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SUPERTRAMP

Crossover Prog • United Kingdom


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Supertramp biography
Formed in 1969 in London, England - Disbanded in 1988 - Reunited intermittently from 1996 to 2002 - Reformed in 2010/11 for European tour

A variant of progressive rock that some have called sophisto-rock. SUPERTRAMP is a sophisticated pop band that was able to continuously turn out very good songs. Their music has been described as whimsy, lighthearted, fluff and a million other variations on this theme. This music is the kind of thing that you will put on while you and your wife lounging around after dinner. Mellow and very good. One other thing is that they also have the ability to inject some humor into their music now and then. Althogh most of the songs on the album are rock radio staples. This is something that is hard to find.

For some of their best work you will have to look elsewhere. They had a remarkable change in fortune as "Crime of the Century" became one of the top-selling albums of 1974. The band had refined their keyboard-dominated sound and produced an album that was well-reviewed. The album "Even In The Quietest Moments..." is by far their best work. With over 18 million copies to date, "Breakfast In America" is one of the greatest melodic pop/rock albums of the seventies. After that album, SUPERTRAMP continued to develop a more R&B-flavored style; the change in direction was successful on 1982's "Famous Last Words", but they soon ran out of hits. SUPERTRAMP continued with occasional tours and infrequent albums. Their recent releases, however, have only found minor success.

See also: ROGER HODGSON

Supertramp official website

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Buy SUPERTRAMP Music


Breakfast In America (Remastered)Breakfast In America (Remastered)
Remastered
A&M 2002
Audio CD$8.02
$3.05 (used)
The Very Best Of SupertrampThe Very Best Of Supertramp
Remastered
A&M 2001
Audio CD$11.66
$7.98 (used)
Crime Of The Century (Remastered)Crime Of The Century (Remastered)
Remastered
A&M 2002
Audio CD$6.23
$2.45 (used)
Even In The Quietest Moments. (Remastered)Even In The Quietest Moments. (Remastered)
Remastered
A&M 2002
Audio CD$5.14
$5.10 (used)
Retrospectacle: The Supertramp AnthologyRetrospectacle: The Supertramp Anthology
Remastered
A&M 2005
Audio CD$8.59
$6.69 (used)
Live In Paris 1979 CD/DVDLive In Paris 1979 CD/DVD
Import
EAGLE VISION 2015
Audio CD$15.83
$15.82 (used)
...Famous Last Words. (Remastered)...Famous Last Words. (Remastered)
Remastered
A&M 2002
Audio CD$4.95
$4.00 (used)
Crisis? What Crisis?Crisis? What Crisis?
Remastered
A&M 2002
Audio CD$5.13
$3.26 (used)
Brother Where You Bound (Remastered)Brother Where You Bound (Remastered)
Remastered
A&M 2002
Audio CD$5.13
$4.13 (used)
Paris [2 CD Remastered]Paris [2 CD Remastered]
Remastered
A&M 2002
Audio CD$9.30
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SUPERTRAMP discography


Ordered by release date | Showing ratings (top albums) | Help Progarchives.com to complete the discography and add albums

SUPERTRAMP top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.44 | 285 ratings
Supertramp
1970
2.63 | 216 ratings
Indelibly Stamped
1971
4.31 | 1422 ratings
Crime Of The Century
1974
3.58 | 406 ratings
Crisis? What Crisis?
1975
3.97 | 527 ratings
Even In The Quietest Moments ...
1977
3.94 | 641 ratings
Breakfast In America
1979
3.16 | 287 ratings
Famous Last Words
1982
3.66 | 285 ratings
Brother Where You Bound
1985
1.83 | 167 ratings
Free As A Bird
1987
3.02 | 137 ratings
Some Things Never Change
1997
2.84 | 119 ratings
Slow Motion
2002

