Progarchives, the progressive rock ultimate discography

CIVILISATION

Southern Empire

Crossover Prog


From Progarchives.com, the ultimate progressive rock music website

Southern Empire Civilisation album cover
3.98 | 182 ratings | 3 reviews | 34% 5 stars

Excellent addition to any
prog rock music collection


Write a review
Buy SOUTHERN EMPIRE Music
from Progarchives.com partners
Studio Album, released in 2018

Songs / Tracks Listing

1. Goliath's Moon (9:12)
2. Cries For The Lonely (19:13)
3. Crossroads (29:15)
4. Innocence & Fortune (10:22)

Total time 68:02

Line-up / Musicians

- Danny Lopresto / lead & backing vocals, electric & acoustic guitars
- Cam Blokland / electric & acoustic guitars, mandolin, backing vocals
- Sean Timms / keyboards, electric & lap steel guitars, percussion, backing vocals
- Jez Martin / bass, flugelhorn, backing vocals
- Brody Green / drums, percussion, backing vocals

With:
- Steve Unruh / violin, flute
- Marek Arnold / soprano sax
- James Capatch / tenor & soprano saxes, flute

Releases information

CD Giant Electric Pea ‎- GEPCD1058 (2018, UK)

Thanks to mbzr48 for the addition
and to Quinino for the last updates
Edit this entry

Buy SOUTHERN EMPIRE Civilisation Music


CivilisationCivilisation
Giant Electric Pea 2018
$10.69

Right Now on Ebay (logo)

More places to buy SOUTHERN EMPIRE music online Buy SOUTHERN EMPIRE & Prog Rock Digital Music online:

SOUTHERN EMPIRE Civilisation ratings distribution


3.98
(182 ratings)
Essential: a masterpiece of progressive rock music(34%)
34%
Excellent addition to any prog rock music collection(40%)
40%
Good, but non-essential (19%)
19%
Collectors/fans only (5%)
5%
Poor. Only for completionists (2%)
2%

SOUTHERN EMPIRE Civilisation reviews


Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by Rivertree
SPECIAL COLLABORATOR PSIKE Team & Band Submissions
4 stars A really comfortable album offered by this Aussie prog rockers. SOUTHERN EMPIRE are headed, or at least founded by experienced musician Sean Timms, who is also known for playing with the band Unitopia, amongst other collaborations. Seemingly their passion is to elaborate extended songs, no matter what. I mean, basically it's not a problem to offer a 30 minute rock music suite. But this without running into boredem and aimlessness at any one time? And so I'm really enjoying the album from the first to the last minute. When listening you will have other known bands at hand for a reference quickly, some glimpses, influences can't be denied, no question.

New young bands probably will prefer being compared to respected artists, could be helpful for gathering some reputation. Not necessary in this case. Concerning so much richness to detect the list would take half the review maybe. Well, nevertheless, this is a unique case, due to a very special outfit being shaped, while skillfully combining different styles, as there are neo prog, heavy art rock, jazz, folk, AOR, metal aso. And well crafted compositions are vital, on top of it a virtuoso execution is given to make it rounded. Now the last hurdle solely would be to reserve enough time for this gem, okay?

Danny Lopresto is serving very good lead vocals. On one hand somewhat AOR close in the vein of Bob Catley, Danny Bowes or maybe Mike Tramp. But then also more charming when it comes to the neo and art rock parts. Not to forget, furthermore, often demanded musician and producer Steve Unruh and german prog iconic figure Marek Arnold have been invited for some decorative adds via violin, flute and saxophone. The aforementioned long track might be emphasized as the ultimate highlight. Definitely a monster epic including multiple faces, nearly being out of equal. Recommended! 'Civilisation' delivers 70 minutes of intricate and highly melodic stuff - 4.5 stars.

Review by FragileKings
PROG REVIEWER
4 stars On the surface, it may be easy to dismiss Southern Empire as yet another symphonic prog band following in the well-trodden path of symphonic prog bands. You have a cast of highly talented musicians composing epic- length songs that are constructed with the intent of permitting numerous musical tangents for instrumental showcasing, which is sometimes called "wanking" or, to quote the phrase one music critic once said about the latest Iron Maiden album, "prog-jam log jam".

