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CROSSOVER PROG

A Progressive Rock Sub-genre


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Crossover Prog definition

Crossover Prog contains progressive rock music that, though 100% progressive, may have a musical connection to popular music-- whether it be the lack of emphasis on extended compositions, or an influence from mainstream music in addition to classical, jazz and folk. Compositions, however, still exhibit a high degree of sophistication, sometimes outright complexity, and the musicianship and virtuosity is often on a par with established Prog acts. Much like their kin in the established prog sub-genres, these groups will incorporate many major parts of what defines prog rock: the fusing of rock with the structures and discipline of more traditional musics, the use of syntheisizers and new technologies, intelligent thematics, and the expansion of the form.

The defining characteristics of Crossover Prog are a pop music influence that is largely vacant in typical prog rock. Songs tend toward shorter, more concise presentations though still reach beyond the typical verse, bridge, chorus pattern. The harmonic, melodic, and rhythmic structures may be more easily digested in Crossover while not losing the musical integrity that a prog listener expects. Whereas Prog Related bands are generally commercial groups with certain prog elements or players that were involved in prog acts, Crossover Prog artists are predominantly progressive with elements of popular music.

The most representative examples for this genre include The MOODY BLUES, SUPERTRAMP, DREDG, CINEMA SHOW, RADIOHEAD.

- written by micky (Michael) and Chus (Jesus)

Current Team Members as at 04/26/2015

Tom (Roland113)
Evolver (Scott)
tszirmay (Thomas)
rogerthat (Madan)

Crossover Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Crossover Prog | More Top Prog lists and filters

4.32 | 1290 ratings
CRIME OF THE CENTURY
Supertramp
4.31 | 1606 ratings
THE RAVEN THAT REFUSED TO SING (AND OTHER STORIES)
Wilson, Steven
4.32 | 1051 ratings
OMMADAWN
Oldfield, Mike
4.30 | 1007 ratings
HAND. CANNOT. ERASE.
Wilson, Steven
4.23 | 831 ratings
DOOMSDAY AFTERNOON
Phideaux
4.21 | 1456 ratings
GRACE FOR DROWNING
Wilson, Steven
4.20 | 723 ratings
PETER GABRIEL (3 - "MELT")
Gabriel, Peter
4.19 | 842 ratings
ENGLISH ELECTRIC (PART ONE)
Big Big Train
4.21 | 458 ratings
~
iamthemorning
4.18 | 725 ratings
SNOWTORCH
Phideaux
4.39 | 95 ratings
SHINY EYED BABIES
Bent Knee
4.16 | 653 ratings
DAYS OF FUTURE PASSED
Moody Blues, The
4.17 | 601 ratings
THE UNDERFALL YARD
Big Big Train
4.17 | 278 ratings
ONES & ZEROS: VOL. 1
3RDegree
4.12 | 655 ratings
ENGLISH ELECTRIC (PART TWO)
Big Big Train
4.12 | 512 ratings
NIGHT
Gazpacho
4.23 | 137 ratings
THE SHAMING OF THE TRUE
Gilbert, Kevin
4.22 | 146 ratings
LOVE REMAINS THE SAME
Von Hertzen Brothers
4.11 | 332 ratings
HOUNDS OF LOVE
Bush, Kate
4.12 | 294 ratings
SPIRIT OF EDEN
Talk Talk
4.07 | 927 ratings
TUBULAR BELLS
Oldfield, Mike
4.10 | 305 ratings
CORVUS STONE II
Corvus Stone
4.09 | 353 ratings
PASSION
Gabriel, Peter
4.12 | 227 ratings
THE HEMULIC VOLUNTARY BAND
Ritual
4.08 | 359 ratings
WAR AND PEACE & OTHER SHORT STORIES
Filkins, Sean
4.06 | 475 ratings
AMAROK
Oldfield, Mike
4.38 | 58 ratings
TIME
Time
4.07 | 320 ratings
TO OUR CHILDREN'S CHILDREN'S CHILDREN
Moody Blues, The
4.29 | 74 ratings
THE EDGES OF TWILIGHT
Tea Party, The
4.10 | 215 ratings
QUICKLY QUICKLY QUICKLY
Tea Club, The
4.03 | 822 ratings
OK COMPUTER
Radiohead
4.03 | 559 ratings
TALES OF MYSTERY AND IMAGINATION - EDGAR ALLAN POE
Parsons Project, The Alan
4.20 | 101 ratings
MODRA RIJEKA
Indexi
4.09 | 226 ratings
THE DREAMING
Bush, Kate
4.05 | 311 ratings
LUNATIC SOUL
Lunatic Soul
4.06 | 294 ratings
PAMPERED MENIAL
Pavlov's Dog
4.03 | 449 ratings
TICK TOCK
Gazpacho
4.13 | 143 ratings
SECRETS OF THE BEEHIVE
Sylvian, David
4.09 | 192 ratings
ACT I: THE LAKE SOUTH, THE RIVER NORTH
Dear Hunter, The
4.07 | 238 ratings
EL CIELO
Dredg
4.14 | 122 ratings
GRAPPLING
Tea Club, The
4.06 | 254 ratings
SHINE ON BRIGHTLY
Procol Harum
4.02 | 490 ratings
NUMBER SEVEN
Phideaux
4.09 | 184 ratings
AS FAR AS THE EYE CAN SEE
Sunchild
4.06 | 232 ratings
GHOSTS
Frequency Drift
4.18 | 95 ratings
THE GNOMON
Sunchild
4.04 | 296 ratings
WALKING ON A FLASHLIGHT BEAM
Lunatic Soul
4.05 | 236 ratings
ROXY MUSIC
Roxy Music
4.31 | 57 ratings
EGO, GEORGIUS
Antczak, Jerzy
4.04 | 237 ratings
FOR YOUR PLEASURE
Roxy Music
4.06 | 182 ratings
CORVUS STONE UNSCREWED
Corvus Stone
4.17 | 87 ratings
A MOON SHAPED POOL
Radiohead
4.34 | 48 ratings
VEIL OF GOSSAMER
Bainbridge, Dave
3.99 | 476 ratings
UP
Gabriel, Peter
4.04 | 193 ratings
ACT IV: REBIRTH IN REPRISE
Dear Hunter, The
4.04 | 195 ratings
THE LONG DIVISION
3RDegree
3.99 | 372 ratings
MARCH OF GHOSTS
Gazpacho
4.06 | 150 ratings
CINEMATIC
Lebowski
4.02 | 213 ratings
ACT III: LIFE AND DEATH
Dear Hunter, The
4.08 | 124 ratings
LIGHTHOUSE
iamthemorning
4.05 | 143 ratings
ENOUGH BLAME TO GO AROUND
Disconnect
3.96 | 490 ratings
EVEN IN THE QUIETEST MOMENTS....
Supertramp
4.33 | 44 ratings
CHROMIUM
Talisma
4.04 | 137 ratings
THE IMPERIAL HOTEL
Samurai of Prog, The
4.00 | 200 ratings
ACT II: THE MEANING OF, AND ALL THINGS REGARDING MS. LEADING
Dear Hunter, The
3.94 | 653 ratings
KID A
Radiohead
4.24 | 51 ratings
BURNT BELIEF
Edwin and Jon Durant, Colin
3.93 | 589 ratings
BREAKFAST IN AMERICA
Supertramp
4.14 | 69 ratings
BLUE JAYS
Hayward & Lodge
4.07 | 101 ratings
AND THE GLASS HANDED KITES
Mew
3.95 | 361 ratings
AMUSED TO DEATH
Waters, Roger
3.93 | 462 ratings
HERGEST RIDGE
Oldfield, Mike
4.24 | 48 ratings
SELECTIVE MEMORY
Témpano
3.97 | 211 ratings
LAUGHING STOCK
Talk Talk
3.99 | 167 ratings
BROKEN CHINA
Wright, Richard
4.57 | 24 ratings
PEVNINA DETSTVA
Ursiny, Dezo
3.96 | 218 ratings
NEVER FOR EVER
Bush, Kate
3.92 | 499 ratings
PETER GABRIEL (4 - "SECURITY" OR "MASK")
Gabriel, Peter
4.04 | 105 ratings
NO TENGAS MIEDO
Kant Freud Kafka
4.03 | 102 ratings
LULLABIES IN A CAR CRASH
Riis, Bjřrn
3.98 | 146 ratings
AS YOUR MIND FLIES BY
Rare Bird
4.02 | 107 ratings
KAYAK II
Kayak
3.93 | 245 ratings
THE KICK INSIDE
Bush, Kate
3.99 | 125 ratings
SANCTUARY
Reed, Robert
3.94 | 220 ratings
SYNAESTHESIA
Synaesthesia / Kyros
3.91 | 355 ratings
INCANTATIONS
Oldfield, Mike
4.03 | 92 ratings
THINK LIKE A MOUNTAIN
Ritual
3.92 | 295 ratings
BELIGHTED
iamthemorning
3.99 | 119 ratings
VESPERTINE
Björk
4.09 | 68 ratings
ANCHOR DROPS
Umphrey's McGee
4.18 | 49 ratings
D'APRČS LE HORLA DE MAUPASSANT
Box, The
3.94 | 199 ratings
MOMENTS
IOEarth
3.95 | 176 ratings
NEW WORLD (DELUXE EDITION)
Kerzner, Dave
3.99 | 118 ratings
THE ANCIENT TALE
Fatal Fusion
3.98 | 126 ratings
RETURN TO MINGULAY
Oceans 5
4.21 | 43 ratings
EL FIN DE LA INFANCIA (CHILDHOOD'S END)
Témpano
3.98 | 123 ratings
THE END IS BEGUN
Three
4.01 | 102 ratings
FEATHERGUN
Rishloo
3.97 | 137 ratings
II
Perfect Beings
4.22 | 41 ratings
HOPE FOR A MOURNING
Mice On Stilts

