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CROSSOVER PROG

A Progressive Rock Sub-genre


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Crossover Prog definition

Crossover Prog contains progressive rock music that, though 100% progressive, may have a musical connection to popular music-- whether it be the lack of emphasis on extended compositions, or an influence from mainstream music in addition to classical, jazz and folk. Compositions, however, still exhibit a high degree of sophistication, sometimes outright complexity, and the musicianship and virtuosity is often on a par with established Prog acts. Much like their kin in the established prog sub-genres, these groups will incorporate many major parts of what defines prog rock: the fusing of rock with the structures and discipline of more traditional musics, the use of syntheisizers and new technologies, intelligent thematics, and the expansion of the form.

The defining characteristics of Crossover Prog are a pop music influence that is largely vacant in typical prog rock. Songs tend toward shorter, more concise presentations though still reach beyond the typical verse, bridge, chorus pattern. The harmonic, melodic, and rhythmic structures may be more easily digested in Crossover while not losing the musical integrity that a prog listener expects. Whereas Prog Related bands are generally commercial groups with certain prog elements or players that were involved in prog acts, Crossover Prog artists are predominantly progressive with elements of popular music.

The most representative examples for this genre include The MOODY BLUES, SUPERTRAMP, DREDG, CINEMA SHOW, RADIOHEAD.

- written by micky (Michael) and Chus (Jesus)

Current Team Members as at 04/26/2015

Tom (Roland113)
Evolver (Scott)
tszirmay (Thomas)
rogerthat (Madan)

Crossover Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Crossover Prog | More Top Prog lists and filters

4.33 | 1258 ratings
CRIME OF THE CENTURY
Supertramp
4.32 | 1534 ratings
THE RAVEN THAT REFUSED TO SING (AND OTHER STORIES)
Wilson, Steven
4.32 | 1020 ratings
OMMADAWN
Oldfield, Mike
4.32 | 889 ratings
HAND. CANNOT. ERASE.
Wilson, Steven
4.23 | 821 ratings
DOOMSDAY AFTERNOON
Phideaux
4.19 | 1412 ratings
GRACE FOR DROWNING
Wilson, Steven
4.20 | 709 ratings
PETER GABRIEL (3 -
Gabriel, Peter
4.22 | 430 ratings
~
iamthemorning
4.19 | 813 ratings
ENGLISH ELECTRIC (PART ONE)
Big Big Train
4.18 | 716 ratings
SNOWTORCH
Phideaux
4.23 | 244 ratings
ONES & ZEROS: VOL. 1
3RDegree
4.16 | 637 ratings
DAYS OF FUTURE PASSED
Moody Blues, The
4.16 | 587 ratings
THE UNDERFALL YARD
Big Big Train
4.54 | 54 ratings
SHINY EYED BABIES
Bent Knee
4.12 | 634 ratings
ENGLISH ELECTRIC (PART TWO)
Big Big Train
4.12 | 499 ratings
NIGHT
Gazpacho
4.22 | 142 ratings
LOVE REMAINS THE SAME
Von Hertzen Brothers
4.23 | 132 ratings
THE SHAMING OF THE TRUE
Gilbert, Kevin
4.17 | 205 ratings
QUICKLY QUICKLY QUICKLY
Tea Club, The
4.11 | 321 ratings
HOUNDS OF LOVE
Bush, Kate
4.11 | 297 ratings
CORVUS STONE II
Corvus Stone
4.06 | 901 ratings
TUBULAR BELLS
Oldfield, Mike
4.10 | 346 ratings
PASSION
Gabriel, Peter
4.11 | 286 ratings
SPIRIT OF EDEN
Talk Talk
4.08 | 353 ratings
WAR AND PEACE & OTHER SHORT STORIES
Filkins, Sean
4.12 | 223 ratings
THE HEMULIC VOLUNTARY BAND
Ritual
4.06 | 464 ratings
AMAROK
Oldfield, Mike
4.38 | 56 ratings
TIME
Time
4.07 | 312 ratings
TO OUR CHILDREN'S CHILDREN'S CHILDREN
Moody Blues, The
4.03 | 785 ratings
OK COMPUTER
Radiohead
4.04 | 546 ratings
TALES OF MYSTERY AND IMAGINATION - EDGAR ALLAN POE
Parsons Project, The Alan
4.09 | 221 ratings
THE DREAMING
Bush, Kate
4.12 | 160 ratings
CORVUS STONE UNSCREWED
Corvus Stone
4.28 | 72 ratings
THE EDGES OF TWILIGHT
Tea Party, The
4.20 | 99 ratings
MODRA RIJEKA
Indexi
4.10 | 185 ratings
ACT I: THE LAKE SOUTH, THE RIVER NORTH
Dear Hunter, The
4.06 | 288 ratings
PAMPERED MENIAL
Pavlov's Dog
4.03 | 440 ratings
TICK TOCK
Gazpacho
4.13 | 137 ratings
SECRETS OF THE BEEHIVE
Sylvian, David
4.05 | 303 ratings
LUNATIC SOUL
Lunatic Soul
4.07 | 238 ratings
EL CIELO
Dredg
4.05 | 277 ratings
WALKING ON A FLASHLIGHT BEAM
Lunatic Soul
4.02 | 484 ratings
NUMBER SEVEN
Phideaux
4.07 | 224 ratings
GHOSTS
Frequency Drift
4.09 | 182 ratings
AS FAR AS THE EYE CAN SEE
Sunchild
4.18 | 95 ratings
THE GNOMON
Sunchild
4.05 | 248 ratings
SHINE ON BRIGHTLY
Procol Harum
4.05 | 232 ratings
FOR YOUR PLEASURE
Roxy Music
4.22 | 73 ratings
GRAPPLING
Tea Club, The
4.08 | 163 ratings
ACT IV: REBIRTH IN REPRISE
Dear Hunter, The
3.99 | 467 ratings
UP
Gabriel, Peter
4.03 | 227 ratings
ROXY MUSIC
Roxy Music
4.04 | 192 ratings
THE LONG DIVISION
3RDegree
4.34 | 47 ratings
VEIL OF GOSSAMER
Bainbridge, Dave
4.02 | 210 ratings
ACT III: LIFE AND DEATH
Dear Hunter, The
3.99 | 364 ratings
MARCH OF GHOSTS
Gazpacho
4.06 | 147 ratings
CINEMATIC
Lebowski
4.06 | 142 ratings
ENOUGH BLAME TO GO AROUND
Disconnect
3.97 | 481 ratings
EVEN IN THE QUIETEST MOMENTS....
Supertramp
4.33 | 44 ratings
CHROMIUM
Talisma
4.06 | 125 ratings
THE IMPERIAL HOTEL
Samurai of Prog, The
4.00 | 195 ratings
ACT II: THE MEANING OF, AND ALL THINGS REGARDING MS. LEADING
Dear Hunter, The
4.24 | 52 ratings
EGO, GEORGIUS
Antczak, Jerzy
4.03 | 142 ratings
NEW WORLD
IOEarth
3.94 | 622 ratings
KID A
Radiohead
4.27 | 47 ratings
BURNT BELIEF
Edwin and Jon Durant, Colin
3.95 | 368 ratings
PERFECT BEINGS
Perfect Beings
4.00 | 182 ratings
LAID TO REST
Frequency Drift
3.93 | 581 ratings
BREAKFAST IN AMERICA
Supertramp
4.07 | 101 ratings
AND THE GLASS HANDED KITES
Mew
4.15 | 67 ratings
BLUE JAYS
Hayward & Lodge
3.94 | 355 ratings
AMUSED TO DEATH
Waters, Roger
4.05 | 105 ratings
NO TENGAS MIEDO
Kant Freud Kafka
3.93 | 448 ratings
HERGEST RIDGE
Oldfield, Mike
3.97 | 206 ratings
LAUGHING STOCK
Talk Talk
4.23 | 48 ratings
SELECTIVE MEMORY
Témpano
3.99 | 164 ratings
BROKEN CHINA
Wright, Richard
4.57 | 24 ratings
PEVNINA DETSTVA
Ursiny, Dezo
3.95 | 274 ratings
BELIGHTED
iamthemorning
3.96 | 214 ratings
NEVER FOR EVER
Bush, Kate
4.06 | 91 ratings
MAPS OF NON-EXISTENT PLACES
Thank You Scientist
3.91 | 490 ratings
PETER GABRIEL (4 - "SECURITY" OR "MASK")
Gabriel, Peter
3.95 | 195 ratings
MOMENTS
IOEarth
3.97 | 167 ratings
NEW WORLD (DELUXE EDITION)
Kerzner, Dave
3.94 | 240 ratings
THE KICK INSIDE
Bush, Kate
4.00 | 120 ratings
SANCTUARY
Reed, Robert
4.04 | 91 ratings
THINK LIKE A MOUNTAIN
Ritual
3.94 | 217 ratings
SYNAESTHESIA
Synaesthesia / Kyros
4.01 | 106 ratings
KAYAK II
Kayak
4.05 | 86 ratings
LULLABIES IN A CAR CRASH
Riis, Bjřrn
3.98 | 142 ratings
AS YOUR MIND FLIES BY
Rare Bird
4.08 | 72 ratings
AN OCEAN HELD ME
Mice On Stilts
4.00 | 114 ratings
VESPERTINE
Björk
4.18 | 48 ratings
D'APRČS LE HORLA DE MAUPASSANT
Box, The
3.99 | 116 ratings
THE ANCIENT TALE
Fatal Fusion
4.09 | 67 ratings
ANCHOR DROPS
Umphrey's McGee
4.02 | 98 ratings
FEATHERGUN
Rishloo
4.41 | 28 ratings
LIL' BEETHOVEN
Sparks
3.99 | 118 ratings
II
Perfect Beings
3.98 | 124 ratings
RETURN TO MINGULAY
Oceans 5

