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VARIOUS GENRES

A Progressive Rock Sub-genre


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Various Genres definition

Albums or CD's where more than one artist is featured either as a SAMPLER or a TRIBUTE to a particular band. Examples: - Peter and The Wolf - Prog Fairytale - 1975 / The Reading Room - 2000 / Leonardo - The Absolute Man - 2001 / Best Prog Rock Album in the World... Ever - 2003 / Un Voyage En Progressif Volume 1 to 8 / Kalevala - A Finnish Progressive Rock Epic.

Various Genres Top Albums


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4.21 | 180 ratings
JESUS CHRIST SUPERSTAR
Various Artists (Concept albums & Themed compilations)
4.25 | 88 ratings
ODYSSEY - THE GREATEST TALE
Various Artists (Concept albums & Themed compilations)
4.33 | 49 ratings
LA BIBLIA
Various Artists (Concept albums & Themed compilations)
4.22 | 83 ratings
INFERNO THE DIVINE COMEDY - PART 1
Various Artists (Concept albums & Themed compilations)
4.14 | 78 ratings
DECAMERON: TEN DAYS IN 100 NOVELLAS (PART 1)
Various Artists (Concept albums & Themed compilations)
4.21 | 49 ratings
THE SPAGHETTI EPIC 3
Various Artists (Concept albums & Themed compilations)
4.19 | 49 ratings
REWIRING GENESIS: A TRIBUTE TO THE LAMB LIES DOWN ON BROADWAY
Various Artists (Tributes)
4.12 | 64 ratings
THE STORIES OF H.P. LOVECRAFT: A SYNPHONIC COLLECTION
Various Artists (Concept albums & Themed compilations)
4.78 | 11 ratings
LEADER OF THE STARRY SKIES: A TRIBUTE TO TIM SMITH, SONGBOOK 1
Various Artists (Tributes)
4.05 | 83 ratings
JESUS CHRIST SUPERSTAR (THE ORIGINAL MOTION PICTURE SOUND TRACK ALBUM)
Various Artists (Concept albums & Themed compilations)
4.24 | 29 ratings
THE BLACK CODEX (EPISODES 1 - 13)
Various Artists (Concept albums & Themed compilations)
4.09 | 50 ratings
PURGATORIO THE DIVINE COMEDY - PART 2
Various Artists (Concept albums & Themed compilations)
4.27 | 22 ratings
THE BLACK CODEX (EPISODES 14 - 26)
Various Artists (Concept albums & Themed compilations)
4.05 | 50 ratings
DECAMERON. TEN DAYS IN 100 NOVELLAS - PART II
Various Artists (Concept albums & Themed compilations)
4.04 | 43 ratings
(THE) 7 SAMURAI
Various Artists (Concept albums & Themed compilations)
4.07 | 28 ratings
THE BLACK CODEX (EPISODES 27 - 39)
Various Artists (Concept albums & Themed compilations)
4.07 | 27 ratings
THE BLACK CODEX (EPISODES 40 - 52)
Various Artists (Concept albums & Themed compilations)
4.13 | 21 ratings
RETURN TO THE DARK SIDE OF THE MOON - A TRIBUTE TO PINK FLOYD
Various Artists (Tributes)
3.95 | 35 ratings
GIALLO! ONE SUITE FOR THE MURDERER
Various Artists (Concept albums & Themed compilations)
4.00 | 27 ratings
MARSCAPE
Various Artists (Concept albums & Themed compilations)
4.39 | 9 ratings
VISIONS OF AN INNER MOUNTING APOCALYPSE (MAHAVISHNU ORCHESTRA)
Various Artists (Tributes)
3.84 | 49 ratings
DECAMERON - TEN DAYS IN 100 NOVELLAS - PART III
Various Artists (Concept albums & Themed compilations)
4.43 | 7 ratings
HUR! HOMMAGE Ŕ LA MUSIQUE DE CHRISTIAN VANDER
Various Artists (Tributes)
4.22 | 9 ratings
MORE ANIMALS AT THE GATES OF REASON - A TRIBUTE TO PINK FLOYD
Various Artists (Tributes)
4.08 | 12 ratings
A FLOWER FULL OF STARS: A TRIBUTE TO THE FLOWER KINGS
Various Artists (Tributes)
3.99 | 15 ratings
KEYBOARDS TRIANGLE
Various Artists (Concept albums & Themed compilations)
