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PETER MATUCHNIAK

Prog Related • United States


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Peter Matuchniak picture
Peter Matuchniak biography
PETER MATUCHNIAK is an incredibly versatile musician, since the 80?s he has played guitar and sometimes keyboards in different bands like MACH ONE and JANYSIUM (Neo Prog). Later in his career he became more eclectic, founding the simpler EVOLVE IV and the versatile GEKKO PROJECT, but despite his busy agenda, he managed to release a solo album in 2012 called "Uncover Me" in which he blends almost every possible genre from AOR and POP to Fusion with hints of Symphonic and Crossover Prog.

I always wondered where could the genesis of this heterogeneous taste be found and the reply came from a document released by his label which explained that his parents raised the Matuchniak family on Classical music, but his brother introduced him to Jazz while his sister into top 40, but the main influence came from his experience as a musicians playing in several Prog bands, so now as an adult has blended all this sounds into his most recent project.

His debut album "Uncover me" may sound too simple for the purists of the genre, but it's undeniable that the Prog elements are present in most of the songs, plus a musician who has devoted almost all his life to our beloved genre, deserves to be mentioned in our site that with just cause is recognized as the ultimate Prog Rock Resource.

Iván Melgar-Morey :::: Perú

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PETER MATUCHNIAK discography


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PETER MATUCHNIAK top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.59 | 10 ratings
Uncover Me
2012
3.25 | 7 ratings
Destiny
2014
3.98 | 5 ratings
Sessions
2020

PETER MATUCHNIAK Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

4.00 | 2 ratings
A Live Destination
2015

PETER MATUCHNIAK Videos (DVD, Blu-ray, VHS etc)

PETER MATUCHNIAK Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

PETER MATUCHNIAK Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

PETER MATUCHNIAK Reviews


Showing last 10 reviews only
 Destiny by MATUCHNIAK, PETER album cover Studio Album, 2014
3.25 | 7 ratings

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Destiny
Peter Matuchniak Prog Related

Review by kev rowland
Special Collaborator Honorary Reviewer

4 stars I was working through something the other night when I realised, I had never actually reviewed Peter's second album, which was released towards the end of 2014. Back then I was working on what would end up as TPU Vols 1-3, and all reviewing was put sadly to one side while I stressed through typing from poorly copied hard copy fanzines. It was obviously put to one side with the "I'll get to it later" idea. Well, it is later? Over the years Peter and I have become friends, and I have been lucky enough to review many albums he has been involved with. Here he provides guitar and vocals and has brought together a core band of Scott Connor (drums, vocals ? ex-Circa), Steve Bonino (bass, vocals) and Paul Mouradjian (keyboards). Given that I am also a great fan of Steve's work, I knew this was going to be interesting, although even I was not sure what it was going to deliver.

The reason for that, is Peter has a long history going back to seminal 80's prog acts such as Mach One and is a hugely in- demand session musician while he personally has always been greatly influenced by Steve Hackett. This means that anyone looking for a straightforward prog album is very likely not only to be disappointed but quite surprised and probably quite critical. Those who are going to enjoy this album are those who are prepared to go in with no preconceived ideas whatsoever as we move from contemporary rock through jazz, prog, theatrical and even burlesque to create something which is fascinating and always changing. As well as the core band, Peter also utilised some of his live band and a special mention must be made of his daughter Alyssa as her vocals are sublime, and she can provide Floydian or torch as the need arises.

If you want to play just one song to get an idea of the whole album, then I highly recommend "Oyster Club" which has some great picking from Peter and loads of different styles within. I also had to laugh at the really poor joke of someone saying they should become a fisherman and catch some bass (which should be pronounced b-ah-ss, not b-ace) and of course we then get some bass notes. I enjoyed this album as one never knows what is going to come next, but the musicianship is always top notch, and the music leaves a smile on the face and often that is what it is all about.

 Sessions by MATUCHNIAK, PETER album cover Studio Album, 2020
3.98 | 5 ratings

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Sessions
Peter Matuchniak Prog Related

Review by FragileKings
Prog Reviewer

4 stars I've been a fan of Peter Matuchniak's music and guitar playing for a few years now ever since I heard his band Gekko Projekt. As well, I have in my collection his band Evolve IV and Bomber Goggles, his solo work, and albums of other artists he has worked with, including Hamlet of Transport Aerian, Steve Bonino, and Marco Ragni. Most recently, Peter also played on the latest studio release by Kinetic Element and their subsequent live album.

