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DAVID GILMOUR

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David Gilmour biography
David Jon Gilmour - Born 6 March 1946 (Cambridge, UK)

David GILMOUR began playing guitar at a young age, often jamming and playing with his high school friend Syd BARRETT . His first band called JOKERS WILD was formed in 1965, but they recorded just one album, of which about 100 copies were made. It wasn't until 1968 when he was asked to join PINK FLOYD that fame would find him. When the increasingly erratic behavior BARRETT displayed got him kicked out, GILMOUR became the group's sole guitar player. While he didn't write much of their material, his amazing guitar playing was huge in forging what would go on to be known as the definitive PINK FLOYD sound. He took control of PINK FLOYD in 1987 after singer/songwriter/bass player Roger WATERS quit, releasing two studio albums (1987's "A Momentary Lapse of Reason" and 1994's "The Division Bell"). His solo albums came in the form of 1978's self-titled record, recorded while WATERS was away from the band writing two concept albums which would go on to become "The Wall" and "The Pros and Cons of Hitch Hiking", and 1984's "About Face", recorded at a time when everyone figured PINK FLOYD had broken up, and featuring songs co-written by WHO mastermind Pete TOWNSHEND. Neither gained much attention though, which played a part in his revival of PINK FLOYD.

The self-titled is a good, albiet straightforawrd blues-rock album, and "About Face" is more of a pop-rock record with an (annoyingly) 80s feel. The s/t is the better of the two, although neither are really fantastic. They won't nessecarily appeal to FLOYD fans either, as they are quite lacking the magic that makes his work with the band so great. Anyone who really admires his guitar work will enjoy them to at least an extent though.

GILMOUR's solo work is unremarkable despite it's merrits, and while fans of his guitar playing should give it a listen, don't expect to be blown away.

: : : Bryan Adair, CANADA : : :

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DAVID GILMOUR discography


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DAVID GILMOUR top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.54 | 352 ratings
David Gilmour
1978
2.86 | 307 ratings
About Face
1984
3.55 | 426 ratings
On An Island
2006
2.98 | 96 ratings
The Orb & David Gilmour: Metallic Spheres
2010
3.42 | 237 ratings
Rattle That Lock
2015

DAVID GILMOUR Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

4.23 | 184 ratings
Live in Gdańsk
2008
2.98 | 22 ratings
London 1984
2009
3.75 | 52 ratings
Live at Pompeii
2017

DAVID GILMOUR Videos (DVD, Blu-ray, VHS etc)

3.14 | 19 ratings
Pink Floyd's David Gilmour (VHS)
1984
3.87 | 114 ratings
David Gilmour In Concert
2002
4.18 | 147 ratings
Remember That Night: Live At The Royal Albert Hall (DVD)
2007
4.70 | 43 ratings
Live at Pompeii
2017

DAVID GILMOUR Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

DAVID GILMOUR Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

4.33 | 9 ratings
There's No Way Out Of Here
1978
3.73 | 6 ratings
Love on the Air
1984
2.13 | 9 ratings
Blue Light (promo 12" single)
1984
1.48 | 8 ratings
All Lovers are Deranged/Blue Light
1984
3.28 | 25 ratings
Arnold Layne
2006
4.29 | 14 ratings
On An Island
2006
4.18 | 11 ratings
Smile
2006
4.57 | 7 ratings
Wot's...Uh the Deal?
2008
3.91 | 11 ratings
Rattle That Lock
2015
3.78 | 9 ratings
Today
2015
2.90 | 11 ratings
Yes, I Have Ghosts
2020

DAVID GILMOUR Reviews


Showing last 10 reviews only
 Live in Gdańsk by GILMOUR, DAVID album cover Live, 2008
4.23 | 184 ratings

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Live in Gdańsk
David Gilmour Prog Related

Review by prog_traveller!!

5 stars This time David Gilmour for the conclusion of the tour in support of his solo album 'On an island' has chosen Gdansk. The historic Polish port on the Baltic lends itself as an incredible setting, in part almost like an action film between disused steel warehouses and huge shipyard cranes in the background.

Actually it should "only" be the recording of a special evening of the "On an island" tour. But there were only a few days between the release of "Live in Gdansk" and the tragic death of Pink Floyd keyboardist Richard Wright. So there is a lot of sadness and melancholy floating in this concert recording, as it contains the last recordings of the quiet Englishman who accompanied his bandmate David Gilmour on his tour.

