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AMBROSIA

Prog Related • United States


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Ambrosia biography
Ambrosia formed in 1970, in the South Bay/San Pedro area of Southern California. The musicians were inspired by the progressive rock era, and developed a large regional following for their inventive musicianship and skillful arranging. Ambrosia came to national prominence in 1975 with the release of their self-titled debut album on 20th Century Fox Records. Ambrosia was produced and engineered by the legendary Alan Parsons, and featured the top ten hit "Holdin' on to Yesterday", as well as the FM classic "Nice Nice, Very Nice". After lengthy touring, the band returned in 1976 with "Somewhere I've Never Traveled," also produced and engineered by Parsons. The Album yielded the title song, which quickly became an FM favorite. Both Ambrosia and "Somewhere I've Never Traveled" received Grammy nominations, and set the stage for the band's signing to Warner Bros. Records. During that time, the group also scored a top 40 hit with a cover of the Beatles classic "Magical Mystery Tour", from the motion picture "All This and WWII." In 1978, Warner Bros. released Life beyond L.A., which simultaneously scored their first gold CHR hit' "How Much I Feel", as well as the #1 rock track "Life Beyond L.A." Extensive touring with Fleetwood Mac and the Doobie Brothers, in addition to major headlining shows, cemented Ambrosia's reputation as a stellar live act. In 1980, Warner Bros. released "One Eighty," a smash LP that produced two of the year's biggest hits, "You're the Only Woman" and "Biggest Part of Me." Though a headlining world tour and three Grammy nominations followed, one of the biggest honors bestowed upon them was Quincy Jones' declaration that "Biggest Part of Me" was one of his all time favorite songs. Ambrosia released their fifth and final album, "Road Island," in 1982.
The Year 2000 marks the 30th anniversary of Ambrosia, and the band has celebrated with a very busy touring schedule that has reaped box office success, while proving to the world that Ambrosia will be a driving force in the new millennium.

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AnthologyAnthology
Warner Off Roster 1997
Audio CD$4.12
$2.97 (used)
Ambrosia / Somewhere I've Never Travelled (2 LP's on 2 CD's/Remastered/Limited Edition)Ambrosia / Somewhere I've Never Travelled (2 LP's on 2 CD's/Remastered/Limited Edition)
Limited Edition · Remastered
Friday Music 2012
Audio CD$17.71
$18.80 (used)
One EightyOne Eighty
Import
Rock Candy 2014
Audio CD$12.49
$12.45 (used)
Life Beyond L.A.: The Deluxe Edition (2xCD)Life Beyond L.A.: The Deluxe Edition (2xCD)
Friday Music 2013
Audio CD$17.99
$22.33 (used)
Road IslandRoad Island
Import
Rock Candy 2014
Audio CD$11.87
$11.86 (used)
Biggest Part of MeBiggest Part of Me
Import
Floating World 2011
Audio CD$7.06
$6.50 (used)
AmbrosiaAmbrosia
K-tel 2015
Audio CD$8.37
Right Now on Ebay (logo)
AMBROSIA 'ONE EIGHTY' AOR NEW REMASTERED ROCK CANDY 2014 NEW SEALED! USD $17.15 [0 bids]
31m 40s
AMBROSIA 'ROAD ISLAND' AOR NEW REMASTERED ROCK CANDY 2014 NEW SEALED! USD $17.15 [0 bids]
31m 47s
AMBROSIA One Eighty BSK3368 LP Ay5592 USD $0.99 [1 bids]
1h 52m
AMBROSIA "Life Beyond L.A." Original STILL SEALED LP from 1978 (WB BSK 3135) USD $15.00 Buy It Now 3h 22m
AMBROSIA LP, Road Island (WARNER BROS. US Issue EX/NM) USD $13.89 Buy It Now 19h 41m
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AMBROSIA~BIGGEST PART OF ME b/w LIVIN' ON MY OWN~1980~7" 45 RPM~SOFT ROCK~WB USD $1.99 [0 bids]
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ARTHUR (1981) SOUNDTRACK CASSETTE | CHRISTOPHER CROSS-AMBROSIA FREE SHIPPING USD $14.00 Buy It Now 23h 6m
Ambrosia Warner Bros 45 Record 8640 NM 1978 How Much I Feel /Ready for camarillo USD $7.00 Buy It Now 23h 12m
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Ambrosia Brass Band - Walking Through The Streets Of The City CD USD $16.99 Buy It Now 1 day
Ambrosia Road Island LP USD $8.95 Buy It Now 1 day
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7" JAPAN WHITE DOUBLE PROMO AMBROSIA OUTSIDE + JOHN BARRY INSIDE MOVES THEME USD $29.99 Buy It Now 2 days
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Ambrosia "One Eighty" ROCK LP USD $4.31 Buy It Now 2 days
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AMBROSIA - "ROAD ISLAND" - 1987 Warner Bros. LP-BSK 3638 USD $4.99 Buy It Now 2 days
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AMBROSIA - Road Island LP Vinyl 1982 BSK 3638 PROMO Ralph Steadman T-483 USD $8.00 Buy It Now 2 days
AMBROSIA How Can You Love Me 7" Limited Pic Disc Featuring Edit And Fool Like Me USD $6.23 Buy It Now 2 days
AMBROSIA Biggest Part Of Me 7" B/w Livin On My Own UK Warner Bros 1980 USD $6.23 Buy It Now 2 days
Ambrosia - Somewhere I've Never Traveled LP 1976 Original Pyramid Cover Vinyl NM USD $49.95 Buy It Now 2 days
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AMBROSIA Life Beyond LA LP Record RARE 1978 USD $13.50 Buy It Now 2 days
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AMBROSIA discography


