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CROSSOVER PROG

A Progressive Rock Sub-genre


From Progarchives.com, the ultimate progressive rock music website

Crossover Prog definition

Crossover Prog contains progressive rock music that, though 100% progressive, may have a musical connection to popular music-- whether it be the lack of emphasis on extended compositions, or an influence from mainstream music in addition to classical, jazz and folk. Compositions, however, still exhibit a high degree of sophistication, sometimes outright complexity, and the musicianship and virtuosity is often on a par with established Prog acts. Much like their kin in the established prog sub-genres, these groups will incorporate many major parts of what defines prog rock: the fusing of rock with the structures and discipline of more traditional musics, the use of syntheisizers and new technologies, intelligent thematics, and the expansion of the form.

The defining characteristics of Crossover Prog are a pop music influence that is largely vacant in typical prog rock. Songs tend toward shorter, more concise presentations though still reach beyond the typical verse, bridge, chorus pattern. The harmonic, melodic, and rhythmic structures may be more easily digested in Crossover while not losing the musical integrity that a prog listener expects. Whereas Prog Related bands are generally commercial groups with certain prog elements or players that were involved in prog acts, Crossover Prog artists are predominantly progressive with elements of popular music.

The most representative examples for this genre include The MOODY BLUES, SUPERTRAMP, DREDG, CINEMA SHOW, RADIOHEAD.

- written by micky (Michael) and Chus (Jesus)

Current Team Members as at 01/01/2014

Evolver (Scott)
kev rowland (Kevin)
ProgShine (Diego)
tszirmay (Thomas)
Second Life Syndrome (Jason)

Crossover Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Crossover Prog | More Top Prog lists and filters

4.34 | 1048 ratings
CRIME OF THE CENTURY
Supertramp
4.34 | 857 ratings
OMMADAWN
Oldfield, Mike
4.31 | 1115 ratings
THE RAVEN THAT REFUSED TO SING (AND OTHER STORIES)
Wilson, Steven
4.24 | 707 ratings
DOOMSDAY AFTERNOON
Phideaux
4.28 | 347 ratings
~
iamthemorning
4.20 | 1153 ratings
GRACE FOR DROWNING
Wilson, Steven
4.21 | 616 ratings
PETER GABRIEL (3 - "MELT")
Gabriel, Peter
4.73 | 47 ratings
BELIGHTED
iamthemorning
4.19 | 740 ratings
ENGLISH ELECTRIC (PART ONE)
Big Big Train
4.17 | 657 ratings
SNOWTORCH
Phideaux
4.18 | 532 ratings
THE UNDERFALL YARD
Big Big Train
4.15 | 528 ratings
DAYS OF FUTURE PASSED
Moody Blues, The
4.14 | 442 ratings
NIGHT
Gazpacho
4.11 | 548 ratings
ENGLISH ELECTRIC (PART TWO)
Big Big Train
4.23 | 136 ratings
LOVE REMAINS THE SAME
Von Hertzen Brothers
4.19 | 174 ratings
QUICKLY QUICKLY QUICKLY
Tea Club, The
4.12 | 312 ratings
PASSION
Gabriel, Peter
4.22 | 125 ratings
THE SHAMING OF THE TRUE
Gilbert, Kevin
4.10 | 330 ratings
WAR AND PEACE & OTHER SHORT STORIES
Filkins, Sean
4.15 | 191 ratings
THE HEMULIC VOLUNTARY BAND
Ritual
4.06 | 771 ratings
TUBULAR BELLS
Oldfield, Mike
4.11 | 248 ratings
PAMPERED MENIAL
Pavlov's Dog
4.07 | 409 ratings
AMAROK
Oldfield, Mike
4.09 | 258 ratings
SPIRIT OF EDEN
Talk Talk
4.13 | 159 ratings
ACT I: THE LAKE SOUTH, THE RIVER NORTH
Dear Hunter, The
4.16 | 130 ratings
SECRETS OF THE BEEHIVE
Sylvian, David
4.21 | 95 ratings
THE GNOMON
Sunchild
4.02 | 695 ratings
OK COMPUTER
Radiohead
4.03 | 485 ratings
TALES OF MYSTERY AND IMAGINATION - EDGAR ALLAN POE
Parsons Project, Alan
4.05 | 258 ratings
LUNATIC SOUL
Lunatic Soul
4.05 | 254 ratings
TO OUR CHILDREN'S CHILDREN'S CHILDREN
Moody Blues, The
4.16 | 102 ratings
MODRA RIJEKA
Indexi
4.09 | 153 ratings
THE LONG DIVISION
3RDegree
4.01 | 403 ratings
TICK TOCK
Gazpacho
4.36 | 49 ratings
TIME
Time
4.00 | 447 ratings
NUMBER SEVEN
Phideaux
4.05 | 218 ratings
SHINE ON BRIGHTLY
Procol Harum
4.00 | 439 ratings
UP
Gabriel, Peter
4.04 | 231 ratings
EL CIELO
Dredg
4.07 | 128 ratings
CINEMATIC
Lebowski
4.04 | 140 ratings
ENOUGH BLAME TO GO AROUND
Disconnect
3.99 | 214 ratings
GHOSTS
Frequency Drift
4.01 | 171 ratings
ACT II: THE MEANING OF, AND ALL THINGS REGARDING MS. LEADING
Dear Hunter, The
3.99 | 210 ratings
FOR YOUR PLEASURE
Roxy Music
3.95 | 421 ratings
EVEN IN THE QUIETEST MOMENTS....
Supertramp
3.99 | 200 ratings
ROXY MUSIC
Roxy Music
3.98 | 219 ratings
PERFECT BEINGS
Perfect Beings
3.99 | 181 ratings
ACT III: LIFE AND DEATH
Dear Hunter, The
3.95 | 333 ratings
MARCH OF GHOSTS
Gazpacho
3.94 | 382 ratings
HERGEST RIDGE
Oldfield, Mike
3.99 | 182 ratings
LAID TO REST
Frequency Drift
4.02 | 136 ratings
AS YOUR MIND FLIES BY
Rare Bird
3.93 | 492 ratings
BREAKFAST IN AMERICA
Supertramp
3.93 | 434 ratings
PETER GABRIEL (4 - "SECURITY" OR "MASK")
Gabriel, Peter
4.15 | 65 ratings
BLUE JAYS
Hayward & Lodge (The Moody Blues)
4.17 | 60 ratings
AN OCEAN HELD ME
Mice On Stilts
4.15 | 63 ratings
WHITE ROCK EXPERIENCE
State Urge
4.15 | 63 ratings
THE EDGES OF TWILIGHT
Tea Party, The
3.94 | 290 ratings
AMUSED TO DEATH
Waters, Roger
3.91 | 552 ratings
KID A
Radiohead
3.94 | 239 ratings
DEMON
Gazpacho
3.99 | 144 ratings
BROKEN CHINA
Wright, Richard
3.96 | 180 ratings
AS FAR AS THE EYE CAN SEE
Sunchild
4.04 | 93 ratings
AND THE GLASS HANDED KITES
Mew
3.91 | 302 ratings
INCANTATIONS
Oldfield, Mike
3.95 | 185 ratings
LAUGHING STOCK
Talk Talk
3.97 | 134 ratings
RETURN TO MINGULAY
Oceans 5
3.97 | 131 ratings
TROUBLE WITH MACHINES
District 97
4.18 | 48 ratings
VEIL OF GOSSAMER
Bainbridge, Dave
4.20 | 44 ratings
THE PATH OF LEAST EXISTENCE
Jet Black Sea
4.15 | 51 ratings
SELECTIVE MEMORY
Témpano
3.96 | 126 ratings
SYNAESTHESIA
Synaesthesia
4.04 | 77 ratings
THINK LIKE A MOUNTAIN
Ritual
4.18 | 44 ratings
CHROMIUM
Talisma
3.90 | 224 ratings
PROCOL HARUM
Procol Harum
3.95 | 126 ratings
THE END IS BEGUN
Three
4.01 | 85 ratings
FEATHERGUN
Rishloo
3.93 | 144 ratings
THE WAR OF THE WORLDS
Wayne, Jeff
3.93 | 143 ratings
CORVUS STONE
Corvus Stone
4.09 | 58 ratings
BRIGHTER SKIES
FreddeGredde
3.99 | 92 ratings
KAYAK II
Kayak
4.04 | 68 ratings
DREAMLAND
Plant, Robert
4.04 | 67 ratings
AT THE END OF MYSELF
Echoes Of Giants
3.89 | 211 ratings
CHUPACABRAS
Phideaux
3.97 | 98 ratings
THE ANCIENT TALE
Fatal Fusion
3.84 | 650 ratings
INSURGENTES
Wilson, Steven
3.90 | 168 ratings
MOMENTS
IOEarth
3.90 | 160 ratings
WET DREAM
Wright, Richard
3.99 | 82 ratings
MAPS OF NON-EXISTENT PLACES
Thank You Scientist
3.96 | 92 ratings
VESPERTINE
Björk
3.93 | 113 ratings
GENERATION 13
Saga
3.93 | 111 ratings
DELUSION SQUARED
Delusion Squared
3.90 | 146 ratings
OVER
Frequency Drift
3.94 | 101 ratings
LA QUARTA VITTIMA
Zuffanti, Fabio
3.83 | 488 ratings
SO
Gabriel, Peter
4.06 | 53 ratings
ANCHOR DROPS
Umphrey's McGee
4.30 | 28 ratings
THE LONG GOODBYE
Procol Harum
3.95 | 85 ratings
ENIGMA
Seven Side Diamond
4.07 | 50 ratings
D'APRČS LE HORLA DE MAUPASSANT
Box, The
4.04 | 54 ratings
LIGHTS FROM THE DEEP
Ignatius

