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WISHBONE ASH

Prog Related • United Kingdom


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Wishbone Ash biography
Founded in Torquay, UK in 1969 - Still active as of 2017

The history of WISHBONE ASH goes back to 1966, when drummer Steve Upton of the 'Scimitars' joined bassist Martin Turner and Martin's brother Glen in the band 'The Empty Vessels'. The trio named themselves 'Tanglewood' and moved to London. Glen Turner quit soon and was replaced by Ted Turner of Birmingham band 'King Biscuit'. The line-up was finalised by guitarist Andy Powell (Ex-'Sugarband'). The two guitarists developed a melodic twin guitar lead style that would become the trademark of 'Wishbone Ash'.

In 1970 WISHBONE ASH released their self titled first record, establishing a mixture of Blues-Rock, Jazz and English Folk, that the band would elaborate on in their following records. The production work by Martin Birch was excellent and the record contains the masterpiece 'Phoenix', that would become a 'Wishbone Ash' live classic and give way to elaborate improvisations on stage. At the same time the band would start to use lyrics and imagery drawn from mythology and fantasy. like 'The King will come', 'Throw down the sword', 'Persephone' & 'Argus'.

In 1971 'Wishbone Ash' released 'Pilgrimage' and a year later 'Argus', both records bringing the WISHBONE ASH sound to perfection by introducing elaborate vocal arrangements and sophisticated instrumental passages. Both records are masterpieces. In 1973 the band released their fourth LP, 'Wishbone Four', and toured Europe, documented by their live release 'Live Dates' (1973) and followed by an extended America Tour. In 1974 Ted Turner left and was replaced by Laurie Wisefield (Ex-Home) who added steel guitar and banjo to the 'Wishbone Ash' sound on their 1974 release 'There's The Rub'. During the rest of the seventies the new line-up recorded a series of good but less interesting records.

In 1987 the original line-up re-united for a series of records, including the all instrumental 'Nouveau Calls' (1988), before going again though a series of line-up changes. At the end of the 90's the band found a new stability with founding guitarist Andy Powell, bass player Bob Skeat and drummer Ray Weston, joined in 2004 by Finnish guitarist Muddy Manninen.

'Pilgrimage' and 'Argus' are highly recommended.

Why this artist must be listed in www.progarchives.com : 'Wishbone Ash' mixed Blues-Rock, Jazz and English Folk in a progressive way.

WISHBONE ASH Videos (YouTube and more)


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Buy WISHBONE ASH Music


The Essential Collection -  Wishbone AshThe Essential Collection - Wishbone Ash
SPECTRUM AUDIO 2016
$5.39
$3.97 (used)
Number The BraveNumber The Brave
Music on CD 2018
$8.33
$9.10 (used)
ArgusArgus
Geffen 1991
$12.95
$2.40 (used)
21st Century Collection21st Century Collection
Box set
Golden Core Records (ZYX) 2018
$29.57
$46.58 (used)
Across The Airwaves - Sand Coloured VinylAcross The Airwaves - Sand Coloured Vinyl
CODA PUBLISHING LIMITED 2017
$24.56
Power of Eternity-DeluxePower of Eternity-Deluxe
Talking Elephant 2014
$12.78
$16.46 (used)
PilgrimagePilgrimage
Island Uk 1991
$5.47
$8.50 (used)
there's the rub LPthere's the rub LP
MCA
$8.00 (used)
Just TestingJust Testing
McA Uk 2007
$5.47
$3.21 (used)
Wishbone AshWishbone Ash
Geffen 1992
$9.09
$8.09 (used)
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WISHBONE ASH discography


Ordered by release date | Showing ratings (top albums) | Help Progarchives.com to complete the discography and add albums