SUPERTRAMP Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.60 | 165 ratings
Paris
1980
2.32 | 27 ratings
Supertramp Live '88
1988
3.39 | 41 ratings
It Was The Best Of Times
1999
3.95 | 24 ratings
Is Everybody Listening?
2001
4.09 | 2 ratings
Alive in America
2014

SUPERTRAMP Videos (DVD, Blu-ray, VHS etc)

2.57 | 20 ratings
The Story So Far...
1991
3.03 | 10 ratings
Inside Supertramp 1974-1978
2004
4.02 | 10 ratings
Gateway To New Horizons
2010
4.39 | 40 ratings
Live in Paris 1979
2012

SUPERTRAMP Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

2.55 | 23 ratings
The Autobiography of Supertramp
1987
2.09 | 10 ratings
Classics, Vol. 9
1987
3.42 | 33 ratings
The Very Best Of Supertramp
1990
3.07 | 24 ratings
The Very Best Of Supertramp - Volume 2
1992
3.31 | 33 ratings
Retrospectable - The Supertramp Anthology
2005

SUPERTRAMP Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

2.76 | 9 ratings
Dreamer / Bloody Well Right
1974
3.02 | 9 ratings
Land Ho / Summer Romance
1974
3.00 | 3 ratings
Lady / You Started Laughing When I Held You In My Arms
1975
3.33 | 3 ratings
Take the Long Way Home / From Now On
1979
3.16 | 6 ratings
Breakfast in America / Gone Hollywood
1979
3.05 | 3 ratings
It's Raining Again / Bonnie
1982
3.90 | 2 ratings
Don't Leave Me Now / Waiting So Long
1982

SUPERTRAMP Reviews


Showing last 10 reviews only
 Crime Of The Century by SUPERTRAMP album cover Studio Album, 1974
4.31 | 1422 ratings

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Crime Of The Century
Supertramp Crossover Prog

Review by VianaProghead
Prog Reviewer

5 stars Review Nš 124

'Crime Of The Century' is the third studio album of Supertramp and was released in 1974. It's the first Supertramp's album to feature its classic line up and was co-produced by Ken Scott, an English experienced record producer and recording engineer, who previously worked with other famous artists and bands like David Bowie and The Beatles.

The line up on 'Crime Of The Century' is Roger Hodgson (vocals, guitar, keyboards and pianos), Rick Davies (vocals, keyboards and harmonica), John Anthony Helliwell (vocals, saxophones and clarinets), Dougie Thompson (bass) and Bob Siebenberg (drums and percussion). The album had also the participation of Christine Helliwell, Vicky Siebenberg and Scott Gornham (backing vocals) on 'Hide In Your Shell', an unaccredited and unknown street musician (musical saw) on 'Hide In Your Shell' and Ken Scott (water gong) on 'Crime Of The Century'.

While not properly a conceptual album, there is much recursion and referencing among the tracks. Lyrically, many of these tracks deal with themes of youth, isolation, loneliness and mental stability, leaving many to initially compare the group to Pink Floyd. So, we have education with 'School', dream with 'Dreamer', love with 'Rudy', shyness with 'Hide In Your Shell' or authority with the title track. However, the musicianship and style of Supertramp is obviously distinct, which has become evident over the past four decades. Every track is instantly recognizable as Supertramp, and the album, as a whole, runs together perfectly well, as we can expect from all the greatest albums.

