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LED ZEPPELIN

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Led Zeppelin biography
Led Zeppelin formed in 1968 as a residue of The Yardbirds. Jimmy Page was the last remaining member and had to fulfill some concert obligations in Scandinavia. Page teamed up with John Paul Jones, with whom he worked with on previous session engagements, and they decided to form a band together, after contributing to Donovan's Hurdy Gurdy Man album , they started searching for a singer and a drummer to complete the band. Page went to see Robert Plant on recommendation by Terry Reid (Terry didn't want to do the vocals, he also turned down DEEP PURPLE for that matter), and immediately loved his voice and stage appearance, Robert Plant on his turn recommended John Bonham for drums with whom he played before in his Birmingham based band "Band Of Joy". The band members hit it off immediately and together they went on the Scandinavian tour as 'The New yardbirds". Considering their intend of forming a rock band they needed a proper name. Keith Moon once commented on the New Yardbirds show "This band will go down like a lead balloon" and derived from that came the new name of the soon to be legendary band Led Zeppelin.

Over the years Led Zeppelin came in many guises, from the heavy blues rock that dominated their first two albums, to the folk and acoustics that made up half of their 3rd and 4th album, and the more funky, even slightly progressive Houses of the Holy, and the bombastically baroque Physical Graffiti to the classic rock that prevailed in their last two albums. Led Zeppelin can be categorized as a heavier continuation of what Cream set in motion, with blues drenched, folk inflected and guitar dominated rock, using all the different styles rock could be played in, from blues, to folk, funk, pop, classical elements, Rock and Roll and metal, with side-steps that even included country and reggae, as well as psychedelic and large portions of what can be considered progressive rock. Aside from being a great rock band, their influence was felt throughout the heavy rock spectrum.

Typical elements in Led Zeppelin sounds are the funky electric guitar drives, delicate and technical acoustic guitar pieces, sophisticated multi-layered arrangements, a fabulous rhythm section with heavy drumming from John "Bonzo" Bonham and great groovy bass lines and keyboards from multi-instrumentalist John Paul Jones, and ...
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Led Zeppelin I (Deluxe CD Edition)Led Zeppelin I (Deluxe CD Edition)
Atlantic Catalog Group 2014
Audio CD$16.99
Led Zeppelin III (Deluxe CD Edition)Led Zeppelin III (Deluxe CD Edition)
Atlantic Catalog Group 2014
Audio CD$16.99
Led Zeppelin II (Deluxe CD Edition)Led Zeppelin II (Deluxe CD Edition)
Atlantic Catalog Group 2014
Audio CD$16.99
Led Zeppelin IV (aka ZOSO)Led Zeppelin IV (aka ZOSO)
Import
Atlantic 1994
Audio CD$3.83
$1.27 (used)
Celebration Day (Deluxe Edition 2CD, 1 Blu-Ray, 1 DVD (CD sized digipak)Celebration Day (Deluxe Edition 2CD, 1 Blu-Ray, 1 DVD (CD sized digipak)
Atlantic 2012
Audio CD$28.74
$12.95 (used)
Physical GraffitiPhysical Graffiti
Import
Swan Song 1994
Audio CD$4.22
$5.09 (used)
Houses Of The HolyHouses Of The Holy
Import
Atlantic 1994
Audio CD$3.82
$1.83 (used)
MothershipMothership
Atlantic 2007
Audio CD$6.27
$2.09 (used)
PresencePresence
Import
Atlantic 1994
Audio CD$1.86
$0.99 (used)
BBC SessionsBBC Sessions
Atlantic 1997
Audio CD$5.30
$4.34 (used)
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LED ZEPPELIN shows & tickets


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LED ZEPPELIN discography


Ordered by release date | Showing ratings (top albums) | Help Progarchives.com to complete the discography and add albums