WISHBONE ASH top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.83 | 250 ratings
Wishbone Ash
1970
3.60 | 241 ratings
Pilgrimage
1971
4.23 | 638 ratings
Argus
1972
3.06 | 177 ratings
Wishbone Four
1973
3.88 | 191 ratings
There's The Rub
1974
2.05 | 104 ratings
Locked In
1976
3.12 | 114 ratings
New England
1976
2.89 | 94 ratings
Front Page News
1977
3.49 | 95 ratings
No Smoke Without Fire
1978
2.87 | 95 ratings
Just Testing
1980
2.70 | 72 ratings
Number The Brave
1981
1.97 | 53 ratings
Twin Barrels Burning
1982
1.82 | 56 ratings
Raw To The Bone
1985
2.93 | 67 ratings
Nouveau Calls
1987
2.91 | 48 ratings
Here To Hear
1989
2.63 | 41 ratings
Strange Affair
1991
3.69 | 66 ratings
Illuminations
1996
1.83 | 31 ratings
Trance Visionary
1998
1.70 | 29 ratings
Psychic Terrorism
1998
2.98 | 40 ratings
Bare Bones
1999
3.64 | 46 ratings
Bona Fide
2002
2.96 | 52 ratings
Clan Destiny
2006
3.18 | 58 ratings
Power Of Eternity
2007
3.22 | 27 ratings
Martin Turner's Wishbone Ash: Argus - Through The Looking Glass
2008
3.55 | 57 ratings
Elegant Stealth
2012
3.28 | 50 ratings
Blue Horizon
2014

WISHBONE ASH Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

4.44 | 88 ratings
Live Dates
1973
4.60 | 16 ratings
Live In Tokyo
1979
3.69 | 47 ratings
Live Dates Volume 2
1980
3.38 | 8 ratings
BBC Radio 1 Live In Concert
1991
3.39 | 12 ratings
Live In Windy City (USA 1992) (AKA "Live in Chicago & Living Proof)
1992
3.22 | 9 ratings
Live in Geneva
1996
2.50 | 2 ratings
Live - Timeline
1997
2.00 | 1 ratings
Their Greatest Hits
1998
2.09 | 3 ratings
Mother of Pearl
1998
3.13 | 16 ratings
Live Dates 3
2001
2.48 | 3 ratings
Runaway
2001
3.81 | 8 ratings
Almighty Blues - London and Beyond
2004
3.49 | 5 ratings
Time Was... The Live Anthology
2004
3.94 | 7 ratings
New Live Dates, Volume One
2006
3.43 | 7 ratings
Live In Hamburg
2007
3.95 | 10 ratings
New Live Dates, Volume Two
2007
2.06 | 9 ratings
Argus Then Again Live
2008
4.00 | 3 ratings
40 - Live In London
2009
3.86 | 7 ratings
The Life Begins Tour
2011
3.83 | 3 ratings
Live in London 1978
2012

WISHBONE ASH Videos (DVD, Blu-ray, VHS etc)

3.96 | 8 ratings
Classic Rock Legends (DVD)
2001
3.05 | 5 ratings
Inside Wishbone Ash 1970-2004
2003
3.09 | 3 ratings
Live Broadcasts
2003
4.33 | 3 ratings
Almighty Blues: London & Beyond
2004
3.80 | 5 ratings
Phoenix Rising - Classic Ash: Then & Now
2004
2.36 | 6 ratings
25th Anniversary Of The Marquee (DVD)
2005
3.13 | 11 ratings
30th Anniversary Concert (DVD)
2006
4.00 | 5 ratings
Rock Milestones Wishbone Ash : Argus
2006
5.00 | 2 ratings
Live at the Spirit of 66
2006
4.60 | 5 ratings
Live in Hamburg
2007
4.29 | 7 ratings
40th Anniversary Concert - Live In London
2009
3.88 | 7 ratings
Martin Turner's Wishbone Ash - The Life Begins Tour
2010

WISHBONE ASH Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.54 | 10 ratings
Classic Ash
1977
2.60 | 5 ratings
Hot Ash
1981
3.00 | 1 ratings
The King Will Come
1993
4.67 | 9 ratings
Distillation
1997
3.05 | 3 ratings
The Millenium Collection
1999
3.50 | 4 ratings
On Air
1999
4.00 | 1 ratings
Wishbone Ash (The Primo collection)
2003
2.33 | 3 ratings
The Collection
2003
3.25 | 3 ratings
Warriors
2003
2.37 | 8 ratings
Lost Pearls
2004
0.00 | 0 ratings
Backbones
2004
3.05 | 3 ratings
Tracks
2004
3.50 | 2 ratings
Tracks 2
2004
2.10 | 2 ratings
The King Will Come
2005
0.00 | 0 ratings
Mystery Man
2005
3.62 | 12 ratings
First Light
2007
3.50 | 2 ratings
Tracks 3
2007
2.00 | 2 ratings
Tender
2008
2.00 | 1 ratings
Tough
2008
2.00 | 1 ratings
Rocked Up Beyond Belief
2008
4.16 | 10 ratings
Sometime World: An MCA Travelogue
2010