Crossover Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Crossover Prog experts team

BLACK DOG THERE
Box, The
BROKEN CHINA
Wright, Richard
VOICE
Capability Brown
CONQUISTA
Alux Nahual

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Latest Crossover Prog Music Reviews


 Summer by FREQUENCY DRIFT album cover Studio Album, 2014
4.13 | 4 ratings

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Summer
Frequency Drift Crossover Prog

Review by Second Life Syndrome
Collaborator Post/Math Rock and Crossover Teams

4 stars Color me impressed. Frequency Drift has already given us a masterpiece this year in "Over", an album that represented true progression and that contains some of the best songs of the year. In fact, as I write this, "Over" is still my favorite album of 2014 thus far. So, leave it to Frequency Drift to release yet another album of sorts called "Summer". The stated purpose of this album is two-fold. First, this album is a fundraiser for the band so they can do some touring (always a good thing). Secondly, however, "Summer" represents the end of an era for the band. Though the band is being rather mysterious about it, their next album is assumed to be somewhat different in style, and so Frequency Drift has decided to give one last hurrah before they move on to other things.

So, is the swan song of this era any good? It certainly is. Quite appropriately, the six tracks on this album are reworked, previously unreleased songs that the band have upgraded and perfected. Because of this, most of the tracks will remind fans of earlier albums, such as "Personal Effects" or "Ghosts", albums with which I fell in love in the first place. This means the songs are dreamy, flitting, and extremely atmospheric. Take, for instance, the title track "Summer" and the laughing that is present or "Summer's End" and its water effects. This type of thing is common with this band, and I simply love it. It's so refreshing.

Yet, the band doesn't rely on effects for filler. They are accents to the brilliant music. They augment it and nothing else. Again, the title track "Summer" is simply killer. The guitar melody is a work of genius, and the finger work is deft. In fact, "Summer" may be one of the best songs the band has ever made, and it is worth the price of admission alone. Indeed, it even approaches the brilliance of "Memory" off of "Over", which is as high a compliment as I can give it. "Summer" is representative of the whole album, though. The rumbling, organic drumming, the impressive bass work, and the stunning, visceral keys are all present throughout the album. Amazing. This band has finally come together as a tight unit.

Isa's voice sounds wondrous and whimsical. She really matches the tone of some of the previous vocalists, but I feel her voice is richer and she nails the melodic hooks even better. It is a true joy to hear her exercise her vocal feats around the soaring guitars and satisfying thumping of the drums. I must say that the guitar solos are especially impressive on the album, very soulful and creative. The sounds of summer's end are certainly present here, too, as the waning light and the ominous cold of autumn seem very discernible. There is a certain sorrowful tone of resolution that pervades this album, but it's a sorrow that mourns for nostalgia, yet hopes for the future.

So, support this amazing band. Frequency Drift deserves more attention, and "Summer" proves that. "Summer", "Summer's End", "Distant", and "Siren" are my favorites here, but the entirety of the work needs to be heard. It's the end of an era, and it certainly feels like it. So, the band has ended this era with a splash---quite literally.

 Anchor Drops by UMPHREY'S MCGEE album cover Studio Album, 2004
4.06 | 53 ratings

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Anchor Drops
Umphrey's McGee Crossover Prog

Review by TCat

5 stars Yes I am a huge Phish phan. Are these guys like Phish? Not much from what I hear. Sure there are a few occasional similarities, but not enough to be considered a copy or a rip off. The biggest difference is Umphrey's McGee is a lot more progressive, especially on this album. I love this album. I am not going to say much about it, because there are already some long reviews of the album and I honestly think most of what needs to be said has been said. Now it's time for you to experience the album for yourself. At times, this is very complex and progressive, at other times some songs are simpler and more standard, but never boring. The mix of the styles works here. There are many surprises throughout. That's all I'm going to say about the album. Get out there and discover these guys now! They are not getting enough attention!
 Belighted by IAMTHEMORNING album cover Studio Album, 2014
4.76 | 41 ratings

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Belighted
iamthemorning Crossover Prog

Review by Zitro
Prog Reviewer

5 stars Two years ago, a virtually unknown Russian band released a debut with chamber classical orchestration, gorgeous multi-layered vocals, and the occasional modern rock touch. Very few initially noticed it, but eventually by word of mouth, it became an unexpected favorite 2012 album in progressive rock, despite the scarcity of progressive rock elements. Listeners there mainly rated on songwriting and enjoyment.

