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YOSSI SASSI

Crossover Prog • Israel


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Yossi Sassi biography
Israeli artist Yossi SASSI is a veteran producer, composer and musician in Israel, perhaps best known for being a founding member of progressive metal band Orphaned Land. Come 2012 and Sassi expanded his career further by recording and releasing his first ever solo album "Melting Clocks". A production where he continues his habit of exploring music crossing cultural and stylistic borders.

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YOSSI SASSI discography


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YOSSI SASSI top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.38 | 18 ratings
Melting Clocks
2012
3.91 | 34 ratings
Desert Butterflies
2014
3.69 | 27 ratings
Roots and Roads (as Yossi Sassi Band)
2016
3.82 | 19 ratings
Illusion of Choice (with The Oriental Rock Orchestra)
2018
3.83 | 12 ratings
Hear and Dare (with The Oriental Rock Orchestra)
2021
3.38 | 12 ratings
Prediluvian (with The Oriental Rock Orchestra)
2023

YOSSI SASSI Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

YOSSI SASSI Videos (DVD, Blu-ray, VHS etc)

YOSSI SASSI Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

YOSSI SASSI Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

5.00 | 1 ratings
My Root-In
2012

YOSSI SASSI Reviews


Showing last 10 reviews only
 Prediluvian (with The Oriental Rock Orchestra) by SASSI, YOSSI album cover Studio Album, 2023
3.38 | 12 ratings

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Prediluvian (with The Oriental Rock Orchestra)
Yossi Sassi Crossover Prog

Review by alainPP

3 stars Yossi Sassi member of the famous Orphaned Land, released an album in 2012; his 6th explores and merges musical boundaries; he uses traditional instruments orienting his reading on the Orient by surfing on the rock- tradition imprint with oriental bouzouki, violins, charrango and bouzoukitara (homemade between guitar and bouzouki).

'On Shoulders of Nephilim' dark atmosphere on a mysterious acoustic guitar. 'Uriel Machine' tumbles, well-paced prog rock from there with a smooth rise. 'Oopart' funky satrianesque rock with Arabic melody and Serra-Knopfler finale from the Orient. 'Atlantis' melancholy banjo bringing an ambient guitar slide serenade, a pad in the background and a Sicilian rhythm, beautiful with this evolving guitar solo. punchy rock 'Armaros Fall' with vocals by The Haken's Ross; longer, AOR, with a gradual evolution to the oriental choirs which holds the pavement high; vocal harmonic finale. 'Anelo' minimalist guitar arpeggio interlude with typical flute on a plaintive vocal.

'Watchers of Iyrin' sinks into the meanders of the desert, the wind blows, the instruments add to it to set off on a thousand exciting nights. 'Architect of the Stars' flat electronic jazz-rock interlude with a flute that makes you wave and an immediately bewitching, catchy tune. 'Vision of Water' for an alkaline theme, dancing on frenetic water; the atmosphere of the dancer obviously present. More traditional 'Kumlar' with the pan flute finally from there which distills a quiet tone and a lot of emotion. 'Sirius' returns to a rock guitar air with scents of 'Vidocq' and Steve Vai for a delirium of notes, Yossi very good and too rare in this position. 'The First Sunrise' jazzy a la Al di Meola takes us to the memory of one of our first sunrises and its wonder, staged by Yossi with his thousand fingers.

Yossi Sassi surrounded by his orchestra sinks into the meanders of oriental sounds, dark, ephemeral, soft; a musical therapy to fight against the atmosphere of the current world, a sound which on the other hand deviates more and more from metal to my great regret because very comfortable in its solos; eyeing more towards Hackett & Djabe; 'Prediluvian' the one who lived before the flood or the Hebrew musical journey beyond borders for a moment of relaxation.

 Desert Butterflies by SASSI, YOSSI album cover Studio Album, 2014
3.91 | 34 ratings

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Desert Butterflies
Yossi Sassi Crossover Prog

Review by octopus-4
Special Collaborator RIO/Avant/Zeuhl,Neo & Post/Math Teams

4 stars Some years ago Yossi Sassi sent me a message through PA asking to review this album. As you can see I'm very lazy, but sometimes you need to find the right moment for the right approach on an album. This hot and dry summer is perfect for his "Desert Butterflies" and now I regret to haven't actually paid the right attention to the album.