A couple of months back, Peter asked me if I would like to hear his newest release, "Sessions". Of course I would! Though I was curious what kind of an album this was. Session work? Bits from sessions that were left off albums?

Peter Matuchniak's "Sessions" album is nearly 80 minutes of music culled from sessions he did for not only the artists I mentioned above but also for a couple of others I haven't heard. Peter explains in the album's press release that when he recorded guitar work for other artists, he had his own impression of how the songs would be mixed. Though not disappointed in the final mixing, with which he had nothing to do, Peter was desirous of mixing the parts to which he contributed as he imagined they should sound. Fortunately, all the artists were very generous with letting him remix his parts and then compiling these remixed versions on a CD of his own.

So what we have here is what I would call a "Greatest Bits" album because the tracks are essentially short songs and parts of longer songs that featured Peter's guitar work. And what a collection it is! I was surprised how many parts I instantly recognized, having heard them already on the original albums. I quickly realized that these were often my favorite parts in the songs. I many cases, however, I hadn't particularly been aware of Peter's playing because some of these musicians are excellent guitarists in their own right. This did make me aware once again of what it is about Peter Matuchniak's playing sound and style that I enjoy so much.

Peter is a big fan of Steve Hackett and even has a tribute band that performs Steve Hackett covers live. I can't say that I myself am that familiar with Hackett's work outside of Genesis and thus can't draw any direct parallels between Steve and Peter. But I do like Peter's approach to his guitar work, and I think he shines on his work presented here. Sometimes it's quite subtle especially when there's a vocal part with lyrics that demand your attention. But a lot of it has always struck me as the best parts in the songs.

If you are not familiar with Peter Matuchniak's music, this album here does serve as a nice introduction to what he does. I would like to recommend having the original albums so that you can enjoy Peter's guitar in the context of the whole song. But if that's unfeasible or you are just a really big fan of his work, then this album has a lot to offer.

 Sessions by MATUCHNIAK, PETER album cover Studio Album, 2020
3.98 | 5 ratings

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Sessions
Peter Matuchniak Prog Related

Review by kev rowland
Special Collaborator Honorary Reviewer

4 stars Although Peter Matuchniak is known for his solo releases, as well as being in bands such as Mach One, Gekko Projekt, Bomber Goggles and many others, he is also an in-demand session guitarist. This album sees him revisit songs he originally recorded for five different musicians, Marco Ragni, Hamlet Tinae. Shawn Gordon, Steve Bonino, and Simon Strevens, and re-interpret them. This may mean the song has been rearranged, or it may be an earlier draft of what finally appeared on the album itself. Details are also provided as to who played on what track, as well as which albums the songs are taken from. Given his long relationship with Marco Ragni it is of no surprise that of the 21 songs on offer, 14 were originally on work undertaken for that artist: there is just 1 from Strevens, and 2 each from the others.

Given that the artists are very different in their approach, it is not surprising to discover many different styles at play during the course of the album, which is mostly instrumental with only a few containing vocals. Peter has an incredibly fluid style, and his leads are always in keeping with the music at hand, much more than providing a million notes to the bar. Although there are times when he shows he can be strident with staccato chords and breaks, his most common approach is to provide strong melodic counterparts which emphasise the music and song itself as opposed to "See how clever I am". The guitarist which has had most impact on Peter's playing is probably Steve Hackett but given how diverse that particularly musician is in his own playing that is a wide palette. Peter also has the innate melodic understanding and style of both Gilmour and Latimer, while his phrasing is also reminiscent of Gary Chandler at times.

Put it all together and here is a guitarist who adds to the music of whatever performer he is working with, not taking over but always becoming an essential part of the sound while rarely dominating. I must confess to having not previously heard all of the songs on offer but do have many of the albums from which they have been taken. Hearing the songs in this format has inspired me to dust off the likes of Psychic For Radio (Shawn Gordon)'s album from 2012, while I need to check out more of Marco's material and one can never hear too much Steve Bonino. This is a great introduction not only to the wonderful melodic guitarwork of Peter Matuchniak but also to the albums from whence they originally came. Incredibly diverse, always enjoyable, with Peter being the link between them all, this is a wonderful way to discover his music.

