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CROSSOVER PROG

A Progressive Rock Sub-genre


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Crossover Prog definition

Crossover Prog contains progressive rock music that, though 100% progressive, may have a musical connection to popular music-- whether it be the lack of emphasis on extended compositions, or an influence from mainstream music in addition to classical, jazz and folk. Compositions, however, still exhibit a high degree of sophistication, sometimes outright complexity, and the musicianship and virtuosity is often on a par with established Prog acts. Much like their kin in the established prog sub-genres, these groups will incorporate many major parts of what defines prog rock: the fusing of rock with the structures and discipline of more traditional musics, the use of syntheisizers and new technologies, intelligent thematics, and the expansion of the form.

The defining characteristics of Crossover Prog are a pop music influence that is largely vacant in typical prog rock. Songs tend toward shorter, more concise presentations though still reach beyond the typical verse, bridge, chorus pattern. The harmonic, melodic, and rhythmic structures may be more easily digested in Crossover while not losing the musical integrity that a prog listener expects. Whereas Prog Related bands are generally commercial groups with certain prog elements or players that were involved in prog acts, Crossover Prog artists are predominantly progressive with elements of popular music.

The most representative examples for this genre include The MOODY BLUES, SUPERTRAMP, DREDG, CINEMA SHOW, RADIOHEAD.

- written by micky (Michael) and Chus (Jesus)

Current Team Members as at 04/26/2015

Tom (Roland113)
Evolver (Scott)
tszirmay (Thomas)
rogerthat (Madan)

Crossover Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Crossover Prog | More Top Prog lists and filters

4.32 | 1320 ratings
CRIME OF THE CENTURY
Supertramp
4.32 | 1071 ratings
OMMADAWN
Oldfield, Mike
4.31 | 1655 ratings
THE RAVEN THAT REFUSED TO SING (AND OTHER STORIES)
Wilson, Steven
4.30 | 1078 ratings
HAND. CANNOT. ERASE.
Wilson, Steven
4.23 | 848 ratings
DOOMSDAY AFTERNOON
Phideaux
4.21 | 1489 ratings
GRACE FOR DROWNING
Wilson, Steven
4.20 | 876 ratings
ENGLISH ELECTRIC (PART ONE)
Big Big Train
4.20 | 737 ratings
PETER GABRIEL 3 [AKA: MELT]
Gabriel, Peter
4.21 | 468 ratings
~
iamthemorning
4.18 | 735 ratings
SNOWTORCH
Phideaux
4.17 | 628 ratings
THE UNDERFALL YARD
Big Big Train
4.16 | 668 ratings
DAYS OF FUTURE PASSED
Moody Blues, The
4.13 | 687 ratings
ENGLISH ELECTRIC (PART TWO)
Big Big Train
4.12 | 518 ratings
NIGHT
Gazpacho
4.38 | 77 ratings
THE EDGES OF TWILIGHT
Tea Party, The
4.15 | 297 ratings
ONES & ZEROS: VOL. 1
3RDegree
4.23 | 138 ratings
THE SHAMING OF THE TRUE
Gilbert, Kevin
4.25 | 120 ratings
SHINY EYED BABIES
Bent Knee
4.20 | 151 ratings
LOVE REMAINS THE SAME
Von Hertzen Brothers
4.07 | 946 ratings
TUBULAR BELLS
Oldfield, Mike
4.11 | 339 ratings
HOUNDS OF LOVE
Bush, Kate
4.12 | 299 ratings
SPIRIT OF EDEN
Talk Talk
4.13 | 228 ratings
THE HEMULIC VOLUNTARY BAND
Ritual
4.09 | 360 ratings
PASSION (MUSIC FROM THE LAST TEMPTATION OF CHRIST)
Gabriel, Peter
4.09 | 316 ratings
CORVUS STONE II
Corvus Stone
4.07 | 481 ratings
AMAROK
Oldfield, Mike
4.08 | 363 ratings
WAR AND PEACE & OTHER SHORT STORIES
Filkins, Sean
4.38 | 59 ratings
TIME
Time
4.08 | 278 ratings
FOLKLORE
Big Big Train
4.07 | 324 ratings
TO OUR CHILDREN'S CHILDREN'S CHILDREN
Moody Blues, The
4.03 | 843 ratings
OK COMPUTER
Radiohead
4.10 | 221 ratings
QUICKLY QUICKLY QUICKLY
Tea Club, The
4.11 | 211 ratings
ACT I: THE LAKE SOUTH, THE RIVER NORTH
Dear Hunter, The
4.14 | 150 ratings
GRAPPLING
Tea Club, The
4.21 | 101 ratings
MODRA RIJEKA
Indexi
4.04 | 567 ratings
TALES OF MYSTERY AND IMAGINATION - EDGAR ALLAN POE
Parsons Project, The Alan
4.08 | 231 ratings
THE DREAMING
Bush, Kate
4.04 | 452 ratings
TICK TOCK
Gazpacho
4.13 | 147 ratings
SECRETS OF THE BEEHIVE
Sylvian, David
4.06 | 302 ratings
PAMPERED MENIAL
Pavlov's Dog
4.07 | 241 ratings
EL CIELO
Dredg
4.05 | 317 ratings
LUNATIC SOUL
Lunatic Soul
4.02 | 496 ratings
NUMBER SEVEN
Phideaux
4.05 | 263 ratings
SHINE ON BRIGHTLY
Procol Harum
4.28 | 65 ratings
EGO, GEORGIUS
Antczak, Jerzy
4.18 | 97 ratings
THE GNOMON
Sunchild
4.08 | 187 ratings
AS FAR AS THE EYE CAN SEE
Sunchild
4.06 | 236 ratings
GHOSTS
Frequency Drift
4.05 | 245 ratings
ROXY MUSIC
Roxy Music
4.04 | 248 ratings
FOR YOUR PLEASURE
Roxy Music
4.04 | 227 ratings
ACT III: LIFE AND DEATH
Dear Hunter, The
3.99 | 490 ratings
UP
Gabriel, Peter
4.05 | 191 ratings
CORVUS STONE UNSCREWED
Corvus Stone
4.34 | 48 ratings
VEIL OF GOSSAMER
Bainbridge, Dave
4.05 | 187 ratings
LIGHTHOUSE
iamthemorning
4.06 | 153 ratings
CINEMATIC
Lebowski
3.99 | 378 ratings
MARCH OF GHOSTS
Gazpacho
4.03 | 198 ratings
A MOON SHAPED POOL
Radiohead
4.03 | 200 ratings
THE LONG DIVISION
3RDegree
4.33 | 45 ratings
CHROMIUM
Talisma
3.99 | 314 ratings
WALKING ON A FLASHLIGHT BEAM
Lunatic Soul
4.05 | 145 ratings
ENOUGH BLAME TO GO AROUND
Disconnect
4.01 | 223 ratings
ACT IV: REBIRTH IN REPRISE
Dear Hunter, The
3.96 | 500 ratings
EVEN IN THE QUIETEST MOMENTS....
Supertramp
3.94 | 674 ratings
KID A
Radiohead
3.99 | 218 ratings
ACT II: THE MEANING OF, AND ALL THINGS REGARDING MS. LEADING
Dear Hunter, The
3.94 | 604 ratings
BREAKFAST IN AMERICA
Supertramp
4.23 | 53 ratings
BURNT BELIEF
Burnt Belief
4.15 | 71 ratings
BLUE JAYS
Hayward & Lodge
4.07 | 102 ratings
AND THE GLASS HANDED KITES
Mew
3.94 | 475 ratings
HERGEST RIDGE
Oldfield, Mike
3.95 | 368 ratings
AMUSED TO DEATH
Waters, Roger
4.13 | 72 ratings
ANCHOR DROPS
Umphrey's McGee
3.99 | 191 ratings
NEW WORLD (DELUXE EDITION)
Kerzner, Dave
3.97 | 215 ratings
LAUGHING STOCK
Talk Talk
4.00 | 149 ratings
THE IMPERIAL HOTEL
Samurai of Prog, The
3.99 | 168 ratings
BROKEN CHINA
Wright, Richard
4.24 | 48 ratings
SELECTIVE MEMORY
Témpano
4.04 | 107 ratings
NO TENGAS MIEDO
Kant Freud Kafka
4.52 | 26 ratings
PEVNINA DETSTVA
Ursiny, Dezo
3.92 | 509 ratings
PETER GABRIEL 4 [AKA: MASK OR SECURITY]
Gabriel, Peter
3.96 | 224 ratings
NEVER FOR EVER
Bush, Kate
4.32 | 37 ratings
AUTOGRAPH / Автограф
Autograph (Avtograf)
3.95 | 248 ratings
THE KICK INSIDE
Bush, Kate
3.99 | 139 ratings
SANCTUARY
Reed, Robert
4.02 | 109 ratings
KAYAK II
Kayak
3.92 | 361 ratings
INCANTATIONS
Oldfield, Mike
4.12 | 63 ratings
SAY SO
Bent Knee
3.97 | 150 ratings
AS YOUR MIND FLIES BY
Rare Bird
4.00 | 120 ratings
VESPERTINE
Björk
3.99 | 121 ratings
THE ANCIENT TALE
Fatal Fusion
4.13 | 58 ratings
THE PATH OF LEAST EXISTENCE
Jet Black Sea
4.18 | 49 ratings
D'APRČS LE HORLA DE MAUPASSANT
Box, The
4.00 | 111 ratings
LULLABIES IN A CAR CRASH
Riis, Bjřrn
3.93 | 225 ratings
SYNAESTHESIA
Synaesthesia / Kyros
3.96 | 154 ratings
II
Perfect Beings
3.98 | 126 ratings
RETURN TO MINGULAY
Oceans 5
4.21 | 43 ratings
EL FIN DE LA INFANCIA (CHILDHOOD'S END)
Témpano
3.91 | 303 ratings
BELIGHTED
iamthemorning
3.98 | 124 ratings
THE END IS BEGUN
Three

