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NICK MASON

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Nick Mason biography
Nicholas Berkeley Mason - Born on January 27, 1944 (Edgbaston, Birmingham, UK)

While studying architecture Nick Mason got in touch with Roger Waters and Richard Wright. The three of them played together in Sigma 6, the Screaming Abdad's. Later on they joined forces with Syd Barret to form PINK FLOYD. Mason is the only person to have remained with the band since then. Though being the drummer of Pink Floyd was his major concern, he did the production for prog albums of Robert Wyatt, Gong and Steve Hillage but he produced also other kind of music from Michael Mantler and punk band The Damned. Between the recording of The Wall & the Final Cut with Floyd, Fictitious Sports, his first solo album was released. The album was written by keyboardist Carla Bley. The line-up included also Bley's partner Michael Mantler, Chris Spedding. Most of the vocals were done by Robert Wyatt. Being a mixture of jazz & rock this album hasn't the Pink Floyd trademarks, except for some minor references. The complexity of the composition and the humorous elements in the lyrics makes it an interesting listen though. In 1985 Mason recorded an album with former 10cc guitarist Rick Fenn. This synthetic pop album is a typical product of its time and not very progressive. Maybe the single "lie for a lie" is interesting for the vocals of David Gilmour. Despite the fact that Mason would use many of the percussion techniques on the forthcoming Pink Floyd record, this album has little to offer to Floyd fans.

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NICK MASON discography


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NICK MASON top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.26 | 83 ratings
Nick Mason's Fictitious Sports
1981
2.95 | 42 ratings
Mason + Fenn: Profiles
1985

NICK MASON Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

4.02 | 7 ratings
Nick Mason's Saucerful of Secrets: Live at the Roundhouse
2020

NICK MASON Videos (DVD, Blu-ray, VHS etc)

NICK MASON Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.57 | 7 ratings
Unattended Luggage
2018

NICK MASON Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

4.40 | 5 ratings
Hot River
1981
3.80 | 5 ratings
Lie For A Lie (featuring David Gilmour)
1985

NICK MASON Reviews


Showing last 10 reviews only
 Nick Mason's Saucerful of Secrets: Live at the Roundhouse by MASON, NICK album cover Live, 2020
4.02 | 7 ratings

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Nick Mason's Saucerful of Secrets: Live at the Roundhouse
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Review by octopus-4
Special Collaborator RIO/Avant/Zeuhl,Neo & Post/Math Teams

4 stars Some years ago I came to hate The Dark Side Of The Moon because it's the change point fron the early Pink Floyd to what followed. Well I really love DSOTM and the followings, including the underrated The Final Cut, but I must say that I like the early Floyd much more. I have enjoyed the fantastic performances of the Italian cover band "Pink Floyd Legend" when they played Pompeii and Atom Heart Mother (two different gigs).

So what about Nick Mason setting up a band to play the old stuff with new arrangements without replacing the original mood of the songs? Unfortunately there aren't long trippy improvisations: Interstellar Overdrive is just a little bit of the original psychedelic box, and contains little inserts from Ummagumma, Atom Heart Mother is tied down to few minutes between two slices of "if" with the singer too high-pitched whose voice is too cold for that song.

It's not an issue. All the rest is excellent, including what is probably the only existing listenable version in terms of recording quality of "Vegetable Man". There's Obscured By Clouds introduced by a "Vangelis like keyboard", Remember A Day sounds better than the original. The band resisted to the tentation of transforming the hardest Floyd's song into a metal piece so that The Nile Song is still a psychedelic heavy track. It's a pity that the vocalist has added some unneded "personality" to it. His voice sounds much better on Green Is The Colour...still a great pop song, made even more pop by the country-rock coda, and still great. On Childhood's End his voice is almost perfect.

Some words about Mick's drumming: after many years of silence he appears in a very good shape and it's like being free from the two PF bosses has let him improve his skill. Not the usual metronome as we know him. Also Guy Pratt has more freedom and can even slap sometimes.

The most impressive arrangement is for me the electronic intro of Set The Controls For The Heart Of The Sun. Just one minute, but for my tastes I would have appreciated a 20 minutes version of that stuff. Unlike on If, Kemp here is able to give the song the right mood without resembling Waters in any way. This is the only old song still present in Roger Waters' shows. Believe me, this is its best live version after Pompeii. Mason does a great work on percussions. This song makes me trip even if I'm just drinking milk.

After having seen Emily play and listened to the ducks on bike, Guy Pratt has some fun with the only Pink Floyd's song on which Nick Mason's voice has been heard..."One Of These Days". Not much to arrange here. It can't be much different from the dozens of other live versions published during the years. Just a bit more psychedelia in the middle part introducing to the "vocals".