Crossover Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Crossover Prog experts team

GENERAL WINTER'S SECRET MUSEUM
Tea Club, The
STANDING STONE
Oliver
BROKEN CHINA
Wright, Richard
PRE-EMPTIVE FALSE RAPTURE
Chrome Hoof

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Latest Crossover Prog Music Reviews


 Lost and Found by SAMURAI OF PROG, THE album cover Studio Album, 2016
4.48 | 12 ratings

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Lost and Found
The Samurai of Prog Crossover Prog

Review by Matti
Prog Reviewer

4 stars Multinational virtual band THE SAMURAI F PROG, steered by bassist Marco Bernard, continue tirelessly their pilgrimage into the 70's epic progressive rock. The core trio is again accompanied by a big cast of international prog musicians, and this time to the fullest extent keyboardist Stefan Renström and guitarist Johan Öijen (whoever they are). As you may remember, TSoP's first two albums contain covers of mostly well-known prog classics, and the music on The Imperial Hotel (2014) was composed by the keyboard-playing collaborators such as Robert Webb of ENGLAND. I was pretty enthusiastic for that work, but now I feel sort of exhausted and I'm not completely convinced of the material that originates from the mid/late 70's.

Actually my initial listening was coloured by negative thoughts of pretentiousness, the kind of "prog for prog's sake" that screamed for the table-cleaning tsunami of the punk movement. That is, these long and complex compositions left me rather cold emotionally (just like TULL's A Passion Play does). I even thought very cynically: what else to expect from originally shelved and unfinished works by relatively minor followers of YES, GENESIS and ELP, such as LIFT, CATHEDRAL and QUILL? On my second listening I began to admit the possibility that the closer you learn these tracks, the more you like them. For sure, all the musicians give their best, as if these pieces really were lost masterpieces that criminally never before were given a full treatment. It's the vocal department that I'm permanently least satisfied with.

'Preludin' is a complex instrumental originally written for PAVLOV'S DOG, featuring its guitarist Steve Scorfina. It's a bumpy ride, but Steve Unruh's flute and violin are used effectively. 'Along the Way' is a brief piano piece by David Myers, continuing the tradition of all TSoP albums. 20-minute 'Inception' originates from the archives of the US band LIFT. I don't much like the nasal voice of Unruh, but the Genesis/Yes/ELP influences are interesting to say the least.

'She (Who Must Be Obeyed)' - originally composed for ODYSSEY of which I have no specific knowlegde - features vocalist Jon Davison, whose high-pitched Jon Anderson imitation becomes a nuisance on this non-YES context. Anyway the sound is nice & warm with lots of Mellotron and Hammond. When we get to 'Plight of the Swan' sung in a Gabrielish manner by Unruh, I really begin to wish other kinds of vocalists. This one's probably going to remain as my least favourite here.

CD 1 approaches 53 minutes, but CD 2 is even longer with its sole track, an epic dealing with an adventurous quest for magical book (practically worth of a lengthy concept album of its own). The American band QUILL were heavily influenced by ELP and YES. The members are as usual, featured as guests. Sadly this 36-part piece plays as a single track on the CD player... There are beautiful instrumental passages, but again the vocals are the weak link IMHO, and frankly I have no big interest towards the extremely pretentious dramatic context. In the end, for me this monstrous epic is an exhausting time-stealer instead of an uplifting, magnificent listening experience that a prog epic ought to be.

All in all, the grandiose and complex prog itself gets only 3˝ stars with all my negative remarks considered, but the lavish artwork of Ed Unitsky easily dictates how I round my rating!

 Hand. Cannot. Erase. by WILSON, STEVEN album cover Studio Album, 2015
4.30 | 1007 ratings

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Hand. Cannot. Erase.
Steven Wilson Crossover Prog

Review by DamoXt7942
Forum & Site Admin Group RIO/Avant/Zeuhl & Neo Teams

3 stars Looks like Steven WILSON be one of prolific musicians and honorable creators in the progressive rock scene. Wonder what he means to do via lots of his productions.

Mysterious procession and a graceful curtain call can be heard in this stuff as usual. Dramatic guitar avoidance (from every annoying matter) as well makes the audience comfortable. Keyboard appearance has got altered colourfully, sometimes from a beauty phase to hard-edged style or sometimes from a tough call to a delightful theatre ... just case by case. Psychedelic Fantasia, heavy deepness brushed up by guitars or drums, etc. etc. every single variation rushes over in front of us.

His composition and production is basically filled with catchy essence seasoned with multi-rhythmic accents and capricious hints, all of which might be provided for popularity or hospitality for the listeners, I guess. Sadly in this album such a popularity would be more overemphasized than his musical progressiveness for commercialism and his identity should be veiled deeply into subliminal pleasure for everybody. To be honest any ambition cannot be heard.

Steven's strategies for launching progressive structural masses are not ordinary nevertheless. Various scenes can be imagined via instrumental, phrasal combinations ... whether soft or hard ... crystallized by him. In this sense, this album can be recommended for every progressive rock beginner.