Crossover Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Crossover Prog experts team

ABBANDONO DEL TEMPO E DELLE FORME
J'Accuse..!
CONQUISTA
Alux Nahual
VOICE
Capability Brown
THE LOST ART OF TIME TRAVEL
Presto Ballet

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Latest Crossover Prog Music Reviews


 Hair In A G-String (Unfinished But Sweet) by TENCH PROJECT, COLIN album cover Studio Album, 2016
4.73 | 10 ratings

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Hair In A G-String (Unfinished But Sweet)
Colin Tench Project Crossover Prog

Review by Angelo
Special Collaborator Honorary Collaborator / Retired Admin

5 stars Classically trained (but not in guitar) guitarist Colin Tench is about 132 years old now. He was there when George Martin was conceived, errm, conceived The Beatles... Having learned to play the instrument at 22, after a 110 years he can barely be distinguished from the ones who started at age 5.

This is the point where I could say 'All jokes aside' and continue, but with this album I'm afraid that's very hard, as there is a lot to laugh about, in between 80 minutes of seriously good and well performed music. Good music, in the form of an epic title piece, that is divided into separate 4 parts, and runs about 30 minutes in total. The piece has a recurring musical theme, that is played in so many different ways it takes a proper listen to spot it, and which invisible makes it into a coherent piece. Makes coherent indeed, because this is not music for casual listeners. They will hear loose bits and pieces, that only connect when you sit down for it. It starts in Part 1 with an acoustic guitar and some synths, changes to electric guitar and piano, but just as easily goes Santana style lating in the second half of Part 2. In Part 3, avant garde and Zappa-esque things happen (also lyrically), while in Part 4 we are treated to a great progressive rock piece, with a comedy parade performed by vocalists Peter Jones and Phil Naro.

Having the theme, and Colin's way of composing make that this works. He doesn't just lay down a chord pattern. He thinks (and talks) in melodies and every note has to be at the right spot and of the right length - like the way classical composers did. I know first hand - having contributed a whopping 2.30 seconds of fretless bass to this piece. I have some bass notes left over that were rejected for being in the wrong place. I think the same applies to Petri Lindström (Corvus Stone) who contributed most of the other bass parts on the album, and Stephen Speelman (Unified Past) who makes a short but stunning appearance right in the middle of Part 2.

In between the four parts, 8 other tracks are placed, all of which are delicately crafted compositions, and as varied as the main suite.

Can't see It Any Other Way, is almost a prog rocker, with sufficient 'funny noises' and percussion to make it into something that attracts attention. The big star here is singer Phil Naro (Unified Past). La Palo Desperado and The Mad Yeti show Colin Tench's skills on acoustic guitar, and so does Dnieper Summer Day.

On The Sad Brazilian, a horror movie like keyboard riff opens, after which the track develops into a nice mix of melodic electric guitar rock and orchestra.

That orchestra, which lives in Gordo Bennett's (GorMusik)basement also happens on Lisa Waltzes back in with no G- string, which is a 'redesign' of the last bit of Corvus Stone's Moaning Lisa. In that piece, originally German Vergara sings 'mi chitarra canta', on this version Colin let's his guitar sing for real. He does it again, acoustically on Lisa's Entrance Unplugged, a redo of the same tracks intro minutes, with additional beautiful flute work by Ian Beabout. Oh, and there's the bonus track of course, a full orchestra rendition by Gordo Bennett of the yet another part of Moaning Lisa.

Something Old, Something New, Something Borrowed Something Screwed was always one of my favourite demos of CTP, and now it's been remixed and slightly changed. Colin's ode to the old prog bands, by musically making it exactly what the title suggests.

The love it or hate it track on the album is likely A Beautiful Feeling. A bit of an odd beast, being a proper rock ballad, but with a feeling to it that made me nick name it 'The love boat'. It does have that feeling, just listen and you'll understand. At the same time, it has something very appealing, maybe once again because of Phil Naro's great vocals.

And of course, like all Colin Tench's works, the artwork on this album (digital release available September 30th, CD in november 2016) is done by the brilliant 'pintora' Sonia Mota (Chipmunk). To honour her (we think, but he won't admit it) Peter Jones contributed the 23 second Part 4b Redux to the album, which has the Chipmunks singing.

That same Peter Jones provided the vocals for my forever favourite track on this album And So, Today. Not favourite because it's the most complex or most progressive, but because it is a very fitting and well executed tribute to all the musicians who left earthly life in the year before this album was released. Every time I hear the line "Our wild eyed boy is stardust..." I get goosebumps and the hair on my arms stands upright.