 A Live Destination by MATUCHNIAK, PETER album cover Live, 2015
4.00 | 2 ratings

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A Live Destination
Peter Matuchniak Prog Related

Review by kev rowland
Special Collaborator Honorary Reviewer

4 stars Over the last few years I have been lucky enough to be able hear albums from both Peter Matuchniak and Steve Bonino which had otherwise passed me by, and here is yet another which includes both of them. The gig at Alvas Showroom in San Pedro, California, on 28th December 2014 was both recorded and videoed, and is available in both formats although here I have just the album. It contains sixteen songs, eleven of which appeared on Peter's album 'Destiny' which had been released earlier that year. Although Peter has been living in America for many years, he will always be a Londoner at heart and still sounds inherently British and could never be confused by anyone to be anything but (I am a proud Kiwi, have lived in NZ for nearly 13 years, am a full citizen, yet still sound as if I got off the boat yesterday). From his school days when he formed Janysium and later Mach One, he has a reputation for delivering class songs no matter the format, and that is very much the case here.

He has gathered together key musicians which allows him to flex his wings and he pointedly refuses to sit within any particular genre but moves from one style to another, blending and mixing and taking the listeners on a journey. There are times when it is quite Floydian with 'Dark Side of The Moon' style female vocals, others it does move into more American territory with Utopia as a reference, but for the most part this is good old fashioned English rock that feels far more Seventies than recent times. The use of a sax in this environment adds warmth and depth, beautiful piano runs adds to the diversity, while having multiple singers allows both for harmonies and for different people to take leads which all adds to the complexity and contrasting styles and emotions.

Yes, Peter can rock when he wants to (take sections of 'Product' for example), but this album is all about restraint and hitting the groove. In some ways it feels like a very high-quality bootleg, as this has not been tampered with or 'improved' so when there is the odd duff note it has stayed, and that for me is what a live album is all about. For anyone who has yet to hear it (and there must be a few as I had to add it to his listing on ProgArchives), then jump over to Bandcamp and see what I am talking about, purchase it and get a free digital copy of the video as well, What are you waiting for?

 Uncover Me by MATUCHNIAK, PETER album cover Studio Album, 2012
3.59 | 10 ratings

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Uncover Me
Peter Matuchniak Prog Related

Review by FragileKings
Prog Reviewer

4 stars If it weren't for the good fortune of discovering Peter Matuchniak thanks to his appearance on a Marco Ragni album, I might never have heard this modest little gem. In the world of progressive rock, there are the giants and there are the struggling underdogs, and then there is an album like "Uncover Me". Peter has actually had a long musical career as a member of different bands, but here he presents a collection of private songs in his own vision. While I'll admit I find his band Gekko Projekt to be more of an obvious choice, listening to this album again after a long while captured my attention more than previously. I guess sometimes you just need to be in the right musical headspace to appreciate an album. It's not like I wasn't interested before. But this time I was just that much more attentive. The trick I think is to put the album on a playlist and then listen carefully to each track with the idea that you're going to find the two best tracks and shave off the rest. That's when it suddenly dawned on me that I like nearly every track!

Peter's style here is an eclectic collection of smooth jazz-tinged songs, classic rock, seventies prog, and acoustic folk. The vocals are provided by Natalie Azerad and Ted Zhan and Peter himself, and capture the different moods of the music well. Ted's vocals are stronger, classic rock while Natalie's have a good tone for the jazzier tracks but also add a hint of Renaissance in the title track. In "Running Blind" she brings out the eighties hard pop sound of the song (I'm reminded of Fiona). "Lionheart Betrayed" is a beautiful acoustic piece about Peter's decision to leave London and head across the pond to America, and "Across the Pond" has is a late-seventies saxophone-led jazz piece. "London Vibe" is a Peter Matuchniak solo version of a track from Gekko Projekt's debut album.

The pair of tracks, "Falling Ash (Burning Landscape)" parts one and two cover Peter's strengths in classic seventies prog and rock, with a short Great-Gig-In-the-Sky-esque vocal bit by Natalie in part one and some flute and acoustic guitar in part two. There's a great keyboard solo near the end as well!