'Crime Of The Century' has eight tracks. All songs were written by Hodgson and Davies. The first track 'School' has lead vocals by Hodgson and Davies. It's an amazing and fantastic song to open the album. I always loved this song, and as far as I can remember this was the first song I heard from the group. For me, it's one of the best songs composed by this fantastic duo. The second track 'Bloody Well Right' has lead vocals by Davies. It's the second song of the album released as a single, after 'Dreamer'. For the type of music of Supertramp, we may say this track is almost a hard rock song with a little funky rhythm. Despite be a very good song, this isn't one of my favourite songs on the album. The third track 'Hide In Your Shell' has lead vocals by Hodgson. This is without any doubt one of the highest points of the album, and consequently, it's one of my favourite songs too. This song is a real masterpiece of the melodic progressive rock with a supreme musical melodic structure. It's one of the best progressive melodic songs ever made. The fourth track 'Asylum' has lead vocals by Davies and Hodgson. It's an interesting and nice melodic song mostly performed on piano. It's a song very well composed with good orchestration, but like 'Bloody Well Right', isn't also one of my favourite songs on the album. The fifth track 'Dreamer' has lead vocals by Hodgson and Davies. It's the song chosen to be the hit single of 'Crime Of The Century'. It's an irresistible melodic song that became a big hit, reaching the top of the charts. Its impact was so big that we can say that 'Dreamer' was one of the most popular singles made by any progressive band. It only can be compared with 'Money' of Pink Floyd. It's the pop touching on the album. The sixth track 'Rudy' has lead vocals by Davies and Hodgson. It's another great song and it's the lengthiest too. It's one of the most progressive, sophisticated and elaborated songs on the album. It has rhythm changes and instrumental breaks, which makes of it a fantastic progressive track. The seventh track, 'If Everyone Was Listening' has lead vocals by Hodgson. It's probably the most melodic and beautiful song on the album. It has a light and easy listening tune and beautiful vocal harmonies. The orchestration is also really beautiful. It's the living proof that it's possible compose very beautiful songs with great quality. The eighth track is the title track, 'Crime Of The Century'. It has lead vocals by Davies. It's the song which closes the album, perfectly. This is another highlight on the album and it's also one of my favourite songs. For many, this is also its best track. It's the magnum opus of the album. It's a wonderful song with an orchestration completely divine. This is one of the best final tracks I've ever listen on any album. What a song!

Conclusion: As I said before, 'Crime Of The Century' was my first introduction to Supertramp. It's a great progressive melodic album where many of the songs have some complex structures with strong melodies. 'Crime Of The Century' is without any doubt one of the most progressive albums of the group and it's also one of their best musical workings. It's one of the landmarks of the 70's and is among some of the best progressive studio albums ever made. The sound of 'Crime Of The Century' just takes you into another world. It's one of the few albums I know that perfectly combines catchy songwriting with the epic darkness of the progressive rock music. I don't think any of Supertramp's other albums come anywhere close to this. I love some of their other stuff too, but there is just something special about this album. It isn't simply a progressive rock album. It's a piece of art. This is really why I like progressive rock music.

Prog is my Ferrari. Jem Godfrey (Frost*)

 Crime Of The Century by SUPERTRAMP album cover Studio Album, 1974
4.31 | 1422 ratings

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Crime Of The Century
Supertramp Crossover Prog

Review by hi_t_moonweed

3 stars I was never really a big fan of Supertramp when they first hit the scene although I have over the years softened to appreciate their music. I only scored three stars because I do not consider them to be progressive enough to be a true Prog band, and personally think they sit at the Heavy Rock end of the pop spectrum at best with a few songs that venture into prog territory. Crime of the Century is a good album of which I possess in vinyl form (all my music is in vinyl) and the title track is to me is Supertramp's best score and the rest of the album is pleasantly enjoyable. The only concept that ties the album together is the harmonica that opens and closes the album. I do not believe this album should be rated as an essential album and masterpiece but I do think that it is an excellent addition to not only prog rock collections but collections of any genre.
 Crime Of The Century by SUPERTRAMP album cover Studio Album, 1974
4.31 | 1422 ratings

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Crime Of The Century
Supertramp Crossover Prog

Review by HarmonyDissonan

5 stars ONE OF THOSE ALBUMS WHICH WILL ALWAYS BE FONDLY REMEMBERED!