WISHBONE ASH Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

2.77 | 20 ratings
Live From Memphis
1972

WISHBONE ASH Reviews


Showing last 10 reviews only
 Argus by WISHBONE ASH album cover Studio Album, 1972
4.23 | 638 ratings

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Argus
Wishbone Ash Prog Related

Review by TCat
Prog Reviewer

4 stars "Argus" is the third album in a long string of albums by Wishbone Ash. It was also their most popular, and their most progressive album, though it is not a strict progressive album as much as one that contains several prog elements interspersed within it's hard rock tracks.

Wishbone Ash was one of the first bands to ever use twin lead guitars and this would inspire bands like Iron Maiden and Thin Lizzy, albeit their music would be much heavier. The twin guitars are very relevant on this album, and guitars pretty much drive most of the music. There are no keyboards, at least not much, except for an organ on the last track. While there are elements of prog here, there are also elements of folk rock within the tracks.

Most of the tracks are long, mostly exceeding 5 minutes, with the first one approaching 10 minutes. "Time Was" starts out with a beautiful acoustic beginning with some nice harmonies, but it soon rocks out after a few minutes. The melodies change often as it does in a lot of prog epics, however, the meters are pretty standard throughout. Thus you get the feeling of prog rock in the complex melodies, but on the light side of prog. "Sometime World" also starts out soft and gets faster as it continues. This one carries a distinct folk song throughout most of it, then as the vocals come in, you can hear an early Yes influence. The track ends with a great guitar solo. The track however, does feel a little dated, but that's all because of the mixing. It makes it even more early "Yes-like".

"Blowin' Free" is a heavier song, but the music is definitely standard rock. This doesn't make it a bad song, but it doesn't make a real prog song either. The harmonies on this one are very similar to Crosby, Stills and Nash. As the tempo slows in the middle of the song, there is that return to the folkish sound, and then a nice slow guitar solo. The tempo picks up again and another solo follows. This is great hard rock, but again, other than the tempo changes, there isn't much progressive rock here.

"The King Will Come" exceeds 7 minutes. It starts off with a reggae vibe for about a minute, then the beat tapers off to another standard rock beat. Again, you have harmonies similar to early Yes. As the first track, this one has many changing melodies and it makes for another complex track. But the complexity doesn't reach any real heavy progressiveness again. The changing melodies stay in a standard meter throughout. You get another great guitar solo here too.

"Leaf and Stream" returns to the folk-ish sound. It matches the horned helmet shadowed figure on the cover in feel and style. Again, we have another beautiful guitar solo. The melody pretty remains the same throughout this track however. "Warrior" is a heavy rocker with a great opening riff, but it quickly mellows out and slows down as vocals begin. When the chorus finally arrives, things get more interesting as vocals and guitar solos take turns. I can hear some early Styx in the harmonies and the structure of the last half of the song, so it's obvious here where Styx was inspired early on. But the song, as epic as it sounds, doesn't rise above the standard hard rock tune.

"Throw Down the Sword" is the last track and the only track that features a guest organist. However, there really isn't much that stands out on this track, just a continuation of the same style.

This is definitely Wishbone Ash's best work, and it is unfortunate that they didn't improve on this sound. From this point on, most of their music would continue to become more and more radio friendly, even though they never really had much success from that style. Also, this band is still releasing albums, though the line up has changed a lot. Andy Powell has been the only constant member in the line up. Yes, this is a great hard rock album, and if the group followed this style, they may have actually reached a full progressive status. Unfortunately, there are only hints of progressiveness here. Yes, this album is a huge influence, and that cannot be discounted. But it is far from 5 star prog material. Because of it's status, more than anything however, we can manage to give it 4 stars as it is has excellent musicianship and it's strongest points are the twin guitars and the excellent solos.

 Argus by WISHBONE ASH album cover Studio Album, 1972
4.23 | 638 ratings

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Argus
Wishbone Ash Prog Related

Review by The Jester

5 stars Review # 84. I don't know about other countries, but Argus is a legendary album in Greece.

It was released on January 1972, it was the 3rd studio album of Wishbone Ash, and it is considered their best work by far. Needless to say, that is also their most famous work. Many music magazines named it as 'album of the year' on 1972.