 The Collection (The New Dance Orchestra) by DOWNES, GEOFFREY album cover Boxset/Compilation, 2003
2.00 | 1 ratings

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The Collection (The New Dance Orchestra)
Geoffrey Downes Crossover Prog

Review by SouthSideoftheSky
Special Collaborator Symphonic Team

— First review of this album —
2 stars "And you remember the jingles used to go"

The Collection is a compilation album covering the career Geoff Downes, focusing primarily on his "New Dance Orchestra" albums from the 1980's and 90's. The CD opens with the epic instrumental East West from Downes' first and best solo album The Light Program originally released in 1986. Next up is a track from Geoff's collaboration with John Wetton which sounds like a second rate Asia song. Then follows four numbers from 1992's Vox Humana, the second "New Dance Orchestra" album. One of these is a re- recorded version of The Buggles' hit Video Killed The Radio Star with Glenn Hughes on lead vocals. Three numbers are taken from Geoff's cover album Evolution, and even if I hate that album I must admit that he has chosen the least bad tracks from it; The Moody Blues' Nights In White Satin, Procul Harum's A Whiter Shade Of Pale, and Kansas' Dust In The Wind. Don't Walk Away is a song from Geoff's collaboration with Glenn Hughes, released as The Work Tapes. This one is just awful!

The "Downes solo" is a live recording taken from the Asia album Live Acoustic and The Journey Begins is taken from the Asia album Rare. The latter album is indeed very rare and it doesn't sound at all like an Asia album but is rather much more in line with Downes' solo output making its presence here very fitting. I believe that this instrumental album was initially meant to be released as a Goeff Downes solo album, but since John Payne played on it the record label insisted on releasing it as an Asia album.

Four tracks are taken from 1999's World Service, another all instrumental "New Dance Orchestra" album. Everything up to this point has been previously released and available on other albums, but the final two tracks are rarer and were new to me. One is a very short demo version of You Can Fly From Here, a song that Geoff has written prior to joining Yes in the early 80's and which were performed by Yes then and which many years later became the title track of a Yes album. Finally, there is an instrumental piano version of Video Killed The Radio Star from a Korg Sampler CD. Personally, I think this is the best version of that song and in general it is the instrumentals of this collection that stand out. But like in most cases, you should start with the source albums.

 Archived by SHERWOOD, BILLY album cover Studio Album, 2016
3.08 | 7 ratings

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Archived
Billy Sherwood Crossover Prog

Review by SouthSideoftheSky
Special Collaborator Symphonic Team

3 stars Never enough

When I first saw this album announced, I got the mistaken idea that this was going to be a compilation album of some kind because the title seemed to indicate that it would feature archival material rather than new recordings. Thankfully, this impression was wrong and Archived is another proper, original studio album from the ever productive Billy Sherwood.

After his previous album, Citizen - which was filled with guest stars from Yes and other bands - Sherwood returns here to his long-established format of choice: a true solo album in the fullest sense of the term. Billy does everything himself: writing, composing, singing, playing all the instruments, mixing, recording, and producing, etc. Personally, I prefer this one-man approach over the all-star cast of Citizen and Archived does not disappoint. This album also surpasses 2014's somewhat uneven Divided By One, even if it is not up to par with Sherwood's better handful of solo albums.

With Billy also having written and recorded material for a new Circa album (which will be released in July this year) and also a new album by World Trade, one may perhaps suspect that Archived contains the "leftovers" from those writing sessions. Even if true, this only raises my already high exceptions for those forthcoming band albums even more. My expectations for the Circa album in particular are very high indeed. In contrast to the latter album - which is called Valley of the Windmill and is going to contain four lengthy songs - Archived contains shorter songs than we are used to from Billy's works. None of the 11 tracks exceed six minutes in length and the shortest (the title track) is just under three minutes.

In terms of style, anyone familiar with Billy's previous solo albums will know what to expect here. But while a casual listener may think that there is too much Billy Sherwood music in existence, for a fan like me it is never enough! This man is just so talented and inspired and he keeps pouring out high quality music at an impressive pace. Archived is no exception to this, and long may it continue! Now that he is back with Yes again, I hope that Sherwood's solo output will finally get more of the recognition it so very well deserves.

Archived is a recommended addition to every comprehensive Billy Sherwood collection, but for beginners there are several other albums that are better place to start your investigation into his strong solo discography.

 Local Band Does OK by UMPHREY'S MCGEE album cover Studio Album, 2002
3.87 | 35 ratings

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Local Band Does OK
Umphrey's McGee Crossover Prog

Review by aglasshouse

3 stars A fate that jam bands can many times have is one that with so much time and effort focused on large and epic live performances, actual studio albums can come to be rather lackluster in effort. Phish and the Dead are the most notorious for not sinking to this level, and less well known is Umphrey's McGee, a band rising more in popularity as more and more albums are released. Obviously taking after Phish, the band's second and more "official" album Local Band Does Okay is more or less an emulation of the 80's band. Bayliss recreate Trey Anastasio's relaxed playing style, which can shift suddenly depending on something abrupt like a tempo change. Cinninger's drumming is much akin to that of Jon Fishman, the very eclectic yet talented drummer of Phish. This works well with the plethora of percussion instruments that McGee has to work with, and luckily are used in their on ways and not played in one cacophony. Speaking of plethora, the number of instruments that McGee crams into each song is quite extraordinary, yet does cause a lack of cohesion between tracks, making for a song list that varies wildly from one to the other. This could be positive depending on how you want an album's structure to be- for me, I prefer a certain level of unity when one song transitions to another, but of course that's just me.

In summary this album is a step in the right direction, yet the orchestra of goofy instruments is not quite enough to differentiate Umphrey's McGee from Picture of Nectar-era Phish. As for someone who does like Phish and listens to them on a regular basis, this is not much more than retreading of the same ground that has already been beaten, and interesting variations already composed. Again though, the album does show some promise for the band's future. This local band did OK.

 Pribeh Kurete by SAMANOVO ZBOZI album cover Studio Album, 2015
4.02 | 3 ratings

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Pribeh Kurete
Samanovo Zbozi Crossover Prog

Review by Finnforest
Special Collaborator Honorary Collaborator

4 stars No pale yolks here

Samanovo Zbozi are a band from Ostrava, a city in the north-east of the Czech Republic, located just a few kilometers from the border with Poland. It's a beautiful city with a very rich musical and architectural landscape, the kind of place that could easily reap a band as eclectic and colorful as Samanono Zbozi.

When our old friend Marty McFly reviewed this album he worried that non-Czech speakers may not enjoy it, as they'd be missing the heavy metaphors and poetry in this album about the journeys of life. Point taken, and yes, there are some listeners who believe themselves adventurous even as they refuse to listen to non-English albums. I'm not one of them. Vocalists who use their first language are always an enhanced experience for me, giving the music authenticity and a unique vibe--in the same way that traveling is a more enriching experience than watching a travel TV show. The emotions come through more intensely and naturally, rather than being somewhat stilted by well meaning blokes unaware of correct emphasis or slang usage. I've heard some RPI simply destroyed by English. Samanovo Zbozi know better and the songs soar because of it.

Musically this is a wonderful mixture of modern crossover prog with nods to psych and dreamy pop. It reminded me most of a band called Dungen but with moments of quiet and post-rock though not textbook by any means. I would also recommend this to fans of The Tea Club, KingBathMat, System of a Down, and even Trettioĺriga Kriget for the combination of diverse and accessible styles. The songs are guitar led without question, guitars supplying the melodies, leads, and textures all combined trying to capture an original sound and succeeding pretty well. There are jazzy sounding segments, psych moments, alt rock heavy grooves, and pop sensibilities. They can rock hard as hell one moment, then have spoken narration, then have an almost REM-like jangle pop, yet pull it all together convincingly. Super playing. This cage-free chicken runs in fields of grass and lays the most delicious farm fresh eggs with bright orange yolks and maximum nutrition. Accept no factory farm chain store bird.