I still remember hearing this in it's entirety outside of my good friend's bedroom window with his speakers turned out in that direction. It was a warm Wisconsin summer evening while out on summer break and free as a bird. "Those were the days". If only a person could REALLY appreciate the moment that one is presently being in, life would be such an awesome event! Anyway enough of the folksy philosophizing. It was awesome! He turned some of our gang on to a few classics back in the day-PF Wish You Were Here was another. It was a memorable evening. Some years later, along with a slew of other high school time period concerts, I saw them live! It was a great show and as I remember the Rudy instrumental break w/train film - and some assistance from the freely attained recreational smoking paraphernalia that was being passed about generously, became a lasting memory from that show, though the whole thing was outstanding! In Milwaukee, back at the concerts in the 70's, cannabis was just handed around pretty freely and always seemed to be fairly ubiquitous. One other thing if I may, as I digress, which I often do, as far as memorable concert moments go, I have to include one of my favorites here for posterity. That would be from an Al Stewart concert I attended back in '78-'79 were Al and I believe it was Peter White sat on bar stools and performed Roads to Moscow and during the acoustic break in the song a large screen shown black and white photos of the German advance on Russia in WWII! Another amazing concert moment, and I apologize profoundly for my rambling. Getting back to the classic album at hand, all of the tracks on the album are IMHO - classics! If I had to choose a low point for me, it would probably have to be Dreamer. Don't get me wrong, it's a great song, but a hair too poppy for me. Otherwise the rest are all great! My personal favorites are Hide In Your Shell, Asylum, Rudy and If Everyone Was Listening, although I like them all! They're next three albums are all very good albums also, but they never quite come near the stratospheric production that they acquired here! If there is anyone out there who hasn't purchased this album as of yet, I jump on board the bandwagon to say that this is highly recommended from me also!

Take care and enjoy God's gift of music!

 Famous Last Words by SUPERTRAMP album cover Studio Album, 1982
3.16 | 287 ratings

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Famous Last Words
Supertramp Crossover Prog

Review by VianaProghead
Prog Reviewer

4 stars Review Nš 98

"Famous Last Words" is the seventh studio album of Supertramp and was released in 1982. This was the last album with the presence of their guitarist, vocalist, keyboardist, composer and founder member Roger Hodgson, who left the group to pursue a solo musical career.

"Famous Last Words" has nine tracks. All songs were written by Hodgson and Rick Davies. The first track "Crazy" is a very good song to opens the album. It's a typical Supertramp's song and represents perfectly well their unique and unmistakable sound. It's a song very well written and based on the piano that sounds so typical of the band. It's very well accompanied by John Helliwell's saxophone and by Hodgson's voice. The second track "Put On Your Old Brown Shoes" is a typical Davies' song. It's clearly a song influenced by jazz and blues with reminiscences from many other songs composed by him. Despite being a very nice and fun song, I think it doesn't work so well on this album. So, this is my less favourite song on the album. The third track "It's Raining Again" is a typical pop song and represents on the album the most commercial track and a typical song made to be released as a single. This is a typical song of the band, that we love or we hate since the first listening, such as "The Logical Song" and especially "Dreamer". Sincerely, I must confess that I like very much the song and I think that it's a perfect example how to make a good pop commercial song with really good quality. The fourth track "Bonnie" is another kind of thing, because it's, in my humble opinion, one of the best songs on the album and represents one of its highlights. This is a love song that describes the obsession of a fan who wants to be closer to a movie star. However, some think that the lyrics are only symbolic and describes the intensely and difficult personal relationship between Davies and Hodgson. Anyway, we are in presence of a great song, one of the best composed by Davies, and curiously, it's a song with no wind instruments and where Helliwell plays keyboards, which I think was the only time that happened on the entire Supertramp's musical career. The fifth track "Know Who You Are" is another great song and represents also one of the highlights of the album. It's a perfect song, at the same time sad and beautifu, made by the hand of Hodgson, and sincerely, only he can write songs like this. It's a song with great melody performed by a great sensitive singer alone with his acoustic guitar. Here we have Hodgson and Supertramp at their best. The sixth track "My Kind Of Lady" was the second single taken from the album, after their first single "It's Raining Again". It's a Davies' love ballad very well sung by him, who harmonizes his natural voice with a falsetto vocal. It's a good song, a tribute to the 50's, magnificently arranged and performed and with a nice saxophone work by Helliwell, as usual. I think we can consider that we aren't in presence of one of the best musical moments of Davies, but like "Put On Your Old Brown Shoes", we are in presence of two typical and decent Davies' songs. The seventh track "C'Est Le Bon" is a great song and unfortunately is an underrated song of Hodgson. It's a classic Hodgson's song that stood perfectly well the test of time. It's a song very well arranged with a catchy melody and good lyrics and where once more, and like "Know Who You Are", we have a great sensitive singer performing with his acoustic guitar. The eight track "Waiting So Long" represents one of the highest moments on the album, if not the better. This is in reality a great song, extremely well arranged, very progressive and with fantastic individual musical performances by all band's members. The epic development of the song can be connected with the great classics made by them all over the years. This is a genuine progressive song and here we have Davies and Supertramp at their best. The ninth and last track "Don't Leave Me Now" is another pearl of the album and closes it in a great style. This is, in my humble opinion, the best Hodgson's song on the album. Despite being a sad song with pessimistic lyrics about solitude and fear of loneliness, it's a very powerful song that closes the album magnificently.

