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STEVEN WILSON

Crossover Prog • United Kingdom


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Steven Wilson biography
Steven John Wilson - Born 3 November 1967 (Kingston upon Thames, London, UK)

STEVEN WILSON, perhaps most widely known for his role as the frontman for the popular act Porcupine Tree , is an artist from the UK who, through his various side projects, has spanned a vast number of musical ideas and concepts. Some of the styles he has been known to utilize are heavy prog, psychedelic, electronica, post-rock, ambient music, drone, metal, and art rock. Furthermore, WILSON is intensely focused on production values, dynamic mixing and mastering, and all other sorts of building albums that sound best in high-quality systems. In short, WILSON has always been an artist that appeals to audiophiles and fans of meticulously produced music. This shows up strongly in each of his bands and projects, but it plays even more of a role in his solo efforts.

Photo by Lasse Hoile

Though some of his earliest musical recordings were demos that predated even Porcupine Tree, his solo releases did not truly start appearing until his "Cover Version" singles began in 2003. Essentially releasing one a year, each "Cover Version" contained a particularly unconventional song that WILSON chose to reproduce and one original song by WILSON. Also, in 2004, WILSON put out his experimental electronic album "Unreleased Electronic Music Vol. 1." Neither the "Cover Version" singles nor "Unreleased Electronic Music" feature any other performers, aside from some input from THEO TRAVIS on the latter.

⭐ Collaborators Top Prog Album of 2013 ⭐

⭐ Collaborators Top Prog Album of 2011 ⭐

That trend changed at the end of 2008, however, when WILSON released his first full-length, proper solo album, "Insurgentes." Featuring, among others, PORCUPINE TREE drummer Gavin Harrison, Prog bass legend TONY LEVIN, current DREAM THEATER keyboardist JORDAN RUDESS, and saxophonist/flautist THEO TRAVIS, "Insurgentes" proves rather quickly that it is not simply another ambient or electronic release. Toying with many of the styles that can be seen in PORCUPINE TREE, "Insurgentes" is a mature, laid-back album marked by less metal and more noise than PT's later albums. WILSON has stated that the album draws a lot o...
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STEVEN WILSON Videos (YouTube and more)


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Home Invasion: In Concert At The Royal Albert Hall [2 CD/DVD]Home Invasion: In Concert At The Royal Albert Hall [2 CD/DVD]
unknown
$20.03
$21.05 (used)
To The BoneTo The Bone
Caroline International 2017
$6.13
$9.59 (used)
The Raven That Refused To SingThe Raven That Refused To Sing
KSCOPE 2017
$7.65
$6.02 (used)
Hand.Cannot.EraseHand.Cannot.Erase
KSCOPE 2017
$7.81
$12.32 (used)
To the Bone [Blu-ray]To the Bone [Blu-ray]
Caroline 2017
$13.79
$12.82 (used)
Home Invasion: In Concert At The Royal Albert Hall [VINYL]Home Invasion: In Concert At The Royal Albert Hall [VINYL]
Box set
SW Records 2019
$72.64
The Raven That Refused To SingThe Raven That Refused To Sing
KSCOPE 2017
$28.69
$17.34 (used)
4.54.5
KSCOPE 2017
$10.45
$15.44 (used)
Drive Home  ( Cd & Blu-ray )Drive Home ( Cd & Blu-ray )
KSCOPE 2017
$11.63
$11.09 (used)
Transience ( Cd )Transience ( Cd )
KSCOPE 2017
$9.14
$8.00 (used)
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STEVEN WILSON discography


Ordered by release date | Showing ratings (top albums) | Help Progarchives.com to complete the discography and add albums

STEVEN WILSON top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.82 | 1000 ratings
Insurgentes
2008
4.20 | 1683 ratings
Grace For Drowning
2011
4.29 | 1918 ratings
The Raven That Refused To Sing (And Other Stories)
2013
4.29 | 1353 ratings
Hand. Cannot. Erase.
2015
3.54 | 427 ratings
4 ½
2016
3.62 | 346 ratings
To The Bone
2017

STEVEN WILSON Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

4.33 | 181 ratings
Catalogue/Preserve/Amass
2012
4.35 | 20 ratings
Get All You Deserve
2017

STEVEN WILSON Videos (DVD, Blu-ray, VHS etc)