This is very much a personal album and I'll say that is has a lot of strong material on it. It might not be an album for everyone and doesn't pop out as an obvious choice. But I give Peter solid points for putting together a well-composed collection of songs and instrumentals that are like a very satisfying lunch you didn't expect at a restaurant that wasn't familiar to you before. A great album to listen to when you're not sure what you're in the mood for but want to hear something to surprise and delight you. A very nice addition to a prog rock collection!

 Destiny by MATUCHNIAK, PETER album cover Studio Album, 2014
3.25 | 7 ratings

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Destiny
Peter Matuchniak Prog Related

Review by Windhawk
Special Collaborator Honorary Collaborator

3 stars US based composer and instrumentalist Peter MATUCHNIAK was first active back in the '80s in England with neo-progressive bands Janysium and Mach One. Later on he moved to the US, and following a pause away from music he returned as a member of the bands Evolve IV and Gekko Project a few years back, and also launched a solo career with the release of "Uncover Me" in 2012. "Destiny" is his second solo album, released through Melodic Revolution Records in 2014.

"Destiny" comes across as a fairly sophisticated specimen of a soft rock production, a mainstream rock oriented album with strong ties to progressive rock and with a small handful of compositions inside the universe of the latter but where the majority of the material and the main scope is one I feel has been made with a broader reach in mind. A production that comes across as somewhat uneven on some levels, but that may well charm those who have an equal interest in jazz, soft rock and progressive rock.

 Destiny by MATUCHNIAK, PETER album cover Studio Album, 2014
3.25 | 7 ratings

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Destiny
Peter Matuchniak Prog Related

Review by Ivan_Melgar_M
Special Collaborator Honorary Collaborator

4 stars Soft and Classy Prog Related release

reviewers in sites as our's are sometimes hard with PETER MATUCHNIAK releases, mostly because they expect a full Progressive album, but this is Prog Related and we should expect something different. His style of music isn't the most complex in the market,but complexity isn't a goal to achieve "per se", it's good when it's the natural consequence of the composition, and not something to be expected in every album.

In Destiny he blends different styles from Prog, Blues Based Rock, Soft Jazz to some sort of vocal Pop, but the music is coherent and good?.Which the only thing that matters.

I've never been a fan of extremes, don't like ultra-complex Prog which I call "complexity for the sake of complexity" but neither I like extremely basic music that tells me nothing?..Peter has found the perfect balance between melodic rock and elaborate arrangements that I enjoyed from start to end.

My favorite songs are Destiny because the amazing guitar work by Peter during the instrumental breaks and the blend between Pop & Prog, plus Product an 8 minutes mini epic where the vocal work and piano are delightful specially in the closing section where Natalie Azerad provides a magnificent chorus that reminds me of Claire Torry in DSOTM.

Spies is also another track to listen carefully, because the jazzy atmosphere and the wonderful female vocal by Natalie Azerad, and even better if you listen it immediately after the previously mentioned being that both songs work perfectly in tandem.

The album is closed with Victory, which is the perfect ending for an album to be included in Prog Archives, an elaborate an interesting track from the Progressive Rock perspective, with surprisingly complex keyboard sections that break with the melodic nature of the record and gives the listener of this site a track with interesting changes and absolutely eclectic essence.

I won't describe all the other tracks because the comments would be very similar, but I have to mention the pristine production and the capable musicianship of all the members of the band who managed to maintain a beautiful melodic and oneiric atmosphere all along the album, except in the already mentioned Victory and the interesting Reprisal which sound closer to GEKKO PROJECT than to PETER MATUCHNIAK solo works.

If I was rating this album in Symphonic or any other 100% Prog sub-genre, I would be talking of 2.5 stars at the max, because it's not what we would be expecting, but we are in Prog Related, a category where Destiny fits perfectly, so in the context of a Rock album with Prog tendencies, I have to go with 4 stars.

