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CROSSOVER PROG

A Progressive Rock Sub-genre


From Progarchives.com, the ultimate progressive rock music website

Crossover Prog definition

Crossover Prog contains progressive rock music that, though 100% progressive, may have a musical connection to popular music-- whether it be the lack of emphasis on extended compositions, or an influence from mainstream music in addition to classical, jazz and folk. Compositions, however, still exhibit a high degree of sophistication, sometimes outright complexity, and the musicianship and virtuosity is often on a par with established Prog acts. Much like their kin in the established prog sub-genres, these groups will incorporate many major parts of what defines prog rock: the fusing of rock with the structures and discipline of more traditional musics, the use of syntheisizers and new technologies, intelligent thematics, and the expansion of the form.

The defining characteristics of Crossover Prog are a pop music influence that is largely vacant in typical prog rock. Songs tend toward shorter, more concise presentations though still reach beyond the typical verse, bridge, chorus pattern. The harmonic, melodic, and rhythmic structures may be more easily digested in Crossover while not losing the musical integrity that a prog listener expects. Whereas Prog Related bands are generally commercial groups with certain prog elements or players that were involved in prog acts, Crossover Prog artists are predominantly progressive with elements of popular music.

The most representative examples for this genre include The MOODY BLUES, SUPERTRAMP, DREDG, CINEMA SHOW, RADIOHEAD.

- written by micky (Michael) and Chus (Jesus)

Current Team Members as at 01/01/2014

Evolver (Scott)
kev rowland (Kevin)
ProgShine (Diego)
tszirmay (Thomas)
Second Life Syndrome (Jason)

Crossover Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Crossover Prog | More Top Prog lists and filters