In front of an enthusiastic oceanic crowd, at times attentive and silent, at times emotionally involved, condescending and roaring, the historic guitarist strings one by one present the songs of his most recent solo album. Perhaps the studio album was little too quiet, but the live versions proposed here do them justice by making them rougher in certain moments, especially in the solos obviously more direct and a little less tied to the score, which are further embellished by the contrasting background of the port area and the six huge screens placed on the pediment of this stage which appears as a temple raised to the gods of music. But above all the proposed songs are embellished by the Baltic Philharmonic Symphony Orchestra that put them in a new and unexpected light.

The band sees musicians in training who, have worked with Gilmour starting with Richard Wright, Phil Manzanera, John Carin on keyboards, Guy Pratt on bass, Steve Distanislao on drums and Dick Parry on sax.

This orchestral presence proves even more fundamental in the pieces taken from the Pink Floyd repertoire, especially in 'High hopes' which thus surpasses the version of 'Live Pulse' thanks to the strings that make the fusion between orchestral arias and the Gilmour's inspiration a sublime amalgam. 'Echoes', performed in an integral and hypnotizing version, becomes, together with the conclusive and inevitable 'Confortably Numb', something like 'in memoriam', where Gilmour's guitar is confronted and at times joined in dialogue with Richard Wright's keyboards.

For me personally, the songs from Pink Floyd's repertoire are presented magnificently and give a special magic and feeling that only Floyd could bring.

 Yes, I Have Ghosts by GILMOUR, DAVID album cover Singles/EPs/Fan Club/Promo, 2020
2.90 | 11 ratings

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Yes, I Have Ghosts
David Gilmour Prog Related

Review by octopus-4
Special Collaborator RIO/Avant/Zeuhl,Neo & Post/Math Teams

3 stars Usually I don't review singles, but this one deserves some words. It's nothing more than an acoustic effort of Sir David with some strings arrangements and a chord sequence reminding of Fat Old Sun, just much more melancholic, but I think this is going to become an important song as it's effectively the debut of David's daughter Romany.

There's one funny photo of her and his father on the web, and before this single this was the only clue that I had of her existence.

Well, other than guitar, as probably obvious, she plays harp. This is her instrument in the single. She has a very nice voice and harmonizes perfectly wit dad's baritonal singing.

Not a bad song, also. Surely not a masterpiece but it could easily feature in any David Gilmour's album as it's quite in line with the mood of his last one. A song like this would have been really better than the rubbish remix used to fill the last album.

So it's a 3-stars song and hopefully the beginning of a great career for Romany.

 Love on the Air by GILMOUR, DAVID album cover Singles/EPs/Fan Club/Promo, 1984
3.73 | 6 ratings

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Love on the Air
David Gilmour Prog Related

Review by Heart of the Matter

4 stars It comes to fruition here a really nice double-A sided single extracted from David's second solo effort, called "About Face".

"Love On The Air" is a rather simple, but expertly put together and delivered song. Nevertheless, this little gem has space for all kind of delights: tasty & melodic fretless bass lines, solid keyboards work setting pace & dynamics, simple but delicious lyrics, and, of course, perfect vocal delivery.

"Let's Get Metaphysical" brings David and his guitar to the solo spotlight. A beautiful instrumental melody, exquisitely framed by the National Philharmonic Orchestra.

This could be an excellent addition to a singles collection.

 David Gilmour by GILMOUR, DAVID album cover Studio Album, 1978
3.54 | 352 ratings

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David Gilmour
David Gilmour Prog Related

Review by VianaProghead
Prog Reviewer

4 stars Review Nš 315

David Gilmour is, as many of we know, the lead guitarist, one of the lead singers and one of the main songwriters of the legendary prog rock band, Pink Floyd. And as many we know too, he wasn't an original member of the band. But in 1967, Nick Mason, the drummer of the group, asked him if he would be interested in joining to Pink Floyd. He accepted and joined the band in 1968, making them a group of five members. It was brief because soon the founder guitarist Syd Barrett left the group because his erratic conduct on the band, and David Gilmour assumed the role of lead guitarist.

"David Gilmour" is their self titled debut solo studio album and was released in 1978. As he explained when the album was released, this debut solo studio album was very important to him, in terms of self respect, because he needed to step out from behind the Pink Floyd's shadow. All songs on the album were written by David Gilmour except "There's No Way Out Of Here" written by Ken Baker, "Cry From The Street" written by David Gilmour and Electra Stuart and "Short And Sweet" written by David Gilmour and Roy Harper.

