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STEVEN WILSON

Crossover Prog • United Kingdom


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Steven Wilson biography
Steven John Wilson - Born 3 November 1967 in Kingston upon Thames, London, England

STEVEN WILSON, perhaps most widely known for his role as the frontman for the popular act Porcupine Tree , is an artist from the UK who, through his various side projects, has spanned a vast number of musical ideas and concepts. Some of the styles he has been known to utilize are heavy prog, psychedelic, electronica, post-rock, ambient music, drone, metal, and art rock. Furthermore, WILSON is intensely focused on production values, dynamic mixing and mastering, and all other sorts of building albums that sound best in high-quality systems. In short, WILSON has always been an artist that appeals to audiophiles and fans of meticulously produced music. This shows up strongly in each of his bands and projects, but it plays even more of a role in his solo efforts.

Photo by Lasse Hoile

Though some of his earliest musical recordings were demos that predated even Porcupine Tree, his solo releases did not truly start appearing until his "Cover Version" singles began in 2003. Essentially releasing one a year, each "Cover Version" contained a particularly unconventional song that WILSON chose to reproduce and one original song by WILSON. Also, in 2004, WILSON put out his experimental electronic album "Unreleased Electronic Music Vol. 1." Neither the "Cover Version" singles nor "Unreleased Electronic Music" feature any other performers, aside from some input from THEO TRAVIS on the latter.

⭐ Collaborators Top Prog Album of 2013 ⭐

⭐ Collaborators Top Prog Album of 2011 ⭐

That trend changed at the end of 2008, however, when WILSON released his first full-length, proper solo album, "Insurgentes." Featuring, among others, PORCUPINE TREE drummer Gavin Harrison, Prog bass legend TONY LEVIN, current DREAM THEATER keyboardist JORDAN RUDESS, and saxophonist/flautist THEO TRAVIS, "Insurgentes" proves rather quickly that it is not simply another ambient or electronic release. Toying with many of the styles that can be seen in PORCUPINE TREE, "Insurgentes" is a mature, laid-back album marked by less metal and more noise than PT's later albums. WILSON has stated that the album draws a lot of...
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To The BoneTo The Bone
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The Raven That Refused To SingThe Raven That Refused To Sing
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Get All You DeserveGet All You Deserve
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To the Bone [Blu-ray]To the Bone [Blu-ray]
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InsurgentesInsurgentes
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Grace For DrowningGrace For Drowning
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The Raven That Refused To SingThe Raven That Refused To Sing
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STEVEN WILSON discography


Ordered by release date | Showing ratings (top albums) | Help Progarchives.com to complete the discography and add albums

STEVEN WILSON top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.81 | 977 ratings
Insurgentes
2008
4.20 | 1658 ratings
Grace For Drowning
2011
4.30 | 1878 ratings
The Raven That Refused To Sing (And Other Stories)
2013
4.29 | 1312 ratings
Hand. Cannot. Erase.
2015
3.54 | 407 ratings
4
2016
3.64 | 320 ratings
To The Bone
2017

STEVEN WILSON Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

4.33 | 180 ratings
Catalogue/Preserve/Amass
2012
4.23 | 13 ratings
Get All You Deserve
2017

STEVEN WILSON Videos (DVD, Blu-ray, VHS etc)

3.48 | 138 ratings
Insurgentes - The Movie
2010
4.60 | 293 ratings
Get All You Deserve
2012

STEVEN WILSON Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

2.80 | 110 ratings
Nsrgnts Rmxs
2009
3.14 | 112 ratings
Cover Version
2014
3.39 | 70 ratings
Transience
2015