It's mainly instrumental, but features also on the track "Believe" the Italian vocalist Mariangela Demurtas who is also singer for the Norwegian band Tristania and for the Italian gothic Ardours, other than releasing on her own. The other track with lyrics is the closer "Cocoon" on which I suppose the singer is Yossi himself. Very nice voice, indeed.

The music, very well produced, is a mixture of oriental influences due to the use of traditional string instruments (charango excluded), rock guitar riffs, and catchy melodies sometimes borderline with newage. In particular, "Neo Quest" has some contact points with the Greek keyboardist Yanni. At least I think to hear so, but don't get me wrong: it's prog.

The hot and dry ambience can be found in the first two tracks, then the music takes its own path crossing various genres.

The result is a good album with some very true highlights which is forcing me to dig into its follow-up Roots And Roads, also that sent me by the artist for a review.

I apologize for the long time taken with 4 deserved stars.

 Roots and Roads (as Yossi Sassi Band) by SASSI, YOSSI album cover Studio Album, 2016
3.69 | 27 ratings

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Roots and Roads (as Yossi Sassi Band)
Yossi Sassi Crossover Prog

Review by kev rowland
Special Collaborator Honorary Reviewer

4 stars Yossi's 2016 release was credited to a band as opposed to just solo, but apart from singer Sapir Fox, all musicians in the Yossi Sassi Band were all key core members of the previous 2014 release, 'Desert Butterflies'. In many ways this is a direct continuation from the previous album, but in plenty of others it is quite different. Firstly, there are far more songs with lyrics on this album as compared to the previous one, and the roots, Middle Eastern and Israeli influences are much more to the fore. Opener 'Wings' starts gently enough, with plenty of bouzouki, but soon becomes very Jewish in its approach, and this move away from Western culture is quite evident.

The album also features the instrument invented by Yossi, the Bouzoukitara, which is a double-neck instrument, combining acoustic guitar, electric guitar and an acoustic/electric bouzouki! The double-neck instrument has a shared surface, so when one guitar is played it resonates to the open strings of the other guitar, thus allows Yossi to produce some unique sound layers, for example when playing the Electric guitar while recording the Bouzouki going through a Pre-amp or overdrive, capturing the sympathetic harmonies & over-tones it generates.

Songs such as 'Roads Less Travelled' features an introduction of acoustic instruments being with some emotional electric guitar, before the band becomes far more rock-based and Sapir takes the lead, but there are plenty of influences also changing the Western experience into something quite different. By the time of recording the band had played plenty of gigs, and there is a confidence here in all they do, as they continue to blend influences so the listener never knows quite what to expect, except that it will most definitely be worth listening to. When he wants to rock, then they do, but when they need to be more reflective, then they are also very much at home. Fluid, exciting, enjoyable, yet another album well worth discovering.

 Desert Butterflies by SASSI, YOSSI album cover Studio Album, 2014
3.91 | 34 ratings

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Desert Butterflies
Yossi Sassi Crossover Prog

Review by kev rowland
Special Collaborator Honorary Reviewer

4 stars Multi-instrumentalist Yossi Sassi will probably always be remembered for co-founding the mighty Orphaned Land, but he left them in 2014 to concentrate on 'creative, innovative, authentic music that unites people". This is his second solo album, as he released 'Melting Clocks' while still in Orphaned Land, while this one came out not long after he left the band. Here Sassi contributes vocals, guitars (electric, nylon-string, acoustic, 7-strings), bouzouki, charrango, oud, saz, Chumbush, and keyboards. He also bring in a very diverse group of people to help him with the album, including the likes of Marty Friedman (Megadeth) and Ron 'Bumblefoot' Thal (Guns 'n' Roses) who provide some solos.

There are a couple of actual songs on the album, with the rest being instrumentals, but what makes this such a delight is the way he mixes so many different musical styles and worlds together in a way which complement each other. Influences from the Middle East and Israel sit happily hand in hand with most Western rock, and blends together so it is hard to see the join. This is exactly the sort of album I would expect from him, even before listening to it, given what I have heard of Orphaned Land, but here is taking the music even further than it has before. This means that the listener is never sure what style or instrumentation is coming next, whether it be a standard blues based repeated pattern or something far more exotic. It is exciting, invigorating, and full of interest and depth.