Crossover Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Crossover Prog experts team

BLACK DOG THERE
Box, The
THE LOST ART OF TIME TRAVEL
Presto Ballet
VOICE
Capability Brown
GENERAL WINTER'S SECRET MUSEUM
Tea Club, The

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Latest Crossover Prog Music Reviews


 Wassail by BIG BIG TRAIN album cover Singles/EPs/Fan Club/Promo, 2015
3.63 | 51 ratings

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Wassail
Big Big Train Crossover Prog

Review by Tarcisio Moura
Prog Reviewer

4 stars Just a small teaser from this fantastic modern symphonic band. Wassail proves once again that those Englishmen are in great shape both as a performing band and, specially, as songwriters. There is just three new songs plus a live version of Master James of St George, but what they produced here in just 25 minutes is once again - quality wise, of course - much more than what I´ve heard in 80 minutes CDs from most of other prog acts lately. Their combination of memorable melodies, complex arrangements and emotional delivering reminds me of a time when symphonic prog also meant great songs. Although hardly a retro band, BBT does own a great deal to the masters of the 70´s.

All tracks are great, but my favorite is surely Lost Rivers of London, a fine composition that has all the elements I like in this genre (elaborated arrangement, inspired solos, mood and tempo changes and a poignant melody line) all wrapped up in just 6 minutes (sometimes less is more)! I´m really looking forward to listen to their next full CD. The recording quality is top notch - even the live track is so well played it´s hard to notice that is not a studio version.

If you don´t know this band, this is a good starting point. If you do, then it is another great addition to your collection. Highly recommended!

 4 ˝ by WILSON, STEVEN album cover Studio Album, 2016
3.70 | 129 ratings

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4 ˝
Steven Wilson Crossover Prog

Review by Aussie-Byrd-Brother
Special Collaborator Rock Progressivo Italiano Team

4 stars Modern progressive music icon and workaholic Steven Wilson could have rested on the popularity of his very well-received `Hand. Cannot. Erase' and `The Raven that Refused to Sing' albums and successful tours of recent years, (or better yet, got to work on a long awaited new Bass Communion album, hint hint!), but noooooo! He jumps right back a few months later with a superb budget-priced 37 minute compilation entitled `4 1/2', a reference to it being a stop-gap release before his next proper studio album. Sounding like a perfectly coherent true album as opposed to simply a selection of outtakes and newly completed original fragments that it is, it's comprised of three vocal driven tracks and just as many purely instrumental pieces that should please the faithful Wilson devotees that lap up his every release, but it also holds a few genuinely exciting and unexpected welcome surprises buried within as well.

The highlight of the disc is the opening almost ten-minute stunner `My Book of Regrets', an unpredictable mix of indie-rock, observational lyrics with a deceiving poppy chorus and plenty of proudly prog-rock instrumental flourishes over a range of tempos and numerous soloing spots. But the best surprise of all, Steven delivers a guitar solo in the middle that almost calls to mind all those beautiful Delirium Records-era Porcupine Tree releases like `Staircase Infinities', a spacey and chiming ethereal performance that compliments perfectly the finale of `Dark Matter' off Porcupine Tree's classic `Signify' album. Overall it's a terrific piece that covers plenty of ground both current and historical that Steven Wilson and his previous band Porcupine Tree moved through, and most prog rock fans should absolutely adore this one.