Rather sad that this album has not had much attention out there amongst prog fans and reviewers, I hope that will change. This work is most deserving of more appreciation.

 It's My Life by TALK TALK album cover Studio Album, 1984
3.10 | 105 ratings

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It's My Life
Talk Talk Crossover Prog

Review by _Mike

4 stars Great synth pop with genuine prog credentials. This is the band's second album, and it contains a great collection of songs which are, to me, far more interesting than those on their subsequent album "The Colour of Spring". I consider that this album represents the high point in Talk Talk's output.

My only quibble with this album, apart from its slightly so-so sound quality (on both LP and CD) is that some of the songs are available in extended remixed versions which are actually much more interesting than the original tracks, because they play with not just the texture, but also the harmony.

The title song is an all-time classic. Unmissable.

 4 ˝ by WILSON, STEVEN album cover Studio Album, 2016
3.58 | 223 ratings

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4 ˝
Steven Wilson Crossover Prog

Review by tomprog

4 stars 4 and a half is a ''mini album'' by prog icon, Steven Wilson. The album consists of tracks that for whatever reason have not made made it onto past albums, with one song originating from the Deadwing sessions all those years ago.

The album starts with the opening track, My Book Of Regrets. The song would have fitted perfectly the Hand Cannot Erase al album, with the lyrics fitting in to the concept of the album. The song itself is an incredible work. It shifts seamlessly between se sections, each section as memorable as the last. Dave Kilminsters guitar features prominently in the track, although Wilson does ge get his moment with a long guitar solo over lush chords in the middle section of the song. In the last chorus Craig Blundell pulls ou out all the stops using his double bass drum, before the song finishes all too soon.

Year of the plague is a pretty instrumental piece that wouldn't have sounded out of place on the raven that refused to sing. Happiness III follows, a catchy pop song that is one of the other highlights on the album. The song, again, wouldn't have sounded out of place on any of Stevens recent solo works.

Two instrumentals follow, Sunday Rain Sets In and Vermillioncore. Vermillioncore has a harder edge to it, and was spectacular wh when played live on the Hand Cannot Erase tour.

The final song on the album is a re worked version of porcupine tree underrated classic, don't hate me, featuring the magnificent Ninet on vocals. The song builds upon the melancholy of the original and has a great instrumental section in the mi middle of the song, making it different from the original. The trusty saxophone solo remains however.

Overall this album is great. Most artists would hope to put this out as a main album, never mind leftovers! It loses a star as it is not a perfect alum, but still a thoroughly enjoyable listen, especially just for My Book Of regrets.

 Roxy Music by ROXY MUSIC album cover Studio Album, 1972
4.05 | 236 ratings

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Roxy Music
Roxy Music Crossover Prog

Review by siLLy puPPy
Collaborator PSIKE Team

5 stars ROXY MUSIC had some interesting origins. It was, of course, founded by vocalist Bryan Ferry who lost his job while teaching ceramics and taking breaks to listen to record albums in class. After this he decided to find some musical mates and hooked up with bass player Graham Simpson. In 1970 he auditioned for lead vocalist in King Crimson to replace Greg Lake and although they didn't find Ferry's vocals suitable for their style, they nonetheless were impressed and helped him form ROXY MUSIC and got them an instant contract with E.G. Records. The name ROXY MUSIC along with the parade of high-class women posing on the early album covers symbolizes a ROXY, which is a showgirl name with plenty of moxie which perfectly sums up both the band's image and aggressive inventive entertaining energy.

The band hit it big time instantly as the public had never heard the perfect blend of glammy art rock mixed with proto-punk energy all laced with progressive rock touches. It was somewhere in the ballpark of David Bowie's catchy glam rockers but more aggressive and in-yer-face. Bryan Ferry's throwback to 50's rock'n'roll making me think of an anachronistic version of Elvis Presley who somehow emerged 20 years later laced with Phil Manzanera's rockin-the-house hard driving guitar riffs that are boosted by the groovy bass lines of Graham Simpson delivering strong and powerful hooks and rhythmic forces are the true ingredients that allow all those rock-n-roll fantasies to emerge. The aspects that really put the music over the top however is the inclusion of Andy Mackay's oboe and sax runs that give the overall sound of that good ole rock'n'roll retro feel from a previous era and of course the mind-blowing futuristic sounds of Brian Eno's VCS3 synthesizer attacks and tape loop effects that treat us to one of the most deliciously unique hybridizations of musical forces in all of rock history.

While the music is firmly rooted in the art rock / pop world with ridiculously catchy hooks and melodies to instantly reel in the listener, all of the subtle details are ever so brilliant as well. Brian Eno was famous for not only dishing out his duties as a straight-on musical performer but was also a pioneer in the art of operating the mixing desk which processed the band's individual parts with his VCS3 synthesizer and tape recorders as well as contributing backing vocals. The slides and effects may seem like they are an inherent part of the music but actually give the whole production value a much smoother "cool cat" feel than they would otherwise, all of which is amplified by Bryan Ferry's crooning charismatic vocal style. The net effect of the groovy bass and jazzy sax and oboe sequences mixed with the passionate vocals and guitar parts all coincide to produce some of the most unique sounds to emerge in the outrageously musically rich year of 1972. The only aspect of this music that doesn't blow me away is the lazy keep-the-beat-and-not-much-else drumming style of Paul Thompson. However while he may not blow me away, he does the adequate job as percussionist-in-chief and allows the focus to remain on the melodic aspects of the music.

There was magic afoot on this one! It's one of those perfectly executed albums where all the elements are in cahoots with super-strong songwriting leaving a steadfast and enduring impression. The album has actually had different versions over the years with the Top 10 UK hit "Virginia Plain" not appearing on the original LP releases but is pretty much included on US releases and subsequent pressings. I was a latecomer to this debut because i didn't care for some of the later releases but once you lay ears on this magnificent debut it is apparent what all the fuss is about. Masterpiece! A good ten years ahead of their time before all the post-punk and new wave bands flooded the 80s. All that inspiration began with this single release but nothing i've ever heard surpasses the innovation and perfect execution delivered here.

 Live In Japan (with Tony Kaye) by SHERWOOD, BILLY album cover Live, 2016
3.00 | 1 ratings

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Live In Japan (with Tony Kaye)
Billy Sherwood Crossover Prog

Review by SouthSideoftheSky
Special Collaborator Symphonic Team

— First review of this album —
3 stars Circa 50 %

This show was recorded in Japan in 2011 and features material from Billy Sherwood's and Tony Kaye's careers in and out of Yes and beyond. In addition to Sherwood on guitars and vocals and Kaye on keyboards there are no other musicians credited, but luckily there is also drums played by an unknown player. Nonetheless, these performances are still somewhat stripped down (though not as much as I feared) and laid back compared to what we would expect from Yes and from Billy's and Tony's band Circa.

Eight Yes songs are performed spanning the two men's respective times in the band from 1970's Time And A Word to 1999's The Ladder (I Could is an alternate version of the first half of Finally from The Ladder). It is especially nice to see songs from Talk, Union, and Open Your Eyes being performed live as these albums are rarely represented in Yes' own set lists and not many songs from these albums have appeared on Yes' official live releases. Roundabout from Fragile and Wondrous Stories from Going For The One are somewhat surprising choices given that neither Kaye nor Sherwood originally played on those two Yes albums. (Kaye did however perform Roundabout live with the band in the 80's and 90's and Billy recorded a cover version of Wondrous Stories with his band World Trade for the Yes tribute album Tales From Yesterday in 1995.)