STEVEN WILSON Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

3.68 | 41 ratings
Cover Version
2003
3.58 | 40 ratings
Cover Version II
2004
3.68 | 41 ratings
Cover Version III
2005
3.50 | 47 ratings
Unreleased Electronic Music
2005
3.79 | 38 ratings
Cover Version IV
2006
3.37 | 42 ratings
Cover Version V
2008
4.47 | 72 ratings
Harmony Korine
2009
3.60 | 54 ratings
Vapour Trail Lullaby
2010
3.55 | 47 ratings
Cover Version 6 plus full collection bundle
2010
3.38 | 8 ratings
Demos
2010
4.04 | 48 ratings
Postcard
2011
3.79 | 24 ratings
Cut Ribbon
2012
3.99 | 115 ratings
Drive Home
2013
4.00 | 2 ratings
Luminol / The Watchmaker
2013
4.25 | 12 ratings
Happiness III
2016
3.50 | 18 ratings
Last Day of June (Game Soundtrack)
2017
2.00 | 2 ratings
Permanating
2017
3.50 | 2 ratings
Song of I
2017
4.00 | 2 ratings
Pariah
2017
3.50 | 2 ratings
The Same Asylum as Before
2017
3.50 | 2 ratings
Refuge
2017
4.00 | 2 ratings
Nowhere Now
2017
3.33 | 9 ratings
How Big the Space
2018

STEVEN WILSON Reviews


Showing last 10 reviews only
 The Raven That Refused To Sing (And Other Stories) by WILSON, STEVEN album cover Studio Album, 2013
4.30 | 1878 ratings

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The Raven That Refused To Sing (And Other Stories)
Steven Wilson Crossover Prog

Review by sgtpepper

5 stars When this came out, together with the previous and the following album, many proggers had this to discuss and share. The reactions were to a high degree positive. Comparing to the previous album, less melancholy and more progressive traces are present. The accompanying musicians are very competent and adding to the more balanced instrumental outing. The first track is a fine and maybe the prime example of how a well blended progressive track should sound - keyboard and guitar shaping the song but supported by very muscular and complex bass and drum section. Saxophone is a welcome addition to this piece of art. The mellotron coloured second half enlives the emotions and heart of every music- thinking person. The track also sounds great when performed live. Drive Home and The Raven that refused to sing are two compositions filled with a large dose of melancholy. Oh man, I can guarantee you that when the watch the video of the latter one, you are going to feel the tears coming! You are going to think about all the hard losses and defeats that you have encountered. Once you have lost somebody, there is no way back and you keep asking yourself if you could have prevented it. Even when watching this song live, emotions on people's faces are very present. Watchmaker has a Genesis-inspired keyboard parts and great vocal harmonies.

This album is a top achievement by Steven Wilson because it has the right recipee for a modern accessible progressive- rock album, great mix, instrumental performance, advanced compositions. Steven Wilson is also a master in conjuring a bleak feeling in progressive rock, which, to my knowledge, no other artist has managed to that degree.

 Grace For Drowning by WILSON, STEVEN album cover Studio Album, 2011
4.20 | 1658 ratings

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Grace For Drowning
Steven Wilson Crossover Prog

Review by sgtpepper

4 stars Certainly the most depressing and melancholic of Wilson's albums. The beginning sounds hopeless already. The dark, ominous Sectarian combines the extensive King Crimson and subtle Opeth's post 2008 traces. Opeth's influence comes up at various points on this album and that is no surprise since Steven and Mikael are good friends that influence each other musically. Deform to form a star introduces Wilson's shift to elegant piano and keyboard driven songs with great melodies. This track must also appeal to fans of high quality pop as it is accessible and catchy. No Part of me reminds initially of Radiohead due to the electronic background, however the heaviness and a great saxophone solo creaps in the second half. Postcard is another mellow and melancholic track with multiple vocals. Remainder the Black Dog is instrumentally perhaps the most interesting track because of its complex structure - as all other tracks, it doesn't add up anything to an optimistic mood. Belle de Jour has a haunting sad melody not unsimilar to Opeth acoustic tracks - listen to the Marrow of the Earth on Opeth's Heritage if you see anything in common ;-) Bleak atmosphere continues with Index. Track One features a mellow and catchy first part and ends similarly, with acoustic guitar. I consider the middle heavy part unnecessary and it does not enrich the song. The over 20-minute mark reaching Raider II takes some patience and concentration to be digested but I don't consider it bad. The last track is the only straight melancholic track and we have yet another Wilson's influence here - Pink Floyd. Overall, at least 4 starts are well deserved. In my first listens during the winter evenints , I found it pretty depressing but later in summer, I was quite immune against its atmosphere ;-)
 Insurgentes by WILSON, STEVEN album cover Studio Album, 2008
3.81 | 977 ratings

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Insurgentes
Steven Wilson Crossover Prog