Yes, on the surface one could give Southern Empire's sophomore release a cursory listen and skip around through the expanse of music that makes up the four tracks and declare it another example of overblown musicianship and pretentious compositions. But in the same way, one could nibble around the crust of a deluxe pizza and grumble that it's just dough with a bit of cheese. I say this because I found the self-titled debut to offer so many musical wonders and yet I heard a well-known U-Choober pass the album off as nothing original and far too common these days to be impressive. What?! Sir, our opinions differ. Greatly so!

"Civilization" was released in July of this year (2018) and I had pre-ordered it, fully anticipating an album as equally impressive as I found the debut to be. I was only to be disappointed by the post, which lost my order, and I didn't finally receive a copy of the album until late in August.

The album has just four tracks, but right from the start, Sean Timms and Co. tantalize your tympanic membrane with an excellent eight-minute track that comes across as crossover prog with an earwormy, catchy chorus. "Goliath's Moon" also includes a slower middle part and some awesome lead guitar work by Cam Blokland, who plays like an eighties metal guitarist (think Vivian Campbell, Steve Vai, Vito Bratta, etc.) in a prog setting.

The next two tracks, "Cries for the Lonely" and "Crossroads" extend over 19 minutes and 29 minutes respectively. Here is where one might expect to be dragged along through tedious reworkings of Flower Kings- inspired epics, but fear not! One thing that Southern Empire has going for it is a natural ability to blend styles and combine world music influences. Some highlights from "Cries for the Lonely" are the violin melody after the first minute and the chorus at 4:20 that sounds really heavy, almost like power metal but in a heavy prog framework. Powerprog? There's also a wonderful instrumental section around 11:00 and at 11:45 comes this beautifully melodic metal type guitar solo which is both technical and purposeful in the context of the music.

"Crossroads" begins with music that appeared on United Progressive Fraternity's debut album, "Fall In Love with the World" from the song "Travelling Man (The Story of Eshu)". The original song was written by Mark Trueack and Sean Timms, both of whom were responsible for the band Unitopia, and the music is credited to these two and Matt Williams. The UPF song is about 21 minutes long, but here "Crossroads" tips the 29-minute mark. Some highlights I noted are the world music/classical type part around 4:10 which is followed by a flute and guitar solo, and a horror movie-sounding piano melody that is joined by heavy guitar and then violin playing in a style like eastern music. At 21:00 there's some great synthesizer playing and cool drums, then an ear-catching melody followed by a guitar solo. There's a jazzy bit and some soprano sax by Marek Arnold of Seven Steps to the Green Door. The final part of the track is slow and beautiful and then builds to a big dramatic climax. This track is an epic that is more like a journey full of EARthly delights!

The closing track, "Innocence and Fortune" is a beautiful song similar to the debut's closer "Dreams and Machines", but at around 7:45 we are treated to a romping piano solo which is then joined by acoustic guitar, bass and drums for one of those fantastic displays of talent that tell us why prog is better than mainstream pop! I recently played this part for someone I know whose music appreciation is entrenched in opera and classical, and she looked surprised and said, "But this isn't rock. This is really good music!"

I must give special mention to the very talented vocals of Danny Lopresto who can sing a variety of styles from acerbic and coarse heavy rock vocals to catchy pop melodies to softer singing. It's not often a super talented symphonic prog band hooks themselves up with a true singer.

Though either of Southern Empire's albums are a treat to listen to, I am most pleased to have both of them. They make a great pair! I'd gladly give this 4.5 stars if I could.

Latest members reviews

4 stars For my first review on Prog Archives, I think it's only proper to put virtual pen to virtual paper and contribute a review of a release by one of the few "prog"bands that is based in my own home town of Adelaide, here in Australia. Civilisation is the second album released by the Adelaide-based ... (read more)

Report this review (#1977354) | Posted by David64T | Sunday, August 12, 2018 | Review Permanlink

Post a review of SOUTHERN EMPIRE "Civilisation"

You must be a forum member to post a review, please register here if you are not.

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

Copyright Prog Archives, All rights reserved. | Legal Notice | Privacy Policy | Advertise | RSS + syndications

Other sites in the MAC network: JazzMusicArchives.com — jazz music reviews and archives | MetalMusicArchives.com — metal music reviews and archives