4.34 | 1076 ratings
CRIME OF THE CENTURY
Supertramp
4.34 | 878 ratings
OMMADAWN
Oldfield, Mike
4.29 | 1153 ratings
THE RAVEN THAT REFUSED TO SING (AND OTHER STORIES)
Wilson, Steven
4.25 | 720 ratings
DOOMSDAY AFTERNOON
Phideaux
4.27 | 360 ratings
~
iamthemorning
4.20 | 1167 ratings
GRACE FOR DROWNING
Wilson, Steven
4.21 | 610 ratings
PETER GABRIEL (3 - "MELT")
Gabriel, Peter
4.20 | 731 ratings
ENGLISH ELECTRIC (PART ONE)
Big Big Train
4.18 | 660 ratings
SNOWTORCH
Phideaux
4.17 | 537 ratings
THE UNDERFALL YARD
Big Big Train
4.14 | 543 ratings
DAYS OF FUTURE PASSED
Moody Blues, The
4.14 | 448 ratings
NIGHT
Gazpacho
4.24 | 142 ratings
BELIGHTED
iamthemorning
4.12 | 550 ratings
ENGLISH ELECTRIC (PART TWO)
Big Big Train
4.25 | 117 ratings
THE SHAMING OF THE TRUE
Gilbert, Kevin
4.18 | 172 ratings
QUICKLY QUICKLY QUICKLY
Tea Club, The
4.21 | 126 ratings
LOVE REMAINS THE SAME
Von Hertzen Brothers
4.15 | 196 ratings
THE HEMULIC VOLUNTARY BAND
Ritual
4.10 | 330 ratings
WAR AND PEACE & OTHER SHORT STORIES
Filkins, Sean
4.11 | 308 ratings
PASSION
Gabriel, Peter
4.06 | 793 ratings
TUBULAR BELLS
Oldfield, Mike
4.08 | 419 ratings
AMAROK
Oldfield, Mike
4.10 | 254 ratings
PAMPERED MENIAL
Pavlov's Dog
4.16 | 145 ratings
CORVUS STONE II
Corvus Stone
4.09 | 254 ratings
SPIRIT OF EDEN
Talk Talk
4.08 | 270 ratings
LUNATIC SOUL
Lunatic Soul
4.22 | 94 ratings
MODRA RIJEKA
Indexi
4.35 | 58 ratings
THE EDGES OF TWILIGHT
Tea Party, The
4.17 | 122 ratings
SECRETS OF THE BEEHIVE
Sylvian, David
4.12 | 162 ratings
ACT I: THE LAKE SOUTH, THE RIVER NORTH
Dear Hunter, The
4.03 | 494 ratings
TALES OF MYSTERY AND IMAGINATION - EDGAR ALLAN POE
Parsons Project, Alan
4.02 | 710 ratings
OK COMPUTER
Radiohead
4.21 | 84 ratings
THE GNOMON
Sunchild
4.37 | 49 ratings
TIME
Time
4.05 | 268 ratings
TO OUR CHILDREN'S CHILDREN'S CHILDREN
Moody Blues, The
4.11 | 150 ratings
THE LONG DIVISION
3RDegree
4.06 | 222 ratings
EL CIELO
Dredg
4.02 | 453 ratings
NUMBER SEVEN
Phideaux
4.01 | 409 ratings
TICK TOCK
Gazpacho
4.05 | 221 ratings
SHINE ON BRIGHTLY
Procol Harum
4.00 | 429 ratings
UP
Gabriel, Peter
4.03 | 206 ratings
FOR YOUR PLEASURE
Roxy Music
4.15 | 87 ratings
AND THE GLASS HANDED KITES
Mew
4.07 | 131 ratings
CINEMATIC
Lebowski
4.04 | 173 ratings
AS FAR AS THE EYE CAN SEE
Sunchild
4.02 | 196 ratings
ROXY MUSIC
Roxy Music
4.20 | 62 ratings
WHITE ROCK EXPERIENCE
State Urge
4.00 | 214 ratings
GHOSTS
Frequency Drift
4.01 | 171 ratings
ACT II: THE MEANING OF, AND ALL THINGS REGARDING MS. LEADING
Dear Hunter, The
3.96 | 334 ratings
MARCH OF GHOSTS
Gazpacho
4.00 | 176 ratings
LAID TO REST
Frequency Drift
4.03 | 127 ratings
AS YOUR MIND FLIES BY
Rare Bird
4.01 | 146 ratings
ENOUGH BLAME TO GO AROUND
Disconnect
4.31 | 40 ratings
VEIL OF GOSSAMER
Bainbridge, Dave
3.98 | 185 ratings
ACT III: LIFE AND DEATH
Dear Hunter, The
4.38 | 34 ratings
CHROMIUM
Talisma
4.17 | 60 ratings
AN OCEAN HELD ME
Mice On Stilts
3.92 | 552 ratings
KID A
Radiohead
3.93 | 424 ratings
EVEN IN THE QUIETEST MOMENTS....
Supertramp
3.92 | 500 ratings
BREAKFAST IN AMERICA
Supertramp
3.95 | 256 ratings
DEMON
Gazpacho
3.98 | 178 ratings
LAUGHING STOCK
Talk Talk
3.94 | 294 ratings
AMUSED TO DEATH
Waters, Roger
4.15 | 61 ratings
BLUE JAYS
Hayward & Lodge (The Moody Blues)
3.93 | 396 ratings
HERGEST RIDGE
Oldfield, Mike
3.92 | 424 ratings
PETER GABRIEL (4 - "SECURITY" OR "MASK")
Gabriel, Peter
3.99 | 148 ratings
BROKEN CHINA
Wright, Richard
4.26 | 42 ratings
THE PATH OF LEAST EXISTENCE
Jet Black Sea
4.25 | 42 ratings
SELECTIVE MEMORY
Témpano
4.12 | 64 ratings
FABLES FROM A MAYFLY: WHAT I TELL YOU THREE TIMES IS TRUE
Fair To Midland
4.00 | 120 ratings
RETURN TO MINGULAY
Oceans 5
3.93 | 238 ratings
PERFECT BEINGS
Perfect Beings
3.99 | 116 ratings
WALKING ON A FLASHLIGHT BEAM
Lunatic Soul
3.97 | 142 ratings
SYNAESTHESIA
Synaesthesia
3.98 | 129 ratings
TROUBLE WITH MACHINES
District 97
3.91 | 302 ratings
INCANTATIONS
Oldfield, Mike
4.00 | 101 ratings
LA QUARTA VITTIMA
Zuffanti, Fabio
4.02 | 90 ratings
KAYAK II
Kayak
4.04 | 79 ratings
THINK LIKE A MOUNTAIN
Ritual
4.21 | 42 ratings
D'APRČS LE HORLA DE MAUPASSANT
Box, The
3.99 | 103 ratings
THE ANCIENT TALE
Fatal Fusion
4.03 | 83 ratings
FEATHERGUN
Rishloo
4.10 | 58 ratings
DREAMLAND
Plant, Robert
4.07 | 68 ratings
AT THE END OF MYSELF
Echoes Of Giants
4.02 | 79 ratings
MAPS OF NON-EXISTENT PLACES
Thank You Scientist
3.94 | 148 ratings
THE WAR OF THE WORLDS
Wayne, Jeff
3.95 | 126 ratings
THE END IS BEGUN
Three
4.30 | 31 ratings
AUTOGRAPH / Автограф
Autograph (Avtograf)
3.92 | 169 ratings
MOMENTS
IOEarth
3.89 | 229 ratings
PROCOL HARUM
Procol Harum
3.89 | 217 ratings
CHUPACABRAS
Phideaux
4.07 | 58 ratings
TURN OF THE TIDE
Arz
3.92 | 152 ratings
WET DREAM
Wright, Richard
3.99 | 82 ratings
ENIGMA
Seven Side Diamond
4.29 | 30 ratings
THE LONG GOODBYE
Procol Harum
3.90 | 158 ratings
OVER
Frequency Drift
4.68 | 16 ratings
PEVNINA DETSTVA
Ursiny, Dezo
3.83 | 661 ratings
INSURGENTES
Wilson, Steven
3.94 | 101 ratings
GENERATION 13
Saga
3.96 | 91 ratings
VESPERTINE
Björk