Loose and collaborative, with some interesting instrumentals, "David Gilmour" is recommended because it's neither withering in the shadow of Roger Waters, nor like Gilmour's led albums in the band's third-act, trying too hard to sound like Pink Floyd. Instead, everything feels familiar and comfortable. Credit goes, in part, to Gilmour's backing band.

The line up on the album is David Gilmour (lead vocals, electric and acoustic guitars, keyboards, lap steel guitar, piano and harmonica), Rick Wills (backing vocals and bass guitar), Willie Wilson (drums and percussion), Mick Weaver (piano), Carlena Williams, Debbie Doss and Shirley Roden (backing vocals).

The album has nine tracks. The first track "Mihalis" is a Greek name and was the name of a yacht that David Gilmour owned at that time. It's an instrumental song, very light and mellow with some nice guitar melodies performed in David Gilmour's classic guitar style. This represents a good way to open the album. The second track "There's No Way Out Of Here" is a great song and one of the best tracks on the album. It's a song with the typical Pink Floyd's sound, and what is more interesting about that, is that is apparently the only song of the album that wasn't composed by David Gilmour. The third track "Cry From The Street" is a very good and enjoyable song and is a song more based in the blues style. It's a song a little bit repetitive but with excellent arrangements and where we can hear the typical David Gilmour's guitar sound. The end of the song reminds me strongly the sound of the Pink Floyd's album, "Animals". The fourth track "So Far Away" is a pleasant piano based ballad with meaningful lyrics, beautiful piano work and a nice guitar sound with a laid back guitar solo. The vocal performance on the song is also very impressive and is also one of the best I've ever heard from him. The fifth track "Short And Sweet" is a rock oriented song more in the vein of Pink Floyd's songs. It features a much harder guitar sound than the rest of the album and has also a good bass line and a fantastic vocal line. This song represents one of the best moments on the album and one of my favourite songs too. The sixth track "Raise My Rent" is another instrumental track. What makes this song most interesting is the slow, simple and repetitive guitar fills and the stunning guitar solo with the typical trademark sound by David Gilmour. This is another highlight of the album and one of my favourite moments too. The seventh track "No Way" is another song based in the blues style. It's a very nice song, very slow, with a main melody that brings to us the David Gilmour's nice voice and a nice guitar work too. Who likes David Gilmour' typical sound, likes this song too. The eighth track "It's Deafinitely" is another great instrumental song that explores the keyboard and the guitar works. It's a song with some good and interesting guitar moments with the repeating keyboard theme on the back, what makes a find and interesting musical moment on the album. The ninth and last track "I Can't Breathe Anymore" is a simple and nice song that finishes this first solo David Gilmour's studio musical experience. We can say that it's a slow song with a noise guitar sound. It's a short and good song that concludes the album with simple guitar fills. It's an enough good song to closes the album.

Conclusion: Despite I only purchased the album few years ago, I know it since it was released and I always considered it a great musical work. Although it isn't very progressive and be an album very influenced by the blues, it's a very well balanced and a very cohesive work. "David Gilmour" is, in my humble opinion, an album that despite remaining in the area of Pink Floyd's music, explores also another musical areas but only if they were very close to that area. So, "David Gilmour" is a very good album and if you like, as I like, of the inimitable guitar sound of David Gilmour, especially on the Pink Floyd's album "Animals", the resemblance is obvious, you mustn't miss this album, for any kind of reason. It should please the late Pink Floyd's fans. It boasts strong songs, great guitar work and Gilmour's ever-charming vocals.

Prog is my Ferrari. Jem Godfrey (Frost*)

 David Gilmour by GILMOUR, DAVID album cover Studio Album, 1978
3.54 | 352 ratings

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David Gilmour
David Gilmour Prog Related

