RUDY PERRONE

Perrone focused on the acoustic side of Progressive Rock in ''Oceans of art'' and comes up with a work heavily reminding of Trespass-era GENESIS as well as the acoustic side of ANTHONY PHILLIPS with the classical guitar being the dominant instrument, creating an atmosphere somewhere between Orchestral and Folk Music.However the sound is far from minimalistic.Most pieces are driven by the virtuosic playing of Perrone on classical guitar and mandolin, but the background contains also great symphonic synthesizers and lots of alternative acoustic echoes with cellos, violin, oboe and sporadic electric guitars.The mood of the album is romantic with a positive vibe and then comes Perrone's excellent, sensitive singing parts, supported by sparse, instrument-like vocal harmonies.A few tracks, especially during the flipside, follow a more Neo/Symphonic Prog path, reminding a bit of compatriots HOLDING PATTERN and NORTH STAR.The keyboard come in evidence here, there is even some Mellotron colors in a couple of them, and Perrone catches his electric guitar for a more energetic style, which still retains the light and emotional approach of the acoustic cuts, although the aforementioned pieces are fairly more complex.

After Perrone ended his stint with Industry, he became involved in several projects, including Folk and New Age records as well as Film Soundtracks.He also released a few solo albums, led by his love for acoustic guitar music and, of course, he was part of Cathedral's reincarnation in 2007.

A nice surprise for all old-GENESIS fans.A mix of Folk and light Symphonic Rock aesthetics in an album full of beautiful melodies and pastoral atmospheres.Recommended.