Thankfully the rest of the disc also offers very superior material. An outtake from the `Raven' recording sessions, the mysterious shimmering electric piano of instrumental `Year of the Plague' quickly gives way to reflective acoustic guitar, piano and a mix of sampled violin, choir and orchestral elements to give the piece a warmth and great heart. Written in 2003, recorded in 2014 with the musicians from the `Hand. Cannot. Erase' sessions, `Happiness III' reveals itself as one of those rare up-tempo and spirited intelligent (not to mention quite upbeat and joyous!) pop-rockers from the artist, powered by jangling distorted electric guitar strums, humming Hammond organ and a pleasing chorus.

Also from the same `Hand...' sessions, instrumental `Sunday Rain Sets In' (unsurprisingly) moves between gloomy and ghostly eerie instrumentation (some nice darkly jazzy piano runs here and there), but thankfully Steven's acoustic guitar brings little traces of warmth. Sadly, an obnoxious and thrashing heavy burst in the final quarter of the piece for only a few seconds is completely lazy and ruins the beautiful subtle mood the piece was drifting through.`Vermillioncore' just may be the best instrumental piece of all on the disc, a delirious and addictive mix of glistening electric piano, Elephant9-like organ violations and twitching electronics, relentless upfront bass with some heavier guttural spasms, gutsy guitar heaving and even Hawkwind-like up-tempo heavier races.

The album closes on a remake of the wonderful Porcupine Tree track `Don't Hate Me' from their terrific 1998 crossover album of prog rock and indie-pop `Stupid Dream', and while it hardly reinvents the piece completely, it's a worthwhile reinterpretation with plenty to offer. Certainly at the start it badly misses Colin Edwin's thoughtful and distinctive bass murmurs throughout the early verses, sounding quite naked and empty in comparison. A lot of listeners greatly enjoyed female singer Ninet Tayeb's contributions to the `Hand...' album, and she offers a very pleading alternative approach to the chorus compared to Steven's fragile and wounded original. But thankfully the middle instrumental passage lifts the track considerably, a frantic dash of spiralling electric piano, thrashing drum rumbles and bouncing fluid bass raised loud and proud all worthy of any Seventies jazz-fusion album, and Theo Travis delivers another gorgeous Gong-flavoured sax solo, a standout on both versions of the piece.

`4 1/2' is very much comparable to Porcupine Tree's b-sides and unreleased material release `Recordings', which was far more than some mere throwaway compilation (It could be argued that it's much more challenging and complex than the two proper studio albums `Stupid Dream' and `Lightbulb Sun' that came from the same sessions), and it proves that even apparently `lesser' Steven Wilson compositions may just be as worthwhile or even far superior to the strongest outwork of endless other progressive artists. Full of his usual intelligent ideas, plenty of his expected modern and vintage musical influence variety and impressive playing from his musical collaborators, `4 1/2' keeps Steven Wilson's reputation soaring nicely, and fans of both Porcupine Tree and his solo works will be very happy with the results here.

Four stars.

 The First Breath by WHITE RAVEN album cover Studio Album, 2015
4.00 | 1 ratings

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The First Breath
White Raven Crossover Prog

Review by tszirmay
Special Collaborator Crossover Team

— First review of this album —
4 stars White Raven is another new addition from Poland, a different style from the usual Neo/Symph prog this country seems to espouse, choosing a more electronic keyboard genre that is reminiscent of Geoff Downes' efforts with the celebrated New Dance Orchestra project or some of Vangelis' more proggy releases. Keyboard fans will be blown away by the sheer magnificence of the piano and the barrage of multi-layered synthesizer work that clearly astound. The focus is on crafting memorable melodies and adorn them with sweeping arrangements that wander between electronica and symphonic. Piotr Wojciechowski is a tremendous artist from Lodz, with impeccable skills who fully has mastered the multi-instrumentalist one-man show challenge. This first endeavour has a wide variety of compositions, longer epic 9-10 minute pieces interspersed with short intermezzos as well as some more 4-5 minute tracks, all in order to keep the suspense honest and unexpected. The style is cinematographic, perhaps a bit like fellow Polish band Lebowski in that each piece is like some movie soundtrack, though the latter is a more conventional gt-k-b-drs outfit.

The title track utilizes its wide girth to expand immediately on the talent that is wielded so masterfully , a whopping 12 minute mini-symphony of discovery and adventure that goes way beyond just a mere introduction, showcasing a suave determination to keep things interesting and yet enchanting. The first 2 minute interlude is the sizzling guitar-driven 'Second' and its incessant obsession with mood and atmosphere. Another short one in the 3 minute range tosses in some Arabic chanting, as 'Abandoned Dreams' swoons over the dunes with sweeping melodic splendour, once again creating ultimate sonic escapism. The slightly longer 'Be Different' is another highlight piece, propelled by a sequenced melody that hints at old school Tangerine Dream, circa Exit or Poland (Surprise) and will please even newer electronica fans , trembling synth patches emitting modern tendencies. A return visit from the Arabic chanting shows the grander design at work here, everything intertwined and yet holding its own. This segues nicely into 'Silence' featuring a piano motif that verges on genius and utter beauty. This could have been a Vangelis 'hit', a well-defined, immediately ravishing melody that will hook the listener immediately. Hints of orchestral Michael Oldfield abound on pieces like 'In the Deep Dream', where glittering keys combine with ethereal choirs and pulsating electronic percussion to vividly create surreal visions. Sublime piano characterizes an epic track like 'Eclipse', which not only amazes throughout its near 10 minutes but showcases elegant piano musings that wink at masters like Rick Wakeman, Eddie Jobson and John Hawken. The evolution of the track aims at evolving towards more electronic realms, with robotic rhythmic patterns still fueled by the same gorgeous melody. The slippery synth solo is heard bursting at the seams, intricate and relentless, absolutely first class! On a track like 'Follow Me', the onus is more on the electronic percussion and thus providing a more bustling rhythmic expanse to work over the slithering melodies. While some interval parts are clearly dreamy and ambient, the vast majority of the material is bold, vivacious and creative. The immediacy of the melodies are of paramount importance, the sounds connecting right from the get- go, a relatively rare event in the electronic prog world.

Like any great opus, the album ends with another bookcase epic, an 11 minute+ mastodon entitled 'Last but Not Wasted Breath, the First Breath finale' which seeks out grandiose and bombastic heights, with soaring symphonics and orchestral leanings that defy categorization. The impression is one of infinity, time and space, endeavour and pleasure. This was one hell of a surprise that caught me completely off guard and I have been suggesting my progpals to check this out.