Now, we have a second iamthemorning album, expanding on the elements from the first album. A confident, mature album that will likely bring rave reviews all over the place given the band is not as obscure as in 2012.

The music is once again heavily influenced by classical music. Vocals and piano continue creating the foundation of the music, with orchestral instrument, drums, and modern rock sounds adding layers whenever needed. Even the modern rock sounds are used in a very classical, 'iamthemorning' way.

The added complexity of the music was a risk. After all, the debut's instantly rewarding melodies and its safe, if brilliant, songwriting approach made it very difficult for many listener to honestly hate such an album. Now, we're dealing with complexity levels more to the tune of classical music and progressive rock. This is now easily categorized as progressive rock, with less direct melodies, knotty musical ideas, occasionally long songs, more in-depth instrumentation and lyricism. The risk is that I enjoyed the first listen less than the first listen of the debut. However, I cannot decide which album I prefer now. I feel like this one has a few minor flaws based on the risk-taking approach, compared to the near-perfection pop of the debut. However, there are even more 'WOW!' moments here in my opinion, some of the very best musical passages I perceive to come across.

Flaws? I seem to only gripe about the slow development of their last full song, the samples in 'Howler' and the beginning of 'K.O.S' with a repetitive, awkward drum beat and one-chord guitar riff. Luckily, the latter two songs are overall highly interesting and dynamic songs otherwise, which is why I said the flaws are not severe as they involve a small fraction of two songs.

Strengths? It's hard to name them all. The intermissions remain impressive. The first one has such a captivating atmosphere, I can't imagine anyone being hard-pressed to say 'nah' and stop playing the album. The fourth intermission (titled XII) almost reaches song-like status in length, starting with classical violin and continuing with mesmerizing piano. The last intermission is almost transcendental in a spiritual sense.

And then you have the songs and they are so, so good. All those subtle melodies and exciting instrumentation in 'Howler', the beautiful 'To Human Misery' with a very captivating main melody yet also with a lot of subtle instrumentation. I should try not to overuse the phrase 'subtle complexity', but I think that word really describes this album. Subtle complexity is what makes this album work so well: you latch on into some obvious melodies on first listen, but then all those little details won't make you lose interest. Every instrument plays melodies, sometimes simultaneously.

'Romance' and '5/4' sound a bit like more intricate version of Tori Amos music. They are whimsical, enchanting yet quite complex in instrumentation. Those little details like the muted violin melodies and brief 'shredding' electric guitar that somehow sounds mellow. The '5/4' song is mostly in 6/4 actually, but when it shifts to a 5/4 meter playing a carnival-like atmosphere, it's pure genius, even if it sounds like a horrible idea at first listen. It's an odd choice for a single. I thought it would be 'The Simple Story' which is more instantly recognizable with its melodies and the great piano line near the end. 'Crowded Corridors' is possibly their most accomplished composition to date and also their longest by far at nearly 9 minutes. It begins relatively subdued with their typical instrumentation and vocalizations, if more haunting than usual. Something else going for it is the more 'epic', dramatic moments that work incredibly well. It'd be interesting if they revisit this approach to songwriting in later albums. A particular highlight, besides the obvious piano solo in the latter half, is a slow melody at minute 3 being revisited at the very end at a faster pace.

By the way, most of these songs deviate from a typical song structure to help make it more impactful and dynamic. The song 'Gerda' starts very soft and delicate but later sounds very empowering and grand: it's yet another great song. 'Os Lunatum' starts as an outstanding piano + vocal duet, both at their very best, especially during the song's main hook. Guitars later become dominant on the song's instrumental section. The song concludes with a full band sound, the progression from the very beginning being very natural.

'K O S' may be marginally a less enjoyable song here because of that first minute which sounds repetitive and lacks what I like about the band. The rest is an interesting experiment as they veer towards a progressive rock / alternative rock sound without fully losing their trademark vocals, pianos, and subtle way to adding melodic layers. I love the way it ends, reprising the intro in such a way that almost redeems it. The 'Reprise of Light no Light' is another lesser favorite, developing in a slow fashion that sometimes tests my patience and doesn't have as satisfying of a climax as I would have expected. I do love it, along with the last intermission; end with peaceful, abstract noise. Hard to describe it, but it's transcendental in beauty.

In the end, they have accomplished a very difficult feat, given the high standard the set themselves with their debut. This second album is very intelligent music as well as very deep, emotional music. It touches me. In the end, despite the occasional flaw, it's a masterpiece and I anticipate being consistently among my very favorite pieces of music regardless of genre alongside their debut.

Source: Free streaming off soundcloud.

 The Final Delusion by DELUSION SQUARED album cover Studio Album, 2014
3.70 | 27 ratings

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The Final Delusion
Delusion Squared Crossover Prog

Review by Aussie-Byrd-Brother
Special Collaborator Rock Progressivo Italiano Team

4 stars The third Delusion Squared album, `The Final Delusion', will hopefully be anything but that, as the French three piece offer their most fulfilling, varied and exciting album to date and have so much more promise to build on from here! The band, led by the distinctive and charmingly accented Lorraine Young (singing in her best English so far), alongside Steven Francis (guitars, drums) and Emmanuel de Saint Méen (bass, keyboards), offer a mix of contrasting acoustic and electric passages, punchy and sleek Rush-style heavy prog, Porcupine Tree-like emotional acoustic flavours, the sombre gloom of Paatos and a dash of introspective indie pop, with the emphasis on melodic vocal driven songs and only carefully tightly framed instrumental moments. The band will likely appeal most to fans of the more modern takes on progressive music, as there's very little vintage or retro influenced sounds throughout.

The ideas behind this concept work are certainly a lot to dwell on and ponder. Mind-control, gene experimentation, torture, modern warfare and mental manipulation all feature, with frequently dreamy and surreal lyrics that move backwards and forwards through different time frames. Even with little moments of bridging interludes of conversations between and during tracks, following the story can be quite confusing, and the CD booklet only offers help in the form of some cryptic leaked (and I'm assuming mock?!) government documents. I hope I've been able to grasp the basics of the concept of the album, otherwise the guys and gal of Delusion Squared are welcome to contact me and set the record straight!

