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BEAU DOMMAGE

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Beau Dommage biography
Beau Dommage is an obvious band that marked Québec scene in the seventies. This band was formed by some members of La Quenouille Bleue, a drama troop. Michel Rivard (the singer), Michel Hinton (keyboards since 1975), Robert Léger (keyboards, flute) and Pierre Huet (lyricist) met in this troop. The decided to create a band together, they practised every week and they wrote a couple of songs. After a while, Rivard asked to Pierre Bertrand (guitar, bass, vocals), one of his old friends to join them in the band. After that arrived Marie-Michèle Desrosiers (keyboards, vocals). The band was completed.
Beau Dommage released five studio albums, they were all acclaimed commercially. Most of these albums were not totally prog, but in 1975, they released Où est passée la noce?, a full progressive. It was their second album, and their peak, musically.


::: Bio written by Gabriel Rivest (Tsevir Leirbag), Quebec, Canada :::

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Un Autre Jour Arrive En VilleUn Autre Jour Arrive En Ville
Import
EMI 2007
Audio CD$13.95 (used)
Beau DommageBeau Dommage
Import
Audiogram 2007
Audio CD$9.50
$1.88 (used)
Meilleur De Beau DommageMeilleur De Beau Dommage
Import
EMI France 1998
Audio CD$6.44
$5.44 (used)
Anthologie: 25 Grands SuccesAnthologie: 25 Grands Succes
Import · Remastered
EMI 2000
Audio CD$38.24 (used)
Ou Est Passee La NoceOu Est Passee La Noce
Import
EMI 2007
Audio CD$18.99 (used)
PassagersPassagers
Import
EMI 2007
Audio CD$16.94 (used)
RideauRideau
Import
Audiogram 2007
Audio CD$28.21
$11.99 (used)
Beau Dommage Au ForumBeau Dommage Au Forum
Import
EMI Music Canada
Audio CD$59.99 (used)
Beau Dommage S/T vinyl recordBeau Dommage S/T vinyl record
CAPITOL RECORDS
Vinyl$12.00 (used)
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BEAU DOMMAGE discography


Ordered by release date | Showing ratings (top albums) | Help Progarchives.com to complete the discography and add albums

BEAU DOMMAGE top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.80 | 10 ratings
Beau Dommage
1974
3.67 | 16 ratings
Où est passée la noce?
1975
3.22 | 9 ratings
Un autre jour arrive en ville
1976
2.15 | 8 ratings
Passagers
1977
3.00 | 5 ratings
Beau Dommage
1994

BEAU DOMMAGE Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

BEAU DOMMAGE Videos (DVD, Blu-ray, VHS etc)

BEAU DOMMAGE Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.50 | 2 ratings
Plus de soixante minutes avec Beau Dommage
1987

BEAU DOMMAGE Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

2.00 | 1 ratings
Échappé belle
1994

BEAU DOMMAGE Reviews


Showing last 10 reviews only
 Où est passée la noce? by BEAU DOMMAGE album cover Studio Album, 1975
3.67 | 16 ratings

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Où est passée la noce?
Beau Dommage Prog Related

Review by apps79
Special Collaborator Neo Prog Team

3 stars By no means a band close to the likes of Quebec Folk/Prog, Beau Dommage was a rather poppy but extremely popular Folk Rock act back in the 70's, formed in 1972 by guitarist/singer Michel Rivard, flutist/pianist Robert Leger and lyricist Pierre Huet, soon to be joined by bassist Pierre Bertrand, female singer Marie Michèle Desrosiers and drummer Real Desrosiers (no relation between the two though).Beau Dommage became famous already from their self-titled debut from 1974, released on Capitol.By their second album Michel Hinton had joined the band on piano (having played with Rivard and Bertrand in La Famille Casgrain in late-60's) and their sophomore work ''Ou est passée la noce?'', recorded at Studio Tempo in Montreal between March and July of 1975, sees the light again on Capitol.

First side showcases what was already expected by a group such as Beau Dommage: Harmonic Folk Pop/Rock with sweet melodies and dreamy tunes, based on piano and acoustic guitars, a bit reminiscent of CANO and flirting often with Country Music.A couple of pieces though escape from this basic rule, like the excellent instrumental ''Bon debarras'', which is pure and intricate Prog Rock with a slight FOCUS vibe in the jazzy guitar interludes and heavy flute and keyboard parts close to JETHRO TULL and GENTLE GIANT, or the longer and very poetic ''Heureusement qu'il y a la nuit'', which remains poppy overall, but certainly bursts a more atmospheric and dramatic approach by the group.Then comes the flipside to put things in another level with the 20-min. suite ''Un incident a Bois-des-Filion'', the first and last attempy by the group to produce music close to the monumental style of Canadian Prog Folk.This tracks comes as a combination of L'ENGOULEVENT with CONNIVENCE, next to some MANEIGE touches at moments, exploring the more dense side of Folk Rock, drawing influences from more theatrical music styles and eventually balancing the acoustic passages with refined electric tunes, offering an elaborate Progressive Rock with folky and symphonic leanings.Very good parts with Classical inspirations, smooth but very intense interplays, singing Pop sensibilities and a nice bunch of electric solos with ethereal, rural melodies around combine for a beautiful piece of artistic Rock music with a memorable atmosphere.