Ordered by release date | Showing ratings (top albums) | Help Progarchives.com to complete the discography and add albums

AMBROSIA top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.87 | 94 ratings
Ambrosia
1975
2.99 | 48 ratings
Somewhere I've Never Travelled
1976
2.55 | 26 ratings
Life Beyond L.A.
1978
1.92 | 27 ratings
One Eighty
1980
3.43 | 30 ratings
Road Island
1982

AMBROSIA Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

2.00 | 3 ratings
Live at the Galaxy
2002

AMBROSIA Videos (DVD, Blu-ray, VHS etc)

AMBROSIA Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

4.50 | 2 ratings
Anthology
1997
2.00 | 1 ratings
The Essentials
2002
0.00 | 0 ratings
How Much I Feel and Other Hits
2003
0.00 | 0 ratings
Ambrosia / Somewhere I've Never Travelled
2012

AMBROSIA Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

5.00 | 1 ratings
Holdin' On To Yesterday
1975
5.00 | 1 ratings
Nice, Nice, Very Nice
1976
3.00 | 1 ratings
Can't Let a Woman
1976
4.00 | 1 ratings
Magical Mystery Tour
1977

AMBROSIA Reviews


Showing last 10 reviews only
 Ambrosia by AMBROSIA album cover Studio Album, 1975
3.87 | 94 ratings

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Ambrosia
Ambrosia Prog Related

Review by BrufordFreak

4 stars I got this album when it first came out cuz "Holdin' on to Yesterday" and "Nice, Nice, Very Nice" got a lot of airplay on our local progressive-minded AM radio station. The album has always intrigued me with its complex and diverse song compositions--some quite proggy, others quite poppy. I always thought its high points, its proggiest points, were a bit like quirky and condensed versions of YES. The songs throughout the album are all of excellent musicianship and compositional quality--in places they may be perhaps even a bit too tricky for their own good--and too YES-like, in others a bit too imitative of some of the pop masters of the late 60s and early 70s.

Five star songs: "Time Waits for No One," Holdin' on to Yesterday," the jazzy, GENTLE GIANT-like "Mama Frog," the medieval folk/THE ASSOCIATION-llike "Make Us All Aware," and the beautiful and emotional CARPENTERS/SIMON AND GARFUNKLE-like "Lover Arrive"

Song on the Breech: "Nice, Nice, Very Nice"

Songs that bring the album down a bit: The Beatles/pre-XTC-like "World Leave Me Alone"; the plodding STYX/PROCUL HARUM/URIAH HEEP-like "Drink of Water"

Still, a four star effort that, in my opinion, contributed something positive to the progressive rock world.