 Illusion of Choice (with The Oriental Rock Orchestra) by SASSI, YOSSI album cover Studio Album, 2018
3.82 | 19 ratings

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Illusion of Choice (with The Oriental Rock Orchestra)
Yossi Sassi Crossover Prog

Review by mitarai_panda

4 stars Yossi Sassi & The Oriental Rock Orchestra is a cross\metal front rock band from Israel. The core is Yossi Sassi, and he is a founding member of Orphaned Land, a famous Israeli gold group. As his personal band name suggests, like Orphaned Land, his music is full of elements of oriental music. It can be said that the oriental fusion of Western music, rock and roll fusion of world music, the combination of traditional ballads and roaring rock, is It is recognized and well known by the world. As a composer and musician himself, he has been active for more than 20 years, but he did not publish his personal first post until 2012. This year's Illusion Of Choice is his fourth album, and this year Orphaned Land also released The new school is also good, I also commented on it before. The theme of his album is our choice. Yossi Sassi said that our individual differences originate from our choices. The importance of choice goes beyond our gender and skin color. We choose our own path of life. In his view, there is a certain balance between destiny and individual freedom. In the past, human choices were few and they were often controlled by God, the king, and the family. But now we can follow our own ideas to some extent. But why is the album title "the illusion of choice"? He explained that many of our choices are clearly derived from our past experience and genetic commands, but we take it as our own free will. Especially in the current era of the Internet, we seem to make choices ourselves. We actually rely on codes and algorithms for us to present. This is a profound sense of control. Our choice is always wrong. This is a very avant-garde concept! Actually combined with free will, advanced chemistry, and modern media studies, although the album is relatively short, only 37 minutes, it seems difficult to carry such a grand and complicated theme, but I can still see the album with the time I am still very excited ! Musically speaking, it is still characterized by folk music combined with rock, but the proportion of orchestral music has increased. After all, the team name also includes "The Oriental Rock Orchestra". The chorus part is also very interesting. As a musician who will play 17 kinds of guitars, Yossi Sassi gave us a feast of melody and instrumental music. The mandala, flute, cello, and fiddle took turns, and there were beautiful female voices. After all, it was such an active and experienced musician. Everyone was willing to help him. Finish the work. Finally he did not forget to remind us of Go Make Your Choice. Obviously this is a very good album, beautiful, delicate, mysterious and ambitious. I think it is better than Orphaned Land's new specialization this year, but it is so interesting. The theme was only presented with 37 minutes of music. It was not enough and it lacked epic works. There were also too many Oriental music, which caused some repetition with the previous music style. Therefore, giving a four-star evaluation should be a fair one. It is worth noting that in the bandcamp, he also released two Bonus, one is the rock version of the theme song (Yossi Sassi replaced the female voice), one is a ten-minute improvisation, I think it is a good addition.
 Roots and Roads (as Yossi Sassi Band) by SASSI, YOSSI album cover Studio Album, 2016
3.69 | 27 ratings

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Roots and Roads (as Yossi Sassi Band)
Yossi Sassi Crossover Prog

Review by Windhawk
Special Collaborator Honorary Collaborator

4 stars Israeli composer and musician Yossi SASSI is probably best known for being a founding member of Israeli progressive metal band Orphaned Land, but he's also a veteran contributor in the Israeli music circuit as a musician, composer and producer in his own right. In 2012 he started a solo career with the launch of the album "Melting Clocks". Two more albums have followed since. "Roots and Roads" is the most recent of these, and was self-released in 2016 under the moniker Yossi Sassi Band.

With "Roots and Roads" Yossi Sassi Band has created an intriguing album of music where the focus appears to be to continue his path of incorporating Israeli and Middle East folk music details with contemporary rock and metal, sometimes progressive and sometimes not as much. Those who tend to get intrigued by what people from a western cultural background would describe as exotic world music used to expand the borders of contemporary rock and metal, progressive or otherwise, should take note of this CD, as well as Sassi's previous excursions as a solo artist.

 Roots and Roads (as Yossi Sassi Band) by SASSI, YOSSI album cover Studio Album, 2016
3.69 | 27 ratings

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Roots and Roads (as Yossi Sassi Band)
Yossi Sassi Crossover Prog

Review by The Jester

3 stars Review # 30. Yossi Sassi was the lead guitarist and founding member of the Israelian Progressive Metal band Orphaned Land, and that was something that I knew of. What I didn't know is that for some years now he has been following a solo career, and he released 3 studio albums so far, with 'Roots and Roads' being his new one.