Immediate attention must go to Lorraine's shrieking gasp over a battery of storming drums that opens the first proper track `Diaspora', it instantly makes you sit up and take notice, wondering `What are we getting into here?!', as well as showing off the confidence of the band. Nice soaring chorus on that one too! Lorraine also supplies plentiful delicate acoustic guitar throughout the disc, full of warmth in even the most melancholic moments. There are nice varied electric guitar approaches and reflective piano throughout `Reason of State', beautiful use of feedback-drenched electric wailing and distorted synth on `Devil Inside'. `Finally Free' sees the acoustic and electric guitars racing alongside each other in a late Porcupine Tree manner, some hazy ambience throughout the ethereal synths of `Last Day of Sun', and the mix of lilting acoustic guitar and orchestration on `By The Lake (Dying)' is impossibly heartfelt. Thick snarling metal tears through `Oblivion for My Sin'. You also get driving instrumentals like album opener `The Same River Thrice', full of heavy riffs, constant powerful drumbeats and pulsing Neo prog influenced synths, `Persistence of Vision' instead builds atmosphere by way of Post-rock chiming guitars and thick murky bass. `Deus in Machina' closes the album with soaring orchestration, victorious guitar soloing and a rising vocal that displays defiant human spirit and true heart.

Without a doubt, thirteen tracks is probably far too many, and several of the pieces have quite a similar sound. However, once you become more familiar with the whole album, it has a great flow and you won't notice the lengthy running time so much. Some will find Lorraine's thick accent difficult, but I think she has real character and great spirit. Fans of the later Porcupine Tree albums and modern female fronted prog bands should look into Delusion Squared right away, and in some ways, the group are a much deeper and more complex version of acts such as Touchstone and The Reasoning, maybe even a gutsier, less vintage based Magenta. `The Final Delusion' is a triumph for melodic vocal driven modern prog that places emotion, melody and subtlety over flashy extended bloated soloing, and the trio should be immensely proud of their efforts here.

Four stars.

 How Was the Future by MONTECHIARI PROJECT album cover Studio Album, 2009
3.14 | 9 ratings

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How Was the Future
Montechiari Project Crossover Prog

Review by b_olariu
Prog Reviewer

3 stars 3.5 stars for sure

Montechiari Project is a band from Brazil taken the name from the keybordist Raphael Montechiari who formed this band in 2007 and releasing so far a single album in 2009 named How was the future?

Well, I was very pleasent surprised about this unknown album, I mean all pieces stands as good towards great, really inspired album. Raphael keyboards are really great and in combination with Drummond guitars, the result is quite great. Pieces as Fake Song, The true story of Alice or Mirrors are great, like all pieces. This type of cross over prog album I like to hear all the time. Nice vocal parts that is fiting in the music well. The music is varied and has plenty of memorable parts. Totaly unknown band that I think needs a wider recognition.

 The Imperial Hotel by SAMURAI OF PROG, THE album cover Studio Album, 2014
4.42 | 10 ratings

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The Imperial Hotel
The Samurai of Prog Crossover Prog

Review by Ovidiu

5 stars THE IMPERIAL HOTEL is the third album of the great band THE SAMURAI OF PROG,the guys have already released 2 excellent albums with cover songs!!This time,we have on this album only original compositions from the guys ,but the title track is in fact a composition of the Brit symphonic progressive band ENGLAND,from 1975!Robert Webb,the mastermind behind ENGLAND is giving here a serious hand on the new interpretation,and everything sound excellent in 2014 with a track composed almost 40 years ago!The first thing about this album is the amazing look,it's absolutelly stunning-a gorgeous digipack,with a massive 40 pages booklet conceived by Ed Unitsky and a cd which fits perfectly well inside the digipack,packed like a classic vinyl,in an envelope!The sensational artwork is breathtaking,very coloured and impressive,with great photos and all the informations about the musicians and the album !Musically speaking,we have al album of almost 1 hour of vintage prog rock,extremelly well composed and masterfully played by amazing musicians!The title track is a 28 minutes monster composition,very diverse and catchy,with plenty of musical twists and unexpected moments!All the guys in the band are on top of their technical skills,without being too demonstrative,just efficient and proud to deliver such high class prog rock!We have here influences from prog rock giants like YES....GENESIS....GENTLE GIANT...or more modern prog icons like THE FLOWER KINGS or SPOCK'S BEARD or ECHOLYN...great vocal harmonies a la Yes...and also a marvelous vintage sound,with a Rickenbacker bass guitar in front and great old school organ sound!Also,the drum sound is marvelous,all the sound is very organic and shows the unique fascination of this type of music!The mix is just perfect,it captures all what it has to,a great sound of the instruments and a production which puts in evidence the unique flavour of vintage prog rock.This album proves at 100 % that old school prog still has many things to offer to his fans and the charm of this music is timeless!Definitelly ,a musical triumph for TSOP,and the promise to have from this extremelly talented musiciand,great albums in the future!It seems that only sky is the limit for THE SAMURAI OF PROG!I dare to say that THE IMPERIAL HOTEL is almost a masterpiece album,everything is close to perfection-both music and look,presentation of the album!4.75 stars for me....rounded to 5!
 Logan Dwight by LOGAN DWIGHT album cover Studio Album, 1972
3.13 | 5 ratings

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Logan Dwight
Logan Dwight Crossover Prog

Review by progbaby

4 stars Unfortunately, this site does not allow for fractional stars. My real rating is a 3.7 which is why I rounded up to 4 :-)

It might get better with even more listens.

These are the kind of albums I like finding.

Logan Dwight would be considered to be in the 2nd/3rd tier of italian bands of the 70's. But that is not a knock against them when you consider bands like Banco, PFM, Le Orme, Locanda Delle Fate, Museo Rosenbach, QVL, etc.. to be in the first tier.

This is quite a good album. There's not really one stand out track that's a classic but what you have here (or at least to my ears) is 30 minutes of good early 70's classic rock/meets progressive elements with even a sprinkle of saxophones to accompany some nice melodies. And you get a female singer with a nice soprano voice.

My favorite track has to be Dawn with the warm accoustic opening followed by a verse with a melody that they just don't do anymore :-) The chorus is wonderful. Chorus at times reminds me of Reale Accademia Di Musica.

For an italian album, vocals in english (and not in broken english either like so many of the english-sung albums from the 1970's italian scene).

Some of the melodies with their accoustical guitars and delicate female vocals leave me with the thoughts "They just don't make them this way anymore" (whether that's good or bad depending on your point of view) and this sits very nice with what music was like in the year 1972.

If I really had to make any type of comparisons (for your point of reference), I would say there are traces of Reale Accademia Di Musica (from their first s/t album), Aninoma Sound Machine (Red Tape Machine), Tonton Macoute (an almost essential british album to get) and throw in a very nice female voice to boot. And at points maybe even a little trace of "accoustic-delicate Delirium" in their Dolce Acqua/Lo Scemo albums. And for more originality, some saxophone here and there (but not predominent).

Running at only 30 minutes, that should not turn you off. I found about 27 minutes of this to be good listening.

No standout tracks that I can label as classic but I thought they put their heart/soul in every one of the tracks as it's solidly "good" (3.7 - like) all the way thru.

Don't expect a classic but there stuff to like on this album if you are familiar/like the references above that I mentioned.