The album has a Medieval theme, and the music style includes elements of Progressive Rock, Hard Rock and Folk Rock.

The major characteristic of Argus was the two leading guitars (instead of the usual one lead and one rhythm guitar), that gave to their sound a very different feeling. Actually, this album is considered as a landmark for its special guitar sound. This two-lead-guitar style was adopted later on from bands like Thin Lizzy and Iron Maiden, among others.

The sound engineer was Martin Birch, who had also worked with Deep Purple and later on with Black Sabbath and Iron Maiden. In the years that followed, Argus became a big live attraction, which still continues on many occasions in our days.

The album includes 7 songs, and with the exception of Leaf and Stream (3.55), all the other songs are over 5 minutes long. Songs like Warrior, The King will Come, and Throw down the Sword are examples of how good and well-structured Rock music should sound like.

I remember buying the vinyl edition at some point during the 80's and the CD re-issue almost ten years later, which was including one extra song.

In my opinion, Argus is a brilliant album and a 'must-have' for every Rock fan. In case you don't have it yet, buy it without a second thought! 5.0 Stars from me

 Argus by WISHBONE ASH album cover Studio Album, 1972
4.23 | 638 ratings

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Argus
Wishbone Ash Prog Related

Review by cedo

4 stars I'm not sure was it "Argus" or was it "Wishbone Four" the first Ash's album that I have listened to, in 1976-1977, thanks to good friend of mine who came back from UK, from English Language Summer School, with a couple of great LPs, but never mind, from that time till now, "Argus" has remained one of my favorite albums. Like in the cookbook, add to it Thorens turntable, huge Marantz cassiver (receiver with incorporated cassette tape module), and Acoustic Research loudspeakers, and love at first listen is born. So, at very first listen, it grabbed me and that grip is still firm. Twin-lead guitar sound, very nice melodies and harmonies, three "warriors" tracks that make some kind of concept, songs that have original structure, different from usual radio hits (most songs structure are not usual, without classic verse-verse-refrain-verse-refrain-solo form, and that also contributed to the progressive feel of album).

Every song is memorable, unique and fresh, nothing like something that is heard before or after. Later I have listened to other albums of MK I, and albums of Mk II, had opportunity to see Mk II live on "Just Testing" tour, and Mk IV on "Twin Barrels Burning" tour, but "Argus" stayed most loved and listened to. Other albums of Mk I are also great, so are "There's the Rub" and "No smoke without fire" of Mk II, each of it containing great songs, epics and concert favorites, but "Argus" was successful in making the album with most progressive parts, some of them thematically connected, which other albums lacked of, as a collection of unrelated songs.

First side is generally of life and love themes, while most of second side is of war oriented songs. The best A side song is "Time was" with beautiful acoustic intro, moving into hard rocking body where guitarists showed their pyrotechnic capabilities.

B side starts softly with one guitar playing rhythm, the other playing theme, accompanied with melodic bass line, all three building atmosphere of waiting for something to happened, raising a sound level slowly, and it really does, turning into most memorable guitar riff of all Wishbone Ash songs. And when lyrics comes, with "in the fire, the king will come", you are conquered and you surrender unconditionally. Song also has nice quite gentle intermission, that once again leads into famous guitar riff, moving to effective end. After "King will come", there comes beautiful ballad "Leaf and stream", some kind of contemplative thoughts of dreams and world beyond reality. And then again, return to warriors thematic, with two connected songs, first telling about the urge to fight for freedom, and second about a need to laying down the arms, cause in war no one wins and everybody lose. "Warrior" has interesting structure, starting with calm two verses melody, changing into strong, several times in a row repeated refrain, each time with differently played in-between connection, while "Throw down the sword", the only song with keyboard support, has beautiful twin guitars intro, leading into strong ballad, finishing with great guitars soloing, each guitar simultaneously leading its own solo, merging into one at the end. Excellent!

The album is produced by Derek Lawrence, who did a great job (he also produced their previous two albums, and later "No smoke without fire"), and engineered by Martin Birch (who later worked with Deep Purple, and especially with Iron Maiden where that recognizable twin-lead guitar sound can be heard). The cover art is on the same lane with music, with famous Argus guardian watching over.