4.5 Initial Inhalations

 Beyond the Panopticon by SONUS UMBRA album cover Studio Album, 2016
3.85 | 4 ratings

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Beyond the Panopticon
Sonus Umbra Crossover Prog

Review by Ovidiu

4 stars A new SONUS UMBRA album is always someting exciting and it deserves to be signaled in the prog rock community!2 years only after the excellent WINTER SOULSTICE album,mastermind Luis Nasser and his talented musical companions,are back with a new album!And what an excellent surprise is this album,a true revelation!Slightly different to the previous albums,this new opus shows a more mature aproach of the band and more complicated and tortured musical vision,but in the good sense!Definitelly,BEYOND THE PANOPTICON is not an easy and superficial musical experience!Au contraire,it's a marvelous musical journey,and the whole album is very cinematic and rich in audio images,we are invited for a fantastic,transcedental journey and in the end,we have the feeling to be a a part of a great musical endeavour!For a little more than 40 minutes,the album is a little too short,but it's dense,rich and loaded with amazing musical ideas ,that's for sure!The instrumental opening track-GROTESQUERIE- is absolutelly stunning,it reminds me a little of Psychotic Waltz,we have here an unleashed display of technical scarry skills of all the band and there's someting fabulous for an opening album track!The title of the composition says everything!Then,some wonderful complex compositions,with dual -male/female vocalists,and the presence of a flute,a marvelous instrument,but with a morbid vibe,and our thoughts are going to the great Jan Anderson,but mostly to Devon Graves,or Buddy Lackey of Psychotic Waltz or DEAD SOUL TRIBE mostly!Interesting production,great vintage sound and that's a superior charm of the album,in my humble opinion!Overall,a great musical experience,where you are invited,another majestic work from the imagination and huge talent of Mr Luis Nasser,and the promise for a trully memorable musical experience indeed!All the album has a mystic vibe,something misterious and catchy...I repeat...the only minor minus is it's timing...it could have been a little longer...around 50 would have been just perfect!But it's excellent this way too!The artwork is impressive too..an elegant digipack with a great artwork,trully fantastic!4.5 stars for me and congratulations to a band with a huge potentia and a great musical identity and visionl!
 Behind the Gardens - Behind the Wall - Under the Tree ... by VOLLENWEIDER, ANDREAS album cover Studio Album, 1981
3.22 | 17 ratings

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Behind the Gardens - Behind the Wall - Under the Tree ...
Andreas Vollenweider Crossover Prog

Review by AEProgman

3 stars A magical mystical journey!

I was amazed to see Andreas Vollenweider here on Progarchive. For those not familiar with him, he plays a "modified" harp which has a very cool haunting type of sound. Sort of a mild flanging or chorus, sliding effect. Like most of his albums that I am familiar with, there are other instruments blended in, such as synths, percussions, drums, guitars, sax, and vocals used as another instrument (which Andreas plays most of those himself). All done very tastefully to enhance the ride.

The compositions, on this and other albums, really do give you the feel of taking a mystical journey through some peaceful, but exciting fantasy land. Like adventuring through a Roger Dean album cover or painting. The tempo ranges from peaceful to mild prog to almost classical and jazzy tendencies.

I had discovered Vollenweider back in the late 80s on his Down to the Moon album, which I like more than this album. I wound up getting all of his albums from the 80s which I would recommend to anyone looking to explore his music. White Winds is another excellent album. With the album Dancing With the Lion, he began to explore some new directions in his music but is still excellent.

I have not listened to Andreas since the early 90s as the old media I had of his albums is long gone. Rediscovered this album by rumaging through a thrift store/flea market (a new favorite habit) and found this and it brought back some fond memories. I give this album a 3.5 star rating but will round down to 3. I almost was tempted to deduct the rating more due to this goofy album cover, just kidding!

 The Envisage Conundrum by GODSTICKS album cover Studio Album, 2013
3.60 | 17 ratings

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The Envisage Conundrum
Godsticks Crossover Prog

Review by Mellotron Storm
Prog Reviewer

3 stars I remember when GODSTICKS were added to the site here and the buzz around that. I did pick up their debut album at the time which I thought was a good 3 star album. This is their second release and there's not a lot to pick between the two hence my 3 star rating here. In a way this recording feels like it's in no-man's land as it's not heavy despite the hints of it, neither is it too mellow, it's somewhere in between. By the way the band feel that their latest "Emergence" released in 2015 is finally the album where they found their sound. And it's heavy! I like the Alternative vibe on here which comes mostly from the vocals.

"Convergence" is the short intro track that is quite spacey. "Caught In A Bind" is a top three track for me and I like the heaviness early on with the crunchy guitar. It settles back as the vocals join in. Nice bass and drum work here. It becomes fuller with backing vocals until we get this short but enjoyable instrumental section then the vocals return. "The Envisage Conundrum" has this heavy, rumbling soundscape as the guitar plays over top. Vocals join in. A top three tune. "In A Way That Ended Me" has this piano intro before it turns fuller. I like the soaring guitar as well as how understated this song is. Vocals do arrive as well. "Benchmark" is another restrained vocal track and I enjoy the intricate instrumental work. "Submerged" has some energy to it as the vocals join in, but it settles into a mid-paced vocal track.

"A Brief Foray" is another mid-paced vocal track but perhaps more laid back than the earlier ones. "Disclosure" is a nervy attempt by the band in my opinion as we get piano melodies throughout. By the way they got rid of the keyboards on their next album. "Borderstomp Pt.1" has a heavy intro to it that I like as the vocals join in in this Alternative sounding piece. "Borderstomp Pt.2" has this restrained heaviness that I like with vocals. Nice guitar solo after 3 1/2 minutes and before 5 1/2 minutes. "Borderstomp Pt.3" is my final top three song and it's because of the heaviness, love the riffs. Soaring guitar after 4 1/2 minutes when the vocals have stopped. The guitar goes on and on, so good! "Raised Concerns" opens with acoustic guitar as the reserved vocals join in. It's a little fuller after 1 1/2 minutes. Then we get a nice piano interlude before 3 minutes and vocals are back a minute later. Some violin late.

Another good one from this band but they really did find their sound with the latest "Emergence".

 Return to Mingulay by OCEANS 5 album cover Studio Album, 2013
3.98 | 124 ratings

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Return to Mingulay
Oceans 5 Crossover Prog

Review by FragileKings
Prog Reviewer

4 stars Good day to you all. I'm Andy John Bradford and I've written some nice little folk ditties, or perhaps sea chanteys if you like, that you can enjoy singing along to at your local tavern while downing a pint or two with the local lads.

I was just down by the shore for a couple of minutes trying to get the right feel for the album. The wind was a-blowing and the waves were crashing in. The gulls were in the sky calling out. But a storm started blowing in and the thunder was a-rumbling so I thought it'd be best fer me to head indoors. Now I'm going ta play for you an old traditional number and I'm just going ta be a-strumming away like this here, and you can all sing along if ya know the words. "Hail you own, boys / An' let her go boys / Sailing home to Mingulay".