LED ZEPPELIN top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.97 | 609 ratings
Led Zeppelin
1969
3.89 | 600 ratings
Led Zeppelin II
1969
3.91 | 572 ratings
Led Zeppelin III
1970
4.37 | 761 ratings
Led Zeppelin IV
1971
3.87 | 561 ratings
Houses Of The Holy
1973
4.01 | 560 ratings
Physical Graffiti
1975
3.37 | 404 ratings
Presence
1976
2.90 | 379 ratings
In Through The Out Door
1979

LED ZEPPELIN Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.73 | 202 ratings
The Song Remains The Same (Soundtrack)
1976
4.29 | 115 ratings
BBC Sessions
1997
4.38 | 149 ratings
How The West Was Won
2003
4.62 | 70 ratings
Celebration Day
2012

LED ZEPPELIN Videos (DVD, Blu-ray, VHS etc)

3.94 | 114 ratings
The Song Remains The Same (Film)
1990
4.43 | 126 ratings
Led Zeppelin
2003
2.85 | 6 ratings
Rock Milestones Led Zeppelin's IV
2005
4.67 | 3 ratings
The Led Zeppelin In Concert (extract from 'The Song Remains The Same')
2005
4.67 | 3 ratings
Complete Rock Case Studies
2009

LED ZEPPELIN Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.17 | 4 ratings
2 Originals Of Led Zeppelin
1974
2.35 | 182 ratings
Coda
1982
2.21 | 6 ratings
The 10 Legendary Singles
1989
3.90 | 31 ratings
Led Zeppelin (Box set)
1990
4.12 | 65 ratings
Remasters
1992
3.78 | 14 ratings
The Complete Studio Recordings
1993
3.96 | 15 ratings
Boxed Set II
1993
3.55 | 31 ratings
Early Days: The Best of Led Zeppelin Volume One
1999
2.84 | 29 ratings
Latter Days: The Best of Led Zeppelin Volume Two
2000
3.68 | 45 ratings
Mothership
2007

LED ZEPPELIN Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

2.89 | 17 ratings
Good Times Bad Times
1969
3.71 | 18 ratings
Whole Lotta Love
1969
4.27 | 15 ratings
Immigrant Song / Hey, Hey, What Can I Do
1970
4.81 | 27 ratings
Stairway To Heaven
1971
3.50 | 7 ratings
Black Dog/Misty Mountain Hop
1971
4.23 | 13 ratings
Rock And Roll / Four Sticks
1972
3.80 | 18 ratings
D'yer Maker
1973
4.27 | 15 ratings
Trampled Underfoot
1975
3.67 | 9 ratings
Wearing And Tearing
1982
3.95 | 10 ratings
The Girl I Love
1997
4.25 | 12 ratings
Whole Lotta Love
1997

LED ZEPPELIN Reviews


Showing last 10 reviews only
 Physical Graffiti by LED ZEPPELIN album cover Studio Album, 1975
4.01 | 560 ratings

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Physical Graffiti
Led Zeppelin Prog Related

Review by voliveira

5 stars 9/10

More than the Kashmir album, in fact.

And here we are. This is my fifth entry in the catalog of Led Zeppelin, and this time they are already one of my favorite bands for a long time. Seeing the ratings here, he is the second best rated behind the band IV, but there is so much controversy surrounding it, especially with many questioning the real need for this to have been a double album - especially the D side, which is considered much weaker than the other. This is something that I'll talk later, but first let's deal with the context in which Physical Graffiti was released .

In 1975 Led Zeppelin was probably the greatest band in the universe. They were on top of the world, and the bands that arose wanted to be like them. Remember that the NWOBHM had not yet arisen, and prog was about to face the menace of punk. At this point Page, Plant, Bonham and Jones had already consolidated their careers, then came up with his most ambitious project: a double album where almost half of the songs had been planned (but not placed) on the previous albums.

The result? Another masterpiece. But the question I want to put out is that Physical Graffiti gathers everything the band has done so far - and with "everything", I mean all the sounds that had already been tried by the quartet. Here are the blues rock, psychedelic music, hard rock and metal raw, pompous progressive rock and even different elements such as oriental music and boogie-woogie. Not to mention its iconic case full of mysterious elements.