Conclusion: "Famous Last Words" is an underrated album. So, I can't agree with those who consider this album a minor work of the group. It has all the ingredients that made of Supertramp a great band. It has one of the most creative, one of the most respected and one of the most successful duo of composers in the progressive rock music. It's true that it isn't as good as "Crime Of The Century" and "Even In The Quietest Moments", but it's almost at the same level of "Crisis? What Crisis?" and "Breakfast In America". But unfortunately, "Famous Last Words" puts an end in this great duo of composers. The future has shown that the whole is better than the sum of the parts. Hodgson and Davies can't really be replaced and they worked better together than apart. So, "Famous Last Words" represents the Hodgson's last contribution to the band. But we may say that, with this album, he leaves Supertramp by the front door.

Prog is my Ferrari. Jem Godfrey (Frost*)

 Dreamer / Bloody Well Right by SUPERTRAMP album cover Singles/EPs/Fan Club/Promo, 1974
2.76 | 9 ratings

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Dreamer / Bloody Well Right
Supertramp Crossover Prog

Review by Matti
Prog Reviewer

3 stars After two unsuccesful and uneven albums SUPERTRAMP released Crime of the Century, which is regarded as their finest work, at least in the prog circles (the more commercial world probably favours the bestselling Breakfast in America, 1979). The 1974 album was excellently produced by the legendary Ken Scott, who had worked with e.g. David Bowie and Mahavishnu Orchestra.

This is a typical single, both tracks taken from the album and representing its more hit-oriented material. Roger Hodgson's 'Dreamer' is a charming and very energetic song in a fast tempo, with a slower mid-section featuring also Rick Davies' vocals in a dialogue-like manner. The electric piano sound that colours the whole Crime of the Century is extremely dominating on this one.

Rick Davies composed the more bluesy 'Bloody Well Right' which I don't enjoy as much; it's the heavy repetition of the boring chorus that annoys me a bit. Together these songs are almost like Supertramp in a nutshell, with both unique songwriters represented. Except that of course the more progressive tendencies and the emotionally deeper songs are to be found elsewhere on that album.

Good, but totally non-essential for the album oriented listeners.

 Crime Of The Century by SUPERTRAMP album cover Studio Album, 1974
4.31 | 1422 ratings

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Crime Of The Century
Supertramp Crossover Prog

Review by FragileKings
Prog Reviewer

4 stars Supertramp is a band I've known about since I first became interested in pop music. I can recall visiting a friend's house while still in elementary school and he let me listen to Black Sabbath's "Iron Man". I saw the album cover for "Crime of the Century" and never forgot it. Supertramp, however, were not my taste in music. I remember hearing songs like "It's Raining Again" (catchy chorus but nerve grating vocals), "The Logical Song" (pretty good actually), "Bloody Well Right" (kind of good), "Give a Little Bit" (kind of catchy), and "Dreamer". That last song there was the reason why I never got into Supertramp. To me it was one of three most annoying songs on classic rock radio, along with War's "The low. Ry. Duh. Is a little lower" (like who the fudge cares?!) and that song that went, "Blinded by the light / Wrappped up like a douche / Another runner in the night". What were these people thinking to write such tripe like that?

