDE France
ASTRONOMY United States
ASZENSION Canada
ATARAXIA Japan
ATIK MAZE Portugal
ATLANTYCA France
ATMOSPHERA Brazil
AUDIAC Germany
AUDIOCRACY Multi-National
THE AURORA OBSERVATORY United States
AUT' CHOSE Canada
AUTOGRAPH (AVTOGRAF) Russia
AUTOMATIC MAN United States
AUTUMN CHORUS United Kingdom
AUTUMN PEOPLE United States
AUTUMN WHISPERS Multi-National
AVALON Canada
AVGRUNDEN Sweden
AVIARY United States
DAVID AXELROD United States
AZURETH Multi-National
BADWATER FIRE COMPANY United States
DAVE BAINBRIDGE United Kingdom
KEN BAIRD Canada
BAKU Germany
ANDRE BALZER France
BANDA DO SOL Brazil
TONY BANKS United Kingdom
BARCLAY JAMES HARVEST United Kingdom
NICKLAS BARKER Sweden
BARON United Kingdom
BARROQUEJON Chile
M.M. BARTULICA Bosnia and Herzegovina
COLIN BASS United Kingdom
BAT LENNY United States
BATISFERA Russia
BAUER Argentina
BE BOP DELUXE United Kingdom
BEAD GAME United States
BEAM-LIGHT Poland
DAVID BEDFORD United Kingdom
BEDUÍNOS A GASÓLEO Portugal
BELGRAD Poland
BEND SINISTER Canada
THE BENZENE RING United States
ROBERT BERRY United States
BIG BIG TRAIN United Kingdom
BITTERTOWN Netherlands
BJÖRK Iceland
BLACK CAT BONES United Kingdom
BLACK MOTH SUPER RAINBOW United States
BLACK MOUNTAIN Canada
BLONDIE FOX Italy
BLOW UP HOLLYWOOD United States
THE BODY POLITIC Canada
BORAY Sweden
LINDSEY BOULLT United States
TIM BOWNESS United Kingdom
BOX OF CRAYONS United States
THE BOX Canada
VICTOR BRADY United States
BREATHING SPACE United Kingdom
BREZOVSKY-ROZSA Slovakia
BRIDGES Norway
THE BRIMSTONE SOLAR RADIATION BAND Norway
STEVE BROCKMANN AND GEORGE ANDRADE Multi-National
PATRICK BROGUIERE France
DUNCAN BROWNE United Kingdom
BUKE AND GASE United States
BULBS United Kingdom
BUNCHAKEZE United Kingdom
BURNING SIDEWAYS United States
TARA BUSCH United Kingdom
BY SUNLIGHT United States
DAVID BYRNE United Kingdom
BYRON Romania
CALIFORNIA GUITAR TRIO United States
THE BEN CAMERON PROJECT Australia
CANAMII South Africa
CANNATA United States
CANTURBE Argentina
CAP OUTRUN Sweden
CAPABILITY BROWN United Kingdom
CAPTAIN MARRYAT United Kingdom
FRANCK CARDUCCI Netherlands
MARC CARLTON United Kingdom
CARVED IN ASHES Finland
CASTLE CANYON United States
STEPHEN CAUDEL United Kingdom
CEILING UNLIMITED United States
CHANCE France
CHANCE:RISIKO Italy
CHANGES Switzerland
CHANGING IMAGES Germany
THE CHANT Finland
SPYROS CHARMANIS Greece
CHASM Norway
CHEETO'S MAGAZINE Spain
CHILDREN IN PARADISE France
CHIMPAN A United Kingdom
CHOICE Germany
CHOKE THE WORD United States
CHROME HOOF United Kingdom
CHURN MILK JOAN Multi-National
CINEMA SHOW Brazil
CIRCA United States
CIRCA SURVIVE United States
CIRCUS PARANOIA Netherlands
CIRCUSFOLK Finland
CITADEL France
CLARION Italy
CARY CLOUSER Canada
CLOVER SEEDS France
CLUB MERANO Finland
STEVE COCHRANE Canada
COHEED AND CAMBRIA United States
COLIN EDWIN AND JON DURANT Multi-National
COLLECTING SPACE United States
COLOR Hungary
CONSPIRACY United Kingdom
CONTRACTION Canada
THE COOPER TEMPLE CLAUSE United Kingdom
CORALSPIN United Kingdom
COREY & MAPLE Finland