Maybe in the end is the fact that so distinguished a release from the band that has made me love this album . I mean, all the members are great as usual ( despite feeling that Plant 's voice seems more tired than on previous albums ) , but if I could choose two prominent figures would surely Jones and Bonham . Bonzo is a god of drums, it can not be denied , and for me he was always a man ahead of his time, both in terms of style, technique and methods of recording your instrument. I love the things he does on songs like In My Time of Dying ( in the middle section , where it doubles the speed compass on cymbal ) and Houses of the Holy , where we can hear a cowbell - beyond the anthology issue of The Rover (a song that I first met in the version of Dream Theater before hearing the original). And Jones... as a bassist he is truly phenomenal ( how its bass contrast with the guitar Page in In My Time of Dying is one of the great things that album ) , but for me it's like multi - instrumentalist he highlights . Just see how there is a strong use of clavinet on some songs like Custard Pie and Trample Under Foot , enriching the band's music .

But the thing that surprised me most was to see me postivamente here as there are plenty of songs that stand out far beyond Kashmir always cited . I am not denying the epicidade this song, but the question is ... Physical Graffiti is not limited to it alone ! Since opening Custard Pie , with killer riffs of Page blending the clavinet and bass Jones , I knew this was going to be a new experience . This is a song along the lines of the band , including up wah-wah solo and harmonica Plant. The Rover is another highlight , especially the melody of the chorus , absolutely unforgettable. So once we got the "pièce de résistance" of this album, the epic In My Time of Dying , the longest song the band has ever recorded - and like the other two above 10 minutes ( Achilles Last Stand and Carouselambra ) , is one of their best . It is interesting to see how their longer songs escape the usual prog "standards" . In My Time ... for example , is heavily planted in the blues rock , the plaintive vocals accompanied by slide guitar Plant Page, the contrasting Jones' bass and Bonham initially restrained drums . When this song explodes... wow . It is one of the best things I've ever heard of these guys , seriously. I feel a chill down my spine when the guitar tone of Page changes on your killer solo. After 7 minutes the music back to its initial theme , and at 8 we are presented with the following lyrics: "Oh my Jesus, oh my Jesus...", and the song explodes again, heading for his extended final ( Plant is having an orgasm here? haha ) . The song ends in a relaxed way , with the voice of Plant disappearing in the words "Oh, do not you make it my dying, dying, dying..." to reveal Bonham Robert coughing and then completing the last sentence: "cough". An epic classic.

Side B opens with Houses of the Holy, a direct and accessible metal. Funny that this song was rejected for the album which was intended - one that takes its title (a situation similar to the song Sheer Heart Attack by Queen, which is on the album News of the World). Trampled Under Foot is the weakest song on this first album, although containing a remarkable solo clavinet Jones. And Kashmir... what to say beyond what has already been said thousands and thousands of times? The classic opening, with powerful instrumentation strings accompanying the band in weight, creating this unique atmospheric and mystique that accompanies the rest of the song. A classic that speaks for itself.

Ok , everything is going well... but I have to say, C side of the album is actually my favorite . In my view it is completely flawless, with three of its four songs remain among my favorites of the whole discography of the band. It opens with the mystical introduction of In The Light , the band probably proggiest here (I thought that there was a synthesizer being used here, but is actually Page playing guitar with violin bow ). This song is quite slow , the vocals of Plant contributing even more to the mystical atmosphere of the song, while Jones performs a synthesizer. The structure will repeat it yet again, although in the end the extended solo Page is accompanied by the letters " In the light, everybody needs the light ." Bron - Yr- Aur is an acoustic piece beautifully performed by Page, who reminds me a lot Black Mountain Side 's first album (although without the tabla drum ). Down By the Seaside became a personal favorite of mine. I have this habit of loving the understated ... had never heard this song until you hear the album, and yet it was love at first sight. . The guitar effects used by Page are among some of my favorite moments of this guy, and for some reason always associate this song to something that the Queen could do (must be because of Seaside Rendezvous). It's an admittedly soft rock music, and we could tell that there is a ballad on this album, it would be her. Ten Years Gone was the second song of this album that I met after Kashmir, and since then I have been quite fond of it. Again Page is the star here, appropriating the electric sitar in the main parts of the song, while the lyrics about a relationship that Plant had. Even having heard other pearls of this album, this song is still signed as one of my favorites of all time.