Strangely enough, I always associated Supertramp with Pink Floyd in my late elementary school days. Perhaps it was because "Money" and "Another Brick in the Wall Part 2" and "Bloody Well Right" and "The Logical Song" seemed to have been concocted by the same cultural views of the same culture. The big difference was that by the time I was 16, I loved Pink Floyd but still wouldn't go near Supertramp. It would not be until 2016, when I had reached the ripe old age of 45, that I would finally permit a Supertramp album into my music library (three albums in fact as I ordered two more soon after). The change came after I went through a period of fascination with French Canadian 70's prog and I read that many English prog bands had achieved their first success in North America in Quebec. Bands like Genesis, Camel, Gentle Giant, Yes, Pink Floyd, King Crimson and Supertramp were popular among the Quebecois. I had albums by all except for Supertramp and so I decided to give the band a try.

"Crime of the Century" is the highest rated Supertramp album on PA and so I figured that was the best place to start, though I was soon dismayed to discover that the dreadful song "Dreamer" was on this album. The order arrived and I brought the disc home, plugging it into my iTunes library and dumping it onto my phone. Thus the journey began.

I was surprised to recognize the first track "School". I had heard it before and perhaps it is the laughing, playing children that reminded me of "Another Brick in the Wall Part 2". That and the theme of the English school system. The song certainly goes beyond the standard pop song, sometimes sparse and atmospheric, sometimes building towards a jaunty pop segment but then dropping abruptly into sparsity and quietude again. It's very well arranged and from this it's already easy to understand why Supertramp would be considered progressive.

"Bloody Well Right" turned out to be my favourite and that darn chorus jammed itself into my brain for days. The song is the only one to feature a hard rock guitar sound and that's probably why I can take to this song so easily.

"Hide in Your Shell" begins so candy pretty like that I get turned off right away each time it begins. But it does pick up and become more interesting as the music develops. My least favourite song on the album but still not a total write off. I much prefer "Asylum" which, like "School" reverts to quiet piano whenever the music builds to a climax. Richard Davies insane howls and hollers at the end fit right in with the music.

I'll have to admit that listening to "Dreamer" on the album is not so bad and in fact the song goes through some twists and changes so that the annoying "Dreamer / Your nothing but a dreamer" is actually a small part of the song. The middle part where Richard Davies sings is much more enjoyable and more in tune with what Supertramp seemed to be trying to do with their music at the time. There's also a lot of subtle instrumentation I can hear on the CD that I missed by walking away from the radio every time the song came on at work back in the 90's.

A word of mention should go towards "Rudy", which starts off pretty quietly but builds again in a beautiful fashion and really hooks me when the 70's strings come in in the last 3 minutes or so. When Davies and Hodgeson trade vocal lines the song really reaches its apex.

The album overall intrigues. It's not highly technical prog nor is it really very rock-like except for that guitar in "Bloody Well Right". There's a lot of piano and organ and not much guitar. The drums and bass also are pretty standard for the day and neither would make it to a list of top ten for the instruments. But the song-writing, and the musical construct shows great creativity and attention to detail. Supertramp show that they can alternate between the loud and the soft within a single song. The whole band can come in to hit a single note and then drop out, leaving just the piano or organ. There are rises and swells, peaks, and sudden punctuations of silence. The songs are not entirely predictable and tease by going toward straightforward pop but only briefly. It's an album for those who can appreciate very fine song writing and crafty music that doesn't aim to be loud and technical but rather cleverly creative and full of poignancy and emotion.