In addition to Yes material, we also get a couple of songs each from Billy's collaborations with Chris Squire in Conspiracy and with Kaye in Circa. There is one song from World Trade's 1995 album Euphoria (co-written by Squire who also guested on that album) and also a couple of songs from Billy's 2003 solo album No Comment (but oddly nothing from any of his other solo albums; he had already five solo albums out by 2011). The Other Side is a song that Billy co-wrote for Toto and which originally appeared on that band's 1992 album Kingdom Of Desire. Kaye gets a solo spot which is a piano solo (including a snippet of Yes' Changes).

Overall, Live In Japan is a nice listen, but it is not an album that I think I will return to much. Circa's live releases better show what these two highly talented Yes-men can do together on stage.

Data cached

Crossover Prog bands/artists list

Bands/Artists Country
17 PYGMIES United States
1974 United States
1O1 United States
3 United Kingdom
3 LEGGED MONSTER United States
3RDEGREE United States
7TH KIND United States
90 DAY MEN United States
A.L.F. Brazil
AARDVARK United Kingdom
AARDVARK' Finland
THE AARON CLIFT EXPERIMENT United States
ABACUS Germany
ABARAX Germany
ABBFINOOSTY United Kingdom
ABIOGENESI Italy
LEE ABRAHAM United Kingdom
ABSENTE H Spain
ABSINTHE JUNK United States
ACANTHE France
ACTIVE HEED Italy
THE ADDICTION DREAM United States
THE ADVANCEMENT United States
AFTER... Poland
AGATHORN Denmark
AGRABAH Argentina
EDUARDO AGUILLAR Brazil
AHOORA Iran
AKIN France
AKROPOLIS Denmark
ALIAS EYE Germany
ALL OVER EVERYWHERE United States
ALTERNATIVE 4 United Kingdom
ALUX NAHUAL Guatemala
AMAROK Poland
AMAZING MACHINE Norway
THE AMAZING Sweden
AMITY IN FAME Austria
TORI AMOS United States
AMPERA Norway
AMPHETAMIN France
ANALOG MISSIONARY United States
THE ANALOGUE United Kingdom
ANANTA Venezuela
ANAWA Poland
ANDERSON PONTY BAND Multi-National
LAURIE ANDERSON United States
ANGULART Chile
ANOTHER ROADSIDE ATTRACTION Canada
ANTARES Italy
JERZY ANTCZAK Poland
ANUBIS SPIRE United States
ANYWHERE United States
APATHEIA Czech Republic
APOCALYPSIS Greece
APOGEE Germany
THE APPLE ZED United States
APPLESEED Poland
APPLESMELLCOLOUR Spain
AQUILA United Kingdom
ARCHANGELICA Poland
ARCHIVE United Kingdom
AREA 39 United Kingdom
ARGENT United Kingdom
ARGO Lithuania
ARID GARDEN Italy
ARNIOE Australia
BRADY ARNOLD United States
TONY ARNOLD United States
ARONORA Australia
THE ARS SUPERNOVA United States
ART BY NUMBERS United States
ART CINEMA Denmark
ART DECO Finland
ARTIFICIAL HOME Latvia
ARTLAND Israel
ARZ United States
AS FOLLOWS United States
AS TALL AS LIONS United States
ASFALTO Spain
ASGARD United Kingdom
ASIDE BESIDE France
ASTRONOMY United States
ASZENSION Canada
ATARAXIA Japan
ATIK MAZE Portugal
ATLANTYCA France
ATMOSPHERA Brazil
AUDIAC Germany
AUDIOCRACY Multi-National
THE AURORA OBSERVATORY United States
AUT' CHOSE Canada
AUTOGRAPH (AVTOGRAF) Russia
AUTOMATIC MAN United States
AUTUMN ABOVE United States
AUTUMN CHORUS United Kingdom
AUTUMN ELECTRIC United States
AUTUMN PEOPLE United States
AUTUMN WHISPERS Multi-National
AUXFORD Russia
AVALON Canada
AVGRUNDEN Sweden
AVIARY United States
AMADEUS AWAD Lebanon
DAVID AXELROD United States
AZURETH Multi-National
BACKHAND Venezuela
BADWATER FIRE COMPANY United States
DAVE BAINBRIDGE United Kingdom
KEN BAIRD Canada
BAKU Germany
ANDRE BALZER France
BANDA DO SOL Brazil
TONY BANKS United Kingdom
BARCLAY JAMES HARVEST United Kingdom
THE BARDS OF ANTIQUITY United States
NICKLAS BARKER Sweden
BARNUM'S FREAK Italy
BARON United Kingdom
MARTIN BARRE United Kingdom
BARROQUEJON Chile
SEBASTJAN BARTOL Slovenia
M.M. BARTULICA Bosnia and Herzegovina
COLIN BASS United Kingdom
BAT LENNY United States
BATISFERA Russia
BAUER Argentina
BE BOP DELUXE United Kingdom
BEAD GAME United States
BEAM-LIGHT Poland
DAVID BEDFORD United Kingdom
BEDUÍNOS A GASÓLEO Portugal
BELGRAD Poland
BEND SINISTER Canada
BENT KNEE United States
THE BENZENE RING United States
ROBERT BERRY United States
EMILY BEZAR United States
BIG BIG TRAIN United Kingdom
BITTERTOWN Netherlands
BJÖRK Iceland
BLACK CAT BONES United Kingdom
BLACK MOTH SUPER RAINBOW United States
BLACK MOUNTAIN Canada
BLONDIE FOX Italy
BLOW UP HOLLYWOOD United States
THE BODY POLITIC Canada
BORAY Sweden
LINDSEY BOULLT United States
TIM BOWNESS United Kingdom
BOX OF CRAYONS United States
THE BOX Canada
THE BOY; THE BIRD & THE BEAST United States
VICTOR BRADY United States
BREATHING SPACE United Kingdom
BREZOVSKY-ROZSA Slovakia
BRIDGES Norway
BRIGHT BROWN United States
THE BRIMSTONE SOLAR RADIATION BAND Norway
STEVE BROCKMANN AND GEORGE ANDRADE Multi-National
PATRICK BROGUIERE France
DAVE BRONS United Kingdom
DUNCAN BROWNE United Kingdom
BUILT FOR THE FUTURE United States
BUKE AND GASE United States
BULBS United Kingdom
BUNCHAKEZE United Kingdom
BURNING SIDEWAYS United States
TARA BUSCH United Kingdom
KATE BUSH United Kingdom
BY SUNLIGHT United States
DAVID BYRNE United Kingdom
BYRON Romania
CALIFORNIA GUITAR TRIO United States
THE BEN CAMERON PROJECT Australia
CANAMII South Africa
CANNATA United States
CANTURBE Argentina
CAP OUTRUN Sweden
CAPABILITY BROWN United Kingdom
CAPTAIN MARRYAT United Kingdom
FRANCK CARDUCCI Netherlands
MARC CARLTON United Kingdom
CARVED IN ASHES Finland
CASTLE CANYON United States
STEPHEN CAUDEL United Kingdom
CEILING UNLIMITED United States
CELL15 United States
CHANCE France