And here we come... in the cause of discord. It is true that D side does not equal to others , and is in fact the weakest here - but not nearly the tragedy painting. Okay , I could live without Night Flight and Black Country Woman, which in my opinion are the weakest on the disc, but the rest I like (although admits Boogie With Stu is a guilty pleasure ). But The Wanton Song and Sick Again are some of the strongest records here, deliciously heavy songs showing the band in their full powers. The issue is not the songs that make up the D side - that is, in my view, it really sounds anticlimactic after everything we hear. I think if he had been traded to the B side things would have been better - agree, Kashmir would have been an even better closure to the album than Sick Again.

In the end, putting everything in balance, but this album is a masterpiece , but even with songs that have become some of my favorite of the group, not seen as superior to IV and Houses of the Holy. 4.5 stars, rounded up.

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 Led Zeppelin II by LED ZEPPELIN album cover Studio Album, 1969
3.89 | 600 ratings

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Led Zeppelin II
Led Zeppelin Prog Related

Review by Prog 74

3 stars Recorded somewhat haphazardly over several months in 1969 Led Zeppelin's second album is not as bracing as the first album was. This album does manage to rock hard, but some of the tracks feel like leftovers from the first album. "Whole Lotta Love" is one of the greatest hard rock tracks ever recorded and features one nasty riff. It's powerful & erotic. During the Vietnam War tank drivers would play this track when heading into battle. A real monster of a song and would help make the band extremely popular for the next several years thereafter. "What is and What Should Never Be" is another good track, fluctuating between loud and soft. It also allows one to catch their breath a bit after the storming "Whole Lotta Love". "The Lemon Song" has a nice, fuzzed out riff, but is actually a fairly forgettable song and sounding like a leftover from the first album. "Thank You" is a rather syrupy ballad. It does nothing for me, but it probably won them a lot of female fans though. "Heartbreaker" is a fierce rocker, with another killer riff. This song is almost as good as "Whole Lotta Love" and it's certainly one of the best tracks on the album. Unfortunately it's immediately followed up by the dreadful "Living Loving Maid". An ode to groupies basically and a real throwaway of a song. Many classic rock stations will play "Heartbreaker" and "Living Loving Maid" together, which I really can't stand. Why ruin a great song by also playing a weak one? It just leaves a bad taste in my mouth. Fortunately things improve in a hurry with the outstanding "Ramble On". One of the proggier songs Zeppelin recorded and features some nice fantasy based lyrics showing Robert Plant's interest in J.R.R. Tolkien. Not only that, but Plant sings beautifully throughout with Jimmy Page playing a nice acoustic riff. This is probably the second best song on the album after "Whole Lotta Love". John Bonham's drum solo showcase, "Moby Dick", comes next. Nice riff, but the tune is nothing more than filler. Concluding the album is "Bring it on Home" with Robert Plant doing his best Sonny Boy Williamson imitation. The harmonica is a nice change of pace, but once the song starts rocking it's really fairly forgettable. A nice throwaway, nothing more. Over all an important addition to any classic rock enthusiast's library, but not necessary for progheads.