CORRAL Poland
CORVUS STONE Multi-National
COSHISH India
THE COSMIC REMEDY Multi-National
COSMOS DREAM France
ROB COTTINGHAM United Kingdom
COZHE Finland
BEN CRAVEN Australia
CRAZY WORLD Finland
CRIMINAL CATERPILLAR Canada
CROSS Sweden
BEPPE CROVELLA Italy
CRYPTEX Germany
CUAC! Spain
CUPRUM Czech Republic
PAUL CUSICK United Kingdom
THE CUSTODIAN United Kingdom
CYRIL Germany
LAREN D'OR Hungary
NICK D'VIRGILIO United States
DAEMONIA Italy
DAPHNE Italy
DAVID'S LODGERS Italy
DAYMOON Portugal
DDNZ Serbia
MARCO DE ANGELIS Italy
DEADWOOD FOREST United States
DEAMBRA United States
THE DEAR HUNTER United States
FRANCIS DECAMPS France
DEEP LIMBIC SYSTEM Mexico
DEERHOOF United States
DELIRIO SONORO Italy
DELIRIUM Mexico
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DEMIAN CLAV France
JOE DENINZON United States
A DEVIL'S DIN Canada
DIATESSARON Canada
DICE Germany
THE DIFFERENCE Slovakia
DIFFERENT LIGHT Czech Republic
DIGITAL CHEMISTRY United States
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DIRTY PROJECTORS United States
DISCONNECT United States
DISSONATI United States
DISTANT LIGHTS United States
DISTRICT 97 United States
DLGZ ROCK 5TET France
DOKTOR SPIRA I LJUDSKA BICA Yugoslavia
DR FOLAMOUR France
DREAM THE ELECTRIC SLEEP United States
THE DREAMING TREE United Kingdom
DREDG United States
MARK DUBERRY Ireland
FRANCIS DUNNERY United Kingdom
DW. DUNPHY United States
DUTCH UNCLES United Kingdom
DYNAMO BLISS Sweden
DYONISOS United States
DZEJBI Yugoslavia
ECHO Romania
ECHOES OF GIANTS United States
ECLIPSE Canada
ECLIPSE SOL-AIR Multi-National
EDEL Multi-National
EIDÔLON France
ELDBERG Iceland
ELECTRA Germany
ELECTRIC LIGHT ORCHESTRA United Kingdom
ELECTRIC SORCERY United States
ELECTRUM United States
ELEND France
ELIPHASZ Canada
ELORA France
ELYSIUM THEORY United States
KEITH EMERSON United Kingdom
GERT EMMENS Netherlands
EMPIRE United Kingdom
EMPIRICAL TIME Italy
AARON ENGLISH United States
ENNĎS TÓLA Australia
ENTITY PARADIGM Pakistan
EOS Chile
EPIICYCLE United States
ESAGIL Greece
ETHERS EDGE United Kingdom
EVELINE Italy
EVEN HORSES Germany
EVENT United States
EX-WISE HEADS United Kingdom
EYEVORY Germany
FAINT SIGNAL United States
FAIR TO MIDLAND United States
FAIRY TALE Slovakia
ALESSANDRO FARINELLA Italy
FATAL FUSION Norway
LA FE Chile
FIBONACCI SEQUENCE United States
FIELD MUSIC United Kingdom
PIOTR FIGIEL Poland
NICOLAS FIGUEROA Chile
SEAN FILKINS United Kingdom
HEATHER FINDLAY United Kingdom
FIRE ON DAWSON Germany
FIREHORSE Germany
FISH ON FRIDAY Belgium
FLAUD LOGIC United States
FLICKER United Kingdom
FLOOD United Kingdom
FLORA Italy
FLOWER CORONET United States
FLOWER FLESH Italy
FOBOS Argentina
FONTARABIE Canada
THE FORMER LIFE Italy
FORWARD SHAPES United States
FOURTEEN TWENTYSIX Netherlands
FRACTAL MIRROR Netherlands
FRACTAL ROCK United States
FRAGILE Estonia
FRANC ALBIR Spain
FREDDEGREDDE Sweden
FREEDOM TO GLIDE United Kingdom
FREELIGHT United States
FREQUENCY DRIFT Germany
HASSE FRÖBERG MUSICAL COMPANION Sweden
FRXHO Mexico
FSB Bulgaria
FUCHS Germany