Review by Psychedelic Paul

5 stars Legendary Pink Floyd guitarist and singer DAVID GILMOUR (born 1946) has played on all of Pink Floyd's albums apart from the first one, "Piper at the Gates of Dawn" (1967). David Gilmour was brought in for the second Pink Floyd album "A Saucerful of Secrets" (1968), when the drug-induced, unreliable behaviour of Syd Barrett was becoming increasingly erratic. Gilmour replaced Barrett during the making of the album and he went on to record fourteen albums with Pink Floyd in total from "A Saucerful of Secrets" in 1968, right through to "The Endless River" album in 2014, which also included a posthumous appearance by keyboard player Richard Wright. With a long career spanning over 50 years, David Gilmour has won numerous awards both as a singer and guitarist, including being inducted into the US Rock and Roll Hall of Fame in 1996 as part of Pink Floyd, and in 2011, he was voted one of the greatest guitarists of all time in Rolling Stone magazine. He's also made guest appearances on a multitude of albums over the years. This self-titled album "David Gilmour" (1978) is the first of four acclaimed studio albums. He followed it up with "About Face" (1984), "On an Island" (2006), and his most recent album "Rattle That Lock" (2015). David Gilmour's four solo albums might be few and far between, but that makes them all the more special amongst his devoted fanbase. He's also released a couple of very well-received Live albums on CD & DVD, "Live in Gdansk" (2008) and "Live at Pompeii" (2017). The "David Gilmour" album we have here was produced and written by Gilmour and featured the guest musicians Rick Willis on bass and Willie Wilson on drums with three female backing singers providing vocal harmonies. Okay, that's enough waffle for now, so let's plunge in and have a listen to the album.

David Gilmour is in stonking good form with the instrumental opening number "Mihalis" (the Greek name for Michael). It features the kind of long-drawn-out soaring Floydian guitar riffs we've come to know and love from Pink Floyd. Although there are no lyrics, the music has a joyous and jubilant feel-good vibe to it, which makes it a perfect album opener. "There's No Way Out of Here" for Song No. 2, and it's a good thing too, because we're not going anywhere. We're sticking around to listen to this uplifting song and album in its entirety. "There's No Way Out of Here" might be a moody bluesy number, but it definitely won't leave you feeling moody or blue. The sound of David Gilmour's captivating guitar riffs is enough to brighten up the dullest of days and there's some lovely vocal harmonising too from the three female backing singers. We're getting all down and dirty now for some hard drivin' blues now in Song No. 3: "Cry from the Street". It begins as a slow bluesy number, but don't let that put you off, because the song quickly gathers in pace and concludes with some magnificent guitar flourishes from Mr Gilmour to leave you on an emotional and spiritual high. We're not "So Far Away" from being halfway through the album now. This song probably most resembles classic Pink Floyd than any of the songs on the album so far. It's similar in style to "Us and Them" and wouldn't seem out of place at all on the "Dark Side of the Moon" album. Even the vocal harmonising from the three female singers is very reminiscent of the Pink Floyd sound, which has to be a good thing.

Side Two opens with "Short and Sweet", which is not particularly short, but it's a little bit bittersweet. It's five and a half minutes of inspirational and uplifting music, given the masterly Gilmour touch of magic with some euphoric-sounding vocals and magnificent guitar work, in true Floyd-esque fashion. It's one of the highlights of the album in an album that's packed solid with great songs. Song No. 6 is "Raise My Rent", an instrumental number, featuring those oh-so-beautiful, trademark Gilmour glissandos. If you weren't on Cloud 9 already from listening to this superb album, then you may be after hearing this stunning virtuoso performance. You may not reach seventh heaven, but this uplifting piece of music will show you the way there. Song No. 7 is another song rooted in the blues, but there's "No Way" you'll be feeling blue after listening to the sound of David Gilmour's intoxicating guitar solo midway through the song. Onto Song No. 8 now and "Deafinitely" (no, that's not a spelling mistake or typo error). It's another instrumental piece giving David Gilmour a chance to really shine and do what he does best with some sublime soloing. Somewhat unusually, this uptempo and exuberant piece of music also features the sonorous sound of a synth with some weird electronic effects thrown in for good measure. We now reach the concluding song on the album with "I Can't Breathe Anymore", which could have been a Pink Floyd classic for sure, if it wasn't included on this solo album. It's classy and sophisticated Progressive Rock in true "Floyd-esquian" tradition.

This invigorating and uplifting album is absolutely essential for fans of Pink Floyd, although I expect most Floyd fans will already have this album nestling in their treasured LP record and CD collections. It has all the hallmarks of the classic Pink Floyd sound we've come to know and love over the years from guitar maestro David Gilmour. I "Wish You Were Here" with me to hear this album because it's sensational!