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 Led Zeppelin by LED ZEPPELIN album cover Studio Album, 1969
3.97 | 609 ratings

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Led Zeppelin
Led Zeppelin Prog Related

Review by Prog 74

5 stars I remember it well. I was 13 years old and had just received my uncle's collection of 8-track tapes from the 60s & early 70s. He was now living abroad and no longer wanted them. In the garage I found my father's still functioning 8-track tape player (in 1987 there weren't many of them left), dusted it off and hooked it up to my stereo in my bedroom. My dad also gave me his very cool 70s vintage stereo headphones, though I am sure it had more to do with him wanting to control the volume reverberating through the walls in my bedroom. At this time in my life I was a metalhead. 80s metal ruled my life. Everything from Judas Priest & Iron Maiden to Guns N Roses & Motley Crue. I also listened to some 70s hard rock bands like Aerosmith and especially Kiss. However Led Zeppelin was a band I had often heard about, but never investigated. As I began to dig through the box of 8-tracks I pulled out classic album after classic album from the likes of the Beatles, Bob Dylan, Cream, Jefferson Airplane, Jimi Hendrix, Santana, Blind Faith, Crosby Stills & Nash, Yes, Pink Floyd, Derek & the Dominos, Jethro Tull, King Crimson, Black Sabbath and the Byrds. That box of tapes changed my life man. I can't really explain it. Listening to all of this music that was unknown to me at the time was like a religious experience. I was a changed man. Overnight I pretty much stopped listening to 80s metal and plugged myself into classic rock from the 60s & 70s. Music that I am still plugged into over 25 years later. Among those wonderful tapes was this classic first album by Led Zeppelin. Finally! Now was my chance to hear this legendary band. I put the tape in and apparently the last time my uncle played it was during You Shook Me, since that is the first song that came blasting through my stereo speakers. No one was home at the time, so there was no need for the headphones. I was floored by the heavy bass, the searing bluesy guitar, the pounding drums and by the wailing singer. I've never heard anything like it. Song after song kept me enthralled. Communication Breakdown (what a riff!), Dazed & Confused (that bass is incredible!), Babe I'm Gonna Leave You (such passionate singing!). The whole album was a revelation. Every song perfect. Love the organ into to Your Time is Gonna Come, the trippy acoustic Black Mountain Side and the heavy blues of How Many More Times. This album picks up where Cream left off. It may not be considered progessive by some, but there certainly was nothing like it before. One of the greatest debut albums in rock history, along with Black Sabbath, King Crimson, Emerson Lake & Palmer, the Jimi Hendrix Experience & the Doors. Led Zeppelin's first album absolutely smokes. Most of those 8- tracks did not survive more than a couple of plays (not surprising), but that was enough to get a taste for these different bands and to eventually replace the the broken tapes with their cd counterpart. This album was one of the first cd's I ever bought. Absolutely essential.

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 Houses Of The Holy by LED ZEPPELIN album cover Studio Album, 1973
3.87 | 561 ratings

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Houses Of The Holy
Led Zeppelin Prog Related

Review by thwok

5 stars Houses of the Holy, I think, is the cream of the Led Zeppelin crop. Looking at the ratings for other Led Zeppelin albums on this site, I see that Physical Graffiti and 4 have higher overall scores. As I mentioned in my review of 4, maybe it's just a matter of oversaturation. You don't hear songs from Houses of the Holy played on rock music stations as often. Houses of the Holy is my top choice, and I give it 4 and 1/2 stars.

There's a lot of variety on this album. Houses of the Holy encompasses the funkiness of "The Crunge" and the reggae-ness of "D'yer Maker". One of the reasons I love Houses of the Holy is the off-kilter rhythms. They're ample evidence for my belief that John Bonham was the best drummer in hard rock. What there is hardly any of on Houses of the Holy, for a change, is blues. Picking a favorite track would be extremely difficult. I like "Nor Quarter" a lot, because it's so different. My favorite might the beautiful, mellotron-drenched "The Rain". For its variety and great songwriting, Houses of the Holy earns four and a half stars.

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 Led Zeppelin III by LED ZEPPELIN album cover Studio Album, 1970
3.91 | 572 ratings

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Led Zeppelin III
Led Zeppelin Prog Related

Review by thwok

3 stars For me, Led Zeppelin III is the weakest of their initial 4 classic releases. It took me a while to post my review of this one; it's been written for weeks. I guess I don't want to spend time posting reviews that are simply a laundry list of negatives. It's still Led Zeppelin, one of the most influential bands in rock music history. It earns 3 stars in my book; it's just not up to the level of the others. There is a lot of folk/blues on this record, but Led Zeppelin had already covered that territory before. Led Zeppelin II was more varied and more of a step forward.