Don't let this album slip by you without at least a listen. You might be able to find some sound samples on youtube. Check out the first 3 tracks if you can. This group had nothing to be ashamed of and they deserve a mention of the good albums from the 1970's italian scene.

 The Contract/Blueprint Of The Dream by PURSON album cover Singles/EPs/Fan Club/Promo, 2013
3.00 | 1 ratings

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The Contract/Blueprint Of The Dream
Purson Crossover Prog

Review by Rune2000
Special Collaborator Prog Metal Team

— First review of this album —
3 stars The Contract was the second single off the band's debut album The Circle & The Blue Door. This single was released almost a month after Purson released the video for the song on their YouTube channel PursonMusic. Even though I like the song, it was far from one of my favorites among the eleven tracks featured on the band's debut album. If anything, it's a very representative track of Purson and their style so if you enjoy the composition then remember that there is more even better material out there to discover.

The second track, The Blueprint Of The Dream, is one of those pretty generic Purson tracks that aren't really bad but lack the melodic hook that would make it a standout moment. This is almost an acoustic track that features only a few sounds of electric guitars and the familiar sound of organ that otherwise dominate the band's repertoire. I'd say that you'll be better off purchasing the band's debut album The Circle & The Blue Door or their debut EP Rocking Horse before exploring this single.

**** star songs: The Contract (4:11)

*** star songs: Blueprint Of The Dream (3:25)

 The Circle & the Blue Door by PURSON album cover Studio Album, 2013
3.97 | 28 ratings

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The Circle & the Blue Door
Purson Crossover Prog

Review by Rune2000
Special Collaborator Prog Metal Team

4 stars 2013 was the year that Purson had finally released their debut album and it was pretty much as good as I was expecting it to be! After the debut EP in 2013 and the first single Leaning On A Bear, my expectations upon this release were really high. Looking at the track list, I saw a few familiar tracks like the re-recorded versions of Spiderwood Farm and Rocking Horse, from the debut EP, and the first single Leaning On A Bear. This meant that I already was familiar with three out of the eleven tracks featured here. But how was the rest of the tracks and how well did the familiar material blend in with the rest of the album?

The opening track Wake Up Sleepy Head starts off with a dreamy intro which is then followed by the more familiar tones of electric guitar and organ on The Contract. The slightly expanded version of Spiderwood Farm is neither better nor worse than its predecessor off the debut EP while the playful tones of Sailor's Wife's Lament remind me of the Slapp Happy album Casablanca Moon. The first single, Leaning On A Bear, is another uptempo rock track featuring a hefty dose of organ while Tempest And The Tide is where the album introduces familiar tunes of Mellotron. I really hope that Purson could do more longer tracks since most of their better material is generally tracks that dare to go past the five minute mark.

Mavericks And Mystics and Well Spoiled Machine seem to pass by pretty swiftly, both featuring a few interesting passages here and there but overall don't bring me the same sense of enjoyment as some of the other tracks on The Circle & The Blue Door. Sapphire Ward is the album's heaviest moment that is dominated by some heavy electric guitar riffing action. Rocking Horse sounds pretty much the same as the version featured on their debut EP, which makes me wonder if the actually re-recorded the track? It's still a solid composition nonetheless. The final track Tragic Catastrophe is easily my favorite part of this album, featuring a strong organ-driven melody that leaves me wanting to hear more from Purson.

The Circle & The Blue Door is a strong debut album by a band that clearly knows what they're doing and it leaves me with a sense that Purson can do no wrong by pursuing their retro style psychedelic rock sound. If you're into beautiful organ-driven rock music then this band is definitely gonna be up your alley!

***** star songs: Spiderwood Farm (5:09) Tempest And The Tide (5:06) Tragic Catastrophe (5:21)

**** star songs: Wake Up Sleepy Head (2:06) The Contract (4:11) Sailor's Wife's Lament (3:59) Leaning On A Bear (3:27) Mavericks And Mystics (3:48) Well Spoiled Machine (5:09) Sapphire Ward (5:02) Rocking Horse (4:25)

 Collection by MYND, THE album cover Boxset/Compilation, 2008
3.00 | 1 ratings

BUY
Collection
The Mynd Crossover Prog

Review by apps79
Special Collaborator Neo Prog Team

— First review of this album —
3 stars Another one of those unsigned bands of the 70's with no actual releases back around the time, material of which would surface decades later.The Mynd came from the North-East part of England, formed in late-60's/early-70's by brothers Billy Surgeoner (keyboards, vocals) and Bob Surgeoner (guitar, vocals), having Anthony Bradley (bass) and Gordon Larkman (drums) as the original rhythm section.John Cockburn replaced Bradley in 1974 and Martin Atkins came in the place of Larkman the next year.The band reputedly reached the grounds of Holland and Germany for live shows, before dissolving in 1979.The history of The Mynd is documented through 8 recorded tracks in a bandcamp offer, released by Billy Surgeoner on his page in June 2008.

Most of the tracks show a pretty talented act trying to transmit its music from the fading Psychedelic Rock style to a more symphonic and progressive sound, at least the longer ones are great pieces with a symphonic value, highlighted by Billy Surgeoner's omnipresent Mellotron and piano, making this release a must-have for all BARCLAY JAMES HARVEST, PROCOL HARUM and early KING CRIMSON fans.The guitars do have a psychedelic touch through this endless scratches, but the domination of the Mellotron throws the long arrangements in the symphonic category.The vocals are great, expressive and emotional, the music contains extended instrumental passages with big time Mellotron orchestrations and flute strings and occasionally some harder guitar moves and even some jamming sections, delivering eventually music with good thematic changes and a convincing sound, despite the mediocre recording quality.The shorter tracks are uneven to say the least, some of them are close to 60's Psych Pop with a flower power mentality, characterized by soft guitars and keyboards and melodic vocal harmonies.Some others though walk on the band's progressve attitude, albeit a bit closer to Hard/Psych Prog with dramatic vocal tones and angular riffs over the Mellotron parts.

Billy Surgeoner played in a Pink Floyd tribute band called Pink Freud from 2003 to 2009 and since 2005 he has been releasing Electronic/New Age albums under the High Chair moniker.

Good, old British Prog with tons of Mellotron and some harder edges in the guitars.Average recording quality but also some nice and long progressive tracks with symphonic and psychedelic leanings.Recommended.