Overall, this is an album I find hard to describe. The music on this one was all mainly composed by Colin Tench himself, although the contributing musicians got a lot of freedom to fill their parts. This makes it different from Colin's main project, Corvus Stone, which has tracks composed based on ideas by different band members. Some may find it more coherent because of this. Either way, like Zappa liked doing new things, as did Yes and Genesis in the early 70s, and The Beatles in the 60s, Colin aimed at doing something not done by other bands. And I think he succeeded. Music that sounds loose and playful, yet every note was perfectly planned. As Peter Jones sings in part 3, it's Gooditygooditygood. Highly recommended!

Also published on my website www.angelosrockorphanage.com

 Hair In A G-String (Unfinished But Sweet) by TENCH PROJECT, COLIN album cover Studio Album, 2016
4.73 | 10 ratings

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Hair In A G-String (Unfinished But Sweet)
Colin Tench Project Crossover Prog

Review by javajeff

5 stars I really love both Corvus Stone albums, so I had no doubts about buying this album. I did not know what to think as it is under the Colin Tench Project moniker, but I did expect it to be witty, funny, and highly addictive. I was not wrong. It took a few spins to get used to, but now I would not change a thing. Excellent musicianship as expected, and the addition of Pete Jones makes this a very special release. Colin has very good judgement, and I trust him to produce an excellent record. There is so much to love about Hair In A G-String (Unfinished But Sweet), and enough variety to keep the listener entertained. If you like original prog with a wacky, unpredictable twist, Colin Tench Project should fill the void. Hair In A G-String (Unfinished But Sweet) is an excellent release, and should absolutely be in everyone's collection.
 Hair In A G-String (Unfinished But Sweet) by TENCH PROJECT, COLIN album cover Studio Album, 2016
4.73 | 10 ratings

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Hair In A G-String (Unfinished But Sweet)
Colin Tench Project Crossover Prog

Review by progrocks2112

5 stars To begin I will say that this review, although unorthodox, is my review. My point of view in an endless sea of opinions. CTP (Colin Tench Project) - Hair in a G String (Unfinished But Sweet) The folks on this release are very familiar with Colin as some have appeared on Corvus Stone releases in the past. This one has some true genius behind it. I wouldn't go on to say Colin is genius, perhaps a bit mad is more like it, I think anyone who knows Colin can attest to this!! The addition of Mr Pete Jones was nothing short of genius. His addition alone is worth the wait and cost for the cd. Not to dismiss the talents of anyone else such as Phil Naro, Oliver Rusing, Marco Chiappini, Gordo Bennet, Stef, Petri, Robert, Angelo or even the cover art mistress Sonya or the rest of the cast of this project. The point is this is a huge release IMO and the world needs to see that Colin is a very real asset to all the fine partners in this endeavor but to himself as well. My review will, quite frankly be very limited and more of a questionnaire, short questions of course and they are as follow: 1. How can a guy, who was virtually unknown to the world, develop instant classics from Corvus Stone to this release? 2. How does one collect the talent to go along with his madness? 3. How do those fellas and gals put up with the nonsense we know of Colin Tench? 4. Does he ever sleep? 5. What drives him and his consortium of players to go along for the drive itself? 6. And most importantly how can a guy go from one genre or style and simply flip a switch to another? Now that being said I have listened to this 7 times now,7, and it just keeps getting better and better to my ears. I urge all who read this to reach out and hit listen and give this a good thorough open minded listen. If it is your cup of whatever by all means visit the store. This is a 5 star listen. Perhaps his personal Dark Side Of The Moon. Can Colin Tench improve on this?? I have no clue as to how but I certainly will be waiting to find out.

 Lost and Found by SAMURAI OF PROG, THE album cover Studio Album, 2016
3.88 | 78 ratings

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Lost and Found
The Samurai of Prog Crossover Prog

Review by Windhawk
Special Collaborator Honorary Collaborator

4 stars The multinational (based in Finland) project THE SAMURAI OF PROG is a venture that was started by Marco Bernard and Kimmo Porsti back in 2009, from 2010 and onwards also featuring the talents of Steve Unruh. They started out releasing an album mainly consisting of cover material, but have gradually started to incorporate a growing number of original compositions with successive productions. "Lost and Found" is their fourth studio album, and was released in the spring of 2016 by the Finnish label Seacrest Oy.

Those who know, love and treasure vintage-era symphonic progressive rock should take note of this double album straight way, at least those not already aware of its existence. This is a double feature of vintage compositions created in the vintage era, never officially released, that have been reworked and recorded by a quality set of musicians today. The performances are good, the production is good, and there's an air of well thought out, well developed and solid quality about this entire production. A delightful treat for the right audience.

 Tempi Migliori by PENSIERO NOMADE album cover Studio Album, 2009
2.10 | 2 ratings

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Tempi Migliori
Pensiero Nomade Crossover Prog

Review by Matti
Prog Reviewer

2 stars Last spring I received all the five PENSIERO NOMADE albums and reviewed three of them back then. This one is the second release, and continuing the path of the debut (2008), its music is almost entirely created by Salvo Lazzara alone. The composer plays guitas, bass and programming. "Tempi Migliori" -- the title means either Better Times or Better Weathers -- is an our long instrumental work in 16 pieces, the shortest ones being approximately 1˝ minutes and only one exceeding 5˝ minutes.

This is peaceful and introspective ambient music, concentrating on the spatial, thoughtful textures (soundscapes) themselves, not particularily caring about compositional progression or wide dynamics, or things like drama, excitement, surprise effects, etc. This is naturally both the strength and the weakness of this album, depending totally on the listener and things (s)he wants to get from music. Without a doubt, a casual rock/pop listener would get very bored during these 60 minutes. The more appropriate target audience may be aware of artists such as BRIAN ENO, JON HASSELL, JON MARK, STEVE ROACH... It also helps if the listener has some interest towards so called New Age music (a term I don't like because of the spiritual connotations). I hope you get my point nevertheless: one can use this music in order to empty one's mind from daily stress and responsibilities; to have the music on the background while you make silent coversations with your inner feelings. Another musical association for me were recordings on the Windham Hill label -- if you happen to know it, instrumentally and acoustically oriented peaceful music mainly from 80's and 90's, fairly unknown artists such as Alex De Grassi, Michael Hedges, William Ackerman and John Gorka.

But honestly. Compared to some other Pensiore Nomade albums, this one is rather unspectacular, or how would I put it, too calm, minimalistic and lame for its own good. It's very difficult to tell the tracks from each other and to pick up special favourites. Minimalistic approach can truly be emotionally deep, but with this album I frankly don't get strong emotional sensations. The package features serene landscape pictures with ancient ruins, and that's just about it when it comes to my own imagery: like I was on a long retreat vacation, comfortably numb, perhaps gathering myself after some traumatic events, and doing nothing more dramatic than having talks with the olive trees and feeling the soft breeze on my face.

Instead of making corrections on the album info, I make it clear here that the flute of Alessandro Toniolo is featured only on tracks 3, 13 and 14, and the drums of Davide Guidoni on tracks 4, 5 and 13. Their participation does very good for Lazzara's soundscapes that are woven around acoustic guitar and bass, and I wish it had been notably larger. That said, I prefer Pensiore Nomade's later albums, especially "Imperfetta Solitudine" which I warmly recommend. My rating of only two stars -- that I generally use all too rarely, in fact -- feels a bit cruel, since also this album is very sincere, introspective musical statement.