The songs are positioned on sides A and B in a way that first is more rockier, while the second is more progressive. The only complaint that I have is that maybe songs on B side should have been slightly different ordered. I think that "King will come" must be placed right before the "Warrior", to make great three songs story of war and peace. "Leaf and stream" somehow calms down the continuity of most progressive part of album, and my opinion is that this song should have been first on side B. Luckily, on CD player is easy to enter wished song order, so everyone can make his own (mine is 1-2-3-5-4-6-7).

I got two versions of LP (one gate-folded, one just sleeve), and 1991 MCA CD reissue with B-side bonus track "No easy road", but that song is somehow out of context here, it just doesn't fit. Maybe the best choice is to find 2002 MCA remaster with whole three tracks rare live 1972 EP "Live in Memphis" as a bonus, with excellent 17 minutes performance of "Phoenix" epic from first album. There is also 2007 2CD Universal remaster, with aforementioned B-side track and unfortunately only partial live EP (without "Jail bait") on first disc, but with various live performances from "Argus" time on second disc.

In recent times, the second fraction of group, Martin Turner's Wishbone Ash made excellent studio re-recording of complete "Argus" named "Argus through the looking glass" (2008) placing song "Blowin' free" as the last on disc (eventually it was supposed to be so in 1972, but LP format was a limited factor), followed by complete live version "Argus 'then again' live" (2008) by Andy Powell's fraction of band, and again by complete live performance by Martin Turner's Wishbone Ash on "The Life Begins tour" 2CD (2011). So we have four versions of "Argus" so far, two studio, two live, as a sign how much that album means to its creators (and to 'Ashers').

Regarding the first rockier album side, a kind of inappropriate place of "Leaf and stream" song on excellent more progressive B side, a fact that this is primarily a progressive rock archive, and that I am very fond of Wishbone Ash's music, bright shining four stars is something that I stand for.

 Nouveau Calls by WISHBONE ASH album cover Studio Album, 1987
2.93 | 67 ratings

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Nouveau Calls
Wishbone Ash Prog Related

Review by tszirmay
Special Collaborator Honorary Collaborator

3 stars This is one of those much-maligned prog-rock releases that get slammed for being deviant of past classics, as if artists need to continually rehash the same but very good songs that made their fame. All the luminary bands like Jethro Tull (Aqualung/TAAB vs Under Wraps/A), Marillion, Oldfield, Yes, King Crimson etc' have faced this rather easy criticism , which often is quite unfair both to the artist (it's their art after all) and the discerning public (who may desire diversity). In the case of Wishbone Ash, there is little doubt that albums such as 'Argus', 'Live Dates' and 'There's the Rub' are recognized classics. Within such a long career, every artist has released some form of dud, whether forced upon them by sharky record companies (Lou Reed's monstrous' Metal Machine Music' comes to mind) or just plain old 'Sometimes I feel so Uninspired' vibe as penned by Traffic.

This is part of the IRS Records collection of reworked all-instrumental material (hence the 'No Speak' label) from artists as varied as Pete Haycock, Stewart Copeland, Billy Currie, William Orbit, Steve Hunter, Jimmy Z, Ronnie Montrose, Robbie Krieger, Jan Akkerman, Darryl Way and a few compilations. Some are pretty good, others okay but I daresay this is one of the better ones. Sadly, it gets knocked down by those who wished for another bone (excuse the pun) of dual guitar, rock 'n roll mayhem. Again context is crucial, as many progressive bands in the late 80s were left in the proverbial desert of unemployment, as disco, punk, grunge and new age ruled the airwaves. These were very lean years indeed and anything that defied the fads is better than silence, in my opinion. The set list on 'Nouveau Calls' (a wordplay on 'no vocals') comprises 11 tracks all written by Andy Powell, Martin Turner and Steve Upton, and by adding Ted Turner, this is the definite classic Wishbone Ash line-up. As discreet rock music but bold background music, it contains a few brilliant tracks, namely the suave 'Arabesque', the fabulous 'In the Skin', the heavily synthesized opener 'Tangible Evidence' (also emboldened by a delirious and funky bass furrow).

The other tunes are all interesting, the twangy, bass-propelled 'From Soho to Sunset' shows a slick technique of unending detail (lap-steel, mandolin) , some closer to rock roots like 'Something is Happening in Room 602' with its cool surf-guitar licks or the Police-like riffs on 'Johnny Left Home Without It', conjuring images of Andy Summers on the guitar. If one added vocals to songs like 'The Spirit Flies Free', this could have been a hit among their hits, as Powell and Turner show off gorgeous melodies on the fret boards, then shriek like madmen, the mandolin making another fine appearance.