3.78 | 40 ratings
ANDREW LLOYD WEBBER - VARIATIONS
Various Artists (Concept albums & Themed compilations)
4.00 | 14 ratings
CANI ARRABBIATI: OPENING THEMES... A TRIBUTE
Various Artists (Concept albums & Themed compilations)
3.87 | 23 ratings
THE ZODIAC : COSMIC SOUNDS
Various Artists (Concept albums & Themed compilations)
3.71 | 68 ratings
PETER AND THE WOLF
Various Artists (Concept albums & Themed compilations)
4.40 | 6 ratings
PAOLO CHIARANDINI PLAYS GENESIS
Various Artists (Tributes)
3.88 | 16 ratings
HONOR THY DRUMMER - A TRIBUTE TO MIKE PORTNOY
Various Artists (Tributes)
3.88 | 15 ratings
THE ROYAL PHILHARMONIC ORCHESTRA PLAYS HITS OF PINK FLOYD
Various Artists (Tributes)
3.68 | 45 ratings
THE SPAGHETTI EPIC
Various Artists (Concept albums & Themed compilations)
3.65 | 64 ratings
KALEVALA - A FINNISH PROGRESSIVE ROCK EPIC
Various Artists (Concept albums & Themed compilations)
3.65 | 41 ratings
THE TALES OF EDGAR ALLAN POE - A SYNPHONIC COLLECTION
Various Artists (Concept albums & Themed compilations)
4.00 | 7 ratings
THE ALAN PARSONS PROJECT PLAYED BY ANDREW POWELL
Various Artists (Tributes)
5.00 | 2 ratings
MOLECOLE
Various Artists (Label Samplers)
3.63 | 33 ratings
ENCORES LEGENDS & PARADOX (EMERSON LAKE & PALMER TRIBUTE)
Various Artists (Tributes)
4.25 | 4 ratings
TALES FROM THE EDGE 2 - A TRIBUTE TO THE MUSIC OF YES
Various Artists (Tributes)
3.88 | 8 ratings
SEVEN DAYS OF A LIFE
Various Artists (Concept albums & Themed compilations)
3.80 | 10 ratings
AN ALL STAR TRIBUTE TO PINK FLOYD: THE EVERLASTING SONGS
Various Artists (Tributes)
3.71 | 14 ratings
RÖKSTENEN: A TRIBUTE TO SWEDISH PROGRESSIVE ROCK OF THE 70'S
Various Artists (Tributes)
3.57 | 59 ratings
LEONARDO - THE ABSOLUTE MAN
Various Artists (Concept albums & Themed compilations)
3.58 | 42 ratings
THE COLOSSUS OF RHODES
Various Artists (Concept albums & Themed compilations)
4.04 | 5 ratings
SAVOLDELLI - CASARANO - BARDOSCIA: THE GREAT JAZZ GIG IN THE SKY (TRIBUTE TO PINK FLOYD)
Various Artists (Tributes)
3.78 | 9 ratings
ILIAD, A GRAND PIANO EXTRAVAGANZA
Various Artists (Concept albums & Themed compilations)
3.81 | 7 ratings
IN FROM THE STORM
Various Artists (Tributes)
3.60 | 19 ratings
THE EMPIRE AND THE REBELLION
Various Artists (Concept albums & Themed compilations)
3.57 | 25 ratings
TREASURE ISLAND
Various Artists (Concept albums & Themed compilations)
3.83 | 6 ratings
FAMILY SNAPSHOT - A TRIBUTE TO GENESIS SOLO CAREERS PETER GABRIEL
Various Artists (Tributes)
3.96 | 4 ratings
ORCHESTRE NATIONAL DE JAZZ: AROUND ROBERT WYATT
Various Artists (Tributes)
3.86 | 5 ratings
MORNING OF THE EARTH ORIGINAL SOUNDTRACK
Various Artists (Concept albums & Themed compilations)
3.64 | 11 ratings
THE MANY FACES OF PINK FLOYD: A JOURNEY THROUGH THE INNER WORLD OF PINK FLOYD
Various Artists (Tributes)
4.08 | 3 ratings
ROYAL PHILHARMONIC ORCHESTRA AND GREAT EMPIRE PLAYS MONUMENTS: 12 HITS OF QUEEN
Various Artists (Tributes)
4.00 | 3 ratings
SARASWATHI-LOUNGE ... NO ONE FLIES AROUND THE SUN (PINK FLOYD)
Various Artists (Tributes)
4.00 | 3 ratings
GIANT FOR AN HOUR: MUSIC INSPIRED BY AND IN TRIBUTE TO GENTLE GIANT
Various Artists (Tributes)
4.00 | 3 ratings
SORROWS CHILDREN: THE SONGS OF S.F. SORROW
Various Artists (Tributes)
3.85 | 4 ratings
MAHAVISHNU RE-DEFINED; A TRIBUTE TO JOHN MCLAUGHLIN AND THE MAHAVISHNU ORCHESTRA
Various Artists (Tributes)
5.00 | 1 ratings