FUTURUM Czech Republic
GABRIEL BONDAGE United States
PETER GABRIEL United Kingdom
GALIJA Yugoslavia
GALLERY Norway
GANDALF Austria
GANDALF'S PROJECT Italy
GAP PARTY Italy
ANJA GARBAREK Norway
GAZPACHO Norway
KEVIN GEIER United States
GEKKO PROJEKT United States
GIO GENTILE Italy
GENTLEMEN WITHOUT WEAPONS United Kingdom
GHOST CIRCUS Multi-National
IL GIARDINO ONIRICO Italy
KEVIN GILBERT United States
GIRAFFE United States
GLASFROSCH Australia
GLASS KITES Canada
YIANNIS GLEZOS Greece
GLORIE United States
GODSTICKS United Kingdom
GOLIATH United Kingdom
LE GONG DU BALAYEUR France
GOTHIC LUNCH Italy
GRAMONAUTUS Argentina
PHILIPPE GRANCHER France
THE GRAND SILENT SYSTEM Australia
GRAVITY TREE United States
GREEN Italy
THE GREEN VIOLINIST Belgium
MARK GREEN United Kingdom
DAVE GREENSLADE United Kingdom
GREY EYE GLANCES United States
GREY LOTUS Netherlands
GRICE United Kingdom
GRIME France
GROUP 309 Russia
LA GUERRA DELLE FORMICHE Italy
ID GUINNESS Canada
GUITAR GARDEN United States
GUNGFLY Sweden
HA' ARNAV HA-LAVAN Israel
HABELARD2 Italy
HABITAT Argentina
HADDAD Brazil
HAGGARD Germany
HALO BLIND United Kingdom
JASON HAVELOCK France
HAYWARD & LODGE (THE MOODY BLUES) United Kingdom
HEARTSCORE Germany
HEATWAVE Italy
ROEL VAN HELDEN Netherlands
HELICOPRIA Multi-National
HELIOTH United States
LUC HENRION Belgium
HENRY FOOL United Kingdom
HERMETIC SCIENCE United States
HIIDENSOINTI Finland
HIPGNOSIS Poland
STEVE HOGARTH United Kingdom
JOANNE HOGG United Kingdom
MARK HOLLIS United Kingdom
HOLLOW BRANCHES Multi-National
HOMESICK FOR SPACE United States
HOT HEAD SHOW United Kingdom
HOUR OF THE SHIPWRECK United States
STEVE HOWE United Kingdom
HYPNOMEN Finland
I.AB United States
IAMTHEMORNING Russia
IF / IFSOUNDS Italy
IGAYON Israel
IGNATIUS Spain
ILUZJON Poland
IMMUNE United Kingdom
INDELIBLE Norway
INDEXI Yugoslavia
INFICTIONS United Kingdom
INFINITE MONOPOLY United States
INFINITE ORCHESTRA United States
INFUSION KAMACHUI Argentina
INNERSPACE Canada
INTENTIONS Netherlands
INTERGALACTIC TOURING BAND Multi-National
INTO THE PRESENCE United States
IOEARTH United Kingdom
ION United Kingdom
IRRGARTEN Canada
ISLANDS Canada
ISZIL Chile
IT BITES United Kingdom
J'ACCUSE..! Italy
J21 Spain
JAÉN KIEF Colombia
JANUS United Kingdom
JASPER WRATH United States
JAUGERNAUT (A.D.) United States
JEBEL United States
JEREMY United States
JEREMY IRONS AND THE RATGANG MALIBUS Sweden
JET BLACK SEA Netherlands
JHIMM United States
JODY GRIND United Kingdom
JONAS LINDBERG Sweden
JONO Sweden
JORM Sweden
KADDISFLY United States
KANT FREUD KAFKA Spain
KAOS MOON Canada
KASSINI United States
KAUKASUS Norway
KAYAK Netherlands
KAZACHSTÁN Czech Republic
KEDAMA Switzerland
KEEP IT DEEP Belgium
KEL LOCH & GOLD United States
MIKE KERSHAW United Kingdom
KERYGMATIC PROJECT Italy
KEVLAR RED United Kingdom
KIMURA France
KING RAT United Kingdom
KINO United States
KINZOKU-EBISU Japan
KISS KISS United States
KNIFEWORLD United Kingdom
KOI Sweden
KOMPENDIUM United Kingdom
KOSKA Spain
KRÁSNÉ NOVÉ STROJE Czech Republic
KRONER CIRKUS Poland