 The Great Unknown by GIANNOTTI album cover Studio Album, 2014
4.95 | 2 ratings

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The Great Unknown
Giannotti Crossover Prog

Review by tszirmay
Special Collaborator Crossover Team

5 stars Well, this "Great Unknown" would have remained such, had it not been for the intervention of my esteemed friend and colleague Jean "The Cat" Roby, a gentleman of impeccable credentials in both prog music and literature, with whom I exchange intense long distance as well as face to face encounters. We also enjoy discussing our latest sonic discoveries as well as sourcing current events, politics, religion and the still sorry state of humankind. He briskly suggested I hunt down this unknown pearl, thinking I just might like the sucker. Well, Jean, you were wrong, I absolutely love it. Robert Giannotti is not some RPI maestro toiling in one of Italy's many gorgeous towns but rather an accomplished American multi-instrumentalist who once worked with the semi-obscure Jasper Wrath. While he performs masterfully on vocals, guitars, keyboards, bass and drums, his limpid flute work really pushes his craft over the top, adorning the languid compositions with breathtaking excursions that immediately appeal to the highest senses. Jean suggested parallels with another magnificent American musician that I have enjoyed and reviewed in the past, David Minasian. So I took the plunge.

This is a phenomenal album, released in 2014 to little or no critical comment, which is a sad state of affairs, as this just may be one of the craftiest US-based prog releases in recent years. An expressive album cover with adventurous artwork really makes the grade, and the music inside is squarely in the symphonic mold, sublimely atmospheric but also quite pulsating, propulsive and at times, pugnacious. An hour's worth of exciting music, expertly carved, refined and polished and ultimately after a few spins, utterly convincing! The one thing that really stands out beyond the intricate instrumental work is the sheer quality of the melodies, richly resonant, wholly overwhelming and fully integrated into the arrangements, the work of a mature mind creating symphonic prog of the finest pedigree.

"Intentions/Letting Go" set the windswept sails forward, with a splashing display of blistering electric guitar as the rudder carves deep into the densely orchestral waves. Classical violins meeting electricity is always a delight especially when done with such aplomb, the perfect set up for the plaintive lead vocal from Robert Giannotti and an overall, exciting introduction to this thrilling hour long effort. Drummer George Clini drives the arrangement forward with masterful pace. The mid-tempo strains really shine luminously on the epic 8 minute "Voyage", a potent confluence of acoustic guitars and flute, blended with screaming electric guitar contemplation, tight rhythmic support and heavenly vocals, Robert adding a Justin Hayward-like gleam over the sonic crests to wondrous effects, blazing mellotron voices in the background. The acoustic guitar-led "Dance of the Gnome" has an early John Barleycorn Must Die feel to it, before deviating into a flute ramble that winks at a distant Ian Anderson, rotund bass notes notwithstanding. A wonderful pastoral and bucolic intermezzo of the highest order until mid-way through, when it blooms into this thunderous axe expedition, sounding like Martin Barre had just showed up unforeseen. Tremendous piece. Things just get even more delirious with the title track, a nearly 12 minute colossus of intensity, flair and breath. A brooding, rhythmically challenging introduction sets the stage for an inspired vocal, intricately weaving the story. Chunky symphonics provide a deep and adhesive foundation on which to perform a variety of moods, accompanied by heavy drums pounding a la Jerry Marotta, the dreamy voice both sullen and urgent. Robert peels off a few sulfurous axe licks thus adding even more fuel to the raging inferno. Ornate piano from guest Michael Soldan greets the listener on "Sacred Ground", profoundly melancholic and intense, elegantly enhancing a rapturous melody. Sweet guitar strains evolved into a blistering electric solo, trembling with overt fluidity as the obese bass wobbles underneath, undeterred. The magical flute adds its two cents worth, fluctuating wildly like some meandering torrent of sound. But it's the "Here now, upon this Sacred Ground" chorus that seeps deep into the recesses of the sonic cranium. The spooky "Corridor of Doors" is perhaps my favorite track, a threatening diversion of effects, nuances and outright pleasure that ensures a sense of confusion, adventure and enigma. Echoing acoustic picking, strings in the forefront and a weaving flute dancing in the moonlit night, this is a highly addictive and perplexing piece, especially when the Gregorian chants kicks in, amid the cannonading drum beats. The highlighted mood is traversed by some epic acoustic guitar work and a wall of choral sighs, a truly unique sense of drama and urgency leap to attention. Phenomenal. The disc ends with "A World Away", another tightly woven mini-symphony, this time incorporating a series of backing vocalists and a female lead (Nicole Tanner) depicting a story relating to the age of wisdom, where one can hear the minstrel play. Acoustic guitar and flute dominate but it's the mandola that takes center stage, a delightful solo that possesses a distinct Mediterranean feel.

All in all, this opus represents one of those typical, 'under the radar' jewels that we fans constantly forage for, rewarding our passionate hunt with the wondrous sense of discovery and contentment. No problem, 5 massive mysteries

 Roots and Roads by SASSI, YOSSI album cover Studio Album, 2016
3.61 | 16 ratings

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Roots and Roads
Yossi Sassi Crossover Prog

Review by Windhawk
Special Collaborator Honorary Collaborator

4 stars Israeli composer and musician Yossi SASSI is probably best known for being a founding member of Israeli progressive metal band Orphaned Land, but he's also a veteran contributor in the Israeli music circuit as a musician, composer and producer in his own right. In 2012 he started a solo career with the launch of the album "Melting Clocks". Two more albums have followed since. "Roots and Roads" is the most recent of these, and was self-released in 2016 under the moniker Yossi Sassi Band.

With "Roots and Roads" Yossi Sassi Band has created an intriguing album of music where the focus appears to be to continue his path of incorporating Israeli and Middle East folk music details with contemporary rock and metal, sometimes progressive and sometimes not as much. Those who tend to get intrigued by what people from a western cultural background would describe as exotic world music used to expand the borders of contemporary rock and metal, progressive or otherwise, should take note of this CD, as well as Sassi's previous excursions as a solo artist.

 The Wall (A Film by Roger Waters and Sean Evans) by WATERS, ROGER album cover DVD/Video, 2015
4.23 | 19 ratings

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The Wall (A Film by Roger Waters and Sean Evans)
Roger Waters Crossover Prog

Review by uribreitman

4 stars After Alan Parker's film and the Berlin political show, what can Roger Waters do to excite us, Pink Floyd veterans? well, it seems that quite a bit. First, the visual presentation is absolutely stunning: Waters uses cutting-edge 3D projection techonology to transform the huge wall into a virtual reality platform. The projections are utterly captivating, moving around the stage like it was real, making our eyes wonder if it's real or some kind of trickerry. It's a sight to behold. Waters uses every magic in his vault to include modern political references, satire and social commentary. This is the main reason to get the blu-ray edition (don't settle for DVD, it's not good enough, sorry).

So it's a huge show and it's visually very satisfying. In the musical department, there's not much room to improve, really. OK, the audio quality is much betterh than Berlin or the 80s, easily. But although the mix if fine and the performance of Dave Kilminister and Snowy White is superb, it doesn't really innovate. Roger's vocal performance has deteriorated because of his age, so most of the time he's using playback, which is a sad sight to see.

The live footage wasn't good enough for Rog, apparntly, so he's added a sad and gloomy documentary, which sometimes interrupts the show and makes us wish it won't. Honestly, the docu parts should have been dumped into the "EXTRAS" section of the product. Too many graves, too many dull moments, too many "Sad old Roger" talking about war like a really old man.