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 Somewhere I've Never Travelled  by AMBROSIA album cover Studio Album, 1976
2.99 | 48 ratings

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Somewhere I've Never Travelled
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Review by Progfan97402

4 stars I've had this album for few years, it was the 1978 Warner reissue, then I upgraded to the original on 20th Century with the pyramid gimmick. It seems my attitude towards this album has changed. I had no trouble warming up to their debut. Any fan of crossover prog will enjoy that, but for the longest time on their followup, I felt they overdid themselves, but then I started noticing how the music started to click in. "Cowboy Star" is a rather enjoyable song with elaborate arrangements and strings from Andrew Powell (who also did strings for the Alan Parsons Project, which comes as no surprise as Alan Parsons did engineer this album). "Runnin' Away" is a soft rock ballad, the kind the band did in an attempt to score a hit. ""Harvey" is a nice rock piece, but I think the biggest problem I have with this album is "Danse With Me George". I still find it a bit gimmicky, with all the Chopin quotes, lounge influences, and even flirtation with Latin music really through me off. Now I just get a kick off how utterly ridiculous this song is. For years I was wondering why the song title was spelled "Danse" instead of "Dance", and who was this George they were referring to? Turns out they were referring to George Sand, an author, a lady posing as a man (apparently women in 19th Century France couldn't be authors, so she had to go under an assumed name) who had an affair with Chopin, and the lyrics were on this romance, from the point of view of Chopin. So hence the French spelling of "Danse". "Can't Let a Woman" and "We Need You Too" are rather appropriate closers after hearing the ridiculous "Danse With Me George". Of course most people might only think of Ambrosia as marginally prog, given the hits they scored on easy listening stations, but I still can't see how fans of crossover prog would not enjoy their first two albums. The second one really needed a lot more patience to stick, and I'm glad to finally give it a second go and liking it much more. Their following albums are not prog, apparently. Life Beyond L.A. featured their major hit "How Much I Feel", but obviously that's no surprise they'd head that way, even their first two albums had straightforward songs in pop/rock fashion for hopes of radio airplay. Glad to finally say I finally enjoy their second album, but start with their debut first.

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 Somewhere I've Never Travelled  by AMBROSIA album cover Studio Album, 1976
2.99 | 48 ratings

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Somewhere I've Never Travelled
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Review by Suedevanshoe

3 stars I like this album. Harmonies are definitely the bands strong suit, but this album shows them pushing their sound as far as they can before the pull in the reins on Warner Bros. This album does sound like a typical Alan Parsons Project (get it) - his sonic fingerprints are all over this album. The hooks are strong, and the melodies are catchy. While not essential, "Somewhere I've Never Travelled" is a good album overall, a mediocre progressive record at best. I happen to like Ambrosia's niche in the "Southern California" pop scene (the Eagles, Jackson Browne, Fleetwood Mac) and for their sound, I think it's mostly a winner.

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 Somewhere I've Never Travelled  by AMBROSIA album cover Studio Album, 1976
2.99 | 48 ratings

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Review by maryes

2 stars The secound studio album from AMBROSIA was to me a great deception in all of senses, first by the addition of some orchestral moments that daze the band by the fact which this orchestral arrangements is several moments becomes the main melody ( im my opinion they must be the complement or simple accompaniment), as for instance in the track 1 ' "Somewhere I've Never Travelled" 7 "The Brunt" and track 8 "Danse With Me George (Chopin's Plea) and ....The rest of the disk is very poor in really progressive moments and only track 9 "Can't Let a Woman " escape . But the album is a "suffering", mainly in comparison with the first album. My rate is 2 stars !!!

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 Ambrosia by AMBROSIA album cover Studio Album, 1975
3.87 | 94 ratings

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Review by Warthur
Prog Reviewer

3 stars Here's an odd one - Ambrosia's debut album leads off with the occasionally grating Nice Nice Very Nice (which features vocals which are either a half-hearted and somewhat racist attempt at an Indian accent or just whimsical and weird for the sake of it) and is littered with more commercial moments here and there, but when you get into the meat of it the band actually excel at vivid prog-psych instrumental workouts - it's just a shame they don't make as much space for those on the album as they could have done. It's decent enough pop-prog which doesn't quite hit the tier of the likes of, say, Supertramp or the Alan Parsons Project, but you can see how Ambrosia might have made it to that tier had they stuck with this approach and polished it a bit. Three stars, maybe three and a half if you don't mind cheesy vocals and unexpected outbursts of dirty funk or blues.