For those who are familiar with the sound of Orphaned land, the sound of his solo albums will not come as a surprise. But to those who don't know him, I should mention that his music style is something between Progressive Rock and Ethnic, heavily influenced by the traditional music styles of Israel and other Middle East and Mediterranean countries, such as Turkey and Greece for example. In my opinion, especially this album can be easily characterized mostly as Ethnic, influenced by Progressive Rock, and not the other way round. (The truth is that I couldn't possibly categorize the album under only one music genre).

The musicianship is superb, but this shouldn't come as a surprise, since Yossi is an excellent musician and a multi-instrumentalist; but further than that, he has some very good musicians participating in the album. So, further than the 5 members of his band, there are 14 more musicians present, (including the excellent Greek keyboard player Bob Katsionis), singing and playing a big variety of instruments, which are responsible for the very beautiful and rather unique sound of the album.

The album includes 12 songs, plus 3 more in the limited edition, and each one of them has something to offer to the listener. The album includes some beautiful melodic tracks, like 'Bird without a Tree' for example; there are also some more 'Prog influenced' so to say songs, some Oriental-influenced ones, and there is even one totally influenced by the Greek music, named Rizes kai Dromoi, which means Roots and Roads in Greek. (Great song by the way). Another interesting fact about the album, is the sound of 'Bouzoukitara' which is an "invention" of Yossi, which is a double instrument, combining a guitar and a bouzouki. Really interesting and unique sound I must say!

I don't think there is any reason to write more, because I believe you got the main idea of the album and its style. The truth is that, it is so different and unique, that you have to listen to it in order to be able to understand what I am talking about. But have in mind that you might need a more thorough listening in order to fully appreciate it. My rating would be: 3.5 out of 5.0 stars

 Roots and Roads (as Yossi Sassi Band) by SASSI, YOSSI album cover Studio Album, 2016
3.69 | 27 ratings

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Roots and Roads (as Yossi Sassi Band)
Yossi Sassi Crossover Prog

Review by aapatsos
Special Collaborator Honorary Collaborator

3 stars Rizes kai Dromoi...

The title track (direct translation of "Roots and Roads" to Greek) shows that Yossi is on a slightly different trajectory. First, the name is now Yossi Sassi Band, potentially showing a more inclusive approach to songwriting (?). Essentially, the core of the band has remained the same since 2012 and solo debut ''Melting Clocks'' but the fusion of influences has slightly changed.

In his third album, Yossi seems to balance out Greek, Asia Minor and Near-eastern tradition with heavier sounds closer to progressive metal (and not surprisingly, at times resembling to Orphaned Land), abandoning the more virtuoso playing and jazzy passages for the sake of something more ''traditional'' and it works. Although not boasting of numerous time signatures and chopping riffs, ''Roots and Roads'' appears as Yossi's most experimental and varied work, even if rooted in what many call "oriental" rock. Here we find traditional Greek zeimpekiko ('Rizes kai Dromoi'), mediterranean folk (Wings, Mr. NoSoul, Bird Without a Tree), middle-eastern experimental progressive metal ('Palm Dance', 'The Religion of Music') and even references to Opeth in the suprise closing 'Stronger than Ever'.

Tracks such as the instrumental 8-minute monster 'Winter' sum up the quality of this album, proving the turn to more progressive song structures. 'The Religion of Music' reminded me of Jorn Lande and the years of Ark, and 'Road Less Traveled' features beautiful female vocals on galopping riffs and a travelling mood.

Warmly recommended - 3.5 stars which might become 4 after a few more listens.