So if you're considering getting the blu-ray version, enjoy the stage spectacle but don't expect to be thrilled with the docu bits, thrown here in there to make stuff more "serious-looking". The Wall show in its 2010-2013 version was really a fine audio-visual production, but it has been slightly marred by Roger's car trip around Western Europe, looking for dead people in the grass.

 Hair In A G-String (Unfinished But Sweet) by TENCH PROJECT, COLIN album cover Studio Album, 2016
4.73 | 10 ratings

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Hair In A G-String (Unfinished But Sweet)
Colin Tench Project Crossover Prog

Review by Neu!mann
Prog Reviewer

4 stars Like a fraternal twin raised on the other side of town, the first issue of the Colin Tench Project is very different from its sibling band Corvus Stone, except in terms of quality, enthusiasm, and sheer bulk of material: business as usual, in other words, for the tireless guitarist and bandleader. Not many artists these days, working under the nebulous umbrella of modern Prog, can stuff their music to such consistent capacity without sound pompous or lazy. But over the 80+ minutes of the CTP debut there's rarely a moment that doesn't sound fresh and invigorating: quite an accomplishment all by itself, but hardly unexpected from talent of this caliber.

The album has been retroactively described by Tench himself as two separate EPs arbitrarily joined at the hip: one entirely instrumental and suitably eclectic; the other a collection of impeccable pop songs. Added together, they mark a welcome extension to (and a dramatic departure from) the year 2015 "Corvus Stone Unscrewed" epiphany. Maybe it would have been more sensible to keep the two halves separated, as individual mini-albums: the amount of music here can be a (not unpleasant) test of endurance. But when did sense ever matter when making truly progressive music?

It sounds like Tench and his ace collaborators had almost as much fun recording the album as fans (long established, or newly converted) will experience hearing it. The title itself is enough to prompt a chuckle from the shade of J.S. Bach. Elsewhere performance credit is extended to 'Shaving Cream', 'Annoying Noises', 'Thing That Goes Boing', and (my favorite) 'Bugger All', the last one for Tench's non-contribution to the album's oddly-titled 23-second epilogue, "Part 4b Redux", presenting Alvin and the Chipmunks in alpine lederhosen, drunk on Bavarian moonshine.

Astute listeners may catch a suggestion of Henry Mancini's "Pink Panther Theme" in the unplugged "La Palo Desperado", a title which (almost) translates from the Spanish for "Desperate Stick": further evidence perhaps of the bawdy undercurrents to the album. And what's up with that "Bibbidi-Bobbidi-Boo" quotation during Part 3 of the divided title track, indelicately subtitled "I'm Going Down"? Associating Walt Disney's Cinderella with suggestions of cunnilingus, even indirectly, is pretty hilarious, and why am I suddenly reminded of the Corvus Stone song "Jussi Pussi"? Thanks, Colin, for spoiling precious childhood memories of a classic film (no, really...thanks!)

And yet, despite all the tongue-in-cheek (or tongue-in-elsewhere) salaciousness, the music itself is often unashamedly romantic, full of lush orchestral arrangements and simple Beatle-esque sentiments, of a sort so far unexplored in the larger Corvus Stone discography. To these jaded ears the presence of vocals is usually the most vulnerable aspect of any rock album, but the song-based half of these sessions benefit from real talent in front of the microphone, even when the music itself is more of an acquired taste.

For an anti-commercial Prog snob like me, that would be "A Beautiful Feeling": a handsome but conventional love song bolstered by stellar guest support from drummer Gary 'Hoppy' Hodges, a veteran of the Buckingham Nicks touring band, and Ozark Mountain Daredevils keyboardist Kelly Brown (if nothing else, the track is a clear indication of its author's allegiance to a larger body of music outside the straightjackets of fashion, Prog or otherwise). Far better is the absolutely gorgeous "And So, Today", with its lovely clarinet accompaniment by Pete Jones, and the McCartney-like chorus and fade-out at the end of "Can't See It Any Other Way".

Balladry aside, Tench allows plenty of room for some full-throttle instrumental fireworks, once again channeling his inner-Santana (in "The Hairy Part" of the title track), and often with a wry touch of Zappa. You can hear some of the latter in the controlled ferocity of his guitar work, and of course in the polite smuttiness of the lyrical innuendo, the latter with a hint of Zappa's 'conceptual continuity'...yes, Moaning Lisa from the Corvus Stone II album is back, sans G-string this time.

Some of the acoustic interludes evoke the delicacy of early Charisma-era Genesis, but enough with the cheap comparisons already. I know it's a necessary shortcut when trying to describe music ill-sized to our standard Prog Rock cubbyholes. But by now Colin Tench has proved himself a true original, and the first expression of his self-titled (and hopefully long-lived) Project restores some of the uncomplicated joy often missing-in-action from too much of what we like to call Progressive Rock.

 Guitarissimo by SONIQ THEATER album cover Studio Album, 2015
3.00 | 6 ratings

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Guitarissimo
Soniq Theater Crossover Prog

Review by Windhawk
Special Collaborator Honorary Collaborator

3 stars German project SONIQ THEATER is the long ongoing creative vehicle of composer and keyboardist Alfred Mueller, and he's just about annually released a new album under that name ever since 2000. "Guitarissimo" dates back to 2015, and, as usual, it was self-released by Mueller.

Those familiar with the previous works of Alfred Mueller's ongoing project Soniq Theater will be surprised by the contents of this album. A blend of new age-oriented affairs and what might be described as movie or TV-score dramatic soundscapes, this production is, at least for me, more interesting as a chapter in the development of Mueller as a musician and a composer than it is as a standalone production in its own right. As far as pointing towards a receptive audience, I'd suggest that those who find movie and TV scores from the late '80s and early '90s to be generally appealing may find this album to be a charming experience too.