 Destiny by MATUCHNIAK, PETER album cover Studio Album, 2014
3.25 | 7 ratings

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Destiny
Peter Matuchniak Prog Related

Review by Conor Fynes
Prog Reviewer

2 stars 'Destiny' - Peter Matuchniak (44/100)

To hear something called 'adult contemporary rock' is descriptive enough to conjure a fairly precise expectation of what the music will be like. That is surprising too, considering the only musician I know of who has ever adopted this seemingly contradictory style has been Peter Matuchniak, a progger-turned-soft-rocker (or is it the other way around?) I've had the pleasure of knowing for a couple of years now. While his work with Gekko Project fell into the realm of true-to-conventions prog rock, his unassuming solo debut Uncover Me was a more appealing and personal statement. Following it up with Destiny, Peter's second dive into solo work shares many of the same strengths and weaknesses as the first. The music benefits from a feeling of 'coffee shop' variety intimacy you don't often hear in soft rock, but severe issues with the beyond-sterile production on Destiny are more than enough to hold the album back.

The musicianship on Destiny is certainly capable, but there isn't much of an impression they're playing together as a band. Peter's production is remarkably clear and well-mixed, but there is something about the way it comes together that doesn't set right. There is plenty musicianship and experience to go around on Destiny, but where is the chemistry? Where is the organic interplay that should go with the territory? The production and multi-layered arrangements earn points on technical grounds, but there's no magic in the combined result. Granted, with today's largely digital home recording standards, it's easy to fall into this hole. With the fortunate exception of Matuchniak's guitar solos (which carry fitting resonance), it sounds as if the instruments were recorded in a closet one at a time with no direct collaboration between the musicians, only to be cut-and-pasted into the end result. The unfeeling execution isn't enough to damn Destiny entirely, but Peter and his friends are good musicians, and deserved to be heard in a better context.

One part of the sound that escapes the shortfalls of the instrumentation are the vocals. There is a certain warmth inherent to the human voice that, when sung with feeling, cannot be robbed by the most antiseptic production. Peter Matuchniak is a vocalist that acknowledges the limitations of his range, and makes the best of it regardless. There is a plain charm to his subdued performance that befits mellowed music like this more than a bombastic frontman ever could. The lyrics (which tend to revolve around a familiar apprehension towards modern society) are most often cheesy, but it's hard to make an issue of that when they're sung with passion (that, they are.) The only major gripe with the vocals comes in the form of a sort of spoken word mode Peter likes to go into per occasion; it's pretty awful, and sounds like a sleep-deprived Lou Reed talking to a mirror in preparation for a half-baked beat poetry night. Even that might be making it sound more interesting than it is. Mixing singing with spoken word is most often a recipe for disaster, and this is certainly no exception.

The biggest joy on Destiny are actually the female 'guest' vocalists; Natalie Azerad and Peter's daughter Alyssa. Alyssa Matuchniak is a boon to the band's sound; she sounds like a one-woman gospel choir, vocalizing behind the instrumentation to some great effect. Natalie Azerad's voice is showcased on the song "Spies", an exotic jazzy piece that ranks up with the best tunes the album has to offer. Hearing the vocorder'd female voice on "Go Slow" made for a pleasant surprise as well.

Even though Peter Matuchniak has networked within prog circles (his Gekko Project was indisputably proggy in nature) it would be a real stretch to call most of Destiny prog to begin with. The 'adult contemporary rock' term Peter labels his music with rings true in the slow, consonant mood of the songs. The fact that the last three tracks comprise a fourteen minute prog rock suite seems to clash directly with the rest of the album. In any case, I'm glad it did. "Reprisal", "Chaos", and "Victory" go a long ways towards redeeming the otherwise somnolent atmosphere on the rest of the album. While the performance doesn't quite escape the 'cut- and-paste' impression, the suite goes a hell of a greater ways to exposing the instrumentalists as great musicians.

In some ways, the prog suite comes too late to the party. Even past the lack of warmth in the production, I wonder if the typical songwriting might be too smooth, too mellow to have kept my full attention. Destiny does not appear to go out of its way to impress, nor does it. There is good material here, but the problems are profound enough to make it a mixed success at best. Even so, none of these issues are necessarily inherent to the art of Peter Matuchniak and his friends; heard live, I don't imagine musicians with their good intention and sincerity would have a hard time creating feeling in me if I ever saw them live. I hope I get the chance someday.