Crossover Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Crossover Prog experts team

ABBANDONO DEL TEMPO E DELLE FORME
J'Accuse..!
VOICE
Capability Brown
BLACK DOG THERE
Box, The
THE LOST ART OF TIME TRAVEL
Presto Ballet

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Latest Crossover Prog Music Reviews


 Belighted by IAMTHEMORNING album cover Studio Album, 2014
4.25 | 141 ratings

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Belighted
iamthemorning Crossover Prog

Review by LakeGlade12

5 stars 4.5 stars. A big step up from their debut.

iamthemorning made some big waves with their debut "~". Even though the Prog content was not very high the combination of Marjana's beautiful voice, the well thought out Chamber music, the incredibly lush melodies and Prog inspired rock music created something really unique and captivating. For this reason ~ was one of the top Prog albums of 2012 and 2 years later it stills competes for the No 1 spot.

Now 2 years later they have released their second album "Belighted" which has backing from the significant Prog label KScope. Its fair to say there was a lot of pressure on the band with this album. Their debut was so new and interesting that its only natural that the second album has a harder time due to it not being original anymore. I gave ~ 5 stars for its originality and beauty and in order to get another 5 stars from me Belighted had to be significantly better than their debut.

Well its a great joy to say that this album is a clear step up from their last album. The overall sound and structure of this album is very similar to the debut, but in every area possible the band have clearly worked their socks of trying to make it more complex, melodic, professional, Proggy and varied than their last work. Its just a better version of their debut with some newer ideas to keep things interesting.

These new ideas were possible due to the bigger budget which lets them incorporate other instruments into their sound. Another big addition was Gavin Harrison of Porcupine Tree fame who played the drums for all of their songs and therefore added another layer of quality to the music. The band also took some risks on the album, for example they use a recorded conversation on " The Howler" in the middle of the high energy instrumental section, which is something that again PT are very well known for doing but is new ground for the band.

With their being 15 songs I am only going to cover the noteworthy ones. "5/4" is probably their most quirky song, it goes though multiple changes however does not lose its catchiness at any point. "Crowded Corridors" is the band's first attempt at writing a long song and is very successful. The first section is incredibly beautiful and gentle. It progresses into a piece of pure classical music which is centred on the piano and then into a brief ELP sounding section. The song naturally reprises to the beginning section and they add electric guitar to give the song more energy and drama. Its a very good song.

"Os Lunatum" also goes though multiple phases while remaining coherent and infectious, it also makes for a good summary song for the whole album. Then there are other simpler but still very beautiful and well written tracks such as "Gerda" and "Reprise Of Light / No Light"

In terms of weakness's I am still not fully convinced on all these "Intermission" tracks which are either pure classical or ambient music. Some work well while others don't and like with their debut its a hit and miss affair. I would personally have fewer of them and those that are included should function as proper mini songs instead of half baked ideas. You may have noticed that all of my favourite songs are found from the middle to the end of the album. Its not like the first half of the album is bad but its not at the same level as the other half.

Rating this album has been tricky, its definitely better than their debut but the question is if its worth 5 stars when its no longer original? I thought to myself what could they have done to make Belighted better and I could not think of a solid answer beside removing some of the intermissions which is a very subjective viewpoint. Especially as all of these mini songs do fit well enough into the flow of the album. That combined with the fact that the band really have worked hard to better themselves on this album and succeeded (when the bar was already high) is enough in my opinion to justify the 5 stars.

 Com Lag: 2plus2isfive by RADIOHEAD album cover Singles/EPs/Fan Club/Promo, 2004
2.42 | 21 ratings

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Com Lag: 2plus2isfive
Radiohead Crossover Prog

Review by TCat

2 stars This was originally released in Japan and Australia and then subsequently released in the UK and US a few months later. It mostly contains some interesting remixes, alternate versions and B-Sides recorded to support the singles from "Hail to the Chief" that were not available elsewhere before this. The live version of 2 + 2 = 5 is an amazing version and opens the EP with a lot of promise. Following this is a strange remix done by Christian Vogel of the song Myxomatosis. This is very electronic sounding and the vocals by Thom Yorke are made to sound very indifferent. Not bad actually, I find it interesting to hear how songs can be broken down and switched around to sound different, but this gives the song a more computerized feel, which I guess is about what you'd expect. The 3rd track is the Los Angeles version of "I Will". This is a very good version of the song that features the full band, where the album version was more stripped down. I think it was worth adding to this little collection of oddities, but it sounds strange coming in after the previous remix going from electronic music to traditional rock almost suddenly. Next up is a great song used as a B-side that would have been great on the album called "Paperbag Writer" and the next track is another great B-side called "I Am a Wicked Child".