3.49 | 139 ratings
Insurgentes - The Movie
2010
4.60 | 298 ratings
Get All You Deserve
2012
4.97 | 8 ratings
Home Invasion : In Concert At THe Royal Albert Hall
2018

STEVEN WILSON Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

2.81 | 111 ratings
Nsrgnts Rmxs
2009
3.15 | 115 ratings
Cover Version
2014
3.39 | 71 ratings
Transience
2015

STEVEN WILSON Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

3.74 | 43 ratings
Cover Version
2003
3.61 | 41 ratings
Cover Version II
2004
3.71 | 42 ratings
Cover Version III
2005
3.50 | 49 ratings
Unreleased Electronic Music
2005
3.81 | 39 ratings
Cover Version IV
2006
3.40 | 43 ratings
Cover Version V
2008
4.48 | 73 ratings
Harmony Korine
2009
3.48 | 56 ratings
Vapour Trail Lullaby
2010
3.59 | 49 ratings
Cover Version 6 plus full collection bundle
2010
3.38 | 8 ratings
Demos
2010
4.04 | 48 ratings
Postcard
2011
3.79 | 24 ratings
Cut Ribbon
2012
3.99 | 116 ratings
Drive Home
2013
4.00 | 2 ratings
Luminol / The Watchmaker
2013
4.25 | 12 ratings
Happiness III
2016
3.53 | 19 ratings
Last Day of June (Game Soundtrack)
2017
2.33 | 3 ratings
Permanating
2017
3.50 | 2 ratings
Song of I
2017
4.00 | 2 ratings
Pariah
2017
3.33 | 3 ratings
The Same Asylum as Before
2017
3.33 | 3 ratings
Refuge
2017
4.00 | 2 ratings
Nowhere Now
2017
3.27 | 11 ratings
How Big the Space
2018

STEVEN WILSON Reviews


Showing last 10 reviews only
 Home Invasion : In Concert At THe Royal Albert Hall by WILSON, STEVEN album cover DVD/Video, 2018
4.97 | 8 ratings

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Home Invasion : In Concert At THe Royal Albert Hall
Steven Wilson Crossover Prog

Review by rdtprog
Special Collaborator RPI / Symphonic Prog Team

5 stars Steven hesitated to record a live concert with his last albums because of he had the feeling that his shows are meant to be seen live and that today everybody can see for free plenty of YouTube concerts. But when Eagle Rock approach him for the Bone tour, he finally accepts. He has chosen the legendary Royal Albert Hall in London to record this show of more than 2 hours and a half. He wanted to create more than your usual concert showing musicians playing on stage. He wanted to add a lot of animations to gives us the best visual experience. As the show goes on, the visuals aspect became more present to keep your attention until the end. For the audio, do I need to say that it's excellent? The new album is played completely, who can blame an artist to promote his album. By playing some proggy songs from Hands Cannot Erase album, I was able to compare the two albums, As good as is the new album, I prefer the previous album because the songs have a little more depth. The band played songs from the Porcupine Tree catalog to satisfy all his fans. The extras have some very professional recorded songs during rehearsals, and a 10 minutes interview with Steven. I gave 5 stars to the previous Steven DVD, so I can't go less than 5 stars again, because it's visually at least better.
 Home Invasion : In Concert At THe Royal Albert Hall by WILSON, STEVEN album cover DVD/Video, 2018
4.97 | 8 ratings

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Home Invasion : In Concert At THe Royal Albert Hall
Steven Wilson Crossover Prog

Review by The Jester

5 stars On November 2, Grammy-nominated artist Steven Wilson released his latest work, Home Invasion: In Concert at the Royal Albert Hall. For those who still don't know him, I should say that he was the founder and leader of Porcupine Tree, among other bands and/or projects, such as No-Man and Blackfield to name a few. Since his early days with Porcupine Tree, he is considered as a very talented composer and skillful musician, but now that he follows a solo career, he is able to do whatever he really likes. And as it seems, what he really likes is to surprise his audience (pleasantly or not) with every new release.

So, after the release of the album To the Bone, that caught many people by surprise with its musical turn, this year he returns with the magnificent Home Invasion; a double live CD, supported by DVD or Blue-Ray. (Or it's the other way round?). For the vinyl lovers, a special limited edition is going to be released on March 2019.