Now I've got me a few friends along ta help out with the music and on electric guitar and some acoustic as well I've got Mr. Colin Tench, whom some of you may know from Corvus Stone or perhaps Bunchakeze or Minstrel's Ghost. He's got a good feel for the music and plays some fine guitar, maybe going a little toward the Pink Floyd sound here at the end of the song.

Now here's another fine guitarist but I've asked him to come in on bass. Mr. Stef Flaming of the band Murky Red. And well, now we're going ta need a drummer you say, and for that we've got Mr. Victor Tassone from Unified Past. Oh, yes, the keyboards are being handled by Mr. Marco Chiappini whom you can hear on Minstrel's Ghost and Mr. Tench's band project CTP.

And now yer surely thinking that this is not looking like it's going ta sound like any folk band singing sea chanteys and true enough, it's starting to look like a prog band now. Speaking of prog, I'm liking the Pink Floyd sound a bit lately and so we should get a kind of Great Gig in the Sky singer in here for a song, maybe "6000 Friends". How about Ms. Lorelei McBroom from Australian Pink Floyd to do that bit there? Ah, now we've got some very fine music going on.

Just one more thing, some piano and orchestration would be a nice touch to make this album of folk ditties sound really more like a prog rock album. An' so here's Mr. Andres Guazzelli from Argentina. Maybe you've heard his piece "Wish You Could Hear" which features Mr. Tench on guitar as well.

So, I'm hopin' ya like the songs now. At the heart, it's me singing and strumming away. But my musical friends have gone and turned this into an album with a strong seventies rock vibe and really made the music come alive. I never knew it could sound so good.

So step inside and an take off yer coat. The storms a-coming in but it's cozy and warm in here. Grab a pint and sit back and hear the band play. And once ya know the words, feel free ta sing along with us!

 Clocks and Dark Clouds by MCKECHNIE, SIMON album cover Studio Album, 2013
5.00 | 1 ratings

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Clocks and Dark Clouds
Simon McKechnie Crossover Prog

Review by Aeolus

— First review of this album —
5 stars Rarely does an artist appear in the progressive world so suddenly out of nowhere and create such a stir within the progressive world. 'Clocks and Dark Clouds', in 2013, is one of those cases.

But first, who is this SIMON MCKECHNIE? This London-based Scotsman has lead and played bass in the Latin Jazz group AZUL. He has also showed his classical guitar skills playing with Portuguese Fado singer ' performer NUNO SILVA. Then in 2011, he released his first album, 'London Reborn', a modern interpretation of old London folk songs. The latter shows a skilled musician, a versatile composer with a voice starting from lower ranges and reaching a high falsetto. However, none of these previous releases and collaborations could have prepared us for this Monster of an album!

'Clocks and Dark Clouds' includes 7 songs, all 7 minutes and longer. Although that is usually a problem for the flow of an album, it is not the case here. Each part blends effortlessly into the next one, never staying too long, while the main theme of each song reappears slightly differently ' that is what makes our favourite prog epics so great. You won't find any verse ' pre-chorus ' chorus structure here.

I would describe the music as eclectic prog. Themes and melodies come and go, always accompanied with a dissonant counter-melody or a different rhythmical part. There are also these little surprises, where a tone or melody is presented, only to turn into part of another tone, like the beginning of the song 'Mother and Daughter'. The presence of different rhythmic metres and the frequent rhythmic changes are so prevalent that it makes you wonder if Simon has become allergic to 3/4 and 4/4! It is as if the composer has purposely decided to take all defining aspects of progressive rock and overdo it. The result is a musical product that will definitely not appeal to the masses, but will come as a delight to prog fans of all genres.

All instruments apart from drums have been recorded by Simon McKechnie, lying down on the floor of the studio due to a spine problem. Contrary to what one could expect from the density of the music, there is no heavy guitar here. Simon has been a fan of prog for enough years to know how long or how overbearing a guitar part or solo should be, and the result is amazing! The production and mastering at 'Close to the Edge' studio in London helps the end result to breathe out and all the little details to show. The drums were recorded by professional jazz drummer Adam Riley. Not only has he managed to come through the difficulties of the rhythmic complexity, but he has also left his own mark here.

As for the vocals, it seems that most of the hard work and experimentation has taken place here. As mentioned before, Simon is a skilled singer; able to express any feeling required. At times it seems that the music has been written to accompany the lyrics, and not the opposite. It is a feeling I have experienced with Jogi Kaiser's vocals on SIEGES EVEN's 'A Sense of Change' album ' in both cases there is a liquid versatility in the lyrics, as if they have tried ' and managed ' to break free from the strict rhythmic confinement. The similarities don't stop here. In both albums, the key word is 'abstract', not to mention that you don't know what to expect at the next moment.

There are various lyric themes throughout the album, but there is a tendency towards dark themes, mythology and Lovecraftian end- of-the-world apocalyptic scenarios. However, the overall feeling of the songs is more dissonant rather than doomy or pessimistic.

All in all, this album is something completely fresh, deserving all the praise it has already got. On his first effort at progressive rock, SIMON MCKECHNIE delivered a masterpiece, following all the guidelines of the genre, yet unlike anything you have heard before. It is one of the albums of 2013 that is going to be remembered dearly for long. I am really looking forward to listening to his new album, 'From my Head to my Feet', to be released later this month.

This review was originally written for www.justincaseradio.com

 Runddans (with Emil Nikolaisen & Hans-Peter Lindstrom) by RUNDGREN, TODD album cover Studio Album, 2015
2.51 | 3 ratings

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Runddans (with Emil Nikolaisen & Hans-Peter Lindstrom)
Todd Rundgren Crossover Prog

Review by Guldbamsen
Special Collaborator Retired Admin

3 stars Trying out pants with Todd

The biggest curve ball of 2015 has got to be this baffling release. It is always interesting to hear old timers doing something new, fresh and above all completely original. Teaming up with guitarist and front man off Norwegian alternative rock band Serena-Maneesh, Emil Nikolaisen, and space disco pioneer Hans-Peter Lindstrřm, Todd seems to have gone for a modern and altogether different sonic route than what he's accustomed to.....which, of course, is quite true. What you effectively get here is something so strange and unique that it literally had me reaching for my spare ears. 'Runddans' is Donna Summer without the bass boom and danceable vibe - it's disco heading for the avantguarde - upbeat and elusive like a fox in a sauna.

The music is build around Lindstrřm and Nikolaisen's electronic programming and synth bleeps - evoking a fluffy and airy cotton candy universe on which Rundgren's evocative vocals weave in and out like voices on the wind or in a hazy dream. The whole thing feels highly unorthodox. When a melody or a rare groove occasionally seems to take shape it rather quickly fades away into the aforementioned swirling candy world......which makes it all the more surprising that you actually remember the returning vocal theme 'Put Your Arms Around Me' sung affectionately by the old master himself.