Track 6 is another electronic track called "I am Citizen Insane" and it really doesn't do much for me. Next up is another remix this time of "Scatterbrain" done by Four Tet. Again we get an electronic vibe reminiscent of "Amnesia" but there are some interesting sound effects here. On the original Japanese version, there was some very annoying static noise that kept appearing on the track and these CDs were recalled, so if you have one, it's worth some money. You may have heard that static and thought it was part of the track, but it's a glitch. Track 8 is another great B-side returning back to the traditional rock sound and track 9 is a different version of the track "Fog" which was a B-side for "Knives Out" however this time it is done live and the track is stripped down to just Thom singing and playing piano. This is a beautiful version of this song. Last up is another spooky sounding electronic song called "Where Bluebirds Fly", another B-side. I don't think this has been remixed from the original b-side, but it sounds like something that could have been from "Amnesia".

The electronic tracks aren't too bad and are quite experimental, but don't seem to offer the depth and beauty of the organic tracks. The vocals on the electronic tracks also sound listless. This is not a bad EP, but other than the first track, it stays rather subdued throughout, which is not always a bad thing either. Anyway, even though I think it's a good EP, I believe the people that would be mostly interested in this are the collectors and the fans, thus I'm giving this one 2 stars. Interesting, but really nothing to get terribly excited about.

 Miscellany by IAMTHEMORNING album cover Singles/EPs/Fan Club/Promo, 2014
4.21 | 39 ratings

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Miscellany
iamthemorning Crossover Prog

Review by Windhawk
Special Collaborator Honorary Collaborator

4 stars Russian duo IAMTHEMORNING was formed back in 2010, and with their debut album ~ (tilde) they fairly quickly grabbed the attention of a fairly broad audience also outside of their native Russia. This self-released digital production was released in physical format the following year, and the buzz around this band continued to grow.

In the summer of 2013 they managed to raise the funds a recording trip to London, and while awaiting the new album many was rather keenly expecting following this, the band decided to release an EP for the eager fans awaiting new material. Since then iamthemorning have been picked up by prestigious UK label Kscope and released their second album to critical acclaim, but this EP is one that merits a check and a purchase by fans old and new alike as well I'd think.

On might claim that this just over 20 minutes long EP doesn't offer a whole lot, but that depends on what you're looking for. There's not all that much material exclusive to this production as such, but there are alternate version s of old and new material to enjoy here that might just reveal some additional sides to the qualities of this duo.

Vocalist Marjana has a magnificent voice, with comparisons that can be made towards vocalists such as Kate Bush, Tori Amos and, at least for me as a Norwegian, Anneli Drecker, and in the sparse piano and vocals version of Scotland her qualities as a singer really shines brightly, as does the talent of her companion Gleb on the piano. The manner in which intensity is increased on this song is just impressively well done.

While other of the alternative versions might not be quite as stunning all of them are beautiful experiences, melancholic, mournful and sad creations that are also stunningly beautiful, frail and powerful on an emotional level. Second song The Simple Story is the clear highlight however, with bass, drums and some guitars fleshing out the soundscapes and supporting the qualities of Gleb and Marjana in an impressive manner.

One might describe iamthemorning as chamber folk, art pop or progressive pop music, and other options may also apply. The basis of this project are stunning, female lead vocals and excellent supporting piano though, with a certain emphasis on melancholic and mournful atmospheres, and of that sounds like material that might be of interest then iamthemorning is a band to take not of, if you haven't already done so. A band that should have a very bright future ahead of them, and I wouldn't be at all surprised if this duo could become full time musicians making a good living from their music within a relatively short period of time.