DAVE KULJU United States
KUMM Romania
KUNDABUFFER Argentina
KURKI Finland
KUUSUMUN PROFEETTA Finland
KVARTETTEN SOM SPRANGDE Sweden
LABORATOR France
YOGI LANG Germany
LANTINOR Russia
LISA LARUE United States
LAST TURION Germany
LAURA France
LAVIŔNTICA Italy
LAYRA Italy
LAZY DOLL France
GUY LEBLANC Canada
LEBOWSKI Poland
JOHN LEES United Kingdom
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LIFE Sweden
LIGHT Netherlands
THE LIGHT AFTERNOON United Kingdom
LIMPID GREEN United States
LING TOSITE SIGURE Japan
A LIQUID LANDSCAPE Netherlands
LIRD VAN GOLES Switzerland
LIVES AND TIMES United Kingdom
KERRY LIVGREN United States
LIVING STILTS Italy
THE LIVING Canada
LOBATE SCARP United States
LOGAN DWIGHT Italy
LOONYPARK Poland
LOST WORLD Russia
JEAN-PIERRE LOUVETON France
LOVE DE VICE Poland
ARJEN ANTHONY LUCASSEN Netherlands
THE LUCK OF EDEN HALL United States
LUDUS United Kingdom
JOHANNES LULEY United States
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PHILIPPE LUTTUN France
LÜÜP Greece
WILLIAM LYALL United Kingdom
LYRIAN United Kingdom
MACARTHUR United States
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MADAME BLAVATSKY OVERDRIVE United States
THE MADCAP LAUGHS United Kingdom
MADRIGAL United States
MAID MYRIAD United States
BRUCE MAIN United States
MAJESTIC X United States
BARIS MANCO Turkey
MANDILLO Italy
MANDRAKE PROJECT United States
MANFRED MANN'S PLAINS MUSIC South Africa
IL MANISCALCO MALDESTRO Italy
MANSUN United Kingdom
MANTIS Canada
LUC MARIANNI France
MARIANUS United States
MARS HOLLOW United States
RHYS MARSH Norway
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ALEJANDRO MATOS Argentina
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MAXIMUM INDIFFERENCE United States
THE MAYAN FACTOR United States
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MEW Denmark
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MARK MILLER United States
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MINDSPEAK Austria
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MIRROR PEOPLE United States
VLADIMIR MISIK Czech Republic
KENNY MITCHELL United Kingdom
MODEST MIDGET Netherlands
MOEBIUS CAT Canada
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BARAK MOFFITT United States
MOGADOR Italy
MONTECHIARI PROJECT Brazil
THE MOODY BLUES United Kingdom
MOONLIGHT Poland
MOONLIGHT SKY Slovenia
MICHAEL MOORCOCK United Kingdom
MOPHO Brazil
PATRICK MORAZ Switzerland
MORRIGAN France
MOTAE United States
MOTHER SUPERIOR United Kingdom
MOTHER'S CAKE Austria
MOTHLITE United Kingdom
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MOTO PERPETUO Brazil
MOUNTAIN MIRRORS United States
MOZZARELLA Ecuador
MR. ALBERT SHOW Netherlands
MULTIFUSE United Kingdom
MY ETERNEL United States
MY NAME IS JANET Multi-National
THE MYND United Kingdom
MYTHO Italy
NA LEPEM PRIJAZNI Yugoslavia
HIROYUKI NAMBA Japan
JEFFREY NANESS United States
NANOOK OF THE NORTH Sweden
NAPIER'S BONES United Kingdom
NARANJA MECANICA Argentina
IAN NARCISI United States
NAVE Brazil