CHANCE:RISIKO Italy
CHANGES Switzerland
CHANGING IMAGES Germany
THE CHANT Finland
SPYROS CHARMANIS Greece
CHASM Norway
CHEETO'S MAGAZINE Spain
CHILDREN IN PARADISE France
CHIMPAN A United Kingdom
CHOICE Germany
CHOKE THE WORD United States
CHROME HOOF United Kingdom
CHURN MILK JOAN Multi-National
CINEMA SHOW Brazil
CIRCA United States
CIRCA SURVIVE United States
CIRCULINE United States
CIRCUS PARANOIA Netherlands
CIRCUSFOLK Finland
CITADEL France
CLARION Italy
STEVE CLARK Australia
CLOUD ATLAS United Kingdom
CARY CLOUSER Canada
CLOVER SEEDS France
CLUB MERANO Finland
SUSAN CLYNES Belgium
STEVE COCHRANE Canada
COHEED AND CAMBRIA United States
COLLECTING SPACE United States
COLOR Hungary
CONSPIRACY United Kingdom
CONTRACTION Canada
THE COOPER TEMPLE CLAUSE United Kingdom
CORALSPIN United Kingdom
COREY & MAPLE Finland
CORRAL Poland
CORVUS STONE Multi-National
COSHISH India
THE COSMIC REMEDY Multi-National
COSMOS DREAM France
ROB COTTINGHAM United Kingdom
COZHE Finland
BEN CRAVEN Australia
CRAZY WORLD Finland
CRIMINAL CATERPILLAR Canada
CROSS Sweden
BEPPE CROVELLA Italy
CRYPTEX Germany
CUAC! Spain
CUPRUM Czech Republic
PAUL CUSICK United Kingdom
THE CUSTODIAN United Kingdom
CYNOSURA Switzerland
CYRIL Germany
LAREN D'OR Hungary
NICK D'VIRGILIO United States
DAEMONIA Italy
DAPHNE Italy
DAVID'S LODGERS Italy
DAYMOON Portugal
DDNZ Serbia
MARCO DE ANGELIS Italy
DEADWOOD FOREST United States
DEAMBRA United States
THE DEAR HUNTER United States
FRANCIS DECAMPS France
DEEP LIMBIC SYSTEM Mexico
DEERHOOF United States
DELIRIO SONORO Italy
DELIRIUM Mexico
DELUSION SQUARED France
DEMIAN CLAV France
JOE DENINZON United States
A DEVIL'S DIN Canada
DIATESSARON Canada
DICE Germany
THE DIFFERENCE Slovakia
DIFFERENT LIGHT Czech Republic
DIGITAL CHEMISTRY United States
DIN WITHIN United States
DIRECT DIVIDE United States
DIRTY PROJECTORS United States
DISCONNECT United States
DISSONATI United States
DISTANT LIGHTS United States
DISTRICT 97 United States
DLGZ ROCK 5TET France
DOKTOR SPIRA I LJUDSKA BICA Yugoslavia
PASCAL VAN DEN DOOL Netherlands
DOPING HORNETS Canada
GEOFFREY DOWNES United Kingdom
DR FOLAMOUR France
DREAM THE ELECTRIC SLEEP United States
THE DREAMING TREE United Kingdom
DREDG United States
DRY RIVER Spain
MARK DUBERRY Ireland
FRANCIS DUNNERY United Kingdom
DW. DUNPHY United States
DUTCH UNCLES United Kingdom
DYNAMO BLISS Sweden
DYONISOS United States
DZEJBI Yugoslavia
EATLIZ Israel
ECHO Romania
ECHOES OF GIANTS United States
ECLIPSE Canada
ECLIPSE SOL-AIR Multi-National
EDEL Multi-National
COLIN EDWIN AND JON DURANT Multi-National
EIDÔLON France
ELDBERG Iceland
ELECTRA Germany
ELECTRIC LIGHT ORCHESTRA United Kingdom
ELECTRIC SORCERY United States
ELECTRUM United States
ELEND France
ELIPHASZ Canada
ELORA France
ELYSIUM THEORY United States
KEITH EMERSON United Kingdom
GERT EMMENS Netherlands
EMPIRE United Kingdom
EMPIRICAL TIME Italy
AARON ENGLISH United States
ENNĎS TÓLA Australia
ENTITY PARADIGM Pakistan
ENTRANSIENT United States
EOS Chile
EPIICYCLE United States
ESAGIL Greece
ETHERS EDGE United Kingdom
EVELINE Italy
EVEN HORSES Germany
EVENT United States
EX-WISE HEADS United Kingdom
EXOVEX United States
EYEVORY Germany
FAINT SIGNAL United States
FAIR TO MIDLAND United States
FAIRY TALE Slovakia
ALESSANDRO FARINELLA Italy
FATAL FUSION Norway
LA FE Chile
FEROZ Mexico
FIBONACCI SEQUENCE United States
FIELD MUSIC United Kingdom
PIOTR FIGIEL Poland
NICOLAS FIGUEROA Chile
SEAN FILKINS United Kingdom
HEATHER FINDLAY United Kingdom
FIRE ON DAWSON Germany
FIREHORSE Germany
FISH ON FRIDAY Belgium
FLAUD LOGIC United States
FLICKER United Kingdom
FLOOD United Kingdom
FLORA Italy
FLOWER CORONET United States
FLOWER FLESH Italy
FOBOS Argentina
FONTARABIE Canada
THE FORMER LIFE Italy
FORWARD SHAPES United States
FOSSIL EVOLUTION Belgium
FOSSIL EVOLUTION Belgium
FOURTEEN TWENTYSIX Netherlands
FRACTAL MIRROR Netherlands
FRACTAL ROCK United States
FRAGILE Estonia
FRANC ALBIR Spain
FREDDEGREDDE Sweden
FREEDOM TO GLIDE United Kingdom
FREELIGHT United States
FREQUENCY DRIFT Germany
HASSE FRÖBERG & MUSICAL COMPANION Sweden
FROSKULL United States
FRXHO Mexico
FSB Bulgaria
FUCHS Germany
FULL CODE New Zealand
FUTURUM Czech Republic
GABRIEL BONDAGE United States
PETER GABRIEL United Kingdom
GALACTIC COWBOY ORCHESTRA United States
GALIJA Yugoslavia
GALLERY Norway
GANDALF Austria
GANDALF'S PROJECT Italy
GAP PARTY Italy
ANJA GARBAREK Norway
GAZPACHO Norway
KEVIN GEIER United States
GEKKO PROJEKT United States
GIO GENTILE Italy
GENTLE KNIFE Norway
THE GENTLE STORM Netherlands
GENTLEMEN WITHOUT WEAPONS United Kingdom
GHOST CIRCUS Multi-National
GIANNOTTI United States
IL GIARDINO ONIRICO Italy
KEVIN GILBERT United States
KRISTOFFER GILDENLÖW Sweden
GIRAFFE United States
GLASFROSCH Australia
GLASS KITES Canada
YIANNIS GLEZOS Greece
GLORIE United States
GODSTICKS United Kingdom
GOLIATH United Kingdom
LE GONG DU BALAYEUR France
GOTHIC LUNCH Italy
GOTHIK SERPENT United States
GRAMONAUTUS Argentina
PHILIPPE GRANCHER France
THE GRAND SILENT SYSTEM Australia
GRAVITY TREE United States
GREEN Italy
THE GREEN VIOLINIST Belgium
MARK GREEN United Kingdom
DAVE GREENSLADE United Kingdom
GREY EYE GLANCES United States
GREY LOTUS Netherlands
GRICE United Kingdom
GRIME France
GROUP 309 Russia
LA GUERRA DELLE FORMICHE Italy
ID GUINNESS Canada
GUITAR GARDEN United States
GUNGFLY Sweden
HA' ARNAV HA-LAVAN Israel
HABELARD2 Italy
HABITAT Argentina