Review by sgtpepper

3 stars It was only a question of time when Steven Wilson issues a proper solo album and here we are. Not surprisingly, this album bears some similarity to the previous work with Porcupine Tree, such as the first track of the album, Harmony Korine. Abandoner sounds first like a track by Pineapple Thief, mellow and melancholic however it grows into metallic cresciendo in the end. Salvaging is hard but a slow track and results in a jam-like ending. Veneno Para Las Hadas is again very mellow but sounds unfinished and does not lead anywhere. Can be a good break between coming to the next track, the essential No Twilight Within the Courts of the Sun. The traces of King Crimson are undeniable here and the subdued vocals creates an interesting combination. Significant other has yet another influences - dramatic post-rock. I really like all these influences in Wilson's music - melancholy, King Crimson, folk parts, post-rock, pop and post-metal/progressive metal. Only Child is a simple track in a pop/rock vein. Get all you deserve is a dramatic track again also featuring experimenting, however, it didn' manage to stay in my head even after repeated listens. The title tracks ends the album on a relaxing note. While this is hardly a bad album, it is non-essential and inferior to the next 3 albums that surpass this one with ideas, musicianship and craftmanship. Therefore 3 stars.
 4  by WILSON, STEVEN album cover Studio Album, 2016
3.54 | 407 ratings

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4
Steven Wilson Crossover Prog

Review by thwok

3 stars Steven Wilson's 4 1/2 is a mini-LP (Wilson's words) of music recorded between HAND CANNOT ERASE and THE RAVEN THAT REFUSED TO SING. This is Steven Wilson, so the music is reliably intelligent and well played. As the official Allmusic (great website) review suggests, "Year of the Plague" is a nonessential track. In my opinion, the album lags in the middle. It falls too easily into repetitive, almost ambient territory, as Wilson sometimes does.

As criticisms go, however, there are far worse ones. My favorite track originates from the time when Porcupine Tree were still a going concern. I absolutely love this version of "Don't Hate Me", with Theo Travis and Ninet Tayeb's contributions. It's worth at least 1 star by itself. "Happiness III" is also very catchy. I'll give this a good 3 stars, but you just have to hear the two tracks mentioned.

 To The Bone by WILSON, STEVEN album cover Studio Album, 2017
3.64 | 320 ratings

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To The Bone
Steven Wilson Crossover Prog

Review by Prog Leviathan
Prog Reviewer

4 stars I've often heard Wilson say in interviews that he feels with each album he releases that he loses fans, but gains new ones. Technically, this can't be correct, becuase his popularity has been steadily increasing for the past decade; however, the point is that his sound changes incrementally, alienating some but catching the ear of others.

You probably read that thinking that I'm going to talk about how To the Bone is a significant departure that will cause Wilson's prog base to abandon him--a departure which we'll look back to as the start of Wilson's commercial break-out. This is definitely not the case. To the Bone is not a pop album ... not even sort of kind of a pop album. But, it's not a prog album, at least not in the way that his early solo works were. To the Bone is exceptionally well inspired and very artistic rock music which I think will do the impossible: please prog fans AND attract new fans among people who don't obsess over the groups tucked away here on the archives.

Case in point ...

The other day I played the album while my fiancee (definitely not a prog fan), and I were lounging in the living room, each engaged in a different activity. The next day, she asked me to share To the Bone with her so she could listen to it again at work. Boom. Thank you Steven Wilson; you've done the impossible and not only pleased me (a prog snob whose 20's were pretty much defined by your music) and my soon to be wife (who thinks bands like Yes are just noise). Bravo.

Is To the Bone a masterwork? I don't think so--but its very close. But more importantly, it's approachable hooks, highly polished and emotive instrumental work, interesting and creative songwriting, and quietly optimistic lyrics make it a perfect entry point to the world of progressive (or at least artistic) music. Essential for Wilson fans, and highly recommended for everyone else.