Saucerful of Secrets is shortened but it's still a good trip. It misses the "first movement" but of course has the metronomic drumming of the "second movement". Definitely a trip, but why so short? The third movement is longer and includes a guitar solo. Good but it makes it quite a "regular" song.

The story ends with the aborted soundtrack of Zabriskie Point. Point me At the Sky isn't the best Pink Floyd short song and very far from being a masterpiece. I've always considered it as one of the best Beatles' songs. But this is likely the reason why it has been used as closer: it's so stuck into its time, and ends with a "goodbye".

4 PA stars, 5 Octopus stars even with the little defects, especially in the vocals. I regret having missed them when they came to my country, even if at 600km from my city.

 Nick Mason's Saucerful of Secrets: Live at the Roundhouse by MASON, NICK album cover Live, 2020
4.02 | 7 ratings

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Nick Mason's Saucerful of Secrets: Live at the Roundhouse
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Review by rdtprog
Special Collaborator Heavy / RPI / Symphonic Prog Team

4 stars It was while participating in The V & A Museum's Pink Floyd exhibition last year that Mason started to feel the need to play again the drums live. And it's Lee Harris and Guy Pratt that approached Nick with the idea of forming this band. Guy Pratt has been touring for a long time with David Gilmour. The band didn't want to copy the music like those tribute bands. It was the opportunity to improvise and rework the songs. But what's the big difference if you haven't noticed yet it's the choice to cover the old songs before Dark Side of the Moon which is unusual for tribute bands of Pink Floyd.

So with a setlist of old songs from Pink Floyd first period some from Syd Barrett, we can expect a variety of styles from heavy rock, space, psychedelic, and pop. Some long instrumental songs like '' Set the Control for the Heat of the Sun'' provide more satisfaction for a Prog fan. The song ''Interstellar Overdrive'' with is great riff is the highlight of the show, it feels that there's a little momentum lost after this great song, but it picks up again later with more good music.

The members of the band seem to enjoy playing especially when they make eye contact with each other with a smile on their faces. The concert is a bit short, but I don't think they could add more great songs from that era. Being a follower mostly from the Meddle period and up to the Wall, I still enjoy listening to some of their old tracks.

If the band didn't want to copy the music like others Pink Floyd tribute bands, it is a special tribute album live of Pink Floyd that has the merit to play some songs rarely played in the past years.

I can't say anything wrong with the picture quality and sound of this concert. There's some special effect in the editing of the show but not too much. As for the voice of Spandau Ballet singer Gary Kemp and longtime bass player Guy Pratt, they were not trying to imitate Syd or David, but at times the voice of Gary had some similarity with David. You can watch the concert with interviews or without. In conclusion, this a refreshing take of some old songs... that will bring nostalgia for some who have loved the first period of one of the most influential bands of rock music, and some fun to young fans who want to discover the bands that their father always talk...

 Nick Mason's Saucerful of Secrets: Live at the Roundhouse by MASON, NICK album cover Live, 2020
4.02 | 7 ratings

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Nick Mason's Saucerful of Secrets: Live at the Roundhouse
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Review by Zalek27

4 stars For most of people, PInk Floyd start with Dark sideo of the moon. Before 1973, very rarely tribute band and former member wil play music from the early years. With the exception of one of these day, echoe or astronomy domine.

What happen when the former drummer decide to tour that obscure material ? Well, ist nice, ist fun to see some older classic like see emily play, let there be more light, if, atom heart mother (some part) or even bike xd. Those song never get a live version like comfortably numb or wish you were here.

Theyre is no fresh material, but some songs get new sequence with improvisation and new part so you could say theyre is indeed new material.

I recommand, ist in now ways perfect, nick drumming tend to be a little bit dull (he is far more older then in live at pompei) but ist still a very good show/live album

 Nick Mason's Fictitious Sports by MASON, NICK album cover Studio Album, 1981
3.26 | 83 ratings

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Review by mariorockprog

4 stars 3.5 The first album by Nick Mason based in most of the ideas Carla Bley had at the time and she sent to him. The music is good in general, seems like jazz and RIO at some times. The lyrics I thing is the weakest thing of the album. Vocally is sung by Robbert Wyatt, and they are good, nothing spectacular, but sometimes he had his moments. The songs that i really liked were Cant get my motor to start, Hot river and Boo to you. I considered it best in terms of composition and more proggy than his other album, but i liked more the other one. at the end is a good album and very different to what he was doing.
 Mason + Fenn: Profiles by MASON, NICK album cover Studio Album, 1985
2.95 | 42 ratings

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Mason + Fenn: Profiles
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Review by mariorockprog