The last two tracks are the Achilles heel of this album. Not a big fan of the rather limp 'A Rose is a Rose', it's a 'skip it' track that is just too saccharine for my taste. The finale is the short 'Real Guitars Have Wings', a mid-tempo piece that offers complex guitar interweaving but offers a very binary feel that fails to explode into nirvana. But the 9 previous tracks are completely listenable.

My conclusion: listen to this album without paying attention to who it is, let bygones be bygones and evaluate according to what you hear and not what you would like then to play. I enjoyed this album when it came out in the prog 'Ice Age' and still do today.

3.5 Novophones

 Live in London 1978 by WISHBONE ASH album cover Live, 2012
3.83 | 3 ratings

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Live in London 1978
Wishbone Ash Prog Related

Review by tvtennis

4 stars This one is a rare find, a 'bit on the expensive side, if you are fortunate to find it. It appears to be taken from the "No Smoke Without Fire" tour, Recorded at Hammersmith Odeon, London On 25 November 1978 with the MK 2 lineup. The audio is very good, my only gripe is, that it is too short, clearly not the entire show. However if you combine it with the "Live in Tokyo" from the same tour, you get a decent length, close to a full concert. That one has a total of 5 tracks on it, 3 of which appear on this release as well: "The Way Of The World"; "You See Red" & "Blowin' Free". Despite doubling-up on those 3 tracks, it is still enjoyable to combine the two for one "more complete" performance, since the performances differ, after all they were performed on two different times and on different continents. As far as the performance is concerned, it rivals the "Live Dates 2" release, perhaps less polished, but that raw feel gives it even more appeal.
 Live In Tokyo by WISHBONE ASH album cover Live, 1979
4.60 | 16 ratings

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Live In Tokyo
Wishbone Ash Prog Related

Review by tvtennis

5 stars This used to be hard to find "live" cd of the Mark 2 lineup of Wishbone Ash. Initially only released in Japan on vinyl features great versions of F.U.B.B. and The Way Of The World. Since, it has been released on CD by Enigmatic Records in 2010. Originally recorded when the band were playing live at Tokyo Sun Plaza in Japan, on November 10th and 15th, 1978; during their No Smoke Without Fire tour. It is a great addition to the Live Ash collection. The sound is very good, it is a shame that the entire concert was not released. It is a great companion to the "Live in London 1978" from the same tour. That one has a total of 8 tracks on it 3 of which appear on the Tokyo release: "The Way Of The World"; "You See Red" & "Blowin' Free". Despite doubling-up on those 3 tracks it is still enjoyable to combine the two for one "more complete" performance, since the performances differ on the two releases.
 Runaway by WISHBONE ASH album cover Live, 2001
2.48 | 3 ratings

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Runaway
Wishbone Ash Prog Related

Review by tvtennis

4 stars This release is now hard to come by, but a few years ago it was readily available on top of the discount binns for a budget price. Not much info available on it anywhere online either. Since there is not much info disclosed in the CD cover, I'll venture to guess that this is from a promotional tour for "Just Testing" release, given that the opening track is "Helpless". Under that assumption, this must have been recorded in '80-'81. I have come across numerous compilations where the various record companies bunch two concerts together on two CD's, and release it under a different name to make a quick $. This identical tracklist appears as CD #1 on few of them as well. So if we dig deeper, and assume further that those represent the same recording as this release, we can make some comparisons. First off, the copy I have has a slightly different cover image, the track list is identical to this listing, the CD is gold color, released by "k-Point Gold", and as mentioned above, not much info, simply due to the quite unusual CD sleeve. It is not paper, the cover image is rather translucent and made of plastic! The audio quality is very good on this version, very clear separation, no hiss, the recording volume level is about average, my only gripe is that is seems to be in Mono! As far as the performance of the band itself goes, it rivals the "Live Dates 2" since it is most likely the same line-up. It is more suited for someone who is a completist when it comes to this band, such as myself. I find it to be a nice addition to the Live Dates 2 release.
 Wishbone Ash by WISHBONE ASH album cover Studio Album, 1970
3.83 | 250 ratings

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Wishbone Ash
Wishbone Ash Prog Related