More than anything 'Runddans' feels like an experiment. An experiment from three musicians who all professionally dabble in the high art of mixing...on here though you feel as if you're sat in a room where three different albums are playing all at once - challenging every player involved to listen intently to his surroundings yet without ever losing the scope of his own vision...and how it stacks up with what's zooming out of his playmates.

This album is one long story where tracks, ethereal vocalisations, airy synths and disco sensibilities are forged together with the occasional rock and pop cameo. The music though never sounds normal....even when it incorporates those beautiful recurring vocal themes. It is far too shapeshifting and elusive for that. On the contrary 'Runddans' seems determined to bend and writhe styles of music that, to most people, are sacrilegious to alter or even play around with. Mostly because it takes away the easy digestible hook and groove of the disco movement and splices it together with a remarkable ebb and flow effect that will have most listeners pulling out their hair. The main thing to remember about music, especially with an album like this, is that it often is the journey that counts. 'Runddans' is a continuous search for a lost melody - a memory of an old grandiose disco production - only delivered over to the listener as a rather charming if not wholly fragmented piece of experimental music.

If you're sitting out there with a girlfriend who's both an old extra from Saturday Night Fever and a raving schizophrenic, then 'Runddans' is for you. I tried dancing to it once and ended up on the floor with my legs in the air doing these strange elliptical shaking motions. 'Wow' I said to myself 'this is what John Travolta looks like when he simultaneously is doing mescaline and trying on pants'. 3.5 stars.

 Reflection by AUXFORD album cover Studio Album, 2014
3.05 | 3 ratings

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Reflection
Auxford Crossover Prog

Review by Finnforest
Special Collaborator Honorary Collaborator

3 stars "Art-rock from Saint-Petersburg, Russia"

I write mostly for the bands now, largely little-known ones, when I can hear them smiling for love of playing. Auxford is just such a band. I'm guessing they play mostly for the pure joy of doing so. "We play what we like and how we like." Yes indeed. "Reflections" is the debut collection from this band named after the famous University but with a twist on the spelling. Convening in 2007 the current line-up includes Vladislav Semenov (vox/keys), Alexander Golensky (g), Yuriy Venchagov (b), and Andrey Burtsev (d). While I don't know much about the Russian music scene I've been well aware of the enthusiasm they share ever since watching the RHCP gig in Red Square in '99. I've never seen a crowd that pumped except perhaps for Rio crowds.

Auxford plays a mostly instrumental rock here with a few lyrical passages, some in English and most in Russian. I love listening to the band sing in their native tongue, as always, rather than changing to English. The vibe is similar to Italian bands Proteo and AIIR, influenced somewhat by Floyd and Genesis in this case, with a spacy jam-rock driven by guitar and fleshed out nicely with keys. What I love here is the tactile lushness of the guitar, in some ways it channels Gilmour's bluesier side but it isn't as dry as Dave, nor as reserved. Golensky's leads are juicy with lots of heart and color. He can serve up nice laid back leads and double over some cool, modern sounding rhythm guitar parts. They are effortless and agile whether the passage is soothing or aggressive.

These work well against Semenov's keyboard sound which would fit right in on "Duke" or other mid period releases. Simple melodies and moods that are so enjoyable and I love the space they give a simple line-there is no urgency to flail and go nuts. There are simple keyboard parts to compliment vocals as well as pillowy backgrounds for ambiance. The whole band delivers an emotional instrumental rock that is tasteful yet still has heart. A lot of heart and movement. While they will probably make a better album one day and a better produced one, "Reflections" is a very good beginning I feel grateful to have stumbled across. Cheers guys, from America's heartland.