Home Invasion was filmed and recorded during the last of his 3 sold out performances at the iconic Royal Albert Hall during 2017. The production is flawless and the sound excellent. As for the tracklist, well? Steven Wilson decided to make a dive into his long career and chose songs from his Porcupine Tree days, up to his latest album. The concert lasted for more than 2.5 hours, and it was a stunning one! (A couple of my friends who live in London were lucky enough to see him during those performances and they were amazed!)

The collection of songs that are included here is very good, and despite each person's favorites, the truth is that, Wilson covered a very big part of his career in this album. Personally speaking, I would like to see a few more songs from his Porcupine Tree days, but the ones he chose to play are excellent, so no complains actually. Let's not forget that Porcupine Tree, like it or not, belongs to the past. Very important in my opinion is the participation of Ninet Tayeb, which was a pleasant surprise to me, cause I wasn't expecting her to participate in the live shows.

Some of the best moments here are the songs: Pariah, Ancestral, Arriving Somewhere but not Here, Even Less and The Sound of Muzak. But that's just my personal opinion.

Overall, this Home Invasion: In Concert at the Royal Albert Hall collection is recommended for all fans of Steven Wilson. The British musician takes his fans and listeners on a musical journey through time, as he showcases his eclectic musical work, as well as his talent and charisma. The sound and video quality are fantastic, where one feels like they are experiencing it from the front row of the historic Royal Albert Hall. A solid 5.0 stars from me! Congratulations Mr. Wilson!

 Vapour Trail Lullaby by WILSON, STEVEN album cover Singles/EPs/Fan Club/Promo, 2010
3.48 | 56 ratings

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Vapour Trail Lullaby
Steven Wilson Crossover Prog

Review by TCat
Prog Reviewer

3 stars 'Vapour Trail Lullaby' is a one track single by Steven Wilson that was given away with advance ordered copies of the DVD 'Insurgentes'. Originally, this track was demoed for Porcupine Tree prior to the release of 'In Absentia', but they never thought it fit quite right in their material. So, Steven Wilson recorded it solo. Since he thought it sounded too much like Porcupine Tree material, he left it off of any album. However, the last part of the track was adapted into the 'Twilight Coda' of Wilson's album 'Insurgentes'. Also, a different realization of the track was used in the track 'Lullaby' by Blackfield. So, parts and pieces of the track were used, but this single is the original 9 + minute version, which Wilson liked better than any of his other attempts to try to record it.

You should recognize the piano riffs as it fades in if you have heard the Blackfield song. Subdued and processed vocals soon start as the piano continues along with vocal field recordings added for atmosphere. The melody is the same as 'Lullaby' but the lyrics are different. As it continues, intensity slowly builds and instruments are added. The sound suddenly reaches normal level. Drums, mellotron and a beautiful soft guitar riff is added, as Wilson sings more verses. You will start to hear a countermelody during the chorus after awhile. At 6:00, everything quiets down as the coda begins. This part is more ambient as echoing guitars and keys create a spacey atmosphere.

As far as I can tell, this track was never released on any other recording. It is a beautiful track, but if you have heard the Blackfield song, you know what the main melody sound like, it is just that this track develops the song much better, because, as you know, most Blackfield songs are short and at times seem underdeveloped. Anyway, it is a difficult one to find and probably expensive if you do find it.

 To The Bone by WILSON, STEVEN album cover Studio Album, 2017
3.62 | 346 ratings

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To The Bone
Steven Wilson Crossover Prog

Review by Zitro
Prog Reviewer

4 stars Steven Wilson Trying to Be a Pop Star and Failing but Making Good Music anyways

Steven Wilson is changing his artistic approach to music and re-thinking his role as a solo artist. More specifically, he wants the audience standing and dancing, he wants to reach mainstream success, and he wants to steer away from the progressive rock label. The album is fairly successful in a musical sense, but indicates a troubling change of direction for the artist, especially if you pay attention to his wants in interviews and speeches on stage. I fear his choices for his favorite tunes in the album, as they are among his most derivative songs of his solo career. The production of the album is also troubling, as if Steven Wilson wanted to make a tribute out of the 80s and eliminating complex percussion and some modern recording techniques. As far as reaching wide success, this album is a colossal failure and not surprisingly, given his sheer musical output experience and age, the general audience would not get drawn in by song knock offs from Peter Gabriel, Pink Floyd, ELO, or ABBA (some of the singles)