 The Orb & David Gilmour: Metallic Spheres by GILMOUR, DAVID album cover Studio Album, 2010
2.98 | 96 ratings

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The Orb & David Gilmour: Metallic Spheres
David Gilmour Prog Related

Review by mariorockprog

4 stars 3.75: The fourth album by David Gilmour, a collaboration with the English electronic group, the orb. It had some success in sells in the UK charting by 3 weeks consecutively. There are few lyrics during the songs, but they are not interesting and are sung in a different way to what we are used to, surprisingly Gilmour didn't do a god job in this one. Musically, it is a really good combination between space rock and electronic music, given a result close to the best records of Krautrock. The guitars as always are really good and add a really good mood to the ambient of the music. The music is varied during the songs, although there are a few boring parts. I think is an excellent addition to any prog collection, and the most close you will ever hear Gilmour in Krautrock music, without being completely a proper krautrock record, of course, but very different to what he was doing all this time.
 On An Island by GILMOUR, DAVID album cover Studio Album, 2006
3.55 | 426 ratings

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On An Island
David Gilmour Prog Related

Review by mariorockprog

4 stars 3.75: After 20 years of releasing About Face (most a pop/rock and hard rock album than prog, although it has good moments) and 12 years after Division Bell, Gilmour decided to release his third album in his birthday, March 6th. Commercially got very well recevement, charting in UK, Canada, Portugal, US and other countries. As always the lyrics were composed by himself and in most of the cases with the collaboration of his wife. One day after his 73th year, I decided to give it a look. the most progressive songs are on an island, castellorizon, then i close my eyes, this heaven and other instrumental parts. It has a very strong beginning, but the second part is better, is more the floyddian feeling, without evolving in to something spectacular, beginning with red sky at night, the lyrics are mainly romantic, and I think is referring to his wife and his family mainly, but they are good, at least tries to show that we have to appreciate what we have in life. Smile reminds me the style of some of the acoustic songs of ELP, with a nice voice and a different way of singing than he do it regularly. Its a good album, softer from his better times in Pink Floyd, I considered pop progressive, more than anything, although it has a really good moments. The lyrics are not so inspiring either, but they are not bad.
 Rattle That Lock by GILMOUR, DAVID album cover Studio Album, 2015
3.42 | 237 ratings

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Rattle That Lock
David Gilmour Prog Related

Review by mariorockprog

4 stars 4.5: The fifth album by David Gilmour, the best yet in my opinion and actually being his more commercial successfully in his solo career, as I considered On Island too calm. After hearing the different, but really good On an Island and the disappointing About Face, I was only going to give it a play to the most recommended song of this one, but I instantly fell in love. All the songs are well structured and are really good sung. The keyboard are really good and finally the guitar is not over appearing as in the other records. The lyrics as always are written by Gilmour and in some cases with his wife. Even, it sounds more to the floyd style, without being as excellent of course, and being the second best record of any solo career of any ex member of PF, only after Wet Dream. Every song has something special and even there is a jazz song here. And now I will be waiting for the release of his next album, as he promised he had some material left out of this one and he wanted to do another record. an Excellent addition to any prog list and the second best solo record for any PF Member yet.
 Rattle That Lock by GILMOUR, DAVID album cover Studio Album, 2015
3.42 | 237 ratings

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Rattle That Lock
David Gilmour Prog Related

Review by Awaken 6am

2 stars As other reviewers state the word to describe this album is "Dissapointing". As is, could have been a good album recorded by someone else. It`s way under Gilmour quality standard, and light years from the beautiful "On An Island" which was controversial indeed but luckily at 3.53 the highest rating here for a studio album from him. Instead "Rattle..." seems an album comprised on a bunch of songs as if released in a rush due to some contract with recording label , which is not obviously. Other word could be "Uninspired", tempting on vaudeville-esque and jazzy airs, even tango ! while David surely has tons of recent or even old material to make a double album full of top notch music. Also Dissapointing is that both audio CD and DVD 5.1 are just good quality in sound terms. DVD has also some barn-jams and lots of interviews in which most of the time David`s wife polly talks and talks... Conclusion: If he is about to release a solo album every 9 years, this could be an unfair farewell.
 David Gilmour by GILMOUR, DAVID album cover Studio Album, 1978
3.54 | 352 ratings

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David Gilmour
David Gilmour Prog Related

Review by mariorockprog

4 stars A wonderful album by David Gilmour, it includes really good riffs, solos and astonish voice that remember us to the pink floyd before Roger Waters took the led and almost composed entirely several albums, but still different to the post Waters era. Very little prog element are present here, I always liked more the style of Gilmour than Waters, however we can not deny Waters was the most fundamental part of Pink Floyd. They complemented too well, and after his departure Pink Floyd had good moments but not as good as the golden era. Talking about this album, I liked a lot, It is really good album, but for a prog collector it could be for what is expected for a prog band, so if you take that in to consideration, you are going to enjoy it as rock fan
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