Data cached

Crossover Prog bands/artists list

Bands/Artists Country
17 PYGMIES United States
1974 United States
1O1 United States
3 United Kingdom
3 LEGGED MONSTER United States
3RDEGREE United States
7TH KIND United States
90 DAY MEN United States
A.L.F. Brazil
AARDVARK United Kingdom
AARDVARK' Finland
THE AARON CLIFT EXPERIMENT United States
ABACUS Germany
ABARAX Germany
ABBFINOOSTY United Kingdom
ABIOGENESI Italy
LEE ABRAHAM United Kingdom
ABSENTE H Spain
ABSINTHE JUNK United States
ACANTHE France
ACTIVE HEED Italy
THE ADDICTION DREAM United States
THE ADVANCEMENT United States
AFTER... Poland
AGATHORN Denmark
AGRABAH Argentina
EDUARDO AGUILLAR Brazil
AHOORA Iran
AKIN France
AKROPOLIS Denmark
ALIAS EYE Germany
ALL OVER EVERYWHERE United States
ALTERNATIVE 4 United Kingdom
ALUX NAHUAL Guatemala
AMAROK Poland
AMAZING MACHINE Norway
THE AMAZING Sweden
AMITY IN FAME Austria
TORI AMOS United States
AMPERA Norway
ANALOG MISSIONARY United States
THE ANALOGUE United Kingdom
ANANTA Venezuela
ANAWA Poland
ANDERSON PONTY BAND Multi-National
LAURIE ANDERSON United States
ANGULART Chile
ANOTHER ROADSIDE ATTRACTION Canada
ANTARES Italy
JERZY ANTCZAK Poland
ANUBIS SPIRE United States
ANYWHERE United States
APATHEIA Czech Republic
APOCALYPSIS Greece
APOGEE Germany
THE APPLE ZED United States
APPLESEED Poland
APPLESMELLCOLOUR Spain
AQUILA United Kingdom
ARCHANGELICA Poland
ARCHIVE United Kingdom
AREA 39 United Kingdom
ARGENT United Kingdom
ARGO Lithuania
ARID GARDEN Italy
ARNIOE Australia
BRADY ARNOLD United States
TONY ARNOLD United States
ARONORA Australia
THE ARS SUPERNOVA United States
ART BY NUMBERS United States
ART CINEMA Denmark
ART DECO Finland
ARTLAND Israel
ARZ United States
AS FOLLOWS United States
AS TALL AS LIONS United States
ASFALTO Spain
ASGARD United Kingdom
ASIDE BESIDE France
ASTRONOMY United States
ASZENSION Canada
ATARAXIA Japan
ATIK MAZE Portugal
ATLANTYCA France
ATMOSPHERA Brazil
AUDIAC Germany
AUDIOCRACY Multi-National
THE AURORA OBSERVATORY United States
AUT' CHOSE Canada
AUTOGRAPH (AVTOGRAF) Russia
AUTOMATIC MAN United States
AUTUMN ABOVE United States
AUTUMN CHORUS United Kingdom
AUTUMN ELECTRIC United States
AUTUMN PEOPLE United States
AUTUMN WHISPERS Multi-National
AUXFORD Russia
AVALON Canada
AVGRUNDEN Sweden
AVIARY United States
AMADEUS AWAD Lebanon
DAVID AXELROD United States
AZURETH Multi-National
BACKHAND Venezuela
BADWATER FIRE COMPANY United States
DAVE BAINBRIDGE United Kingdom
KEN BAIRD Canada
BAKU Germany
ANDRE BALZER France
BANDA DO SOL Brazil
TONY BANKS United Kingdom
BARCLAY JAMES HARVEST United Kingdom
NICKLAS BARKER Sweden
BARNUM'S FREAK Italy
BARON United Kingdom
MARTIN BARRE United Kingdom
BARROQUEJON Chile
SEBASTJAN BARTOL Slovenia
M.M. BARTULICA Bosnia and Herzegovina
COLIN BASS United Kingdom
BAT LENNY United States
BATISFERA Russia
BAUER Argentina
BE BOP DELUXE United Kingdom
BEAD GAME United States
BEAM-LIGHT Poland
DAVID BEDFORD United Kingdom
BEDUÍNOS A GASÓLEO Portugal
BELGRAD Poland
BEND SINISTER Canada
BENT KNEE United States
THE BENZENE RING United States
ROBERT BERRY United States
EMILY BEZAR United States
BIG BIG TRAIN United Kingdom
BITTERTOWN Netherlands
BJÖRK Iceland
BLACK CAT BONES United Kingdom
BLACK MOTH SUPER RAINBOW United States
BLACK MOUNTAIN Canada
BLONDIE FOX Italy
BLOW UP HOLLYWOOD United States
THE BODY POLITIC Canada
BORAY Sweden
LINDSEY BOULLT United States
TIM BOWNESS United Kingdom
BOX OF CRAYONS United States
THE BOX Canada
THE BOY; THE BIRD & THE BEAST United States
VICTOR BRADY United States
BREATHING SPACE United Kingdom
BREZOVSKY-ROZSA Slovakia
BRIDGES Norway
BRIGHT BROWN United States
THE BRIMSTONE SOLAR RADIATION BAND Norway
STEVE BROCKMANN AND GEORGE ANDRADE Multi-National
PATRICK BROGUIERE France
DUNCAN BROWNE United Kingdom
BUKE AND GASE United States
BULBS United Kingdom
BUNCHAKEZE United Kingdom
BURNING SIDEWAYS United States
TARA BUSCH United Kingdom
KATE BUSH United Kingdom
BY SUNLIGHT United States
DAVID BYRNE United Kingdom
BYRON Romania
CALIFORNIA GUITAR TRIO United States
THE BEN CAMERON PROJECT Australia
CANAMII South Africa
CANNATA United States
CANTURBE Argentina
CAP OUTRUN Sweden
CAPABILITY BROWN United Kingdom
CAPTAIN MARRYAT United Kingdom
FRANCK CARDUCCI Netherlands
MARC CARLTON United Kingdom
CARVED IN ASHES Finland
CASTLE CANYON United States
STEPHEN CAUDEL United Kingdom
CEILING UNLIMITED United States
CELL15 United States
CHANCE France
CHANCE:RISIKO Italy
CHANGES Switzerland
CHANGING IMAGES Germany
THE CHANT Finland
SPYROS CHARMANIS Greece
CHASM Norway
CHEETO'S MAGAZINE Spain
CHILDREN IN PARADISE France
CHIMPAN A United Kingdom
CHOICE Germany
CHOKE THE WORD United States
CHROME HOOF United Kingdom
CHURN MILK JOAN Multi-National
CINEMA SHOW Brazil
CIRCA United States
CIRCA SURVIVE United States
CIRCULINE United States
CIRCUS PARANOIA Netherlands
CIRCUSFOLK Finland
CITADEL France
CLARION Italy
STEVE CLARK Australia
CLOUD ATLAS United Kingdom
CARY CLOUSER Canada
CLOVER SEEDS France
CLUB MERANO Finland
SUSAN CLYNES Belgium
STEVE COCHRANE Canada
COHEED AND CAMBRIA United States
COLLECTING SPACE United States
COLOR Hungary
CONSPIRACY United Kingdom
CONTRACTION Canada
THE COOPER TEMPLE CLAUSE United Kingdom
CORALSPIN United Kingdom
COREY & MAPLE Finland
CORRAL Poland
CORVUS STONE Multi-National
COSHISH India
THE COSMIC REMEDY Multi-National
COSMOS DREAM France
ROB COTTINGHAM United Kingdom
COZHE Finland
BEN CRAVEN Australia
CRAZY WORLD Finland
CRIMINAL CATERPILLAR Canada
CROSS Sweden
BEPPE CROVELLA Italy
CRYPTEX Germany
CUAC! Spain
CUPRUM Czech Republic
PAUL CUSICK United Kingdom
THE CUSTODIAN United Kingdom
CYRIL Germany
LAREN D'OR Hungary
NICK D'VIRGILIO United States
DAEMONIA Italy
DAPHNE Italy
DAVID'S LODGERS Italy
DAYMOON Portugal
DDNZ Serbia
MARCO DE ANGELIS Italy
DEADWOOD FOREST United States
DEAMBRA United States
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FRANCIS DECAMPS France
DEEP LIMBIC SYSTEM Mexico
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JOE DENINZON United States
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DICE Germany
THE DIFFERENCE Slovakia
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DIGITAL CHEMISTRY United States
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DISTRICT 97 United States
DLGZ ROCK 5TET France
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DR FOLAMOUR France
DREAM THE ELECTRIC SLEEP United States
THE DREAMING TREE United Kingdom
DREDG United States
DRY RIVER Spain
MARK DUBERRY Ireland
FRANCIS DUNNERY United Kingdom
DW. DUNPHY United States
DUTCH UNCLES United Kingdom
DYNAMO BLISS Sweden
DYONISOS United States
DZEJBI Yugoslavia
EATLIZ Israel
ECHO Romania
ECHOES OF GIANTS United States
ECLIPSE Canada
ECLIPSE SOL-AIR Multi-National
EDEL Multi-National
COLIN EDWIN AND JON DURANT Multi-National
EIDÔLON France
ELDBERG Iceland
ELECTRA Germany
ELECTRIC LIGHT ORCHESTRA United Kingdom
ELECTRIC SORCERY United States
ELECTRUM United States
ELEND France
ELIPHASZ Canada
ELORA France
ELYSIUM THEORY United States
KEITH EMERSON United Kingdom
GERT EMMENS Netherlands
EMPIRE United Kingdom
EMPIRICAL TIME Italy
AARON ENGLISH United States