Led Zeppelin III does contain a few of their classic tracks. "Gallows Pole" and the lovely "Tangerine" are real gems. They are preceded by "Since I've Been Loving You", one of their best tracks IMO. It's without a doubt one of the best melodies Jimmy Page ever wrote. I don't mean to be severely critical of Led Zeppelin III. Almost all of Led Zeppelin's output is excellent. Although this album may not achieve the same level of artistry as its siblings, they are all cornerstones in the development of heavy metal. Therefore, Led Zeppelin gets a solid 3 stars.

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 Physical Graffiti by LED ZEPPELIN album cover Studio Album, 1975
4.01 | 560 ratings

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Physical Graffiti
Led Zeppelin Prog Related

Review by Meltdowner

4 stars Physical Graffiti is a great album because it's like a compilation of all the Led Zeppelin's fases: from Blues Rock (Led Zeppelin IV), to acoustic (Led Zeppelin III) and Prog related (Houses of The Holy) songs. So this is a good starting point to someone who never heard a album from them. My favorite tracks are "Kashmir", "In The Light", "Down By The Seaside" and "Ten Years Gone" since they are the most interesting to anyone who want to discover their Prog side. I don't think it's a masterpiece because it has some weak moments: "Sick Again", "Boogie With Stu" and "In My Time Of Dying" is too long.

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 Led Zeppelin IV by LED ZEPPELIN album cover Studio Album, 1971
4.37 | 761 ratings

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Led Zeppelin IV
Led Zeppelin Prog Related

Review by thebig_E

5 stars Call this overrated all you want, this will always have its place in rock music history. Untitled (aka ZoSo, Four Symbols, Runes, Led Zeppelin IV) is an achievement; every song is good. I can't think of one weak moment on the entire thing.

Containing some of their most popular songs, including the much sought after "Stairway To Heaven", Zeppelin's fourth album is very much a semi greatest hits. The song "When The Levee Breaks" contains one of the best drum beats ever recorded.

If you only buy one Zeppelin album, this is the one to go with. Don't just listen to my opinion though, go make this a part of your collection right now.

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 Led Zeppelin by LED ZEPPELIN album cover Studio Album, 1969
3.97 | 609 ratings

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Led Zeppelin
Led Zeppelin Prog Related

Review by thebig_E

4 stars 4.5 stars. Possibly the greatest debut album of all time. Each song has an energy and a hook. "Good Times Bad Times" starts off rocking and sets the mood for the rest of the album. There is an easily recognizable blues influence as well as hard rock. Some of the songs are covers but they're done well.

"Dazed and Confused" and "How Many More Times' are among Led Zeppelin's best work. They're both heavy and multi-layered tracks. The experimentation was also there from the beginning with "Black Mountain Side". This debut signified everything Led Zeppelin was about. They would go on to make better ones in the future but this record was a high point early on in their career. A monumental record. Too bad critics at the time couldn't see that.

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 Led Zeppelin by LED ZEPPELIN album cover Studio Album, 1969
3.97 | 609 ratings

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Led Zeppelin
Led Zeppelin Prog Related

Review by maryes

3 stars In several conversations with my friends about progrerssive music always be some recurrent themes... one of this themes was about LED ZEPPELIN and the main discussion is " Led Zeppelin had something with prog rock? " In my point of view the answer as yes. However, is not the specific case from this first album ! Although, in some tracks they search some "innovations" in their music this album are more "framed" in a type of psychedelic blues, certainly a reflex from the origins from the band members! Talking about the album in itself, are very few progressive or related moments, one of this moments as in the track 4 "Dazed And Confused" and his musical passages ( which in live performances assumes the form of full of improvisations suite), the hammond-organ introduction in track 5 "Your Time Is Gonna Come" and the last track "How Many More Times" and the guitar and drums instrumental "acting". My rate is 3 stars !!!