Data cached

Crossover Prog bands/artists list

Bands/Artists Country
17 PYGMIES United States
3 United Kingdom
3 LEGGED MONSTER United States
3RDEGREE United States
7TH KIND United States
90 DAY MEN United States
A.L.F. Brazil
AARDVARK United Kingdom
AARDVARK' Finland
THE AARON CLIFT EXPERIMENT United States
ABACUS Germany
ABARAX Germany
ABBFINOOSTY United Kingdom
ABIOGENESI Italy
LEE ABRAHAM United Kingdom
ABSENTE H Spain
ABSINTHE JUNK United States
ACANTHE France
ACTIVE HEED Italy
THE ADDICTION DREAM United States
THE ADVANCEMENT United States
AFTER... Poland
AGATHORN Denmark
AHOORA Iran
AKIN France
AKROPOLIS Denmark
ALIAS EYE Germany
ALL OVER EVERYWHERE United States
ALTERNATIVE 4 United Kingdom
ALUX NAHUAL Guatemala
AMAROK Poland
THE AMAZING Sweden
TORI AMOS United States
AMPERA Norway
ANALOG MISSIONARY United States
THE ANALOGUE United Kingdom
ANANTA Venezuela
LAURIE ANDERSON United States
ANGULART Chile
ANOTHER ROADSIDE ATTRACTION Canada
ANTARES Italy
ANUBIS SPIRE United States
ANYWHERE United States
APATHEIA Czech Republic
APOCALYPSIS Greece
APOGEE Germany
APPLESEED Poland
AQUILA United Kingdom
ARCHANGELICA Poland
ARCHIVE United Kingdom
AREA 39 United Kingdom
ARGENT United Kingdom
ARGO Lithuania
ARNIOE Australia
BRADY ARNOLD United States
TONY ARNOLD United States
THE ARS SUPERNOVA United States
ART BY NUMBERS United States
ART CINEMA Denmark
ART DECO Finland
ARTLAND Israel
ARZ United States
AS FOLLOWS United States
AS TALL AS LIONS United States
ASFALTO Spain
ASGARD United Kingdom
ASIDE BESIDE France
ASTRONOMY United States
ASZENSION Canada
ATARAXIA Japan
ATIK MAZE Portugal
ATLANTYCA France
ATMOSPHERA Brazil
AUDIAC Germany
AUDIOCRACY Multi-National
THE AURORA OBSERVATORY United States
AUT' CHOSE Canada
AUTOGRAPH (AVTOGRAF) Russia
AUTOMATIC MAN United States
AUTUMN CHORUS United Kingdom
AUTUMN PEOPLE United States
AUTUMN WHISPERS Multi-National
AVALON Canada
AVGRUNDEN Sweden
AVIARY United States
DAVID AXELROD United States
AZURETH Multi-National
BADWATER FIRE COMPANY United States
DAVE BAINBRIDGE United Kingdom
KEN BAIRD Canada
BAKU Germany
ANDRE BALZER France
BANDA DO SOL Brazil
TONY BANKS United Kingdom
BARCLAY JAMES HARVEST United Kingdom
NICKLAS BARKER Sweden
BARON United Kingdom
BARROQUEJON Chile
M.M. BARTULICA Bosnia and Herzegovina
COLIN BASS United Kingdom
BAT LENNY United States
BATISFERA Russia
BAUER Argentina
BE BOP DELUXE United Kingdom
BEAD GAME United States
BEAM-LIGHT Poland
DAVID BEDFORD United Kingdom
BEDUÍNOS A GASÓLEO Portugal
BELGRAD Poland
THE BENZENE RING United States
ROBERT BERRY United States
BIG BIG TRAIN United Kingdom
BITTERTOWN Netherlands
BJÖRK Iceland
BLACK CAT BONES United Kingdom
BLACK MOTH SUPER RAINBOW United States
BLACK MOUNTAIN Canada
BLONDIE FOX Italy
BLOW UP HOLLYWOOD United States
THE BODY POLITIC Canada
BORAY Sweden
LINDSEY BOULLT United States
TIM BOWNESS United Kingdom
BOX OF CRAYONS United States
THE BOX Canada
VICTOR BRADY United States
BREATHING SPACE United Kingdom
BREZOVSKY-ROZSA Slovakia
BRIDGES Norway
THE BRIMSTONE SOLAR RADIATION BAND Norway
STEVE BROCKMANN AND GEORGE ANDRADE Multi-National
PATRICK BROGUIERE France
DUNCAN BROWNE United Kingdom
BUKE AND GASE United States
BULBS United Kingdom
BUNCHAKEZE United Kingdom
BURNING SIDEWAYS United States
TARA BUSCH United Kingdom
BY SUNLIGHT United States
DAVID BYRNE United Kingdom
BYRON Romania
CALIFORNIA GUITAR TRIO United States
THE BEN CAMERON PROJECT Australia
CANAMII South Africa
CANNATA United States
CANTURBE Argentina
CAP OUTRUN Sweden
CAPABILITY BROWN United Kingdom
CAPTAIN MARRYAT United Kingdom
FRANCK CARDUCCI Netherlands
MARC CARLTON United Kingdom
CARVED IN ASHES Finland
CASTLE CANYON United States
STEPHEN CAUDEL United Kingdom
CEILING UNLIMITED United States
CHANCE France
CHANCE:RISIKO Italy
CHANGES Switzerland
CHANGING IMAGES Germany
THE CHANT Finland
SPYROS CHARMANIS Greece
CHASM Norway
CHEETO'S MAGAZINE Spain
CHILDREN IN PARADISE France
CHIMPAN A United Kingdom
CHOICE Germany
CHOKE THE WORD United States
CHROME HOOF United Kingdom
CHURN MILK JOAN Multi-National
CINEMA SHOW Brazil
CIRCA United States
CIRCA SURVIVE United States
CIRCUS PARANOIA Netherlands
CIRCUSFOLK Finland
CITADEL France
CLARION Italy
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CLOVER SEEDS France
CLUB MERANO Finland
STEVE COCHRANE Canada
COHEED AND CAMBRIA United States
COLIN EDWIN AND JON DURANT Multi-National
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COLOR Hungary
CONSPIRACY United Kingdom
CONTRACTION Canada
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CORALSPIN United Kingdom
COREY & MAPLE Finland
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COSHISH India
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COSMOS DREAM France
ROB COTTINGHAM United Kingdom
COZHE Finland
BEN CRAVEN Australia
CRAZY WORLD Finland
CRIMINAL CATERPILLAR Canada
CROSS Sweden
BEPPE CROVELLA Italy
CRYPTEX Germany
CUAC! Spain
CUPRUM Czech Republic
PAUL CUSICK United Kingdom
THE CUSTODIAN United Kingdom
CYRIL Germany
LAREN D'OR Hungary
NICK D'VIRGILIO United States
DAEMONIA Italy
DAPHNE Italy
DAVID'S LODGERS Italy
DAYMOON Portugal
DDNZ Serbia
MARCO DE ANGELIS Italy
DEADWOOD FOREST United States
DEAMBRA United States
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FRANCIS DECAMPS France
DEEP LIMBIC SYSTEM Mexico
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DELIRIO SONORO Italy
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DEMIAN CLAV France
JOE DENINZON United States