Beau Dommage produced a couple of more albums, returning to their more accesible Folk Rock side and finally disbanding in 1978.Almost all members followed decent to succesful solo careers, while the group was reformed in a few occasions, mainly for live shows.

While Beau Dommage will never be considered as a strong represenative of the Quebec Prog scene, ''Ou est passée la noce?'' is definitely a work to be discovered by Prog fans.Melodic and mellow folky Prog Music with interesting arrangements, especially on its 20-min. epic track.Recommended.

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 Où est passée la noce? by BEAU DOMMAGE album cover Studio Album, 1975
3.67 | 16 ratings

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Où est passée la noce?
Beau Dommage Prog Related

Review by Menswear
Prog Reviewer

5 stars Translation: Pretty Damage.

Aah, that tongue-in-cheek humor starting with the name of the band, and all the fantastic lyrics about love, death, friendship, heartbreaks, being bored in your every day life and of course: 'doing it'. Beau Dommage is fueling on the greats of the era (Yes, Gentle Giant and Jethro Tull) for that titanesque Incident a Bois-des-Fillion that closes magnificiently a way above average album. Rivard is launching Yes riffs like it's nothing, proving that the band can not only do pop, but also coherent prog like it's Monday morning. The vocals are (as always) a miracle in it's own right, 3 voices (2 guys 1 girl) blending perfectly, only topped by the Beatles themselves.

If you can get the lyrics translated, they are hilarious in some parts, but always true to real life. They always had that knack of saying things tactfully without repeating the same old clichés in so many love songs. They go directly to your heart, coating it with a fuzzy feeling of being home and consoled by your loved ones.

Many other highlights are in shorter length: Amène pas ta gang could easily pass for a poppish Gentle Giant and Bon Débarras is a very potent instrumental in the good ol' 70's Italian tradition. This band is considered intouchable in Quebec, a monument of lyrical beauty and artistic strenght, by kids who never knew they were that good!

Giants without being pretentious, poets without getting snobby. Intouchable.

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 Passagers by BEAU DOMMAGE album cover Studio Album, 1977
2.15 | 8 ratings

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Passagers
Beau Dommage Prog Related

Review by Sean Trane
Special Collaborator Prog Folk

2 stars Fourth album from the Quebec (City) quintet, recorded in Sept 77 and released before the end of the year, just before the disco wave was rearing its ugly head and was to swipe the whole of La Belle Province's prog movement, the only group escaping this fate being Mahogany Rush, April Wine (Montreal was their home base) and Offenbach and Beau Dommage on the French-sung rock. Nothing new under the BD sun, except maybe the new faces behind the three front(wo)men; the prog leanings of La Noce being long gone history, no tracks going past the 5 minutes barrier.

Musically-speaking, the group is back at its usual country/folk rock with jazzy clouds here and there, but overall, while rather enjoyable easy-listening semi-AOR (but sung in French by at least two lead singers), this album hasn't aged much because of its universality and its slight French slice of Americana. But this album like its successors is of no interest to progheads, unless he's into the Quebecois rock. Beau Dommage woyuld record until the early 80's before disbanding but reforming in 84 and again a few lore times since, on special occasions and releasing either live, studio or compilations on each reformation, but nothing for progheads.

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 Où est passée la noce? by BEAU DOMMAGE album cover Studio Album, 1975
3.67 | 16 ratings

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Où est passée la noce?
Beau Dommage Prog Related

Review by Sean Trane
Special Collaborator Prog Folk

3 stars 3.5 stars really!!

Quebec's only other group to achieve monumental success ala Harmonium in the 70's was the quintet Beau Dommage, but to call them progressive rock is probably overdoing things, even if their second album Où Est Passé La Noce has two tracks (including the 20- mins+ Incident) that qualifies as "prog", which contrast rather heavily with their country- tinged folk rock. This album followed the footsteps of its self-titled predecessor, but sold even (considerably) more, with again some 4 singles taken from the album hitting the market.

The album's A-side is almost exclusively made of short songs in the country/folk rock with the odd jazz styling ala Steely Dan, and the fairly neutral French texts, by sung in the typical Quebecois-style by the lovely voice of Michele Desrosiers and the much more accented Michel Rivard. These tracks are of no great interest to progheads even if at the end of the vinyl side the short Bon Débarras (good riddance) finishes in an excellent prog movement where the classical influences take over. This seems to spark up a bit of a mood as the next (and longer) Heureusement, the song seems to grab more depth, but no real sparks flying yet.

On the flipside, the 20-mins+ Incident A Bois-Filion is relating a tragic event that created a shock some years back. The song alternates between country/folk rock and more symphonic moments, somewhat ogling (but not daring to imitate) at Harmonium, but this is faint especially that the two styles developed never melt or mingle, they just live alongside. At times we also think of a less jazzy Contraction. There are some five instrumental passages where Rivard's guitar grabs its rare chance at showing its chops, and we almost hate the cheesy string arrangements cutting it to steer the track back in its tracks.

With this second album, BD is at the apex of its success, but they will record a few more excellent-selling albums, but none will have the "prog tinge" of La Noce. Unless you're really into Québecois rock, BD's discography is of limited interest (but all albums have seen CD reissues) to progheads, and only this one should be called good but hardly essential.

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