 The Color Spectrum: Complete Collection by DEAR HUNTER, THE album cover Boxset/Compilation, 2011
3.99 | 62 ratings

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The Color Spectrum: Complete Collection
The Dear Hunter Crossover Prog

Review by TCat

4 stars This is an amazing collection which is definitely worth your while to search for. What this is is a concept box set of 9 EPs of 4 songs each. Each EP is named after a color in the visible color spectrum. In the vinyl edition, each EP is pressed in the appropriate color of vinyl. For vinyl collectors, even that is enough to make one salivate uncontrollably. Once I heard about the release of this, I pre-ordered it for close to $100.00. It's definitely worth more that that now. But, it's not enough for The Deer Hunter to put together an attractive box set. They have to go and write 36 excellent songs to go on these EPs. This box set is chock full of top notch, high quality music, mostly sung by the lead singer and songwriter Casey Crescenzo. This guy has an amazing voice with an unbelievable range and incredible dynamics. This guy has drama in his voice that you would not believe, drama that even matches that of Freddy Mercury's, but so very well controlled. He doesn't show off that voice unless it's called for in the song, so it's not over the top, but it's there. Oh boy, is it there.

The concept here is not that the songs are tied together by a story. It is more of an idea in each group of four songs on the EPs are related to the colors by timbre, genre, feeling. In other words, the Black EP is heavy and dark, while the Yellow EP is bright and sunny, with Green being somewhat folkish in nature. Being an Indie-folk fan myself, I love this EP, and consider it my favorite, but all of them are excellent. One other reviewer here went so far as to name several bands that were similar to the music on each EP so you can get an idea of how each one sounds. I think he got it pretty close. The amazing thing here is that one band is making all of these wonderful excellent sounds. The songs themselves are individual songs not tied together by anything except color which represents the style. These are all accessible songs, but they are all high quality, beautiful and excellent.

This would have to go down as being one of the most ambitious and original concepts I can think of. And the great thing is that it's all done so very well. I listen to these songs and can't find any weaknesses among the styles of rock music that are presented. That is the thing that makes this progressive is the idea and the quality of the music. These are straightforward songs averaging about 4 minutes each. There is nothing epic except for the concept and the release of the concept. Not much in the way of meter changes or ingenuity in the music itself, but you can listen to all +2 hours of this and not get tired of the music. I consider this progressive because of the concept itself and the quality of the music. Awesomeness and ingenuity, you get it all here.

If you can't bring yourself to purchasing the entire collection, there is an album which is an 11 track single album which pulls together selections from each EP, but there is sooooooo much you miss by not having the entire collection. The Deer Hunter has other albums that are more accessible as far as price goes and that have more prog elements than this, so only for that reason can I not give this 5 stars, simply because it's not what I would call essential, but if you haven't heard them, I would suggest getting one of the traditionally sized albums. I will warn you though, it will make you want to save up your money for this excellent addition. In my own personal collection and rating system, this has 5 stars, but for Prog Archive rating purposes simply because of it's inaccessibility tied to price and the availability of other Deer Hunter albums, I will give it 4 stars. Excellent stuff people!

 Spectrum Part One by SPECTRUM album cover Studio Album, 1971
3.09 | 10 ratings

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Spectrum Part One
Spectrum Crossover Prog

Review by GruvanDahlman
Prog Reviewer

3 stars From way down under comes this amazing (at times) bunch. Their second album "Milesago" is a terrific piece of hammond drenched hard rock prog, spiced just a tad with psychedelia. This their first album is very much a prototype to that album. Heavy on the organ, british in some mellow kind of way but sprinkled a bit more with the psychedelic spices.

The opening "Make your stash" is quite a good track, as is "Fiddling fool". The first opens in an eerie way, before heading into a mellow piece. The same could be said for "Fiddling fool", though this piece is decidedly more psych.

"Super boy" is a great track. Yet again mellow, with beautiful organ. "Drifting" heads into some jazzy rock territory. Quite good. "Mumbles I wonder why" is my favorite track. It sounds naive in an endearing way and offers fantastic organ playing. The next one "Launching place part 2" is really alright aswell. They end it all with the Manfred Mann's Earth Band track "I'll be gone". The original track may be better but this one really is interesting.

Overall it is quite an arlight album. Well played, organic and endearing. I really like Spectrum and the sound they make. They hold a tone of their own, quite Australian in that je ne sais quoi kind of way. It is good but when push comes to a shove it is no more than that. I would recommend "Milesago" over this but still, it has loads of charm an ideas.

 Pablo Honey by RADIOHEAD album cover Studio Album, 1993
2.50 | 257 ratings

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Pablo Honey
Radiohead Crossover Prog

Review by siLLy puPPy
Prog Reviewer

2 stars After meeting in their high school years before they became the fab four of the 90s (Thom Yorke, Colin Greenwood, Ed O'Brien, Phil Selway) spent most of the 80s playing together under the moniker On A Friday and for a brief moment in 1990 as Shindig. They eventually changed their name to the much cooler RADIOHEAD when EMI signed them after hearing their demos. They released one EP called "Drill" and then quickly put out their first album PABLO HONEY. This album is one of those cases where you couldn't guess in a million years where the band would go from here. Yes, it's true there are subtle clues to their evolutionary path but this album mostly consists of grungy alternative pop songs that are often trying to be both but usually being neither.