CHRIS NEAL Australia
LITTO NEBBIA Argentina
NEGUS Canada
BILL NELSON United Kingdom
NEO France
THE NERVE INSTITUTE United States
NETHERLAND DWARF Japan
NEURAL MASS Canada
NEVER WASN'T United States
NEW BEARD United States
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TOM NEWMAN United Kingdom
JAKE NIELSEN United States
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NINE BOOKS Hungary
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NO TICKET Canada
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THE NOUN United Kingdom
NOVA MALŔ STRANA Italy
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ŃU Spain
LA NUOVA ERA Italy
OBIYMY DOSCHU Ukraine
OCEANS 5 United Kingdom
OCNOS Spain
OCTOBRE Canada
OCTOPIE Finland
ODESSA Italy
OF SOUND MIND Canada
OG MUSIQUE Belgium
OGRÓD WYOBRAźNI Poland
BARTOSZ OGRODOWICZ Poland
OH NO ONO Denmark
OH. Greece
OINGO BOINGO United States
THE OLD MAN & THE SEA Denmark
OLD ROCK CITY ORCHESTRA Italy
MIKE OLDFIELD United Kingdom
SALLY OLDFIELD Ireland
OLIVER United Kingdom
OMNIPRESENT United States
THE ONEIRA Multi-National
ONEVOICE United States
ONGKARA Russia
ONIRIC Italy
ONIRIC PROJECT Italy
ONTOFIELD United Kingdom
OPALE France
OPEN AIR France
OPHIUCUS France
THE OPIUM CARTEL Norway
OPUS SYMBIOSIS Finland
ORBS United States
ORCHESTRA PANICA Italy
ORCHESTRE CELESTI Italy
ORDINARY BRAINWASH Poland
ORPHAN PROJECT United States
ORPHEUS United Kingdom
OSSICLES Norway
OSTA LOVE Germany
OVER THE EARTH France
OVERHEAD Finland
OX.EAGLE.LION.MAN United Kingdom
PAATOS Sweden
PACIFICO Argentina
PADRE Poland
PAIDARION Finland
PAIKAPPU Japan
PALADIN United Kingdom
PALINDROME Austria
CARL PALMER United Kingdom
PANIC ROOM United Kingdom
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PANZA Argentina
ALAN PARSONS PROJECT United Kingdom
PAT COOL Netherlands
THE PAT SAJAK ASSASSINS United States
PATCH Australia
PAVLOV'S DOG United States
THIERRY PAYSSAN France
PEDRA Brazil
VICTOR PERAINO'S KINGDOM COME United States
PERFECT BEINGS United States
PETR NOVAK Czech Republic
PETROLEUM FALCON United States
PEZ Argentina
PHIDEAUX United States
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CHRIS PICTON United Kingdom
PIE Q Israel
PIEZO Canada
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PING PONG Italy
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ROBERT PLANT United Kingdom
PLAYGROUND Germany
PLAYLAND Japan
PLUTO Norway
PLUTO AND THE PLANETS Norway
POCKETFUL Sweden
POLIFEMO Argentina
POOR GENETIC MATERIAL Germany
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LUBOS POSPISIL Czech Republic
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PREACHER United Kingdom
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PYE FYTE United States
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MICHAEL QUATRO United States
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RAINBOW DANGER CLUB China
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ZOZIMO RECH Brazil
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