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The Fire Theft biography
THE FIRE THEFT was founded in 2003 as follow-up of SUNNY DAY REAL ESTATE which was based in the post-"emo" scene. Jeremy Enigk (g/vocs), Nate Mendel (b) and William Goldsmith (dr) went a step further with the new band. Their debut and so far only album brings sophisticated and dynamic pop rock with heavy prog influences from bands like Yes or Led Zeppelin.

Since the widely acclaimed debut "The Fire Theft" things seem to have slowed down. The band split with their label Ryko and in December 2004 announced a yet to be published new album.

Why this artist must be listed in :
A high quality and fresh band out of a scene that isn't connected with prog rock at first sight.

The Fire Theft, studio album (2003)

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3.96 | 9 ratings
The Fire Theft

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 The Fire Theft by FIRE THEFT, THE album cover Studio Album, 2003
3.96 | 9 ratings

The Fire Theft
The Fire Theft Prog Related

Review by TCat
Special Collaborator Eclectic / Prog Metal / Heavy Prog Team

4 stars Three musicians from the band Sunny Day Real Estate became known as The Fire Theft after the break up of the first band. For the most part, they rid themselves of the emo sound they had and created a new band in the style of indie/alternative bands. The music is not standard though, it doesn't really follow the traditional patterns of popular rock. The vocals are well done and don't feel self-pitying. The instrumental back ups and breaks are very well and tastefully done, with the band occasionally exploring new and interesting sounds.

Now, this is not a full fledged progressive band, nor do they claim to be. But they take on some progressive, or at least some original sounds, phrasing and very cool harmonics. There are some nice surprises throughout their only full album that give each and every song on here a personality of it's own. I am always afraid of indie or alternative bands that have a few good songs and then pattern all of their other songs after the same mold and the songs end up becoming non-interesting because nothing stands out. Not so with this album. It's hard to find anything that is not interesting here. The music flows forward and doesn't become stagnant. The addition of hooks that come at you from way out in left field at times keep the music fresh and interesting. The interesting harmonics that show up on occasion also make things original.

There are times when I hear a tendency to lean toward a slight post-rock sound, but not quite. In fact, there are passages, especially in the atmospheric chorus to the louder verses of "Chains" that reminds me of the more atmospheric songs of Oceansize, but without quite reaching the full development of that band. But the attempt is legitimate and impressive enough to not have to worry about the songs being weak copies of a better band. Then the longer track "Sinatra" is a decent attempt at something a little more challenging and really approaches progressive music with nice original song structure and dynamics. This is very enjoyable music.

Most of the songs feature great vocals, but there are a few instrumentals here including the short, but interesting "Waste Time Segue", the backward sounding guitar on the otherwise forward sounding song "Backward Blues", and the changing rhythms and moods of the mostly instrumental song "Rubber Bands" are not filler, but have purpose and life of their own. They feel like they belong on the album with the rest of the songs.

I am surprised that the band didn't manage to put out anymore material. I know there was another album planned and also a video album, but neither of these happened for whatever reason. I can't help but think they may have tried a little more experimentation, but I suppose we'll never know.

Anyway, if you are feeling like something a little more mainstream, but not traditional with hints of prog and a lot of originality, this would be the album you are looking for. It's not mindless cookie- cutter material and has just enough individualistic tendency to be considered an excellent addition to your collection. If you can find it, which I still see copies of it around, then by all means, give it a try. I think you will be as surprised as I was.

 The Fire Theft by FIRE THEFT, THE album cover Studio Album, 2003
3.96 | 9 ratings

The Fire Theft
The Fire Theft Prog Related

Review by Peter Pan
Prog Reviewer

4 stars On this self-titled debut album "The Fire Theft" produces a very dense, fresh and unique sound that's thrilling and most entertaining. Jeremy Enigk's vocals are fragile and soft as a breath and get anchored by his dynamic guitar riffs and the earthy rythm section of William Goldsmith on drums and Nate Mendel on bass guitar.

"The Fire Theft" is like a caleidoscope. Two of the thirteen songs and the latter half of the lenghty last track are improvisation-like "colour washing", but the rest of the tunes are shining little gems with constantly changing rythms and harmonies. Song structures are complex and versatile without being too sophisticated. Vocals, electric guitar, keys, bass guitar and drums are perfectly produced and arranged, synths and orchestra are used very carefully. The mood of this album melts the light and easy feeling of a carefree summer's day with fear and uncertainty that dark clouds on the horizon might bring. The sound might remind you of bands like the early Yes.

For a first impression listen to "Oceans Apart" or "Chain".

The extraordinary fourtimes fold cover is as nice and unusual as the music is.

Thanks to Peter Pan for the artist addition.

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