Personally I really love the first two tracks "You" and the single "Creep" which was a flop upon first release but slowly "creeped" its way up the charts putting RADIOHEAD on the music map, however every indication from this debut album is that this was a one hit wonder destined to be forgotten as quickly as they had hit the scene. After all, this was the beginning of the alternative rock and grunge frenzy that shook up the status quo in the music industry and putting bands like Alice In Chains, Nirvana and Pearl Jam on the top of the musical mountain.

I find after the first two tracks that the songs are rather boring and I had to suffer my way through this to listen to the entire album just to review this. It's amazing how much they evolved from PABLO HONEY to "The Bends." The first two tracks are worth the price of admission as long as that price isn't too high but otherwise I can't find much else worth hearing here on a regularly basis. Luckily the band would evolve far beyond this mediocrity and offer the world a new kind of space rock. For this release, I say meh.

 Explorations by RUDESS, JORDAN album cover Studio Album, 2014
3.88 | 16 ratings

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Explorations
Jordan Rudess Crossover Prog

Review by Proto-Apollo

4 stars

Many of the pieces on this recording are tremendous. Of special note is the piano solo Shouri Now, Explorations for Keyboard and Orchestra (especially the first movement) and Over the Edge.

With today's technology, great artists like Jordan Rudess are able to write and record orchestral music without the need to engage an orchestra. Whether this is good or not is a worthwhile debate. However pieces like Explorations may well not exist were it not for our thirst for new technology. The cost of hiring and recording symphony orchestra may have been an insurmountable obstacle for this release. Written in what I term the neo- romantic style, Explorations runs close to the traditional piano concerto format. It contains many of the elements made famous by composers such as Stravinsky, Debussy, and Prokofief. Mr. Rudess plays with an unrivaled technical ease. His orchestrations are rich and invigorating.

the solo piano piece Shouri Now is amazing. It displays the drive, passion and inventiveness of the solo piano works of such progressive giants as Keith Emerson and Patrck Moraz, with ever shifting time signatures and blazing virtuosity.

Over the Edge brings the same sensibility to his digital orchestra, shifting suddenly from one idea to another with a carelessness with feels almost improvisational.

On the down side I felt Screaming Head merely exposed the limitations of the wonderful tools used to make the record by making a direct comparison to the original rock recording of the same piece, It sounds to me like a poor imitation.

The two ballads, the Untouchable Truth and a Pledge to You are pleasing but don't separate Mr. Rudess from other artists the way the other works do. His harmonies are more traditional and not colorful enough for my taste.

Lastly, In a few brief sections, a traditional drum set was used (or a digital facsimile thereof). It seemed out of place in this traditional classical format and I found it distracting.

All in all, Explorations is a testament to artistic excellence and great gift. And I am sure I will listen to it as long as my ears hear.

Thank you Jordan Rudess!

 Corvus Stone II by CORVUS STONE album cover Studio Album, 2014
4.21 | 143 ratings

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Corvus Stone II
Corvus Stone Crossover Prog

Review by Ier

5 stars I was already blown away by the first album. When I heard Corvus Stone I was thinking "These guys must be probably on 3 different kinds of drugs". So much energy, so much chaos, and much awesomeness!! Now, listening to their second album, I need to rephrase my thoughts, these guys are not on 3 different kinds of drugs, but on 7, at least!

The track "Early Morning Call" reminds me of the The Doors. Not only the organ, but the complete ambiance and the waltzing melodies. "Scandinavians in Mexico" makes me want to dance until my feet starts to hurt!

 Corvus Stone II by CORVUS STONE album cover Studio Album, 2014
4.21 | 143 ratings

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Corvus Stone II
Corvus Stone Crossover Prog

Review by friso
Prog Reviewer

2 stars Corvus Stone - II (2014)

This album has made quite a name in a short time on progarchives, so I wass excited to have a chance to listen to it. The music of Corvus Stone was offered to me for free with a kind request to write a review on PA.

This is quite obviously a band with talented musicians with a great love for the progressive rock genre. Most of the material is instrumental and loaded with solo's of guitar and keyboard. The band has a down to earth sound, keeping the symphonic elements in check. There's a list of guest vocalists, but all sound dull and uninspired to my ears. On Corvus Stone's best moments the compositions remind me a bit of the better work of neoprog group Arena (a personal favorite), exciting symphonic landscapes with heavy rockguitars.