A DEVIL'S DIN Canada
DIATESSARON Canada
DICE Germany
THE DIFFERENCE Slovakia
DIFFERENT LIGHT Czech Republic
DIGITAL CHEMISTRY United States
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DIRTY PROJECTORS United States
DISCONNECT United States
DISSONATI United States
DISTANT LIGHTS United States
DISTRICT 97 United States
DLGZ ROCK 5TET France
DOKTOR SPIRA I LJUDSKA BICA Yugoslavia
DR FOLAMOUR France
DREAM THE ELECTRIC SLEEP United States
THE DREAMING TREE United Kingdom
DREDG United States
MARK DUBERRY Ireland
FRANCIS DUNNERY United Kingdom
DW. DUNPHY United States
DUTCH UNCLES United Kingdom
DYNAMO BLISS Sweden
DYONISOS United States
DZEJBI Yugoslavia
ECHO Romania
ECHOES OF GIANTS United States
ECLIPSE Canada
ECLIPSE SOL-AIR Multi-National
EDEL Multi-National
EIDÔLON France
ELDBERG Iceland
ELECTRA Germany
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ELEND France
ELIPHASZ Canada
ELORA France
ELYSIUM THEORY United States
KEITH EMERSON United Kingdom
GERT EMMENS Netherlands
EMPIRE United Kingdom
EMPIRICAL TIME Italy
AARON ENGLISH United States
ENNĎS TÓLA Australia
ENTITY PARADIGM Pakistan
EOS Chile
EPIICYCLE United States
ESAGIL Greece
ETHERS EDGE United Kingdom
EVELINE Italy
EVEN HORSES Germany
EVENT United States
EX-WISE HEADS United Kingdom
EYEVORY Germany
FAINT SIGNAL United States
FAIR TO MIDLAND United States
FAIRY TALE Slovakia
ALESSANDRO FARINELLA Italy
FATAL FUSION Norway
LA FE Chile
FIBONACCI SEQUENCE United States
FIELD MUSIC United Kingdom
PIOTR FIGIEL Poland
NICOLAS FIGUEROA Chile
SEAN FILKINS United Kingdom
HEATHER FINDLAY United Kingdom
FIRE ON DAWSON Germany
FIREHORSE Germany
FISH ON FRIDAY Belgium
FLAUD LOGIC United States
FLICKER United Kingdom
FLOOD United Kingdom
FLORA Italy
FLOWER CORONET United States
FLOWER FLESH Italy
FOBOS Argentina
FONTARABIE Canada
THE FORMER LIFE Italy
FORWARD SHAPES United States
FOURTEEN TWENTYSIX Netherlands
FRACTAL MIRROR Netherlands
FRACTAL ROCK United States
FRAGILE Estonia
FRANC ALBIR Spain
FREDDEGREDDE Sweden
FREEDOM TO GLIDE United Kingdom
FREELIGHT United States
FREQUENCY DRIFT Germany
HASSE FRÖBERG MUSICAL COMPANION Sweden
FRXHO Mexico
FSB Bulgaria
FUCHS Germany
FUTURUM Czech Republic
GABRIEL BONDAGE United States
PETER GABRIEL United Kingdom
GALIJA Yugoslavia
GALLERY Norway
GANDALF Austria
GANDALF'S PROJECT Italy
GAP PARTY Italy
ANJA GARBAREK Norway
GAZPACHO Norway
KEVIN GEIER United States
GEKKO PROJEKT United States
GIO GENTILE Italy
GENTLEMEN WITHOUT WEAPONS United Kingdom
GHOST CIRCUS Multi-National
IL GIARDINO ONIRICO Italy
KEVIN GILBERT United States
GIRAFFE United States
GLASFROSCH Australia
GLASS KITES Canada
YIANNIS GLEZOS Greece
GLORIE United States
GODSTICKS United Kingdom
GOLIATH United Kingdom
LE GONG DU BALAYEUR France
GOTHIC LUNCH Italy
GRAMONAUTUS Argentina
PHILIPPE GRANCHER France
THE GRAND SILENT SYSTEM Australia
GRAVITY TREE United States
GREEN Italy
THE GREEN VIOLINIST Belgium
MARK GREEN United Kingdom
DAVE GREENSLADE United Kingdom
GREY EYE GLANCES United States
GREY LOTUS Netherlands
GRICE United Kingdom
GRIME France
GROUP 309 Russia
LA GUERRA DELLE FORMICHE Italy
ID GUINNESS Canada
GUITAR GARDEN United States
GUNGFLY Sweden
HA' ARNAV HA-LAVAN Israel
HABELARD2 Italy
HABITAT Argentina
HADDAD Brazil
HAGGARD Germany
HALO BLIND United Kingdom
JASON HAVELOCK France
HAYWARD & LODGE (THE MOODY BLUES) United Kingdom
HEARTSCORE Germany
HEATWAVE Italy
ROEL VAN HELDEN Netherlands
HELICOPRIA Multi-National
HELIOTH United States
LUC HENRION Belgium
HENRY FOOL United Kingdom
HERMETIC SCIENCE United States
HIIDENSOINTI Finland
HIPGNOSIS Poland
STEVE HOGARTH United Kingdom
JOANNE HOGG United Kingdom
MARK HOLLIS United Kingdom
HOLLOW BRANCHES Multi-National
HOMESICK FOR SPACE United States
HOT HEAD SHOW United Kingdom
HOUR OF THE SHIPWRECK United States
STEVE HOWE United Kingdom
HYPNOMEN Finland
I.AB United States
IAMTHEMORNING Russia
IF / IFSOUNDS Italy
IGAYON Israel
IGNATIUS Spain
ILUZJON Poland
IMMUNE United Kingdom
INDELIBLE Norway
INDEXI Yugoslavia
INFICTIONS United Kingdom
INFINITE MONOPOLY United States
INFINITE ORCHESTRA United States
INFUSION KAMACHUI Argentina
INNERSPACE Canada
INTENTIONS Netherlands
INTERGALACTIC TOURING BAND Multi-National
INTO THE PRESENCE United States
IOEARTH United Kingdom
IRRGARTEN Canada
ISLANDS Canada
ISZIL Chile
IT BITES United Kingdom
J'ACCUSE..! Italy
J21 Spain
JAÉN KIEF Colombia
JANUS United Kingdom
JASPER WRATH United States
JAUGERNAUT (A.D.) United States
JEBEL United States
JEREMY United States
JEREMY IRONS AND THE RATGANG MALIBUS Sweden
JET BLACK SEA Netherlands
JHIMM United States
JODY GRIND United Kingdom
JONAS LINDBERG Sweden
JONO Sweden
JORM Sweden
KADDISFLY United States
KANT FREUD KAFKA Spain
KAOS MOON Canada
KASSINI United States
KAUKASUS Norway
KAYAK Netherlands
KAZACHSTÁN Czech Republic
KEDAMA Switzerland
KEEP IT DEEP Belgium
KEL LOCH & GOLD United States
MIKE KERSHAW United Kingdom
KERYGMATIC PROJECT Italy
KEVLAR RED United Kingdom
KIMURA France
KING RAT United Kingdom
KINO United States
KINZOKU-EBISU Japan
KISS KISS United States
KNIFEWORLD United Kingdom
KOI Sweden
KOMPENDIUM United Kingdom
KOSKA Spain
KRÁSNÉ NOVÉ STROJE Czech Republic
KRONER CIRKUS Poland
DAVE KULJU United States
KUMM Romania
KUNDABUFFER Argentina
KURKI Finland
KUUSUMUN PROFEETTA Finland
KVARTETTEN SOM SPRANGDE Sweden
LABORATOR France
YOGI LANG Germany
LANTINOR Russia
LISA LARUE United States
LAST TURION Germany
LAURA France
LAVIŔNTICA Italy
LAYRA Italy
LAZY DOLL France
GUY LEBLANC Canada
LEBOWSKI Poland