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 Somewhere I've Never Travelled  by AMBROSIA album cover Studio Album, 1976
2.99 | 48 ratings

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Review by mohaveman

2 stars After listening to the wonderful initial release AMBROSIA, that these gentlemen put out I was eagerly anticipated finding this one and spinning it. Hmmm....I think the dreaded "pop" gene slipped into the group VERY quickly in their career. This just doesn't have the excitement or weirdness or progness of AMBROSIA. SOMEWHERE IVE NEVER TRAVELED has lost much of the creativity feature on their first album and suffers greatly from that. Fans of Toto/Steely Dan/Journey may enjoy some of this. I just can't get into it. Traded in the disc shortly after purchase for something more worthwhile of being on this site. 2 stars is it.

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 Ambrosia by AMBROSIA album cover Studio Album, 1975
3.87 | 94 ratings

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Review by stefro
Prog Reviewer

2 stars American outfit Ambrosia - David Pack(vocals, guitar, keyboards), Joe Puerta(bass, vocals), Christopher North(keyboards, vocals) and Burleigh Drummond(drums) - were a decent enough act who straddled the divide between slick pop and progressive rock with playful abandon yet somehow never really managed to create a truly memorable sound of their own. Existing for seven years and five studio albums, and helped along the way by engineer-and-producer Alan Parsons(yes, that one), Ambrosia's first, self-titled album would prove to be one all other subsequent releases were compared against. Released in 1977 - too late for prog yet also, ironically, a bit too quickly for the burgeoning pop-rock movement spearheaded by the likes of Foreigner, Journey, Boston etc - 'Ambrosia' is an enjoyable slice of lightweight prog featuring impressive interplay and snappy lyrics, yet no real killer tunes. Opening gambit 'Nice, Nice, Very Nice' showcases the group's fluffy style, with stringy guitars, tasteful keyboards and deceptively-complex harmonies showcasing the Ambrosia dynamic, whilst both 'World Leave Me Alone' and 'Lover Arrive' feature catchy, toe-tapping melodies undercut with rasping guitars. There's some nice keyboard-flexing adorning the oddly-monikered 'Mama Frog', and the album's final track 'Drink Of Water' also manages to exude a certain rosy charm, with a slightly more ambitious structure finding the group leaning towards a more overtly-progressive edge. Later efforts would find the group heading in a much more commercially-acceptable direction, making this the pick of their five studio releases, yet with the new, aggressive punk movement trashing anything faintly expressive it was always going to be difficult for a group such as these. Entertaining then, 'Ambrosia' is by no means a bad album, and paying special attention to some of their group's spiky lyrics garners some interesting rewards for the listener, yet overall this is simply far too tame for it's own good.

STEFAN TURNER, STOKE NEWINGTON, 2012

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 One Eighty by AMBROSIA album cover Studio Album, 1980
1.92 | 27 ratings

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Review by Sagichim
Collaborator Eclectic Prog Team

1 stars Good music that i don't like.

What happened to ambrosia? i guess the 80's happened. i like their debut album and the folow up as well , i even like their last 'road island' but this is a catastrophe. there is not even one good song here to save the day. music is meant for commercial duties , it's not even melodic rock , they are sticky songs made for the radio and not for the fans , i'm sure this one bought them a whole new set of sticky fans.

Even if the songs are not good i thought i could count on their beautiful melodies , but i was wrong , even the best melodies doesn't save it , they totally lost it the music is just plane simple with nothing to it. well after i slayed this album i can say that if you listen carefully ( why would you like to do that? ) the good ambrosia is hiding between the lines , like good keys in the opener 'ready' , and some other nice keys around like in 'you're the only woman'. they knew what they were doing , that's why they named the album one eighty as in 180 degrees the oposite of what they did earlier.

They should have borrowed a title from frank zappa and call this 'we're only in it for the money' really... nothing more to say about this embarrassing album except avoid , even for you who likes their debut. i thought i would give it 2 stars but it's generous. 1.5 stars

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 Road Island by AMBROSIA album cover Studio Album, 1982
3.43 | 30 ratings

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Road Island
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Review by Sagichim
Collaborator Eclectic Prog Team

4 stars Hats off to ambrosia for this one!!