 Roots and Roads (as Yossi Sassi Band) by SASSI, YOSSI album cover Studio Album, 2016
3.69 | 27 ratings

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Roots and Roads (as Yossi Sassi Band)
Yossi Sassi Crossover Prog

Review by siLLy puPPy
Special Collaborator PSIKE, JRF/Canterbury, P Metal, Eclectic

4 stars YOSSI SASSI may be better known as the founder of Israel's premier metal fusion band Orphaned Land which has been active since the early 90s, but since 2011 he has also launched his own solo career and in the process has incorporated a whole army of musicians that he wrested out of their respective genres to create a larger than life sound that blends progressive rock and metal with traditional Israeli folk music. In addition to his musical contributions to the world and his never ending goal of promoting peace in the Middle East, he is also the inventor of the "Bouzoukitara" which is basically a combination of the Greek Bouzouki and electric guitar that allows him to mix and meld the two sounds in a more efficient manner. ROOTS AND ROADS is his third solo offering with this one going under the YOSSI SASSI BAND moniker.

The band consists of six members that contribute a huge wealth of musical instruments which not only include the usual rock guitars, bass, keys and drums but the newly formed Bouzouikitara, traditional Bouzouki, charango, oud, sax and chumbush as well. In addition we have no less than 14 guest musicians contributing piano, Hammond keys, kanun, violins, ney (Arabic, Turkish and Persian varieties), flute, fretless bass, lap steel guitar, Diddley bow, clarinet and something called a Choiron "Wing." If that wasn't enough we also get a sizzling guitar solo contribution from Ron "Bumblefoot" Thal on "Palm Dance." All of these characters in this musical script all add up to one big fat rich sounding album that is exquisitely played and extraordinarily produced as to allow all the competing sounds to exist in harmony instead of a barbaric cacophonous manner.

My first impression of this is that it is very much in the vein of other Middle Eastern progressive metal fusionists such as Myrath as the rhythms, harmonies and musical scales are heavily steeped in desert lore and conjure up images of camels traversing mirage ridden sand dunes on silken road journeys but this goes far beyond Myrath in the ethnic department. As with almost all Middle Eastern music, YOSSI SASSI focuses the energetic drive first and foremost on the percussive rhythms with the melodies carrying a near equal secondary weight. Unlike bands like Orphaned Land and Myrath, the YOSSI SASSI BAND use metal as only one color on their painter's palette and it is by no means ubiquitous in the album's sound or feel although it's included on most tracks when the energetic drive needs to be lifted to a new level for contrast's sake. There is a lot more detail paid to the ethnic instruments while the metal often chugga chugs as a rhythmic intensifier.

While described as progressive rock / metal, there aren't a lot of bizarre proggy freak outs with time sig changes run amok nor heavy reliance on dissonance. This music has a very accessible sound being instantly addictive and as seductive as the tales of Scheherezade. This is simply a must for lover's of Middle Eastern ethnic music mixed with Western elements. With this many musical members on board there always exists the risk of too many chefs in the kitchen stumbling over one another thus ruining the perfect smorgasbord of ideas, but in the case of ROOTS AND ROADS, a competent band leader puts on his conductor's hat and ekes out all the possibilities at the right times when needed and creates a beautiful parade of alternating softer and heavier passages. While i can't say this is the absolute most original music by mixing these styles as its been done a few times before, i can say that this is a very pleasant display of East meets West fusion where both worlds have plenty of time to play together to create an exhilarating new take on it. Personally i like SASSI's solo stuff over Orphaned Land. Unlike, say, bands like Secret Chiefs 3 that successfully fused Middle Eastern music with Western, YOSSI SASSI is actually from that region having been born and raised in Israel. This is the real deal. Very cool album.

 Desert Butterflies by SASSI, YOSSI album cover Studio Album, 2014
3.91 | 34 ratings

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Desert Butterflies
Yossi Sassi Crossover Prog

Review by Windhawk
Special Collaborator Honorary Collaborator

4 stars Israeli composer and musician Yossi SASSI is probably best known for being a founding member of the Israeli progressive metal band Orphaned Land, but he's also a veteran contributor in the Israeli music circuit as a musician, composer and producer in his own right. In 2012 he started a solo career with the launch of the album "Melting Clocks". "Desert Butterflies" is his second solo production, and was released in 2014.

With "Desert Butterflies" Yossi Sassi has created an intriguing album of music, where the focus appears to be to incorporate Israeli and Middle East folk music details with contemporary instrumental rock, with a few select excursions into more purebred folk-oriented compositions as a nice additional treat. Those who tend to get intrigued by what many people from a western cultural background would describe as exotic world music sounds paired off with contemporary instrumental rock are well advised to give this CD a spin.

Thanks to windhawk for the artist addition.

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