Yet there is a key difference; the composions of Corvus Stone are never more then the sum of the parts. I can't find one single moment of musical storytelling or a shot at song- or epicbuilding. Perhaps the song 'Eternal Earth' counts as the only exception. So many great musical ideas, but I can't find a vision or a concept whatsoever. Furthermore, on many moments the almost chaotich musical landscapes are made up of elements that don't always fit together that well stylisticly and melodicly. Sometimes parts of compositions sound like the product of computerised randomness. The question just keeps arising, what are these guys trying to achieve? What does it mean?

Conclusion. There isn't a single track I really liked on this album, which is confusing because there's a lot to like about this second Corvus Stone record. I guess this band could make a masterpiece in the future if they would find an extra bandmember with a musical vision and oversight. This second record is however pretty meaningless, so I'll give it two stars.

 Brahma Visnu Siva by CUPRUM album cover Studio Album, 2014
3.08 | 3 ratings

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Brahma Visnu Siva
Cuprum Crossover Prog

Review by maryes

3 stars 3,5 stars !!! The second album from Czech band CUPRUM "BRAHMA VISNU SIVA" is (in my opinion) slightly superior than the first album "Musica Deposita" and the main diference between the two albuns is a more folk/jazzy approach in detriment ( but not a complete abandon) to the bluesy vein. This characteristic can be heard allready in the track 1 "Cizí mesto v hlavní zemi" and the main melodie whit a guitar flute duo and their "intermediate" theme with a acoustic/electric guitar solo that cearly reminds me a Jethro Tull and Santana "meeting". The track 2 "Urnový háj" starts with a brief martial rhythm and a wahwah guitar cadence in dialogue with flute until 2 min 20 sec when the music turn into an almost space-prog melody, but in the final passage the music returns to the in initial idea. Besides this tracks I can detach the track 5 " Brahma Visnu Siva" with his folk / hard atmospheric sound, the track 7 "Pracuju na pásu" with a certain funk-prog proposition. I must say which I don't consider this album an indispensable item... However ... this one and the previous album deserves a place in my collection !!! My rate is 3 stars !!!
Data cached