4 stars 3.5 A very interesting album, very different to what he was doing in Pink Floyd, but really good in fact, of course it has a very 80 feeling and is a little pop, but there is a lot of progressive music here. David Gilmour appears singing in one of the songs, and although the song is pop rock mixed with synth of the disco music, it is actually good. The album is almost entirely instrumental, a lot of good keyboards are present here, a great work in the guitars, and the drums sounds good too, a lot of variation and use of other related instrument. Finally, a great album, I really liked, although it is not entirely prog, it is something different to hear, The songs that I liked most was Profiles Pt 1 and 2, and the address, lie for a lie. I gave it 3.5 that is rounded to 4 because I considered it very underrated when is actually enjoyable, hardcore prog fans, I dont think gonna like it, but can give it a try.
 Mason + Fenn: Profiles by MASON, NICK album cover Studio Album, 1985
2.95 | 42 ratings

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Review by Walkscore

2 stars Uninteresting. Very little charm.

Unlike his quirky first solo album with Bley and Wyatt, the music on Mason's second album with Rick Fenn is not much fun, not in any way different, and really not interesting. It is simply not very compelling music. There are few melodies that rise above the mundane, and the singing and lyrics are forgettable. Saturated with a commercial 80s sound production quality, the album is also cold and lifeless, and thus very little charm. It is very much an average commercial pop 80s album, with seemingly very little to say. No quirky Bley compositions, and no Wyatt vocals to make this distinct. The best is the commercial "Lie for a Lie" with David Gilmour on cameo vocal. But even that is pretty flat. There are no great guitar solos. I actually don't find any of these pieces very interesting, even the (slightly) longer instrumental sections which other reviewers laud. None of these tracks are 'bad', off-putting or cringe-worthy, so this is not 1-star material. The execution is professional, and it is listenable. Its just not memorable. This is only for major fans and completists, but I doubt that even they will want to listen to this more than once in a lifetime. I give it 3.8 out of 10, which is mid-low 2 PA stars.

 Nick Mason's Fictitious Sports by MASON, NICK album cover Studio Album, 1981
3.26 | 83 ratings

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Nick Mason's Fictitious Sports
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Review by Walkscore

3 stars Odd-Ball with some charm.

This album is somewhat of a concoction. Wanting to make a solo album like his fellow Floydians, but being neither a composer nor a singer, Mason asked Carla Bley to write the tunes, and his friend Robert Wyatt to sing on the album. He also asked other friends (like Gary Windo on saxes, and Karen Craft on vocals) to be part of the project. The result is a one-off odd-ball mixture of styles and textures that bears little resemblance to anything that came beforehand or afterward. It really feels concocted too. Wyatt in many places sounds unsure of whether or what he should be singing, and the compositions are quite quirky, distinctly Carla Bley but with a (not-always-musical) twist, and with a very particular sense of humour (not always funny). And the whole thing seems like it was put together with insufficient rehearsal. Very transparently, nothing here is essential, and much of it borders on un-musical. But, luck of fate, this is better than one might guess, if just for its uniqueness. The best tune here is the closer "I'm a Mineralist", but songs like "Can't get my Motor to Start" and "Wervin" have a sort of odd-ball dumb charm. Not likely an album you will constantly come back to, nor put in your top 1000, it is nonetheless a refreshing happy listen if you are in the right mood, and you probably won't want to jettison it either. It is worth "something", even if it is hard to determine just what that is. I give this 5.9 out of 10 on my 10-point scale, which translates to lowish 3 PA stars.

 Mason + Fenn: Profiles by MASON, NICK album cover Studio Album, 1985
2.95 | 42 ratings

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Mason + Fenn: Profiles
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Review by Guillermo
Prog Reviewer

3 stars I think that one of the best things of having the choices and opportunities to record solo albums or duet albums for some musicians from some very famous bands is that they can record music which is very different from the music which characterizes their bands, without having to carry the "heavy weight" that some names of bands have in the musical careers of some musicians. At least in this kind of albums they can do what they want to some extent, playing and recording some kind of music which they cannot play and record with their bands. I think that this album is one example of this.

With Roger Waters being in PINK FLOYD the main songwriter for three albums of the band ("Animals", "The Wall" and "The Final Cut"), and with all these albums being very successful, the other members of the band maybe felt a bit restrained and frustrated musically. The problem with Waters being the main songwriter in that band was that his vision of the world (which is valid and I agree with him in some parts) really saturated these albums of the band with that vision, and for many listeners like me it really was not very attractive to buy another album of the band with that same vision and content. So, for some years I really forgot those three albums and I listened to other bands.