Before the overhyped album was released, there was a surprising number of tracks released to draw enthusiasm, and they were less impressive than what Wilson generally is capable of. 'Pariah' is very pretty but suffers from unimaginative lyrics, a grating volume imbalance in its ending, and sounds derivative from Peter Gabriel's 'Don't Give Up' structurally and sonically. 'The Same Asylum' sounds like a second rate Porcupine Tree tune trying to be catchy but does feature more involved instrumentation. 'Permanating' is legitimately catchy, though the influences are quite obvious and is awkwardly placed after single 'Refuge', which is somber, grander in scope, but borrows heavily from Pink Floyd and Peter Gabriel. 'Nowhere Now' has a more ambitious music video and is a pretty good pop song and overall one of the better singles here. The one single that really stood out for me is the electronic 'Song of I' - structurally progressive rock with a steady beat but always shifting music with no clear structutal pattern yet blended in with clearly mainstream modern features. It is experimental, creative, and very memorable.

Outside the singles, the remaining songs fare pretty well. 'To The Bone' is more of an earworm than any of the singles except maybe Permanating. 'People Who Eat Darkness' has an angry punk sound and carries the most energetic rhythms of the album. 'Detonation' has a sinister mood, syncopated synthesized bass, and a bizarre transition to an extended macabre dance song that takes a lot of listens to accept and enjoy - it really came to life when played live. 'Song of Unborn' is the other clear standout of the album with sparse, but progressively more symphonic music, some of his best lyrics of his career, with a massive but pleasant wall of sound in finale.

The music is overall successful and does show a different kind of musical maturity, mainly in restrained and melody writing. However, it is a troubling new direction that I feel is not sustainable as this approach can quickly get stale. Nervously anticipating what a new album would sound like, hopefully another new direction but involving a more flexible genre than pop. I also want to sit on stage - his music is not meant for standing!

 The Raven That Refused To Sing (And Other Stories) by WILSON, STEVEN album cover Studio Album, 2013
4.29 | 1918 ratings

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The Raven That Refused To Sing (And Other Stories)
Steven Wilson Crossover Prog

Review by Cylli Kat (0fficial)

1 stars Fellow reviewer ProgShine summed it all up beautifully in their review of this exceptionally dreadful endeavour.

It seems the vast amount of reviewers here at PA think this guy is like the second coming of the Messiah. You see Rembrandt; I see kindergarten finger painting. You hear Mozart; I hear screeching harpies. You think he's a genius; I think he's a masterful fraud.

I've tried and tried and tried both with Hedgehog Shrub and his solo stuff, but I just do NOT like the work of Steven Wilson. And at this point I don't want to waste hours of my life listening to an album 187 times trying to get into it.

And please, don't even get me started on his classic 2015 release: Banal.Beyond.Endurance.

Obviously, your mileage will vary.

Grace and peace, Cylli

 The Raven That Refused To Sing (And Other Stories) by WILSON, STEVEN album cover Studio Album, 2013
4.29 | 1918 ratings

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The Raven That Refused To Sing (And Other Stories)
Steven Wilson Crossover Prog

Review by sgtpepper

5 stars When this came out, together with the previous and the following album, many proggers had this to discuss and share. The reactions were to a high degree positive. Comparing to the previous album, less melancholy and more progressive traces are present. The accompanying musicians are very competent and adding to the more balanced instrumental outing. The first track is a fine and maybe the prime example of how a well blended progressive track should sound - keyboard and guitar shaping the song but supported by very muscular and complex bass and drum section. Saxophone is a welcome addition to this piece of art. The mellotron coloured second half enlives the emotions and heart of every music- thinking person. The track also sounds great when performed live. Drive Home and The Raven that refused to sing are two compositions filled with a large dose of melancholy. Oh man, I can guarantee you that when the watch the video of the latter one, you are going to feel the tears coming! You are going to think about all the hard losses and defeats that you have encountered. Once you have lost somebody, there is no way back and you keep asking yourself if you could have prevented it. Even when watching this song live, emotions on people's faces are very present. Watchmaker has a Genesis-inspired keyboard parts and great vocal harmonies.