Songwriting: 4 - Instrumental Performances: 4 - Lyrics/Vocals: 4 - Style/Emotion/Replay: 5

 To The Bone by WILSON, STEVEN album cover Studio Album, 2017
3.64 | 320 ratings

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To The Bone
Steven Wilson Crossover Prog

Review by Aussie-Byrd-Brother
Special Collaborator Rock Progressivo Italiano Team

4 stars The last several years have seen British multi-instrumentalist, songwriter and producer extraordinaire Steven Wilson well and truly leave his Porcupine Tree past behind him and gradually hone a rewarding solo career that's been a mix of welcome experimentation and reliable expected moody alt-rock with lashings of both modern and retro-flavoured prog-rock. His last full studio album, 2015's `Hand. Cannot. Erase' delivered a mix of melodic tunes with experimental rock instrumentation that served as a good foot in the door for newcomers both young and older, so perhaps it was little surprise that Wilson might reign back his indulgences even that little bit more to capitalise on this fresh outside interest on a future recording. He's an artist that has managed to build great credibility and an elevated status but who can still fly under the radar just enough to allow himself to indulge in works like this, 2017's `To the Bone'.

Fuelled by THAT cover art, an early press release that proudly proclaimed the album as a pop work, a bouncy jangly pure-pop first single that had most of the prog-rock fans racing for the hills (and it's probably quite surprising that it wasn't a self-titled disc), `To The Bone' was instantly hit with the dreaded `sell out' tag and dismissed as career suicide. But careful and patient repeated listens reveal an album that has much merit, with plenty of the usual smart art-rock and blending of styles already associated with the artist...as well as some rather (slight!) disappointing surprises.

First issue to address: `To The Bone' is NOT a pop album, even if it has several more obviously poppy moments scattered throughout it. Nor is it so far removed from prog-rock as to be unrecognisable, and if anything many parts wouldn't have sounded out of place on mid-period `Stupid Dream/Lightbulb Sun'-era Porcupine Tree with their indie-rock crossover appeal. It's just that where his former bandmates (and even Wilson on his recent solo albums) would likely offering sublime instrumental passages, here Steven usually works in ambitious vocal arrangements of multi-part harmonies instead of show-boating soloing.

On to the disc - Steven and his frequent co-singer Ninet Tayeb open with the title track `To The Bone', a smouldering groover with plenty of ragged guitar soloing and a catchy lyrically defiant chorus, but for an album that many are ready to instantly dismiss as too straightforward or `pop', the piece also drifts into languid enveloping harmonies full of dreaminess in the climax that you sure wouldn't hear on the radio. `Nowhere Now' is just a great uptempo poppier tune that finds Steven in great spirits with a loved up and freed chorus. But the first `wow' moment of the disc has Steven teaming again with Ninet for `Pariah', a tender ballad that has already drawn comparisons to Peter Gabriel and Kate Bush's `Don't Give Up', and along with its weary yet supportive lyric, it also delivers a big bold emotionally charged finale that soars to the heavens with great poise and overall class.

The lyrically pessimistic `The Same Asylum As Before' is powered by punchy drumming and swampy grinding guitars burning around Steven's crooning falsetto, and there's a lovely laid-back interlude in the middle with lightly jazzy flavours to Steven's guitar bursts and some sparkling electric piano. Sure to be a favourite of many of his existing fans, `Refuge' is bookended with a low-key unhurried melancholic introspection and that sad beauty that Wilson has perfected to a fine art over the years, and some carefully executed dramatic lifts give the piece a weight and great tension. After wallowing in brooding contemplation, the `controversial' first single `Permanating' then proves a welcome respite, a buoyant and proudly peppy piano n' falsetto-powered pop burst that not only reveals Wilson's keen honing of strong melodic sensibilities, but is unashamedly comparable in parts to Electric Light Orchestra! Lighten up, people, and just enjoy a cool and (whisper it!) fun pop tune. `Blank Tapes' is then a fragile little ballad interlude of a pristine aching beauty and precious warmth.

Lyrically threatening and instrumentally brash (just listen to Steven's bouncing thick bass pounding away in parts, you'd swear it was Nick Beggs on this one - perhaps it was and there was a misprint in the CD booklet?!), `People Who Eat Darkness' is a relentlessly sleek indie-rocker that is bound to become a live favourite on the tour supporting this album. `Song Of I' is a darkly cool fusion of New Wave and eerie electronica that has Ninet and Steven swapping confessional lyrics over gloomy piano and maddening breathless orchestration.