Data cached

Crossover Prog bands/artists list

Bands/Artists Country
17 PYGMIES United States
1974 United States
1O1 United States
3 United Kingdom
3 LEGGED MONSTER United States
3RDEGREE United States
7TH KIND United States
90 DAY MEN United States
A.L.F. Brazil
AARDVARK United Kingdom
AARDVARK' Finland
THE AARON CLIFT EXPERIMENT United States
ABACUS Germany
ABARAX Germany
ABBFINOOSTY United Kingdom
ABIOGENESI Italy
LEE ABRAHAM United Kingdom
ABSENTE H Spain
ABSINTHE JUNK United States
ACANTHE France
ACTIVE HEED Italy
THE ADDICTION DREAM United States
THE ADVANCEMENT United States
AFTER... Poland
AGATHORN Denmark
AGRABAH Argentina
EDUARDO AGUILLAR Brazil
AHOORA Iran
AKIN France
AKROPOLIS Denmark
ALIAS EYE Germany
ALL OVER EVERYWHERE United States
ALPHA LIGHTING SYSTEM Mexico
ALTERNATIVE 4 United Kingdom
ALUX NAHUAL Guatemala
AMAROK Poland
AMAZING MACHINE Norway
THE AMAZING Sweden
AMITY IN FAME Austria
TORI AMOS United States
AMPERA Norway
AMPHETAMIN France
ANALOG MISSIONARY United States
THE ANALOGUE United Kingdom
ANANTA Venezuela
ANAWA Poland
ANDERSON PONTY BAND Multi-National
LAURIE ANDERSON United States
ANGULART Chile
ANOTHER ROADSIDE ATTRACTION Canada
ANTARES Italy
JERZY ANTCZAK Poland
ANUBIS SPIRE United States
ANYWHERE United States
APATHEIA Czech Republic
APOCALYPSIS Greece
APOGEE Germany
THE APPLE ZED United States
APPLESEED Poland
APPLESMELLCOLOUR Spain
AQUILA United Kingdom
ARCHANGELICA Poland
ARCHIVE United Kingdom
AREA 39 United Kingdom
ARGENT United Kingdom
ARGO Lithuania
ARID GARDEN Italy
ARNIOE Australia
BRADY ARNOLD United States
TONY ARNOLD United States
ARONORA Australia
THE ARS SUPERNOVA United States
ART BY NUMBERS United States
ART CINEMA Denmark
ART DECO Finland
ARTIFICIAL HOME Latvia
ARTLAND Israel
ARZ United States
AS FOLLOWS United States
AS TALL AS LIONS United States
ASFALTO Spain
ASGARD United Kingdom
ASIDE BESIDE France
ASTRONOMY United States
ASZENSION Canada
ATARAXIA Japan
ATIK MAZE Portugal
ATLANTYCA France
ATMOSPHERA Brazil
AUDIAC Germany
AUDIOCRACY Multi-National
THE AURORA OBSERVATORY United States
AUT' CHOSE Canada
AUTOGRAPH (AVTOGRAF) Russia
AUTOMATIC MAN United States
AUTUMN ABOVE United States
AUTUMN CHORUS United Kingdom
AUTUMN ELECTRIC United States
AUTUMN PEOPLE United States
AUTUMN WHISPERS Multi-National
AUXFORD Russia
AVALON Canada
AVGRUNDEN Sweden
AVIARY United States
AMADEUS AWAD Lebanon
DAVID AXELROD United States
AZURETH Multi-National
BACKHAND Venezuela
BADWATER FIRE COMPANY United States
DAVE BAINBRIDGE United Kingdom
KEN BAIRD Canada
BAKU Germany
ANDRE BALZER France
BANDA DO SOL Brazil
TONY BANKS United Kingdom
BARCLAY JAMES HARVEST United Kingdom
THE BARDS OF ANTIQUITY United States
NICKLAS BARKER Sweden
BARNUM'S FREAK Italy
BARON United Kingdom
MARTIN BARRE United Kingdom
BARROQUEJON Chile
SEBASTJAN BARTOL Slovenia
M.M. BARTULICA Bosnia and Herzegovina
COLIN BASS United Kingdom
BAT LENNY United States
BATISFERA Russia
BAUER Argentina
BE BOP DELUXE United Kingdom
BEAD GAME United States
BEAM-LIGHT Poland
DAVID BEDFORD United Kingdom
BEDUÍNOS A GASÓLEO Portugal
BELGRAD Poland
BEND SINISTER Canada
BENT KNEE United States
THE BENZENE RING United States
ROBERT BERRY United States
EMILY BEZAR United States
BIG BIG TRAIN United Kingdom
BITTERTOWN Netherlands
BJÖRK Iceland
BLACK CAT BONES United Kingdom
BLACK MOTH SUPER RAINBOW United States
BLACK MOUNTAIN Canada
THE BLACK OF SPACE United States
BLONDIE FOX Italy
BLOW UP HOLLYWOOD United States
THE BODY POLITIC Canada
BORAY Sweden
LINDSEY BOULLT United States
TIM BOWNESS United Kingdom
BOX OF CRAYONS United States
THE BOX Canada
THE BOY; THE BIRD & THE BEAST United States
VICTOR BRADY United States
BREATHING SPACE United Kingdom
BREZOVSKY-ROZSA Slovakia
BRIDGES Norway
BRIGHT BROWN United States
THE BRIMSTONE SOLAR RADIATION BAND Norway
STEVE BROCKMANN AND GEORGE ANDRADE Multi-National
PATRICK BROGUIERE France
DAVE BRONS United Kingdom
DUNCAN BROWNE United Kingdom
BUILT FOR THE FUTURE United States
BUKE AND GASE United States
BULBS United Kingdom
BUNCHAKEZE United Kingdom
BURNING SIDEWAYS United States
BURNT BELIEF Multi-National
TARA BUSCH United Kingdom
KATE BUSH United Kingdom
BY SUNLIGHT United States
DAVID BYRNE United Kingdom
BYRON Romania
CALIFORNIA GUITAR TRIO United States
THE BEN CAMERON PROJECT Australia
CANAMII South Africa
CANNATA United States
CANTURBE Argentina
CAP OUTRUN Sweden
CAPABILITY BROWN United Kingdom
CAPTAIN MARRYAT United Kingdom
FRANCK CARDUCCI Netherlands
MARC CARLTON United Kingdom
CARVED IN ASHES Finland
CASTLE CANYON United States
STEPHEN CAUDEL United Kingdom
GUILLAUME CAZENAVE France
CEILING UNLIMITED United States
CELL15 United States
CHANCE France
CHANCE:RISIKO Italy
CHANGES Switzerland
CHANGING IMAGES Germany
THE CHANT Finland
SPYROS CHARMANIS Greece
CHASM Norway
CHEETO'S MAGAZINE Spain
CHILDREN IN PARADISE France
CHIMPAN A United Kingdom
CHOICE Germany
CHOKE THE WORD United States
CHROME HOOF United Kingdom
CHURN MILK JOAN Multi-National
CINEMA SHOW Brazil
CIRCA United States
CIRCA SURVIVE United States
CIRCULINE United States
CIRCUS PARANOIA Netherlands
CIRCUSFOLK Finland
CITADEL France
CLARION Italy
STEVE CLARK Australia
CLOUD ATLAS United Kingdom
CARY CLOUSER Canada
CLOVER SEEDS France
CLUB MERANO Finland
SUSAN CLYNES Belgium
STEVE COCHRANE Canada
COHEED AND CAMBRIA United States
COLLECTING SPACE United States
COLOR Hungary
CONSPIRACY United Kingdom
CONTRACTION Canada
THE COOPER TEMPLE CLAUSE United Kingdom
CORALSPIN United Kingdom
COREY & MAPLE Finland
CORRAL Poland
CORVUS STONE Multi-National
COSHISH India
THE COSMIC REMEDY Multi-National
COSMOS DREAM France
ROB COTTINGHAM United Kingdom
COZHE Finland
BEN CRAVEN Australia
CRAZY WORLD Finland
CRIMINAL CATERPILLAR Canada