HADDAD Brazil
HAGGARD Germany
THE HALLUCINANT TELEPHERIQUE United States
HALO BLIND United Kingdom
HATS OFF GENTLEMEN IT'S ADEQUATE United Kingdom
JASON HAVELOCK France
HAYWARD & LODGE United Kingdom
HEARTSCORE Germany
HEATWAVE Italy
ROEL VAN HELDEN Netherlands
HELICOPRIA Multi-National
HELIOTH United States
LUC HENRION Belgium
HENRY FOOL United Kingdom
HERMETIC SCIENCE United States
HEYOKA United States
HIIDENSOINTI Finland
HIPGNOSIS Poland
STEVE HOGARTH United Kingdom
JOANNE HOGG United Kingdom
MARK HOLLIS United Kingdom
HOLLOW BRANCHES Multi-National
STE VAN HOLM Denmark
THE HOME GUARD United Kingdom
HOMESICK FOR SPACE United States
HOT HEAD SHOW United Kingdom
HOUR OF THE SHIPWRECK United States
STEVE HOWE United Kingdom
HYPNOMEN Finland
I.AB United States
IAMTHEMORNING Russia
IF / IFSOUNDS Italy
IGAYON Israel
IGNATIUS Spain
ILUZJON Poland
IMMUNE United Kingdom
IN LIMBO France
INDELIBLE Norway
INDEXI Yugoslavia
INFICTIONS United Kingdom
INFINITE MONOPOLY United States
INFINITE ORCHESTRA United States
INFUSION KAMACHUI Argentina
INNER PROSPEKT Italy
INNERSPACE Canada
INTENTIONS Netherlands
INTERGALACTIC TOURING BAND Multi-National
INTO THE PRESENCE United States
IOEARTH United Kingdom
ION United Kingdom
IRRGARTEN Canada
ISLANDS Canada
ISOS Canada
ISZIL Chile
IT BITES United Kingdom
J'ACCUSE..! Italy
J21 Spain
JAÉN KIEF Colombia
JANUS United Kingdom
JASPER WRATH United States
JAUGERNAUT (A.D.) United States
JAZ France
JEBEL United States
JEREMY United States
JEREMY IRONS AND THE RATGANG MALIBUS Sweden
JET BLACK SEA Netherlands
JHIMM United States
JODY GRIND United Kingdom
JONAS LINDBERG Sweden
JONO Sweden
JORM Sweden
KADDISFLY United States
KANT FREUD KAFKA Spain
KAOS MOON Canada
KARIBOW Germany
KASSINI United States
KAUKASUS Norway
KAYAK Netherlands
KAZACHSTÁN Czech Republic
KEDAMA Switzerland
KEEP IT DEEP Belgium
KEL LOCH & GOLD United States
MIKE KERSHAW United Kingdom
KERYGMATIC PROJECT Italy
DAVE KERZNER United States
KEVLAR RED United Kingdom
KID COUSIN United States
KIMURA France
KING RAT United Kingdom
KINO United States
KINZOKU-EBISU Japan
KISS KISS United States
KNIFEWORLD United Kingdom
KOI Sweden
KOMPENDIUM United Kingdom
KOSKA Spain
KRÁSNÉ NOVÉ STROJE Czech Republic
KRONER CIRKUS Poland
KRUNKELSTILTSKIN United States
DAVE KULJU United States
KUMM Romania
KUNDABUFFER Argentina
KURKI Finland
KUUSUMUN PROFEETTA Finland
KVARTETTEN SOM SPRANGDE Sweden
LA YNE Finland
LABORATOR France
LANDSCAPE Poland
YOGI LANG Germany
LANTINOR Russia
LISA LARUE United States
LAST TURION Germany
LAURA France
LAVIŔNTICA Italy
LAYRA Italy
LAZY DOLL France
GUY LEBLANC Canada
LEBOWSKI Poland
JOHN LEES United Kingdom
LEVIATHAN United States
LIFE Sweden
LIGHT Netherlands
THE LIGHT AFTERNOON United Kingdom
LIMPID GREEN United States
LING TOSITE SIGURE Japan
LION SHEPHERD Poland
A LIQUID LANDSCAPE Netherlands
LIRD VAN GOLES Switzerland
LITTLE TYBEE United States
LIVES AND TIMES United Kingdom
KERRY LIVGREN United States
LIVING STILTS Italy
THE LIVING Canada
LOBATE SCARP United States
LOGAN DWIGHT Italy
LONELY ROBOT United Kingdom
LOONYPARK Poland
LOST WORLD Russia
JEAN-PIERRE LOUVETON France
LOVE DE VICE Poland
ARJEN ANTHONY LUCASSEN Netherlands
THE LUCK OF EDEN HALL United States
LUDUS United Kingdom
JOHANNES LULEY United States
LUNA ROSSA United Kingdom
LUNATIC SOUL Poland
PHILIPPE LUTTUN France
LÜÜP Greece
WILLIAM LYALL United Kingdom
LYRIAN United Kingdom
MACARTHUR United States
MACHINES DREAM Canada
MADAME BLAVATSKY OVERDRIVE United States
THE MADCAP LAUGHS United Kingdom
MADRIGAL United States
MAID MYRIAD United States
BRUCE MAIN United States
MAJESTIC X United States
BARIS MANCO Turkey
MANDILLO Italy
MANDRAKE PROJECT United States
IL MANISCALCO MALDESTRO Italy
MANFRED MANN'S PLAINS MUSIC South Africa
MANSUN United Kingdom
MANTIS Canada
MANTRA VEGA Multi-National
MAOBI France
MARGARITAS ANTE PORCOS Latvia
LUC MARIANNI France
MARIANUS United States
MARS HOLLOW United States
RHYS MARSH Norway
MARTINI HENRY United States
COLIN MASSON United Kingdom
MASTERS OF THE AIRWAVES United States
MATERIA GRIS Argentina
MATERYA Italy
ALEJANDRO MATOS Argentina
MAVARA Iran
MAXIMUM INDIFFERENCE United States
THE MAYAN FACTOR United States
MAYFAIR Austria
JAMES (JIM) MCCARTY United Kingdom
MCDONALD & GILES United Kingdom
SIMON MCKECHNIE United Kingdom
MECHANICAL BUTTERFLY Italy
MEKHLIN Denmark
MERGING CLUSTER Italy
STEVE MERLIN Netherlands
MERMAID KISS United Kingdom
MERRY GO ROUND Italy
MESEGLISE Italy
META United States
METACONCIENCIA Mexico
METHEXIS Greece
METRO EXPO Belgium
METUS Poland
MEW Denmark
MICE ON STILTS New Zealand
MIDIAN Italy
MIGHT COULD United States
MIGHTY BABY United Kingdom
LAS MIL DE ZAFIRO Argentina
MILLENNYA Norway
MARK MILLER United States
RICK MILLER Canada
MILLPLAT Japan
MIND United States
MIND FURNITURE United States
MIND SPLIT EFFECT France
MINDMOVIE Germany
MINDSPEAK Austria
THE MINSTREL'S GHOST United States
MIRRELIA Canada
MIRROR PEOPLE United States
VLADIMIR MISIK Czech Republic
KENNY MITCHELL United Kingdom
MODEST MIDGET Netherlands
MOEBIUS CAT Canada
MOETAR United States
BARAK MOFFITT United States
MOGADOR Italy
MONJOIE Italy
MONTECHIARI PROJECT Brazil
THE MOODY BLUES United Kingdom
MOONLIGHT Poland
MOONLIGHT SKY Slovenia
MICHAEL MOORCOCK United Kingdom
MOPHO Brazil
PATRICK MORAZ Switzerland
MORRIGAN France
MOTAE United States
MOTHER SUPERIOR United Kingdom
MOTHER'S CAKE Austria