After two great albums which showed their progressive leaning fused with memorable melodies, the band went for a much simpler and sticky kind of songs in their next two albums, which you should avoid with all costs. despite their great success and good sales ambrosia released their last album in 1982 which saw them returning to a more interesting style i wouldn't go far and call it progressive rock but definitely not your regular sticky rock songs , but much more well written songs ,with great energies.

One thing i will give ambrosia is the fact that they could always write beautiful melodies and this one is no different. what you'll hear in the first listen is that this album is rockier than ever , even rockier than their debut. they unleashed this raw sound , with distorted guitars top that with their always fine vocals and you have a great set of songs.

The album starts with my favourite song on the album , the rockiest of them all ,great pounding drums , killer riff , beautiful vocals , and of course the solo , how great is this one hiting all the right notes , like i said hats off!!! the momentum is not wasted and there goes another rocky tune with great guitar riff beautiful vocals and again totally amazing guitar solo , i never heard dave pack like this before, it seems like he really missed this, what a great drive!! the album keeps up being interesting and you can find some more great moments like "kid no more" out of the blew xylophone solo , or "ice age" which is pretty progressive clocking at 7 minutes. deffinitely a good song!! "endings" starts like another AOR song , beautiful but AORish, after a minute and half it changes and the beauty increased going to a more touchy melody followed with great emotional guitar solo, one of the better songs by ambrosia. of course they can't go without some more kind of AORish songs , you got "feelin' alive again" and "fool like me" which are AOR but they are not bad songs like you heard on previous albums , i like to hear them with the rest of the album.

In conclusion i wouldn't recommend it for new comers , but deffinitely for you that already like their debut. another thing is the muddy sounding album not at all like their first two with alan parsons , this is a real downfall i'm not sure why , they already had their success , weird. a remaster is terribly needed!! if this were in a symphonic prog genre i would give it about 2.5 stars, but it is not!! it is a prog related genre , where it should so i'm only proud to give it a solid 4 stars. great ending to their career. with a great album!!

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 Ambrosia by AMBROSIA album cover Studio Album, 1975
3.87 | 94 ratings

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Ambrosia
Ambrosia Prog Related

Review by Sinusoid
Prog Reviewer

2 stars One of those albums that I probably would not have really given too much thought about getting around to hearing, but getting a big whiff of ''Nice, Nice, Very Nice'' convinced me too much that Ambrosia's debut was worth grabbing. I was hoping for a prog-related surprise much like FM's debut or Wishbone Ash's ARGUS album. My response to AMBROSIA is unfortunately, quite different.

Ambrosia comes off on this album as a slick pop-jazz outfit that tries to channel prog rock as one of its influences. Some of the tracks have an AOR quality to them that isn't quite a stink, but it's that feeling of muggy air on your body (makes you drowsy). Comparisons with the debut of Journey don't sound too farfetched. There's a market for this kind of music, but it would work with me if it didn't sound so mediocre.

I feel that tracks like ''World Leave Me Alone'' and ''Time Waits For No One'' sound like Spirit suffering a case of writer's cramp. Most of the album as a whole is off-putting to me as the songs sound like they just exist and don't really do anything. ''Drink of Water'' and ''Holdin' On To Yesterday'' sound tailor made for FM radio without much progging about; they're fine for what they are otherwise. In contrast, ''Mama Frog'' has potential with the jaunty electric keyboard, odd figured opening number channeling Steely Dan. However, a recitation of poetry right in the middle of the song spoils the plot for me. Sure, I understand that prog rock has to have some pretentiousness to it, but this really takes the cake.

Overall, AMBROSIA failed to live up to the hype that is the opening number. Even ''Nice, Nice, Very Nice'' with its whimsical attitude has some of the most asinine vocals I've ever heard, and it lasts about a minute longer than it should. Could have been a nice complement to the debut Journey album, but it has too many, "Why is this here?" moments. Judging by the overall rating, there's a vast base of progheads that will eat this up, but AMBROSIA is simply too plastic and in some cases, laughable for me to seriously give praise to.

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