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 Physical Graffiti by LED ZEPPELIN album cover Studio Album, 1975
4.01 | 560 ratings

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Physical Graffiti
Led Zeppelin Prog Related

Review by TCat

5 stars Many people ask why Led Zeppelin is included in the prog archives. Well, if it weren't for the Prog- related category, then I really can't see why they would be here. They touch upon progressive rock at times, but, except for maybe "Achilles Last Stand" and "The Rain Song", they really don't develop and explore it much. So it is hard to give a decent review to an excellent album like "Physical Graffiti" in the Prog Archives using the rating system as described. But, my line of reasoning here is, that LZ did stretch the boundaries of rock here and they made an amazing rock record because of it, and, since Prog-related is a category, then it stands to reason that it can be considered a masterpiece in the Prog Archives.

I love this album for a lot of the same reasons that a lot of LZ fans and Prog archivists don't love it as much. I love it for it's variety and for it's explorations, for the boundaries of the typical LZ sounds that were stretched here. It's a double album that does not wear out it's welcome (except for the very weak last track "Sick Again").

So, there is a lot of discussion about this being an inconsistent album because it includes new songs and several older songs that were recorded previously and not used on other albums for whatever reason. Honestly, I never even knew this until I read some reviews here. I never thought any of these tracks sounded out of place, they always sounded like LZ was exploring their sound and venturing into new territory which, after all, isn't that what being progressive is all about? People argue that the new songs sound like LZ was losing it's edge. The funny thing is, that after reading a lot of reviews here, the songs that most reviewers like and consider to be more like the older LZ sound were actually the newer songs

. So, which songs were written specifically for this album and which ones where previously recorded? Here is a list: Songs that were previously recorded and left off of other albums were (drum roll please) 1) Bron-Yr-Aur (a short acoustic guitar solo recorded for LZIII) 2) Night Flight, 3) Boogie with Stu, 4) Down By the Seaside (#2,3,4 were all intended to be used on LZ IV which most people consider the highlight of LZ studio work which I disagree with...in fact I think their inclusion would have made it a better album and most LZ fans hate "Boogie with Stu" for whatever reason, it would be interesting to see what their reaction would be in an alternate universe where these songs were included on LZ IV), 5) Black Country Woman, 6) Houses of the Holy, 7) The Rover (5, 6, and 7 were recorded for "Houses of the Holy" album which I think was an underrated album also btw except for "The Crunge" which should never have been released anywhere). The list of songs recorded specifically for this album were 1) Custard Pie, 2) In My Time of Dying, 3) Trampled Under Foot, 4) Kashmir, 5) In the Light, 6) Ten Years Gone, 7) The Wanton Song and 8) Sick Again. What I am trying to say here is that LZ did not lose their edge at this point, and with the songs that are now considered classics in rock being recorded specifically for this album (specifically thinking of "In My Time of Dying" and "Kashmir") only proves this. The better songs in most of the reviewers opinions were the ones recorded for this album. Even though there is a mix of what they consider good and bad in both lists, it seems that the real staples were recorded at this time.

What I would like to say is that your argument about LZ losing their edge at this time is invalid, but of course, it's always a matter of opinion when it comes down to it in the end. The only song I don't like here is "Sick Again" and its a sin that it also ends the album on a bad note. The rest of the songs are 5 star quality in my opinion and I absolutely love the variety here. I can also consider this a progressive masterpiece because 1) it is included here in the Prog Archives under a legitimate category (Prog related) and 2) I feel that LZ was progressing by exploring their signature sound and there is nothing wrong with that. The only place they really messed up was on the album "In Through the Out Door" with the track "Carouselambra" which, no matter how I try, I cannot seem to take a likening of any sort to. In my opinion, "Houses of the Holy" and "Physical Graffiti" was LZ at their peak with LZ III and "Presence" being very close. Not bad for being prog related!

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