The longest piece at just over nine minutes is `Detonation', and among its clipping electronic programming, delicate chiming guitars and Steven's purring words that are laced with spite and hostility, the instrumental second half slinks in and out of aggressive blasts, fiery near jazz-fusion-like runs and dreamy shimmering caresses - see, still much here for the snootiest of prog fans! Closer `Song Of Unborn' is a tender piano ballad with exquisite ethereal choir work that replaces gentle regret with reassuring optimism for its smart chorus, and it might not only be one of the most stirring finales to appear on a Wilson/Porcupine Tree disc, but one of his loveliest songs overall.

After all of that, there's little things that do let down `To the Bone' in a few surprising ways. While there's not a truly bad song to be found on the disc, much of what is included can perhaps be considered `reliable', with little that could be placed among Wilson's very best work, even if there's a few occasionally genuinely thrilling moments here and there. It's also a far cry from being the new direction or unexplored area of his sound that was hinted at in the press release, as it still sounds very much like a typical Wilson product, mood and lyrical theme wise. Honestly, the thought of Wilson writing a REAL pop album is more intriguing and daring than many parts of what was included here!

But `To the Bone' is still consistently enjoyable all the way through and can be especially appreciated as a less demanding background listen full of cool tunes and great playing that rarely gives in to instrumental self-indulgence. While it's not one of his best works, it achieves the enviable balance of being able to be enjoyed by existing fans of both his solo work and previous band, as well as being inviting to newcomers and non-prog rock fans (call them `muggles' if you like, prog snobs!), and it still showcases Wilson as an intelligent artist well deserving of his status in both the general music industry overall and as a modern progressive music icon of note.

Three and a half stars for just a great rock album.

 To The Bone by WILSON, STEVEN album cover Studio Album, 2017
3.64 | 320 ratings

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To The Bone
Steven Wilson Crossover Prog

Review by Biff Tannen

4 stars I get why this album isn't as rated as highly as Steven Wilson's other records. It's not as overly proggy, the arrangements are more simple, and the playing is more like Porcupine Tree in the later 90s (impressive as heck, but not jaw-dropping), And that is okay, because the songs are still there. Despite the insistence of some, this is not pop. I won't say this is one of my favorite SW records to date, but it would be a fairly accessible one for someone who has never heard him before, and for longtime fans like myself, it's another worthy addition to his stunning catalogue. 4 stars out of 5.
 To The Bone by WILSON, STEVEN album cover Studio Album, 2017
3.64 | 320 ratings

BUY
To The Bone
Steven Wilson Crossover Prog

Review by Mellotron Storm
Prog Reviewer

3 stars Nothing like a little controversy to draw some attention to yourself. Steven announces his new album and how it's in the poppier mode and well let the discussions begin, as they have. The album cover is so immature and I'm not sure of the reason for that other than it's more controversy. Lots to like though over the one hour of music here, and much of it sounds familiar reminding me of PORCUPINE TREE and past Wilson solo albums. It does feel like a re-hash of sorts but there's some new ideas here as well but unfortunately they don't save this album for me.

"To The Bone" opens with spoken female words giving us Steven's kool-aid. It suddenly turns powerful with plenty of atmosphere and harmonica too. It becomes more open sounding when the vocals arrive a minute in. It picks up as the vocals continue. Lots of beats in this one and an extended guitar solo during the instrumental section. It's okay. "Nowhere Now" has reserved vocals and piano before it turns powerful a minute in, then it picks up with vocals. Catchy stuff.

"Pariah" is easily my favourite thanks to Ninet Hayeb's gorgeous and moving vocals. And that's the thing with this song it really moves me. "The Same Asylum As Before" has these expressive guitar melodies and a beat as these really high pitched vocals from Steven arrive(haha). When he sings normally this song turns into something that's really good. Like something off of "Stupid Dream" or "Lightbulb Sun". I like when it turns powerful before 2 1/2 minutes. Back to the chorus 4 minutes in before kicking back hard late.

"Refuge" opens with piano and fragile vocals. There's those high pitched vocals Steven seems intent on doing on this album. Yikes! I like when it kicks into gear following this and check out the harmonica too. followed by a guitar solo. Reserved vocals and piano end it. "Permanating" is my least favourite song by far. A catchy beat with drums, piano and mono-toned vocals. When it kicks in Steven uses his newly found high voice. And this does not work here at all.