The eight songs on the album alternate between Roger Hodgeson's and Richard Davies' lead vocals. I personally enjoy Richard Davies songs more but not so much more. I just prefer the timbre of his voice more over Hodgeson's. The piano parts are often skillfully composed and sometimes a stand out feature in a song, like the closing of the title track.

I will admit that because the music doesn't rock out except for on "Bloody Well Right", Supertramp don't appeal to me as much as the other bands mentioned above. However, that doesn't stop me from appreciating the artistic merit and musical talents on this album. I'll give it a solid four stars, hesitating with that one extra star.

 Crime Of The Century by SUPERTRAMP album cover Studio Album, 1974
4.31 | 1422 ratings

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Crime Of The Century
Supertramp Crossover Prog

Review by Bungler

4 stars So this is my first review , and I hope its not gonna be really bad .

Now this is my first time I have listened to Supertramp ( I know shocking ) , and here is my opinion .

We star with School a beautiful song to start an album , this could fit in a movie really well . School has a lot of emotion witch makes it really interesting to listen to . If I had to Rate this song I would rate it 4.5/5

Track number two Bloody Well Right is an nice catchy Rock song that could easily fit on an Classic Rock station . If I had to rate this song it would be 4/5

Track number Three Hide in Your Shell is another great track that takes you in from the start and never lets go . If I had to rate this song It would be 4.5/5

Track number Four Asylum Starts almost like a Jethro Tull song (in my opinion ) , and then goes really theatrical . If I had to rate this song it be 5/5 .

Track number Five Dreamer is a nice little song that gets stuck in your head really easily ( in a good way) . If I had to rate this I would rate it 3.5/5

Track number Six Rudy is the longest song , it starts with a piano ( what is a great thing ) and then the song gets really Catchy and Groovy . Its a song that I could see myself humming along to in a car , or somewhere else . Great song , I would definitely give this song 5/5 .

Track number Seven If Everyone Was Listening also starts with an piano . Its a beautiful song even though its not my favorite on the album . If I had to rate this song I would rate it 3.5/5

Final track Crime Of The Century is a beautiful , epic , emotional , and really memorable song. Its a fantastic ending to a beautiful album witch I really recommend to anyone who is only starting to get into Progressive Rock music .

Thanks for reading my review .

 Crime Of The Century by SUPERTRAMP album cover Studio Album, 1974
4.31 | 1422 ratings

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Crime Of The Century
Supertramp Crossover Prog

Review by Magnum Vaeltaja
Collaborator Eclectic Prog Team

3 stars A classic album that, for me, is split about 50/50 between masterpieces and misses.

As far as a general idea of the sound of the album, one can expect emphasis on soft, tender keyboards, dramatic vocals, occasional jazz influences and the album's mood can change from lush and serene to chaotic quite quickly. Supertramp's performance on this album could be compared in a sense to early King Crimson (i.e. Court, Wake of Poseidon) but much more controlled and having a much heavier pop appeal. That isn't to say that it's a pop album, or boring, though; it definitely has its moments.

The stronger tracks on the album are the opener "School", its follow-up "Bloody Well Right" and the finale title track. "School" is an incredible odyssey of sounds starting with a bleak harmonica intro giving way to haunting verses and featuring impeccable piano melodies. Definitely a top notch song. "Bloody Well Right" is a great jazz and blues-fused rock song and "Crime of the Century" is a powerful, haunting finale. A great start, a great finish. What lies in between these stellar bookends is not quite of the same caliber, though.

The remaining two songs from side A, "Hide In Your Shell" and "Asylum" are good but non- essential listening. "Asylum" in particular is probably the most dramatic song on the album but . Most of side B is expendable, with the poppy "Dreamer" and the ballad "If Everyone Was Listening" making me sleepy.

Overall "Crime Of The Century" is a work that features some incredible moments and would not be out of place in any prog music collection.