CROSS Sweden
BEPPE CROVELLA Italy
CRYPTEX Germany
CUAC! Spain
CUPRUM Czech Republic
PAUL CUSICK United Kingdom
THE CUSTODIAN United Kingdom
CYNOSURA Switzerland
CYRIL Germany
LAREN D'OR Hungary
NICK D'VIRGILIO United States
DAEMONIA Italy
DAPHNE Italy
DAVID'S LODGERS Italy
DAYMOON Portugal
DDNZ Serbia
MARCO DE ANGELIS Italy
DEADWOOD FOREST United States
DEAMBRA United States
THE DEAR HUNTER United States
FRANCIS DECAMPS France
DEEP LIMBIC SYSTEM Mexico
DEERHOOF United States
DELIRIO SONORO Italy
DELIRIUM Mexico
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DEMIAN CLAV France
JOE DENINZON United States
A DEVIL'S DIN Canada
DIATESSARON Canada
DICE Germany
THE DIFFERENCE Slovakia
DIFFERENT LIGHT Czech Republic
DIGITAL CHEMISTRY United States
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DIRTY PROJECTORS United States
DISCONNECT United States
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DISTANT LIGHTS United States
DISTRICT 97 United States
DLGZ ROCK 5TET France
DOKTOR SPIRA I LJUDSKA BICA Yugoslavia
PASCAL VAN DEN DOOL Netherlands
DOPING HORNETS Canada
GEOFFREY DOWNES United Kingdom
DR FOLAMOUR France
DREAM THE ELECTRIC SLEEP United States
THE DREAMING TREE United Kingdom
DREDG United States
DRY RIVER Spain
MARK DUBERRY Ireland
FRANCIS DUNNERY United Kingdom
DW. DUNPHY United States
DUTCH UNCLES United Kingdom
DYNAMO BLISS Sweden
DYONISOS United States
DZEJBI Yugoslavia
EATLIZ Israel
ECHO Romania
ECHOES OF GIANTS United States
ECLIPSE Canada
ECLIPSE SOL-AIR Multi-National
EDEL Multi-National
EIDÔLON France
ELDBERG Iceland
ELECTRA Germany
ELECTRIC LIGHT ORCHESTRA United Kingdom
ELECTRIC SORCERY United States
ELECTRUM United States
ELEND France
ELIPHASZ Canada
ELORA France
ELYSIUM THEORY United States
KEITH EMERSON United Kingdom
GERT EMMENS Netherlands
EMPIRE United Kingdom
EMPIRICAL TIME Italy
AARON ENGLISH United States
ENNĎS TÓLA Australia
ENTITY PARADIGM Pakistan
ENTRANSIENT United States
EOS Chile
EPIICYCLE United States
ESAGIL Greece
ESFERA Portugal
ETHERS EDGE United Kingdom
EVELINE Italy
EVEN HORSES Germany
EVENT United States
EX-WISE HEADS United Kingdom
EXOVEX United States
EYEVORY Germany
FAINT SIGNAL United States
FAIR TO MIDLAND United States
FAIRY TALE Slovakia
ALESSANDRO FARINELLA Italy
FATAL FUSION Norway
LA FE Chile
ALI FERGUSON United Kingdom
FEROZ Mexico
FIBONACCI SEQUENCE United States
FIELD MUSIC United Kingdom
PIOTR FIGIEL Poland
NICOLAS FIGUEROA Chile
SEAN FILKINS United Kingdom
HEATHER FINDLAY United Kingdom
FIRE ON DAWSON Germany
FIREHORSE Germany
FISH ON FRIDAY Belgium
FLAUD LOGIC United States
FLICKER United Kingdom
FLOOD United Kingdom
FLORA Italy
FLOWER CORONET United States
FLOWER FLESH Italy
FOBOS Argentina
FONTARABIE Canada
THE FORMER LIFE Italy
FORWARD SHAPES United States
FOSSIL EVOLUTION Belgium
FOURTEEN TWENTYSIX Netherlands
FRACTAL MIRROR Netherlands
FRACTAL ROCK United States
FRAGILE Estonia
FRANC ALBIR Spain
FREDDEGREDDE Sweden
FREEDOM TO GLIDE United Kingdom
FREELIGHT United States
FREQUENCY DRIFT Germany
HASSE FRÖBERG & MUSICAL COMPANION Sweden
FROSKULL United States
FRXHO Mexico
FSB Bulgaria
FUCHS Germany
FULL CODE New Zealand
FUTURUM Czech Republic
GABRIEL BONDAGE United States
PETER GABRIEL United Kingdom
GALACTIC COWBOY ORCHESTRA United States
GALIJA Yugoslavia
GALLERY Norway
GANDALF Austria
GANDALF'S PROJECT Italy
GAP PARTY Italy
ANJA GARBAREK Norway
GAZPACHO Norway
KEVIN GEIER United States
GEKKO PROJEKT United States
GIO GENTILE Italy
GENTLE KNIFE Norway
THE GENTLE STORM Netherlands
GENTLEMEN WITHOUT WEAPONS United Kingdom
GHOST CIRCUS Multi-National
GIANNOTTI United States
IL GIARDINO ONIRICO Italy
KEVIN GILBERT United States
KRISTOFFER GILDENLÖW Sweden
GIRAFFE United States
GLASFROSCH Australia
GLASS KITES Canada
YIANNIS GLEZOS Greece
GLORIE United States
GODSTICKS United Kingdom
GOLIATH United Kingdom
LE GONG DU BALAYEUR France
GOTHIC LUNCH Italy
GOTHIK SERPENT United States
GRAMONAUTUS Argentina
PHILIPPE GRANCHER France
THE GRAND SILENT SYSTEM Australia
GRAVITY TREE United States
GREEN Italy
THE GREEN VIOLINIST Belgium
MARK GREEN United Kingdom
DAVE GREENSLADE United Kingdom
GREY EYE GLANCES United States
GREY LOTUS Netherlands
GRICE United Kingdom
GRIME France
GROUP 309 Russia
LA GUERRA DELLE FORMICHE Italy
ID GUINNESS Canada
GUITAR GARDEN United States
GUNGFLY Sweden
HA' ARNAV HA-LAVAN Israel
HABELARD2 Italy
HABITAT Argentina
HADDAD Brazil
HAGGARD Germany
THE HALLUCINANT TELEPHERIQUE United States
HALO BLIND United Kingdom
HATS OFF GENTLEMEN IT'S ADEQUATE United Kingdom
JASON HAVELOCK France
HAYWARD & LODGE United Kingdom
HEADS IN THE SKY Canada
HEARTSCORE Germany
HEATWAVE Italy
ROEL VAN HELDEN Netherlands
HELICOPRIA Multi-National
HELIOTH United States
LUC HENRION Belgium
HENRY FOOL United Kingdom
HERMETIC SCIENCE United States
HEYOKA United States
HIIDENSOINTI Finland
HIPGNOSIS Poland
STEVE HOGARTH United Kingdom
JOANNE HOGG United Kingdom
MARK HOLLIS United Kingdom
HOLLOW BRANCHES Multi-National
STE VAN HOLM Denmark
THE HOME GUARD United Kingdom
HOMESICK FOR SPACE United States
HOT HEAD SHOW United Kingdom
HOUR OF THE SHIPWRECK United States
STEVE HOWE United Kingdom
HYPNOMEN Finland
I AM THE MANIC WHALE United Kingdom
I.AB United States
IAMTHEMORNING Russia
IF / IFSOUNDS Italy
IGAYON Israel
IGNATIUS Spain
ILUZJON Poland
IMMUNE United Kingdom
IN LIMBO France
INDELIBLE Norway
INDEXI Yugoslavia
INFICTIONS United Kingdom
INFINITE MONOPOLY United States
INFINITE ORCHESTRA United States
INFUSION KAMACHUI Argentina
INNER PROSPEKT Italy
INNERSPACE Canada
INTENTIONS Netherlands
INTERGALACTIC TOURING BAND Multi-National
INTO THE PRESENCE United States
IOEARTH United Kingdom
ION United Kingdom
IRRGARTEN Canada
ISLANDS Canada
ISOS Canada