Review by Warthur
Prog Reviewer

4 stars Woolier and looser than the sound of their enduring breakthrough album, Argus, Wishbone Ash's debut album certainly doesn't offer crystal-clear and finely crafted compositions on the level of those offered on that album. It makes up for it, however, by delivering six tracks of bluesy hard rock with the occasional progressive inclination here and there, especially on the two long tracks on side two where the band allow themselves to spread out and jam a little. If you want more like Argus, then you're looking in the wrong place (and I'm not sure they ever quite recaptured the magic ingredients that went into that album), but if you are not averse to a bit of mildly psych-tinged jamming then this is a fun listen.
 Elegant Stealth by WISHBONE ASH album cover Studio Album, 2012
3.55 | 57 ratings

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Elegant Stealth
Wishbone Ash Prog Related

Review by BigDaddyAEL1964

3 stars The reputation indicates an album at the same caliber as Bona Fide. Do I agree? No.

Let's see why, track-by-track:

Reason To Believe: In the spirit of their students Iron Maiden, this hard 'n' heavy song is a very quality one, YET another song that proves the incredible diversity they bare as artists!

Warm Tears: Blues rock to the core, both lyrically and musically. The slower guitar parts are clearly a reference to Jimi Hendrix. The whole songs is blasting, bravo guys!

Elegant Stealth: Very nice song, has an essence of AOR, clearly of pop origin, but with solid hard 'n' heavy parts. Radio friendly, very nice chorus vocals, sounds a bit like the Scorpions melodies.

Can't Go It Alone: And you think you've listened everything by WA, and here they are with a Medieval intro in a Kansas-like song. No, I'm not on drugs, that's what they did here! Very melodic song, very interesting, really great!

Give It Up: Something form Gary Moore in this elegant song, which is fine but not so special as the previous.

Searching For Satellites: Love ballad, ideal for dancing with your partner. The lyrics are not so trite as one would expect from a song like this, as they sing about a divine message about love. The music is not something unique though, so I'll pass.

Heavy Weather: It begins as a rather indifferent mid-tempo song, but it changes to a rocker after the 4th minute, being basically a 2-in-1 song. Interesting for it's diversity, but not so significant overall.

Mud-Slick: An OK instrumental by Muddy Manninen, enjoyable but not special.

Big Issues: Too much trouble for a little matter. It seems like they tried to create a new F.U.B.B., but in my opinion they failed. Yeah, the solos and the jamming are all good and well, but we already know damn well they can play as good as anyone. So if you don't create a unique composition, what do you offer with a song like this?

Migrant Worker: Nice blues rocker, with obviously social lyrics (the title speaks for it's self). Nothing we haven't heard before a billion times, though.

Invisible Thread / Reason To Believe (remix): Finally, an interesting song again in this album! Very good mid-tempo blues rocker, with clever, catchy riffs and nice vocals. / A dance remix of the first song, kinda cool to be honest!

RATING: I can't see why people consider this one as great as Bona Fide. There is nothing as great here, this album is inferior in every aspect. However, it's not a bad album at all; In fact, it's better than most WA albums. I'll rank it above New England and below Illuminations. 3 stars.

 Martin Turner's Wishbone Ash: Argus - Through The Looking Glass by WISHBONE ASH album cover Studio Album, 2008
3.22 | 27 ratings

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Martin Turner's Wishbone Ash: Argus - Through The Looking Glass
Wishbone Ash Prog Related

Review by BigDaddyAEL1964

3 stars I've been to Martin Turner's Wishbone Ash concerts three times in Greece, and at the very first I bought this album.

I thought to myself "wow, through the looking glass should mean we will have a tribute to the original with adapted/alternated songs structures, this is SO interesting!".

Only that this is not the case... Here, MTWA are pretty much mimicking the original masterpiece, condemned to an inferior result.

Why did Martin Turner decided to release this album? Money is the only reason that comes in mind. They rehearsed these songs for their tour (they played Argus in it's entirety), so it was not difficult for them to record it, print it, and sell it with the merchandise at their gigs for extra income.

The songs are obviously fantastic, but I can't find a single reason to listen to this album, apart from the pure curiosity I had when I first got it. 3 stars for offering nothing significant to anyone but WA fanatics that wanna have/listen to everything there is.

Thanks to alucard for the artist addition. and to Quinino for the last updates

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