This album is a top achievement by Steven Wilson because it has the right recipee for a modern accessible progressive- rock album, great mix, instrumental performance, advanced compositions. Steven Wilson is also a master in conjuring a bleak feeling in progressive rock, which, to my knowledge, no other artist has managed to that degree.

 Grace For Drowning by WILSON, STEVEN album cover Studio Album, 2011
4.20 | 1683 ratings

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Grace For Drowning
Steven Wilson Crossover Prog

Review by sgtpepper

4 stars Certainly the most depressing and melancholic of Wilson's albums. The beginning sounds hopeless already. The dark, ominous Sectarian combines the extensive King Crimson and subtle Opeth's post 2008 traces. Opeth's influence comes up at various points on this album and that is no surprise since Steven and Mikael are good friends that influence each other musically. Deform to form a star introduces Wilson's shift to elegant piano and keyboard driven songs with great melodies. This track must also appeal to fans of high quality pop as it is accessible and catchy. No Part of me reminds initially of Radiohead due to the electronic background, however the heaviness and a great saxophone solo creaps in the second half. Postcard is another mellow and melancholic track with multiple vocals. Remainder the Black Dog is instrumentally perhaps the most interesting track because of its complex structure - as all other tracks, it doesn't add up anything to an optimistic mood. Belle de Jour has a haunting sad melody not unsimilar to Opeth acoustic tracks - listen to the Marrow of the Earth on Opeth's Heritage if you see anything in common ;-) Bleak atmosphere continues with Index. Track One features a mellow and catchy first part and ends similarly, with acoustic guitar. I consider the middle heavy part unnecessary and it does not enrich the song. The over 20-minute mark reaching Raider II takes some patience and concentration to be digested but I don't consider it bad. The last track is the only straight melancholic track and we have yet another Wilson's influence here - Pink Floyd. Overall, at least 4 starts are well deserved. In my first listens during the winter evenints , I found it pretty depressing but later in summer, I was quite immune against its atmosphere ;-)
 Insurgentes by WILSON, STEVEN album cover Studio Album, 2008
3.82 | 1000 ratings

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Insurgentes
Steven Wilson Crossover Prog

Review by sgtpepper

3 stars It was only a question of time when Steven Wilson issues a proper solo album and here we are. Not surprisingly, this album bears some similarity to the previous work with Porcupine Tree, such as the first track of the album, Harmony Korine. Abandoner sounds first like a track by Pineapple Thief, mellow and melancholic however it grows into metallic cresciendo in the end. Salvaging is hard but a slow track and results in a jam-like ending. Veneno Para Las Hadas is again very mellow but sounds unfinished and does not lead anywhere. Can be a good break between coming to the next track, the essential No Twilight Within the Courts of the Sun. The traces of King Crimson are undeniable here and the subdued vocals creates an interesting combination. Significant other has yet another influences - dramatic post-rock. I really like all these influences in Wilson's music - melancholy, King Crimson, folk parts, post-rock, pop and post-metal/progressive metal. Only Child is a simple track in a pop/rock vein. Get all you deserve is a dramatic track again also featuring experimenting, however, it didn' manage to stay in my head even after repeated listens. The title tracks ends the album on a relaxing note. While this is hardly a bad album, it is non-essential and inferior to the next 3 albums that surpass this one with ideas, musicianship and craftmanship. Therefore 3 stars.
 To The Bone by WILSON, STEVEN album cover Studio Album, 2017
3.62 | 346 ratings

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To The Bone
Steven Wilson Crossover Prog

Review by LakeGlade12

2 stars 2.4 Stars. Nothing new under the sun

I think the saying "all good things must come to an end" is the perfect summery to how I feel about Steven Wilson's new album To The Bone (TTB). After a hat trick of masterful albums Wilson seems to running dry on new ideas for this album. While there are a few surprises and good ideas to be found here, most of the songs can be pigeonholed into specific previous albums of phases of his career.

The main focus of TTB is on the progressive-pop genre, with the song writing trying to strike the fine balance between pop accessibility and Prog's more unpredictable nature. Steven has released several great Prog-pop albums throughout his career, with Porcupine Tree's Stupid Dream being the highlight. When comparing the two albums it becomes very clear how lacking TTb is in terms of not only creative Prog, but also the strength of the pop hooks that are meant to repeatedly play in your head.

