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QANGO

Crossover Prog • United Kingdom


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Qango biography
QANGO was a short-lived progressive rock band, a spin-off from Asia. In 1999, an attempt was made at a partial reunion of the progressive rock supergroup Asia involving John WETTON (bass, vocals), Carl PALMER (drums) and Geoff DOWNES (keys), with David KILMINSTER to be on guitar. However, Downes withdrew from plans, choosing to stick with John PAYNE in their Asia line-up. Wetton and Palmer instead formed Qango with Kilminster and John Young on keys (who had briefly replaced Downes in Asia in 1989). The band's live set was based on songs by Asia and Palmer's former band Emerson Lake and Palmer.

The band did not attract the same commercial interest as an Asia reunion. Two shows were planned for November 1999, but were cancelled as Wetton required a wrist operation. Instead, the band played five UK dates in February 2000 (including a London show on 4 February when Keith Emerson jammed with the band) and six in April 2000. Subsequent touring plans and ideas to record a studio album were abandoned, with Wetton and Palmer soon returning to their solo activities.

The band's second show (3 February 2000) was recorded for a live release, Live in the Hood, the band's only official output. Tracks:

Time Again (originally by Asia)
Sole Survivor (originally by Asia)
Bitches Crystal (originally by ELP)
Dave Kilminster Solo
All Along the Watchtower
Last One Home
John Young Solo
Hoedown (version originally by ELP)
Fanfare for the Common Man (version originally by ELP)
Heat of the Moment (originally by Asia)


Bio from Wikipedia

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Qango: Live in the HoodQango: Live in the Hood
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Live in the HoodLive in the Hood
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2.76 | 9 ratings
Qango Live in the Hood
2000

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QANGO Reviews


Showing last 10 reviews only
 Qango Live in the Hood by QANGO album cover Live, 2000
2.76 | 9 ratings

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Qango Live in the Hood
Qango Crossover Prog

Review by kev rowland
Special Collaborator Crossover Team

3 stars Take a dash of Asia, add in ELP and you will have a good idea of what this album is like. Dave Kilminster and John Young join John Wetton and Carl Palmer for this enjoyable romp through classic numbers from both bands. Of the ten songs, two are solos, and of the other eight three are by ELP (including a much more rockified version of "Fanfare"), and three are from the debut Asia album. Given that John and Carl have been playing together on and off for years, and that Dave is actually a member of John's touring band then it is little surprise that these guys play well together, and although the major glory days are behind them, songs as good as these still deserve to be heard. I am not sure if they plan to tour again, or record together, so if you want to be able to hear yet again how they sounded on tour I 1999 then I suggest you get this now. Although it has been released on ELP's old Manticore label I see that this is now released through Voiceprint.

originally appeared in Feedback #61, Feb 01

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 Qango Live in the Hood by QANGO album cover Live, 2000
2.76 | 9 ratings

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Qango Live in the Hood
Qango Crossover Prog

Review by ClemofNazareth
Special Collaborator Prog Folk Researcher

3 stars This lone memento from the Qango project / super-group / reunion / whatever the hell it was is almost by definition a collectors-only item, regardless of how good (or poor) the performances on it might be. That’s because really only the serious fans and collectors who will appreciate what the record represents, or at least what it was supposed to have represented, which was a reunion of the original Asia lineup. That didn’t happen (see ‘Phoenix’ for that – eventually). But what ended up happening was some very lucky fans in Britain got to see John Wetton – clean, sober and in pretty darn good form with Carl Palmer and a couple of young bucks on guitar and keyboards who should probably consider themselves lucky. From what I’ve read Keith Emerson showed up as a guest star for at least one of those performances as well.

The tracks are a combination of Asia (mostly early) stuff, some ELP and a cover that was probably included because everyone in the group already knew it.

The performances here are all quite good, especially considering the lineup that finally managed to headline some shows was slow to evolve and I can’t imagine these guys had a whole lot of time to gel as a unit before putting themselves in front of the lights.

The Asia tracks were all no-brainers from the beginning of the band’s career: “Time Again”, “Sole Survivor” and “Heat of the Moment”. The ELP tracks were also pretty obvious choices, since like “All Along the Watchtower” the three ELP songs were already quite familiar to everyone in the group. Gratuitous solos are of course a very necessary part of a live concert, especially one where old geezers like these need time to go get oxygen once and a while, and all of the solos on this record were primo examples of top-notch musicianship, so nothing lost there.

The one surprise choice was “The Last One Home” from Wetton’s ‘Arkangel’ album, something that brought the otherwise lively tempo of the concert down, and one which I’m sure the other members had to take time to spin up on. I suspect this was a cathartic one for Wetton though, and possibly meant to be a spiritual/emotional connecting point with the crowd, sort of like David Crosby’s heartfelt rendition of “Wasted on the Way” with CSN back in the eighties. I will say that the Steve Vai clone Dave Kilminster managed to not only smoke his fret board on this one, he actually seemed to have injected a little human emotion in the process, something Vai has yet to do as far as I know. Definitely the highlight of the album, and I’m sure a very emotional point in the live shows as well.

This record would have carried more weight and been more important if the early plan to reunite all the original Asia members had played out back then. But the time was not right and this lineup managed to put on some decent shows. But the whole thing never lasted and I think everyone knew it wouldn’t. I should say this is for collectors only and therefore worthy of only two stars, but we all know Wetton and Palmer are better than that even on their worst night, and this was not their worst night. So a solid three stars and recommended if you can find it.

peace

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 Qango Live in the Hood by QANGO album cover Live, 2000
2.76 | 9 ratings

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Qango Live in the Hood
Qango Crossover Prog

Review by Captain Squib

3 stars Actually I quite liked this album. Palmer's drumming was like a dynamo, Wetton's voice was good - and so was his bass playing, Young's keys were excellent. He shows great potential and I hope he achieves it. He now works for the reformed Greenslade, And If Rick Wakeman ever left Yes again; I'd vote for this guy! The only person who didn't impress me was Dave Kilminster. I get cheesed off with these flashy Vai clones; they should of had someone with a sound of their own. Maybe one of the ex-Asia guitarists like Aziz Ibrahim should have played instead. Apart from that, this is a good AOR album, and I loved the "bovver boys" type of cheering at the beginning. It's a shame this band didn't carry on.

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 Qango Live in the Hood by QANGO album cover Live, 2000
2.76 | 9 ratings

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Qango Live in the Hood
Qango Crossover Prog

Review by lor68
Prog Reviewer

2 stars Well a "meteor band" it was...that is a strange arrangement of a new line-up conceived by John Kenneth Wetton, trying to give the old melodic stuff by ELP and Asia a new birth: but to me it was -above all- another gift from Carl Palmer, invited by his old friend to play together once again live on stage, with the support of John Young and Dave Kilminster, a couple of good musicians. So this idea brought about a certain enthusiasm, but I've nothing else to say about this project:the mixing is bad,despite of their good performance, as usual (except on some vocal parts by John, being not perfect for this kind of songs anymore,but it never minds...) and,as for all these considerations, at the end I don't know whether the whole thing is useful or not.Although I always like to hear them in their live performances yet, especially during the execution of some classics by ELP,being able to forgive them for some tracks by Asia (with the exception of "Time Again") and a strange cover of "All along the Watchtower" as well,which is not interesting definitevely!!It makes me feel not completely involved into this project and let me think that this album is for the collectors only...make your own choice!!

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