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Crossover Prog • Colombia

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Jaén Kief picture
Jaén Kief biography
Juan Carlos (electric guitar) about the history: "Jaén Kief was, initially (1999), the union of some musicians to mount "Las Hadas No Vuelan Más", work of one an a half hour of compound duration almost in its entirety between 1990 and 1998. It was clear the instrumentation and the scenic idea. 2 previous assembly intents had already failed. We didn't still have name. There were not other projects. We rehearse during one year to very good rhythm, without desire of presenting us until mounting a good part of the work. We wanted a name him to remit exclusively to the group. A really own name. That it didn't give the idea of any other thing (in fact when entering the words Jaén Kief to any searcher of Internet it is only information on the band). Also we wanted him to be sound. Musical if one wants. The 2 words find them, after eight months of being rehearsing, in a Small Larousse (dictionary with edition of half-filled of the XX Century): "Jaén" = grape variety that grows in Spain and "Kief" = absolute rest in half east. Then we discover that the oriental also call Kief (absolute Happiness) to the effect taken place by the hashish. The name evokes to east and occident, to the diversity, to the eclecticism characteristic of the music made by the band."

Juan Carlos about their music: "In these moments Jaén Kief's music is, I believe, something different from which one listens in "Vagas Nubes" because we are to fifteen years of that first creation. However I would say that it conserves the same intention: the experimentation, the search. It is rock and something more. "Las Hadas No Vuelan Más" is a metaphor of La Perdida De La Inocencia (The Loss Of The Innocence): the demand mediathic to marry in the mold, the absurd scandal, becoming insensitive and "Productive" serial adult, the view against the being, not thinking for itself, not creating, not looking for, not changing, etc. The songs and the lyrics are the perplexity of a 20 year-old boy that now has 34 but that it still continues suffering."

Juan Carlos about Jean Kief and the term 'progressive rock': "It is a flattery. I admire to many bands of progressive rock. They have also defined us as contemporary, programmatic, eclectic music, minimalista, I find etc. excellent to be difficult to classify."

Juan Carlos about the Colombian scene and of the Colombian progressive groups in particular: "I understand that in Medellin the term scene this related one exclusively to the rock. I bel...
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JAÉN KIEF discography

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3.31 | 23 ratings
Las Hadas No Vuelan Más - 1. Vagas Nubes
3.88 | 23 ratings
Las Hadas No Vuelan Más - II. El Agua de Frente

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Showing last 10 reviews only
 Las Hadas No Vuelan Más - II. El Agua de Frente by JAÉN KIEF album cover Studio Album, 2007
3.88 | 23 ratings

Las Hadas No Vuelan Más - II. El Agua de Frente
Jaén Kief Crossover Prog

Review by begnagrad

4 stars I have always been following the Latin music scene, along with Italy and Spain, areas where i have found some of the most fulfilling albums. What huge surprise, at lest for me, was to discover this Colombian band, and from Medellin of all places.

This is the second offering from Jaen Kief, and to this listener, my favorite of the 2 albums. Although you will identify some influences from well known bands, their approach to music and the inclusion of local influences is what makes of this album such an enjoyable listen. The music here is oriented to the classic progressive rock scene, symphonic at times, so the album will please fans of this style, others, looking for a fresh sound and something new to enhance your collections, go ahead, and check the sound bits in cyberspace.

 Las Hadas No Vuelan Más  - 1. Vagas Nubes by JAÉN KIEF album cover Studio Album, 2003
3.31 | 23 ratings

Las Hadas No Vuelan Más - 1. Vagas Nubes
Jaén Kief Crossover Prog

Review by apps79
Special Collaborator Honorary Collaborator

3 stars This Colombian group from Medellin started originally in late-90's as a gathering of musicians to perform an over an hour piece of work, written between 1990 and 1998.The 8-piece line-up was in search of a quite original name, eventually they came up with the term ''Jaen Kief''.In 2006 their work, now reduced to 45 minutes, was released under the title ''Las Hadas No Vuelan Mas - I. Vagas Nubes'' by the specialists of Musea Records.

A nice mix of South-American Folk Rock with strong and sharp Symphonic Rock was finally what Jaen Kief had to offer and no doubt the band did it very well.The album is divided into short acoustic interludes and highly atmospheric, symphonic and bombastic instrumentals, enlightened by the lovely female vocals of Sol Beatriz Jaramillo and the decent voice of Juan Gonzalo Tamayo.The first ones produce excellent and warm soundscapes with the acoustic guitars and melodic flutes as the leading instruments.The later fall into the Symphonic Rock category as performed by TREM DO FUTURO, TEMPUS FUGIT,NEXUS and ATEMPO.Melodic, well-crafted and fairly demanding, rich Progressive Rock with fine orchestrations, featuring edgy synthesizers, atmospheric organs and delicate guitars.The combination of the two styles works succesful for the most of the album's length, having a good balance between spacey, grandiose moods and more adventurous climates.

Although some of the aforementioned bands have performed the style in a more succesful way, Jaen Kief's debut remains a work of significant interest.Atmospheric and well-performed Progressive Rock with strong symphonic and Folk vibes, certainly warmly recommended.

 Las Hadas No Vuelan Más  - 1. Vagas Nubes by JAÉN KIEF album cover Studio Album, 2003
3.31 | 23 ratings

Las Hadas No Vuelan Más - 1. Vagas Nubes
Jaén Kief Crossover Prog

Review by erik neuteboom
Prog Reviewer

3 stars Usually Colombia is associated with drug wars and extreme violence, you should almost forget that people still make music, even progressive rock! Jaen Kief is a formation from the infamous Colombian city Medellin, in 2003 they released this CD. The seven compositions (some are divided in several parts) sound very tasteful and varied, this is already emphasized in the different atmosphere between the first two tracks: Prologo contains twanging acoustic guitars and warm vocals while Obertura is loaded with a bombastic sound featuring howling electric guitar and propulsive drum beats. On the other songs the music alternates between folk, classical and symphonic rock, especially the electric guitar soli (with echoes from Hackett and Gilmour) are wonderful and very compelling. But the keyboards are also worth to be mentioned, from sparkling piano to soaring strings and a sumptuous church organ sound. A strong point in Jaen Kief their prog is the integration of a variety of instruments like flute traverse (evoking Jethro Tull), saxophone, acoustic guitar and assorted percussion, embellished with inspired Spanish male and female vocals (at some moments a bit theatrical). This makes listening to Jaen Kief to a pleasant musical journey. I hope to hear more from this delicate Colombian band, it is 3 years ago that this CD was released ... do they still exist? I hope so!

Thanks to erik neuteboom for the artist addition.

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