"Blank Tapes" is a short laid back piece that's pretty good. "People Who Eat Darkness" reminds me too much of "Arriving Somewhere But Not Here" once it kicks in after the "F" bomb in the intro. Yes this sounds amazing but it's too familiar. "Song Of I" has percussion and a dark mood as reserved vocals join in. An electronic vibe to this one, lots of atmosphere halfway through. Some ethreal female vocal melodies later.

"Detonation" is the longest track at almost 9 1/2 minutes but it's far from the best track. Electronics as relaxed vocals join in with plenty of atmosphere. It kicks in surprisingly hard before 2 1/2 minutes. The vocals return as it stays uptempo. Some nice guitar after 7 1/2 minutes during the catchy instrumental section. "Song Of Unborn" is the mellow closer in the Steven Wilson tradition and it's one of my favourites from the album. The chorus is beautiful with vocals, piano, a beat and atmosphere. It does turn more powerful which I really enjoy.

A good album but there's too many things that I don't enjoy to offer up that fourth star.

 To The Bone by WILSON, STEVEN album cover Studio Album, 2017
3.64 | 320 ratings

BUY
To The Bone
Steven Wilson Crossover Prog

Review by The Jester

3 stars Before anything else, I think I should write that I consider myself as a 'fan' of Porcupine Tree, but not Steven Wilson as a solo artist. I have all the albums he released either with Porcupine Tree or Blackfield and his solo releases as well. When I heard the first rumours about his new album To the Bone, I must say that I was surprised. Steven Wilson will be releasing a Pop album? How is that even possible? Well, everything is possible you know, especially when some gifted and talented musician is fed up, and wants to try something different. That's not bad in my opinion, especially since he keeps his usual high quality standards intact. Many people rushed to 'bury' him, but I don't understand why. David Bowie for example, was praised by doing the same thing. He never stood still, and for that reason he was called the 'chameleon' of Rock music. He played many different styles, he changed his image I don't know how many times, and he was worshiped for that. So, why are you accusing Steve Wilson for trying to do something like that? (I am not trying to compare these two musicians, I am trying to set an example). So, To the Bone is it really a Pop album? The answer is no! Is it a Prog album? Again, no! This time Steven Wilson tried to combine many different music styles, including Pop, Rock, Prog, etc. And the result is this really enjoyable album, easy to listen to, which includes some really fine moments. There are songs here, that will remind you his days with Porcupine Tree, some others that sound like Blackfield, and some others that doesn't sound like anything Steven Wilson did before. But they do sound like Peter Gabriel of the 80's for example, or even Abba! As you can probably understand, To the Bone is a music 'salad' which is including some fine ingredients in it. A very enjoyable album in my opinion, but not recommended to the 'devoted' Progressive Rock fans. All the others will definitely find something(s) that they will like in it. Favourite songs: To the Bone, Pariah, Blank Tapes, and Song of Unborn. My rating 3.5 stars (but I will rate it with 3.0, since I can't rate it with 3.5)

 To The Bone by WILSON, STEVEN album cover Studio Album, 2017
3.64 | 320 ratings

BUY
To The Bone
Steven Wilson Crossover Prog

Review by muggle68

4 stars Selected thoughts about selected songs

To the Bone: Interesting sounds sometimes, engaging enough and well-produced, has its moments but a bit repetitive; microcosm of this album in some ways.

Permanating: fun to listen to and surprisingly hasn't gotten old yet. Hope though this is a one-off experiment with a new sound and not a first ode to commercialism and mass appeal a la Asia and Genesis at their worst.

Detonation: and the progarchives community sighs a collective sigh of relief; ah yes there is one truly hard-hitting and progressive song on this sometimes hard-to-categorize album. Hard to describe the moment of surprise and release when the prog-metal-esque riff takes off like a starter's pistol has been fired, letting up for only a few brief respites for the rest of the runtime. Plays out as a series of engaging variations and undulations on that one core riff for an overall effect that, although lighter and less daring than Ancestral and similar unforgettable career peaks, still resolves into a unique jazzy smoothness this track can call all its own.

Song of Unborn: had to listen to this one a few times but it really grew on me and now hits me hard every time I listen to it. Unquestionably the most beautiful song on this album, capping everything off finally with an incredibly hopeful and moving sound and message, building and building in a series of choruses that become more ornate and more heartfelt as the song goes on, and as you listen to it again and again.

Thanks to Dean for the artist addition. and to Quinino for the last updates

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