ENNĎS TÓLA Australia
ENTITY PARADIGM Pakistan
EOS Chile
EPIICYCLE United States
ESAGIL Greece
ETHERS EDGE United Kingdom
EVELINE Italy
EVEN HORSES Germany
EVENT United States
EX-WISE HEADS United Kingdom
EXOVEX United States
EYEVORY Germany
FAINT SIGNAL United States
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FAIRY TALE Slovakia
ALESSANDRO FARINELLA Italy
FATAL FUSION Norway
LA FE Chile
FERNANDO YVOSKY Venezuela
FEROZ Mexico
FIBONACCI SEQUENCE United States
FIELD MUSIC United Kingdom
PIOTR FIGIEL Poland
NICOLAS FIGUEROA Chile
SEAN FILKINS United Kingdom
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FOURTEEN TWENTYSIX Netherlands
FRACTAL MIRROR Netherlands
FRACTAL ROCK United States
FRAGILE Estonia
FRANC ALBIR Spain
FREDDEGREDDE Sweden
FREEDOM TO GLIDE United Kingdom
FREELIGHT United States
FREQUENCY DRIFT Germany
HASSE FRÖBERG & MUSICAL COMPANION Sweden
FRXHO Mexico
FSB Bulgaria
FUCHS Germany
FULL CODE New Zealand
FUTURUM Czech Republic
GABRIEL BONDAGE United States
PETER GABRIEL United Kingdom
GALACTIC COWBOY ORCHESTRA United States
GALIJA Yugoslavia
GALLERY Norway
GANDALF Austria
GANDALF'S PROJECT Italy
GAP PARTY Italy
ANJA GARBAREK Norway
GAZPACHO Norway
KEVIN GEIER United States
GEKKO PROJEKT United States
GIO GENTILE Italy
GENTLE KNIFE Norway
THE GENTLE STORM Netherlands
GENTLEMEN WITHOUT WEAPONS United Kingdom
GHOST CIRCUS Multi-National
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KEVIN GILBERT United States
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GLASFROSCH Australia
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GLORIE United States
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GOLIATH United Kingdom
LE GONG DU BALAYEUR France
GOTHIC LUNCH Italy
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GRAMONAUTUS Argentina
PHILIPPE GRANCHER France
THE GRAND SILENT SYSTEM Australia
GRAVITY TREE United States
GREEN Italy
THE GREEN VIOLINIST Belgium
MARK GREEN United Kingdom
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GREY LOTUS Netherlands
GRICE United Kingdom
GRIME France
GROUP 309 Russia
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ID GUINNESS Canada
GUITAR GARDEN United States
GUNGFLY Sweden
HA' ARNAV HA-LAVAN Israel
HABELARD2 Italy
HABITAT Argentina
HADDAD Brazil
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HALO BLIND United Kingdom
JASON HAVELOCK France
HAYWARD & LODGE United Kingdom
HEARTSCORE Germany
HEATWAVE Italy
ROEL VAN HELDEN Netherlands
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HELIOTH United States
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HENRY FOOL United Kingdom
HERMETIC SCIENCE United States
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STEVE HOGARTH United Kingdom
JOANNE HOGG United Kingdom
MARK HOLLIS United Kingdom
HOLLOW BRANCHES Multi-National
HOMESICK FOR SPACE United States
HOT HEAD SHOW United Kingdom
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STEVE HOWE United Kingdom
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I.AB United States
IAMTHEMORNING Russia
IF / IFSOUNDS Italy
IGAYON Israel
IGNATIUS Spain
ILUZJON Poland
IMMUNE United Kingdom
IN LIMBO France
INDELIBLE Norway
INDEXI Yugoslavia
INFICTIONS United Kingdom
INFINITE MONOPOLY United States
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INFUSION KAMACHUI Argentina
INNER PROSPEKT Italy
INNERSPACE Canada
INTENTIONS Netherlands
INTERGALACTIC TOURING BAND Multi-National
INTO THE PRESENCE United States
IOEARTH United Kingdom
ION United Kingdom
IRRGARTEN Canada
ISLANDS Canada
ISOS Canada
ISZIL Chile
IT BITES United Kingdom
J'ACCUSE..! Italy
J21 Spain
JAÉN KIEF Colombia
JANUS United Kingdom
JASPER WRATH United States
JAUGERNAUT (A.D.) United States
JAZ France
JEBEL United States
JEREMY United States
JEREMY IRONS AND THE RATGANG MALIBUS Sweden
JET BLACK SEA Netherlands
JHIMM United States
JODY GRIND United Kingdom
JONAS LINDBERG Sweden
JONO Sweden
JORM Sweden
KADDISFLY United States
KANT FREUD KAFKA Spain
KAOS MOON Canada
KARIBOW Germany
KASSINI United States
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KAYAK Netherlands
KAZACHSTÁN Czech Republic
KEDAMA Switzerland
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KEL LOCH & GOLD United States
MIKE KERSHAW United Kingdom
KERYGMATIC PROJECT Italy
DAVE KERZNER United States
KEVLAR RED United Kingdom
KID COUSIN United States
KIMURA France
KING RAT United Kingdom
KINO United States
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KISS KISS United States
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KOI Sweden
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DAVE KULJU United States
KUMM Romania
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KURKI Finland
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LA YNE Finland
LABORATOR France
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YOGI LANG Germany
LANTINOR Russia
LISA LARUE United States
LAST TURION Germany
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LAYRA Italy
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GUY LEBLANC Canada
LEBOWSKI Poland
JOHN LEES United Kingdom
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LIFE Sweden
LIGHT Netherlands
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LIMPID GREEN United States
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A LIQUID LANDSCAPE Netherlands
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KERRY LIVGREN United States
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THE LUCK OF EDEN HALL United States
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JOHANNES LULEY United States
LUNA ROSSA United Kingdom
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PHILIPPE LUTTUN France
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WILLIAM LYALL United Kingdom
LYRIAN United Kingdom
MACARTHUR United States
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MADAME BLAVATSKY OVERDRIVE United States
THE MADCAP LAUGHS United Kingdom
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MAJESTIC X United States
BARIS MANCO Turkey
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MANFRED MANN'S PLAINS MUSIC South Africa
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LUC MARIANNI France
MARIANUS United States
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MAXIMUM INDIFFERENCE United States
THE MAYAN FACTOR United States
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SIMON MCKECHNIE United Kingdom
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MEKHLIN Denmark
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STEVE MERLIN Netherlands
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MARK MILLER United States
RICK MILLER Canada
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KENNY MITCHELL United Kingdom
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MOPHO Brazil
PATRICK MORAZ Switzerland
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MOTAE United States
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IAN NARCISI United States
NAVE Brazil
CHRIS NEAL Australia
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