 It's Raining Again / Bonnie by SUPERTRAMP album cover Singles/EPs/Fan Club/Promo, 1982
3.05 | 3 ratings

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It's Raining Again / Bonnie
Supertramp Crossover Prog

Review by Guillermo
Prog Reviewer

3 stars After the tour for their "Breakfast in America" album from 1979, the band took a long time to rest. It seems that the big success of that album took them by surprise, and like other bands, they had a hard time thinking how to keep that success for their next album. The recording of that album also brought some problems and frictions inside the band. While all the members of the band lived in California, Roger Hodgson lived in a different city which was a bit far from the city on which the other members lived. This maybe brought even more problems between them, with Hodgson having his own recording studio in his house, and Rick Davies also having his own recording studio in his house. Their next album, "Famous last words", was recorded using both recording studios during a long time before being finally released in late 1982. During that time, Hodgson decided to leave the band, and he said that to the other members of the band. So, that album was recorded having in mind that Hodgson was going to leave the band after their tour for the "Famous last words" album in 1983.

Both songs from this single were taken from the "Famous last words" album.

"It's Raining Again", composed and sung by Hodgson, in the A-Side of this single, is a very good Pop Rock song, and it was the last Hit Single that the band had with Hodgson. It maybe is a bit "sweet" for my taste, but good anyway, using some melodica playing. If I remember well, Davies played that melodica solo in the album and in concert. This song also has a video which I don't like very much.

"Bonnie", composed and sung by Davies, is in the Side "B" of this single. It is one of my favorite songs from this album, with some funny lyrics. It has very good arrangements. This song has not wind instruments playing. So John Helliwell (who is also credited in the album for playing keyboards) maybe played some of the keyboards in this song.

 Breakfast in America / Gone Hollywood by SUPERTRAMP album cover Singles/EPs/Fan Club/Promo, 1979
3.16 | 6 ratings

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Breakfast in America / Gone Hollywood
Supertramp Crossover Prog

Review by Guillermo
Prog Reviewer

3 stars The title track from their "Breakfast in America" album (composed and sung by Roger Hodgson) was released in the Side "A" of this single. It is now known, thanks to some interviews that can be found in the web, that Rick Davies did not like this song, and also that he did not want the album to be titled as "Breakfast in America". He suggested "Hello, Stranger" as one of the possible titles for the album, but Hodgson said that he finally won about the use of the title of this song to be used as the title of the album and for the song to be included in the album. It seems that he also won that this song was also released as a single.

"Breakfast in America", as a song, is a very Pop Rock song, not bad. A very commercial song with a simple lyric, but it is maybe my less favorite song from that album. It has some very good brass arrangements (sounding a bit like Dixieland Music to my ears), with the help from session musician "Slide" Hyde playing tuba and trombone, and with a very good clarinet solo played by John Helliwell. If I remember well, Hodgson said that this song was really an old song that he wrote when he was very young. It still is played in some oldies FM Radio stations in my city, and it also was a Hit Single for the band. The band even played this song on their tours without Hodgson since 1988, being sung initially by Mark Hart, and this song was also released in their "Live '88" and "It Was the Best of Times" live albums, sung by Hart. It seems that Davies finally thought that the band had to play some Hit Singles on their tours without Hodgson, even if he did not like "Breakfast in America" as a song, to please the fans.

"Gone Hollywood", in the Side "B" of this single, is also the opening song from the "Breakfast in America" album, and was composed and sung by Davies. It is mostly a "serious" and "reflective" song. It is a more Progressive Rock influenced song than the "Breakfast in America" song, and maybe it was a bit strange to be used as the opening track in the "Breakfast in America" album. But the album as a whole worked very well, bringing a lot of success for the band. even being their peak point in their popularity as a band, it also brought some problems and frictions inside the band in the next years which also influenced Hodgson to leave the band in late 1983 after one more album ("famous last words" from 1982) and tour.

Thanks to ProgLucky for the artist addition. and to Quinino for the last updates

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