ISZIL Chile
IT BITES United Kingdom
J'ACCUSE..! Italy
J21 Spain
JAÉN KIEF Colombia
JANUS United Kingdom
JASPER WRATH United States
JAUGERNAUT (A.D.) United States
JAZ France
JEBEL United States
JEREMY United States
JEREMY IRONS AND THE RATGANG MALIBUS Sweden
JET BLACK SEA Netherlands
JHIMM United States
JODY GRIND United Kingdom
JONAS LINDBERG Sweden
JONO Sweden
JORM Sweden
KADDISFLY United States
KANT FREUD KAFKA Spain
KAOS MOON Canada
KARIBOW Germany
KASSINI United States
KASSIOPEIA Germany
KAUKASUS Norway
KAYAK Netherlands
KAZACHSTÁN Czech Republic
KEDAMA Switzerland
KEEP IT DEEP Belgium
KEL LOCH & GOLD United States
MIKE KERSHAW United Kingdom
KERYGMATIC PROJECT Italy
DAVE KERZNER United States
KEVLAR RED United Kingdom
KID COUSIN United States
KIMURA France
KING RAT United Kingdom
KINO United States
KINZOKU-EBISU Japan
KISS KISS United States
KNIFEWORLD United Kingdom
KOI Sweden
KOMPENDIUM United Kingdom
KOSKA Spain
KRÁSNÉ NOVÉ STROJE Czech Republic
KRONER CIRKUS Poland
KRUNKELSTILTSKIN United States
DAVE KULJU United States
KUMM Romania
KUNDABUFFER Argentina
KURKI Finland
KUUSUMUN PROFEETTA Finland
KVARTETTEN SOM SPRANGDE Sweden
LA YNE Finland
LABORATOR France
LANDSCAPE Poland
YOGI LANG Germany
LANTINOR Russia
LISA LARUE United States
LAST TURION Germany
LAURA France
LAVIŔNTICA Italy
LAYRA Italy
LAZY DOLL France
GUY LEBLANC Canada
LEBOWSKI Poland
JOHN LEES United Kingdom
LEVIATHAN United States
LIFE Sweden
LIGHT Netherlands
THE LIGHT AFTERNOON United Kingdom
LIMPID GREEN United States
LING TOSITE SIGURE Japan
LION SHEPHERD Poland
A LIQUID LANDSCAPE Netherlands
LIRD VAN GOLES Switzerland
LITTLE TYBEE United States
LIVES AND TIMES United Kingdom
KERRY LIVGREN United States
LIVING STILTS Italy
THE LIVING Canada
LOBATE SCARP United States
LOGAN DWIGHT Italy
LONELY ROBOT United Kingdom
LOONYPARK Poland
LOST WORLD Russia
JEAN-PIERRE LOUVETON France
LOVE DE VICE Poland
ARJEN ANTHONY LUCASSEN Netherlands
THE LUCK OF EDEN HALL United States
LUDUS United Kingdom
JOHANNES LULEY United States
LUNA ROSSA United Kingdom
LUNATIC SOUL Poland
PHILIPPE LUTTUN France
LÜÜP Greece
WILLIAM LYALL United Kingdom
LYRIAN United Kingdom
MACARTHUR United States
MACHINES DREAM Canada
MADAME BLAVATSKY OVERDRIVE United States
THE MADCAP LAUGHS United Kingdom
MADRIGAL United States
MAID MYRIAD United States
BRUCE MAIN United States
MAJESTIC X United States
BARIS MANCO Turkey
MANDILLO Italy
MANDRAKE PROJECT United States
IL MANISCALCO MALDESTRO Italy
MANFRED MANN'S PLAINS MUSIC South Africa
MANSUN United Kingdom
MANTIS Canada
MANTRA VEGA Multi-National
MAOBI France
MARGARITAS ANTE PORCOS Latvia
LUC MARIANNI France
MARIANUS United States
MARQUETTE Germany
MARS HOLLOW United States
RHYS MARSH Norway
MARTINI HENRY United States
COLIN MASSON United Kingdom
MASTERS OF THE AIRWAVES United States
MATERIA GRIS Argentina
MATERYA Italy
ALEJANDRO MATOS Argentina
MAVARA Iran
MAXIMUM INDIFFERENCE United States
THE MAYAN FACTOR United States
MAYFAIR Austria
JAMES (JIM) MCCARTY United Kingdom
MCDONALD & GILES United Kingdom
SIMON MCKECHNIE United Kingdom
MECHANICAL BUTTERFLY Italy
MEKHLIN Denmark
MERGING CLUSTER Italy
STEVE MERLIN Netherlands
MERMAID KISS United Kingdom
MERRY GO ROUND Italy
MESEGLISE Italy
META United States
METACONCIENCIA Mexico
METHEXIS Greece
METRO EXPO Belgium
METUS Poland
MEW Denmark
MICE ON STILTS New Zealand
MIDIAN Italy
MIGHT COULD United States
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LAS MIL DE ZAFIRO Argentina
MILLENNYA Norway
MARK MILLER United States
RICK MILLER Canada
MILLPLAT Japan
MIND United States
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MINDMOVIE Germany
MINDSPEAK Austria
THE MINSTREL'S GHOST United States
PERE MIRALLES Spain
MIRRELIA Canada
MIRROR PEOPLE United States
VLADIMIR MISIK Czech Republic
KENNY MITCHELL United Kingdom
MODEST MIDGET Netherlands
MOEBIUS CAT Canada
MOETAR United States
BARAK MOFFITT United States
MOGADOR Italy
MONJOIE Italy
MONTECHIARI PROJECT Brazil
THE MOODY BLUES United Kingdom
MOONLIGHT Poland
MOONLIGHT SKY Slovenia
MICHAEL MOORCOCK United Kingdom
MOPHO Brazil
PATRICK MORAZ Switzerland
MORRIGAN France
MOTAE United States
MOTHER SUPERIOR United Kingdom
MOTHER'S CAKE Austria
MOTHLITE United Kingdom
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MOUNTAIN MIRRORS United States
MOVING MAZES Switzerland
MOZZARELLA Ecuador
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MR. GOSHNESS Canada
MULTIFUSE United Kingdom
MURKY RED Belgium
THE MUTE GODS United Kingdom
MY ETERNEL United States
MY NAME IS JANET Multi-National
THE MYND United Kingdom
MYTHO Italy
NA LEPEM PRIJAZNI Yugoslavia
HIROYUKI NAMBA Japan
JEFFREY NANESS United States
NANOOK OF THE NORTH Sweden
NAPIER'S BONES United Kingdom
NARANJA MECANICA Argentina
IAN NARCISI United States
NAVE Brazil
CHRIS NEAL Australia
LITTO NEBBIA Argentina
NEGUS Canada
BILL NELSON United Kingdom
NEO France
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ŃU Spain
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OAK Norway
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OCNOS Spain
OCTOBRE Canada
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ODESSA Italy
OF SOUND MIND Canada
OG MUSIQUE Belgium
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OH NO ONO Denmark
OH. Greece
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MIKE OLDFIELD United Kingdom
SALLY OLDFIELD Ireland
OLIVER United Kingdom
OMNIPRESENT United States
THE ONEIRA Multi-National
ONEVOICE United States
ONGKARA Russia
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ONTOFIELD United Kingdom
OPALE France
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ORBS United States
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