 Uncover Me by MATUCHNIAK, PETER album cover Studio Album, 2012
3.59 | 10 ratings

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Uncover Me
Peter Matuchniak Prog Related

Review by kev rowland
Special Collaborator Honorary Reviewer

4 stars Back in the 1980's Peter Matuchniak was part of the neo-progressive rock movement with Janysium and Mach One, before taking a break from the scene. He recently started making music again and has released albums with Gekko Projekt and Evolve IV while this is his debut solo album. One of the names I recognized from the band list was that of drummer Jimmy Keegan who replaced Nick D'Virgilio in Spock's Beard (as well as playing with Santana etc). This is an album of countless styles, yet they are all brought together by Peter's strong guitar work. There is a liberal use of sax which adds greatly to overall proceedings, and singers Natalie Azerad and Ted Zahn do a great job. While playing this I was trying to think what it reminded me of and it took a long time before I realized that in many ways this encompasses much of what Jeremy Morris delivers, except while Jeremy usually has just one style an album Peter goes from acoustic to psychedelic to 'classic' to prog to jazz to whatever he likes all in the one place. But, far from feeling disjointed this is very much a complete piece of work.

On the rear of the digipak Peter classifies this as "Adult Contemporary Rock (Progressive/Jazz/ Folk)" and who am I to disagree? This is an album that can be enjoyed on first hearing, but the more that it is played the more the listener gets from it as there is something here that draws you in, whether it is the calm and warm brass or the soaring Floyd-esque vocals. This is a mature album that fans of good music, whatever the genre, will find indispensible. www.progrockrecords.com

 Uncover Me by MATUCHNIAK, PETER album cover Studio Album, 2012
3.59 | 10 ratings

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Uncover Me
Peter Matuchniak Prog Related

Review by Conor Fynes
Prog Reviewer

3 stars 'Uncover Me' - Peter Matuchniak (6/10)

It takes a certain level of class and charm to make music that's both complex and mellow. Many jazz musicians are able to do this, navigating daunting skill while still managing to keep a venue's atmosphere chilled and laid-back. Even some classical music finds a balance between these two. Now, the work of multi-instrumentalist Peter Matuchniak is neither jazz or classical in nature, but the same principle applies to what he does on "Uncover Me". In spite of the rich orchestration and lengthy host of guest musicians, this album is- at its core, a down-to-earth and intimate piece of music. For better and worse, "Uncover Me" offers a brand of progressive rock that demands little of the listener.

Peter's in a few different bands, but I was first introduced to his music via Gekko Projekt, an instrumental prog fusion quartet that released its debut album earlier this year. Although I was not entirely sold on their sound, the one element that really stood out was Peter's guitar playing. He does not attempt to overtly impress his listeners with pyrotechnic displays, instead letting his guitar ferment and sing slowly. In this respect, he's a little like Jeff Beck. Approaching this solo record, I was surprised to hear so little of his lead playing.. In fact, much of "Uncover Me" is actually balanced off between the many instruments that come into play. The songwriting often takes something of an intimate singer-songwriter approach, but the wealth of different instruments and voices used holds the album firmly within the prog rock sphere.

Although Matuchniak is responsible for the compositions and arrangement on "Uncover Me", one has to wonder just how much of a solo album this really is. On top of the main man's major contribution, there are a total of eleven other instrumentalists cited as playing an active role in the sound. There is a male (Ted Zahn) and female (Natalie Azerad) singer here, as well as three saxophonists... But wait! One of these saxophonists (David Gilman) also delivers a flute solo that could have passed for Black Widow frontman Clive Jones himself. There's always something going on with "Uncover Me". Sadly, the number of musicians used never feels totally realized in what they could do. The only moment throughout "Uncover Me" where the music truly feels as ambitious as I thought it would be is during "London Vibe", an incendiary instrumental burst with saxophones ablaze.

I will remember "Uncover Me" for its lighter, acoustic songs, and this may be where Peter's songwriting tact reveals itself the most. "Lionheart Betrayed", "Sandcastles" and the sixties folk song "Hippy in the Rain" all steal my heart. The vocal work is most poignant in these moments, and the acoustic sound really works with Peter's sincere approach. Although the jazzier, rockier tunes on "Uncover Me" are well put-together, it does not carry the same emotional resonance. Even so, Peter Matuchniak has compiled a convincing batch of songs here, with influences across the board. It would have been nice to hear more of his acoustic-based songwriting, but it remains clear that Peter's big talent lies with the guitar. It will be interesting to hear where Peter goes next!

Thanks to ivan_melgar_m for the artist addition.

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