I knew about this album because the song "Lie for a Lie" (sung by David Gilmour with Maggie Reilly on backing vocals) was played a lot in a FM radio station in my city since late 1985. I liked the song a lot. I never bought the album because I think that it was not very easy to be found in the record shops in my city, or maybe I was more concentrated to buy albums by other bands. Anyway. it was good for me to listen to a PINK FLOYD related song which did not have Waters`s vision and vocals on it. It was unitl recently that I had the opportunity to listen to this album as a whole.

Well. This album is very good, but not very Progressive in musical style. The music and production is really very influenced by the production trends of the eighties, with the use of very good digital keyboards and effects, programming, drum machines, electronic drums, the very typical eighties use of reberveration, and other things. But in this case the final product is very good in comparison to other albums from other Prog Rock musicians. The musical style is mostly instrumental Pop Rock with some New Age and Synth Pop influences but very well balanced to the point that none of these musical styles saturates the album`s sound. The music in fact is very "light" and "happy", sounding like both musicians were having a lot of fun while recording the album. It is a mostly instrumental album, with only having two songs with vocals and lyrics ("Lie for a Lie", which in my opinion is the best song in this album, and "Israel", both with lyrics written by Danny Peyronel, and with "Israel" being also sung by him). Nick Mason and Rick Fenn are the main musicians in this album but with some sax playing by Mel Collins in a few songs. So, Mason and Fenn worked very well as a team in this album, producing a very good duet album which musically and lyrically is very far from the music of PINK FLOYD with Roger Waters as the main composer. It is a very "eighties production sound" influenced album, but very good anyway.

 Nick Mason's Fictitious Sports by MASON, NICK album cover Studio Album, 1981
3.26 | 83 ratings

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Nick Mason's Fictitious Sports
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Review by Guillermo
Prog Reviewer

3 stars I saw this album in the record shops when it was released in 1981. I never bought it. At that time, I was listening more to GENESIS, YES, and other bands than to PINK FLOYD. But finally I could listen to this album recently, not being disappointed by it, despite the fact that NICK MASON did not write any of the songs in this album. The songs were composed by CARLA BLEY, an artist from the U.S. whose style of music is more towards Jazz-Rock music (and maybe somewhat Avant- Garde) than Rock music or Progressive Rock, and very far from PINK FLOYD`s musical style in many ways. Maybe Mason was tired of PINK FLOYD and Roger Waters (at that time, in late 1979, they were reaching the final stages of the recording of "The Wall" album, and Mason went to New York to co-produce this album with Carla Bley, in October 1979). I have to say that the music in this album is somewhat complicated, with some influences from FRANK ZAPPA (even in the use of some humour in some songs like "Can`t Get My Motor to Start" and "Boo To You Too"). All the musicians played very well and the recording and mixing of this album is very good, and maybe it took to them some time to learn the songs in the right way to record them, so maybe they took a considerable time for rehearsals, but maybe I am wrong. Anyway, this is a good album, an album which maybe needs some repeating listenings to really like it. The lead vocals by ROBERT WYATT are very good and very well adapted to this kind of music, not sounding very far from his own style of music. The song which sounds more close to Rock music is "Hot River" which has some very good guitars played by Chris Spedding. But the main instruments in all the other songs are the wind instruments and the keyboards. Mason plays the drums very well, I can say that I can listen to this album a lot of times more than to "The Wall".
 Nick Mason's Fictitious Sports by MASON, NICK album cover Studio Album, 1981
3.26 | 83 ratings

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Review by tdfloyd

3 stars In between "The Wall" and "The Final Cut", Pink Floyd's Nick Mason had plenty of time on his hands. He teams up with friends Mike Mantler and Carla Bley to record the Bley penned "Fictitious Sports". It's released under Mason's name to pull in a bigger fee from the record company. The Pink Floyd drummer calls in a favor and has ex-Soft Machine and soloist Robert Wyatt provide vocals. Mason had produced Wyatt's Rock Bottom album some seven years prior.

The album is eclectic. Anyone expecting a Pink Floyd knock-off album will be in for a big surprise. Bley brings in a kind of weird jazz rock with horns flavored music and combines them with a wicked sense of humor. For listeners without a prior introduction to Mr. Wyatt, his vocals are distinctive and for me, took a bit to get used to. A listener who found out about Fictitious Sports via Pink Floyd, will have one song that is closely related to their work. The track "Hot River" sports a dead on David Gilmour guitar solo from Chris Spedding with producer Nick Mason making his drums brighter and displaying them more prominiently in the mix then he had with his "day job" band.

In short, this is a good, enjoyable album. It will expand your musical palette if you are not familiar with the supporting cast. I later found out that It doesn't have the best of Carla Bley but it was my introduction to her work.

A solid 3 stars.

Thanks to fishy for the artist addition. and to Quinino for the last updates

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