Crossover Prog bands/artists list

Bands/Artists Country
17 PYGMIES United States
3 United Kingdom
3 LEGGED MONSTER United States
3RDEGREE United States
7TH KIND United States
90 DAY MEN United States
A.L.F. Brazil
AARDVARK United Kingdom
AARDVARK' Finland
THE AARON CLIFT EXPERIMENT United States
ABACUS Germany
ABARAX Germany
ABBFINOOSTY United Kingdom
ABIOGENESI Italy
LEE ABRAHAM United Kingdom
ABSENTE H Spain
ABSINTHE JUNK United States
ACANTHE France
ACTIVE HEED Italy
THE ADDICTION DREAM United States
THE ADVANCEMENT United States
AFTER... Poland
AGATHORN Denmark
AHOORA Iran
AKIN France
AKROPOLIS Denmark
ALIAS EYE Germany
ALL OVER EVERYWHERE United States
ALTERNATIVE 4 United Kingdom
ALUX NAHUAL Guatemala
AMAROK Poland
THE AMAZING Sweden
AMITY IN FAME Austria
TORI AMOS United States
AMPERA Norway
ANALOG MISSIONARY United States
THE ANALOGUE United Kingdom
ANANTA Venezuela
ANAWA Poland
LAURIE ANDERSON United States
ANGULART Chile
ANOTHER ROADSIDE ATTRACTION Canada
ANTARES Italy
ANUBIS SPIRE United States
ANYWHERE United States
APATHEIA Czech Republic
APOCALYPSIS Greece
APOGEE Germany
APPLESEED Poland
AQUILA United Kingdom
ARCHANGELICA Poland
ARCHIVE United Kingdom
AREA 39 United Kingdom
ARGENT United Kingdom
ARGO Lithuania
ARNIOE Australia
BRADY ARNOLD United States
TONY ARNOLD United States
THE ARS SUPERNOVA United States
ART BY NUMBERS United States
ART CINEMA Denmark
ART DECO Finland
ARTLAND Israel
ARZ United States
AS FOLLOWS United States
AS TALL AS LIONS United States
ASFALTO Spain
ASGARD United Kingdom
ASIDE BESIDE France
ASTRONOMY United States
ASZENSION Canada
ATARAXIA Japan
ATIK MAZE Portugal
ATLANTYCA France
ATMOSPHERA Brazil
AUDIAC Germany
AUDIOCRACY Multi-National
THE AURORA OBSERVATORY United States
AUT' CHOSE Canada
AUTOGRAPH (AVTOGRAF) Russia
AUTOMATIC MAN United States
AUTUMN CHORUS United Kingdom
AUTUMN PEOPLE United States
AUTUMN WHISPERS Multi-National
AVALON Canada
AVGRUNDEN Sweden
AVIARY United States
DAVID AXELROD United States
AZURETH Multi-National
BACKHAND Venezuela
BADWATER FIRE COMPANY United States
DAVE BAINBRIDGE United Kingdom
KEN BAIRD Canada
BAKU Germany
ANDRE BALZER France
BANDA DO SOL Brazil
TONY BANKS United Kingdom
BARCLAY JAMES HARVEST United Kingdom
NICKLAS BARKER Sweden
BARON United Kingdom
BARROQUEJON Chile
M.M. BARTULICA Bosnia and Herzegovina
COLIN BASS United Kingdom
BAT LENNY United States
BATISFERA Russia
BAUER Argentina
BE BOP DELUXE United Kingdom
BEAD GAME United States
BEAM-LIGHT Poland
DAVID BEDFORD United Kingdom
BEDUÍNOS A GASÓLEO Portugal
BELGRAD Poland
BEND SINISTER Canada
THE BENZENE RING United States
ROBERT BERRY United States
EMILY BEZAR United States
BIG BIG TRAIN United Kingdom
BITTERTOWN Netherlands
BJÖRK Iceland
BLACK CAT BONES United Kingdom
BLACK MOTH SUPER RAINBOW United States
BLACK MOUNTAIN Canada
BLONDIE FOX Italy
BLOW UP HOLLYWOOD United States
THE BODY POLITIC Canada
BORAY Sweden
LINDSEY BOULLT United States
TIM BOWNESS United Kingdom
BOX OF CRAYONS United States
THE BOX Canada
VICTOR BRADY United States
BREATHING SPACE United Kingdom
BREZOVSKY-ROZSA Slovakia
BRIDGES Norway
THE BRIMSTONE SOLAR RADIATION BAND Norway
STEVE BROCKMANN AND GEORGE ANDRADE Multi-National
PATRICK BROGUIERE France
DUNCAN BROWNE United Kingdom
BUKE AND GASE United States
BULBS United Kingdom
BUNCHAKEZE United Kingdom
BURNING SIDEWAYS United States
TARA BUSCH United Kingdom
BY SUNLIGHT United States
DAVID BYRNE United Kingdom
BYRON Romania
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CANAMII South Africa
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CAP OUTRUN Sweden
CAPABILITY BROWN United Kingdom
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FRANCK CARDUCCI Netherlands
MARC CARLTON United Kingdom
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CASTLE CANYON United States
STEPHEN CAUDEL United Kingdom
CEILING UNLIMITED United States
CELL15 United States
CHANCE France
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CHANGES Switzerland
CHANGING IMAGES Germany
THE CHANT Finland
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CHASM Norway
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CHIMPAN A United Kingdom
CHOICE Germany
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ROB COTTINGHAM United Kingdom
COZHE Finland
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CRAZY WORLD Finland
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CROSS Sweden
BEPPE CROVELLA Italy
CRYPTEX Germany
CUAC! Spain
CUPRUM Czech Republic
PAUL CUSICK United Kingdom
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NICK D'VIRGILIO United States
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SEAN FILKINS United Kingdom
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FREDDEGREDDE Sweden
FREEDOM TO GLIDE United Kingdom
FREELIGHT United States
FREQUENCY DRIFT Germany
HASSE FRÖBERG MUSICAL COMPANION Sweden
FRXHO Mexico
FSB Bulgaria
FUCHS Germany
FUTURUM Czech Republic
GABRIEL BONDAGE United States
PETER GABRIEL United Kingdom
GALIJA Yugoslavia
GALLERY Norway
GANDALF Austria
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GAZPACHO Norway
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GREEN Italy
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MARK GREEN United Kingdom
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GRICE United Kingdom
GRIME France
GROUP 309 Russia
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ID GUINNESS Canada
GUITAR GARDEN United States
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HA' ARNAV HA-LAVAN Israel
HABELARD2 Italy
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HALO BLIND United Kingdom
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HOMESICK FOR SPACE United States
HOT HEAD SHOW United Kingdom
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STEVE HOWE United Kingdom
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I.AB United States
IAMTHEMORNING Russia
IF / IFSOUNDS Italy
IGAYON Israel
IGNATIUS Spain
ILUZJON Poland
IMMUNE United Kingdom
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IOEARTH United Kingdom
ION United Kingdom
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IT BITES United Kingdom
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J21 Spain
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JEREMY United States
JEREMY IRONS AND THE RATGANG MALIBUS Sweden
JET BLACK SEA Netherlands
JHIMM United States
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JONO Sweden
JORM Sweden
KADDISFLY United States
KANT FREUD KAFKA Spain
KAOS MOON Canada
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KAZACHSTÁN Czech Republic
KEDAMA Switzerland
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KEL LOCH & GOLD United States
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