MOTHLITE United Kingdom
MOTION THEORY United Kingdom
MOTO PERPETUO Brazil
MOUNTAIN MIRRORS United States
MOZZARELLA Ecuador
MR. ALBERT SHOW Netherlands
MR. GOSHNESS Canada
MULTIFUSE United Kingdom
MURKY RED Belgium
THE MUTE GODS United Kingdom
MY ETERNEL United States
MY NAME IS JANET Multi-National
THE MYND United Kingdom
MYTHO Italy
NA LEPEM PRIJAZNI Yugoslavia
HIROYUKI NAMBA Japan
JEFFREY NANESS United States
NANOOK OF THE NORTH Sweden
NAPIER'S BONES United Kingdom
NARANJA MECANICA Argentina
IAN NARCISI United States
NAVE Brazil
CHRIS NEAL Australia
LITTO NEBBIA Argentina
NEGUS Canada
BILL NELSON United Kingdom
NEO France
THE NERVE INSTITUTE United States
NETHERLAND DWARF Japan
NEURAL MASS Canada
NEVER WASN'T United States
NEW BEARD United States
NEW ENGLAND United States
NEW MACHINE United States
TOM NEWMAN United Kingdom
NICK-NACK United States
JAKE NIELSEN United States
NIGHTALES United States
NIGHTWINDS Canada
NIMBUS Chile
NIMROD Australia
NINE BOOKS Hungary
NINE DAYS' WONDER Germany
NINE INCH NAILS United States
NO TICKET Canada
NORDAGUST Norway
NORTH ATLANTIC OSCILLATION United Kingdom
THE NOUN United Kingdom
NOVA MALŔ STRANA Italy
NOVUS REX United States
ŃU Spain
NUOVA DIVISIONE Italy
LA NUOVA ERA Italy
DAVY O'LIST United Kingdom
OAK Norway
OBIYMY DOSCHU Ukraine
OCEANS 5 United Kingdom
OCNOS Spain
OCTOBRE Canada
OCTOPIE Finland
ODESSA Italy
OF SOUND MIND Canada
OG MUSIQUE Belgium
OGRÓD WYOBRAźNI Poland
BARTOSZ OGRODOWICZ Poland
OH NO ONO Denmark
OH. Greece
OINGO BOINGO United States
THE OLD MAN & THE SEA Denmark
OLD ROCK CITY ORCHESTRA Italy
MIKE OLDFIELD United Kingdom
SALLY OLDFIELD Ireland
OLIVER United Kingdom
OMNIPRESENT United States
THE ONEIRA Multi-National
ONEVOICE United States
ONGKARA Russia
ONIRIC Italy
ONIRIC PROJECT Italy
ONTOFIELD United Kingdom
OPALE France
OPEN AIR France
OPHIUCUS France
THE OPIUM CARTEL Norway
OPUS SYMBIOSIS Finland
ORBS United States
ORCHESTRA PANICA Italy
ORCHESTRE CELESTI Italy
ORDINARY BRAINWASH Poland
ORPHAN PROJECT United States
ORPHEUS United Kingdom
OSSICLES Norway
OSTA LOVE Germany
OUR OCEANS Netherlands
OVER THE EARTH France
OVERHEAD Finland
OX.EAGLE.LION.MAN United Kingdom
PAATOS Sweden
PACIFICO Argentina
PADRE Poland
PAIDARION Finland
PAIKAPPU Japan
PALADIN United Kingdom
PALINDROME Austria
CARL PALMER United Kingdom
PANIC ROOM United Kingdom
STEFANO PANUNZI Italy
PANZA Argentina
THE ALAN PARSONS PROJECT United Kingdom
PAT COOL Netherlands
THE PAT SAJAK ASSASSINS United States
PATCH Australia
PATTERSON - EYRE United Kingdom
PAVLOV'S DOG United States
THIERRY PAYSSAN France
ANNETTE PEACOCK United States
PEDRA Brazil
PENSIERO NOMADE Italy
VICTOR PERAINO'S KINGDOM COME United States
PERFECT BEINGS United States
RUDY PERRONE United States
PERSPECTIVES OF A CIRCLE Italy
PETR NOVAK Czech Republic
PETROLEUM FALCON United States
PEZ Argentina
PHIDEAUX United States
PHILHELMON Netherlands
CHRIS PICTON United Kingdom
PIE Q Israel
PIED PIPER Argentina
PIEZO Canada
PIG'N'AIF United Kingdom
PIKANTIK Poland
PINEAPPLE THIEF United Kingdom
PING PONG Italy
PIRANA Australia
PISKA MIG HAART Sweden
PLANET P PROJECT United States
ROBERT PLANT United Kingdom
PLAYGROUND Germany
PLAYLAND Japan
PLUTO Norway
PLUTO AND THE PLANETS Norway
POCKET SIZE STHLM Sweden
POCKETFUL Sweden
POIRE Spain
POLIFEMO Argentina
POOR GENETIC MATERIAL Germany
POPOL ACE / POPOL VUH Norway
PORCELAIN MOON Finland
LUBOS POSPISIL Czech Republic
JACK POTTER United States
PREACHER United Kingdom
JULIO PRESAS Argentina
PRESTO BALLET United States
PRIME MOVER Finland
THE PRINCES Estonia
PROCOL HARUM United Kingdom
THE PROGNOSIS United Kingdom
PROJECTED TWIN Australia
PROTOMYTHOS Israel
PROVIDENCE FALLS United States
PSEUDO/SENTAI United States
PSICOLORAMA Spain
PSYCHIC FOR RADIO United States
PUNAISEN KUNINGATTAREN PERIAATE Finland
PURE REASON REVOLUTION United Kingdom
PURPLE United Kingdom
PURPOSEFUL PORPOISE United States
PURSON United Kingdom
PUZZLE KING France
PYE FYTE United States
PYMLICO Norway
QANGO United Kingdom
QUANAH PARKER Italy
MICHAEL QUATRO United States
THE QUIET EARTH ORCHESTRA United States
QUORUM Russia
TREVOR RABIN South Africa
RADIANT FREQUENCY Norway
RADIOHEAD United Kingdom
RAFART Chile
RAIN TREE CROW United Kingdom
RAINBOW DANGER CLUB China
RAJAS United States
RAMSES Germany
RARE BIRD United Kingdom
RAVANA Norway
RAYBURN United States
THE REASONING United Kingdom
THE REBEL WHEEL Canada
ZOZIMO RECH Brazil
RED ORCHID United States
ALAN REED United Kingdom
ROBERT REED United Kingdom
FERNANDO REFAY Argentina
REGAL WORM United Kingdom
REIGN CYCLE United States
THE REIGN OF KINDO United States
REJOICE Germany
RÉMI ORTS PROJECT France
RENAISSANT United Kingdom
THE RESISTANSE United States
RESISTOR United States
RESONAXIS Australia
RETROHEADS Norway
HAPPY RHODES United States
RIGONI & SCHOENHERZ Austria
BJŘRN RIIS Norway
RIKK ECCENT Finland
RISHLOO United States
RISOTRAGIA Argentina
RITUAL Sweden
RIUTTA Finland
RIVERBLIND New Zealand
ROBY TAV AND TIZIANA RADIS Italy
ROCKENFIELD / SPEER United States
ROLAND BUHLMANN Switzerland
PAUL ROLAND United Kingdom
THE ROOM United Kingdom
ROSA LUXEMBURG France
ROSE Canada
RŘSENKREÜTZ Italy
CRISTIANO ROVERSI Italy
ROXY MUSIC United Kingdom
RSC Poland
THE RUBE GOLDBERG MACHINE United Kingdom
BARBARA RUBIN Italy
RUDESS MORGENSTEIN PROJECT United States
JOHN PETRUCCI AND JORDAN RUDESS United States
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