JOHN LEES United Kingdom
LEVIATHAN United States
LIFE Sweden
LIGHT Netherlands
THE LIGHT AFTERNOON United Kingdom
LIMPID GREEN United States
LING TOSITE SIGURE Japan
A LIQUID LANDSCAPE Netherlands
LIRD VAN GOLES Switzerland
LIVES AND TIMES United Kingdom
KERRY LIVGREN United States
LIVING STILTS Italy
THE LIVING Canada
LOBATE SCARP United States
LOGAN DWIGHT Italy
LOONYPARK Poland
LOST WORLD Russia
JEAN-PIERRE LOUVETON France
LOVE DE VICE Poland
ARJEN ANTHONY LUCASSEN Netherlands
THE LUCK OF EDEN HALL United States
LUDUS United Kingdom
JOHANNES LULEY United States
LUNATIC SOUL Poland
PHILIPPE LUTTUN France
LÜÜP Greece
WILLIAM LYALL United Kingdom
LYRIAN United Kingdom
MACARTHUR United States
MACHINES DREAM Canada
MADAME BLAVATSKY OVERDRIVE United States
THE MADCAP LAUGHS United Kingdom
MADRIGAL United States
MAID MYRIAD United States
BRUCE MAIN United States
MAJESTIC X United States
BARIS MANCO Turkey
MANDILLO Italy
MANDRAKE PROJECT United States
MANFRED MANN'S PLAINS MUSIC South Africa
IL MANISCALCO MALDESTRO Italy
MANSUN United Kingdom
MANTIS Canada
LUC MARIANNI France
MARIANUS United States
MARS HOLLOW United States
RHYS MARSH Norway
MARTINI HENRY United States
COLIN MASSON United Kingdom
MASTERS OF THE AIRWAVES United States
MATERIA GRIS Argentina
MATERYA Italy
ALEJANDRO MATOS Argentina
MAVARA Iran
MAXIMUM INDIFFERENCE United States
THE MAYAN FACTOR United States
MAYFAIR Austria
JAMES (JIM) MCCARTY United Kingdom
MCDONALD & GILES United Kingdom
SIMON MCKECHNIE United Kingdom
MEKHLIN Denmark
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MERMAID KISS United Kingdom
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META United States
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METUS Poland
MEW Denmark
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MIDIAN Italy
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MARK MILLER United States
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MIND United States
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MINDMOVIE Germany
THE MINSTREL'S GHOST United States
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VLADIMIR MISIK Czech Republic
KENNY MITCHELL United Kingdom
MODEST MIDGET Netherlands
MOEBIUS CAT Canada
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BARAK MOFFITT United States
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MONTECHIARI PROJECT Brazil
THE MOODY BLUES United Kingdom
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MOONLIGHT SKY Slovenia
MICHAEL MOORCOCK United Kingdom
MOPHO Brazil
PATRICK MORAZ Switzerland
MORRIGAN France
MOTAE United States
MOTHER SUPERIOR United Kingdom
MOTHER'S CAKE Austria
MOTHLITE United Kingdom
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MOUNTAIN MIRRORS United States
MOZZARELLA Ecuador
MR. ALBERT SHOW Netherlands
MULTIFUSE United Kingdom
MY ETERNEL United States
MY NAME IS JANET Multi-National
THE MYND United Kingdom
MYTHO Italy
NA LEPEM PRIJAZNI Yugoslavia
HIROYUKI NAMBA Japan
JEFFREY NANESS United States
NANOOK OF THE NORTH Sweden
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NARANJA MECANICA Argentina
IAN NARCISI United States
NAVE Brazil
CHRIS NEAL Australia
LITTO NEBBIA Argentina
NEGUS Canada
BILL NELSON United Kingdom
NEO France
THE NERVE INSTITUTE United States
NETHERLAND DWARF Japan
NEURAL MASS Canada
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NEW BEARD United States
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NEW MACHINE United States
TOM NEWMAN United Kingdom
JAKE NIELSEN United States
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NINE BOOKS Hungary
NINE DAYS' WONDER Germany
NINE INCH NAILS United States
NO TICKET Canada
NORDAGUST Norway
NORTH ATLANTIC OSCILLATION United Kingdom
THE NOUN United Kingdom
NOVA MALŔ STRANA Italy
NOVUS REX United States
ŃU Spain
LA NUOVA ERA Italy
OBIYMY DOSCHU Ukraine
OCEANS 5 United Kingdom
OCNOS Spain
OCTOBRE Canada
OCTOPIE Finland
ODESSA Italy
OF SOUND MIND Canada
OG MUSIQUE Belgium
OGRÓD WYOBRAźNI Poland
BARTOSZ OGRODOWICZ Poland
OH NO ONO Denmark
OH. Greece
OINGO BOINGO United States
THE OLD MAN & THE SEA Denmark
OLD ROCK CITY ORCHESTRA Italy
MIKE OLDFIELD United Kingdom
SALLY OLDFIELD Ireland
OLIVER United Kingdom
OMNIPRESENT United States
THE ONEIRA Multi-National
ONGKARA Russia
ONIRIC Italy
ONIRIC PROJECT Italy
ONTOFIELD United Kingdom
OPALE France
OPEN AIR France
OPHIUCUS France
THE OPIUM CARTEL Norway
OPUS SYMBIOSIS Finland
ORBS United States
ORCHESTRA PANICA Italy
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ORDINARY BRAINWASH Poland
ORPHAN PROJECT United States
ORPHEUS United Kingdom
OSSICLES Norway
OSTA LOVE Germany
OVER THE EARTH France
OVERHEAD Finland
OX.EAGLE.LION.MAN United Kingdom
PAATOS Sweden
PACIFICO Argentina
PADRE Poland
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PAIKAPPU Japan
PALADIN United Kingdom
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CARL PALMER United Kingdom
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ALAN PARSONS PROJECT United Kingdom
PAT COOL Netherlands
THE PAT SAJAK ASSASSINS United States
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PEDRA Brazil
VICTOR PERAINO'S KINGDOM COME United States
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PETR NOVAK Czech Republic
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PEZ Argentina
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CHRIS PICTON United Kingdom
PIE Q Israel
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