The album starts with the title track, which is one of the few original sounding songs on the album. A great balance is struck between the powerful instrumentals and infectious chorus, and no loss of energy occurs between these sections. Nowhere Now is unfortunately a large drop in quality, sounding like a mid-tempo Blackfield track but without the lyrical or creative magic of that duo. A generic AOR rock song that I would expect from a past-their-best artist.

Pariah begins as a generic 80s powder balled between Steven Wilson and Ninet Tayeb. As someone who grew up listening to this kind of music it really is a sub-par tick boxing pop-ballet, which is a big shame as I know Wilson can write fantastic pop songs. The second half of the song is more interesting with a instrumental noise assault, but it is not enough to save the song.

The Same Asylum As Before is best described as more uneven version of Prodigal (from In Absentia), but with some VERY bad vocals in places. Wilson has tried singing in a much higher pitch than normal in parts of the album, and it's something I (and many other people I have spoken to) are not a fan of.

Refuge is one of the better songs on TTB. A slow building and very emotive piece that focuses on the difficulties of people living in refuge. There is an extended instrumental at the end which reminds of a more focused Regret #9 (from Hand Cannot Erase) followed by a gentle ambience. This is more in line with the kind of music you would expect from PT or his solo albums.

Permanating on the other hand will catch most SW fans by complete surprise! A bouncy, happy and full-blown pop piece which stands in complete contrast to the majority of this back catalogue. You have to go all the way back to On The Sunday Of Life to find something this bright and sunny. Nevertheless it's not a bad pop song, and is the most original statement made on the album.

Blank Tapes takes the album back into gloom. Another slow and simple duet with Ninet, which leaves little impression. People Who Eat Darkness is the hard rocker of the album, which takes no prisoners both instrumentally and lyrically. Along with Detonation this song rips into the mentality of suicide bombers, which a bold approach. While this song does not offer a lot of Prog it is still a good song.

Song of I is another duet, this time with Sophie Hunger. This one sounds like it was ripped from Insurgentes and given a glossy finish. The beginning of the song sounds cool and promising, but it is not given the freedom to develop naturally and stagnates by the time it end. Wasted potential.

As already mentioned Detonation is the other song about suicide bombers, with lyrics that may be insulting to some but are not without merit. This is the only full-blown Prog track on the album, with large portions of it being dedicated to extended and fast-pased instrumentals. The final 3 minutes are worth mentioning, with Wilson taking a more electric-rock-prog approach which is fresh-sounding. Despite its 9 min running time, it actually feels underdeveloped in places and ends without warning. It needs an extra 3-4 minutes at least to be brought to its full potential, but it is still a good song.

Finally Song of Unborn ends with a more post-rock style layout. It begins quietly with ambience and piano, followed by the tasteful use of a choir. It eventually builds into a load and haunting instrumental, which finishes the album on a high note.

TTB is a tricky album to rate, as the quality varies wildly between 1 and 4 star songs. The reason why I am giving this 2 stars is simply due to it not being on the same level of any of his albums dating back to Lightbulb Sun (which I gave 3 stars). However that was at least was an important transitional album and had Wilson experiment with new ideas. TTB on the other hand has very little that is new to offer, and does not perform very well as a pop album. So sadly 2 stars is all I can give for this one.

 4 ½ by WILSON, STEVEN album cover Studio Album, 2016
3.54 | 427 ratings

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4 ½
Steven Wilson Crossover Prog

Review by thwok

3 stars Steven Wilson's 4 1/2 is a mini-LP (Wilson's words) of music recorded between HAND CANNOT ERASE and THE RAVEN THAT REFUSED TO SING. This is Steven Wilson, so the music is reliably intelligent and well played. As the official Allmusic (great website) review suggests, "Year of the Plague" is a nonessential track. In my opinion, the album lags in the middle. It falls too easily into repetitive, almost ambient territory, as Wilson sometimes does.

As criticisms go, however, there are far worse ones. My favorite track originates from the time when Porcupine Tree were still a going concern. I absolutely love this version of "Don't Hate Me", with Theo Travis and Ninet Tayeb's contributions. It's worth at least 1 star by itself. "Happiness III" is also very catchy. I'll give this a good 3 stars, but you just have to hear the two tracks mentioned.

Thanks to Dean for the artist addition. and to Quinino for the last updates

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