SHINE ON MAGIC HOTEL - PROCOL HARUM TRIBUTE
Various Artists (Tributes)
3.51 | 24 ratings
ZARATHUSTRA'S REVENGE
Various Artists (Tributes)
3.93 | 3 ratings
TRIPWAVE 2 - COLLECTION OF MODERN RUSSIAN PSYCHEDELIC MUSIC
Various Artists (Concept albums & Themed compilations)
3.91 | 3 ratings
VIVA CARLOS! A SUPERNATURAL MARATHON CELEBRATION
Various Artists (Tributes)
3.67 | 6 ratings
THE HITS OF PINK FLOYD: DARKER SIDE OF THE MOON
Various Artists (Tributes)
3.48 | 32 ratings
THE SPAGHETTI EPIC 2: THE GOOD, THE BAD AND THE UGLY
Various Artists (Concept albums & Themed compilations)
3.47 | 23 ratings
EXCALIBUR II: THE CELTIC RING
Various Artists (Concept albums & Themed compilations)
4.00 | 2 ratings
EASY STAR ALL-STARS: EASY STAR'S LONELY HEARTS DUB BAND (THE BEATLES)
Various Artists (Tributes)
4.00 | 2 ratings
P45: SEE EMILY PLAY
Various Artists (Label Samplers)
4.00 | 2 ratings
PROG P42: NO JACKET REQUIRED
Various Artists (Label Samplers)
4.00 | 2 ratings
LANZAS COLORADAS (OPERA ROCK)
Various Artists (Concept albums & Themed compilations)
3.51 | 9 ratings
EXCALIBUR III: THE ORIGINS
Various Artists (Concept albums & Themed compilations)
3.67 | 3 ratings
Давид Тухманов ‎- По волне моей памяти / DAVID TUKHMANOV - ON THE CREST OF MY MEMORY
Various Artists (Concept albums & Themed compilations)
3.67 | 3 ratings
SANDOKAN (O.S.T.)
Various Artists (Concept albums & Themed compilations)
3.67 | 3 ratings
GUBEC-BEG (ROCK OPERA)
Various Artists (Concept albums & Themed compilations)
3.53 | 5 ratings
MINIATURES (EDITED BY MORGAN FISHER)
Various Artists (Concept albums & Themed compilations)
3.73 | 2 ratings
IN SEARCH OF HAWKWIND
Various Artists (Tributes)
3.42 | 17 ratings
DRACULA OPERA ROCK ORIGINAL CAST RECORDING
Various Artists (Concept albums & Themed compilations)
4.00 | 1 ratings
IN THE LAND OF GEESE, GHOSTS AND CONFUSION. TRIBUTE TO GENESIS SOLO CAREERS
Various Artists (Tributes)
4.00 | 1 ratings
ROQUETING THROUGH SPACE
Various Artists (Tributes)
4.00 | 1 ratings
THE BEARDED'S PROJECT: HOPE | OMID
Various Artists (Concept albums & Themed compilations)
4.00 | 1 ratings
PROG P50: TALES OF THE FUTURE
Various Artists (Label Samplers)
4.00 | 1 ratings
PSYCHEDELIC UNDERGROUND 16
Various Artists (Label Samplers)
4.00 | 1 ratings
THE SKY GOES ALL THE WAY HOME
Various Artists (Concept albums & Themed compilations)
3.48 | 6 ratings
PLAYING THE HISTORY
Various Artists (Concept albums & Themed compilations)
3.43 | 11 ratings
THE READING ROOM
Various Artists (Concept albums & Themed compilations)
3.50 | 4 ratings
KINGS' BOARDS
Various Artists (Concept albums & Themed compilations)
3.50 | 4 ratings
GIANT TRACKS: A TRIBUTE TO GENTLE GIANT
Various Artists (Tributes)
3.50 | 4 ratings
A RETURN TO FANTASY - A TRIBUTE TO URIAH HEEP
Various Artists (Tributes)
3.50 | 2 ratings
FAMILY SNAPSHOTS. A TRIBUTE TO GENESIS SOLO ALBUMS: STEVE HACKETT
Various Artists (Tributes)
3.35 | 23 ratings
THE FUSION SYNDICATE
Various Artists (Concept albums & Themed compilations)

Latest Various Genres Music Reviews


 Rockandalus by VARIOUS ARTISTS (CONCEPT ALBUMS & THEMED COMPILATIONS) album cover Boxset/Compilation, 1994
5.00 | 2 ratings

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Rockandalus
Various Artists (Concept albums & Themed compilations) Various Genres

Review by TenYearsAfter

5 stars 'Record company Sony : official sponsor of Rock Andaluz'.

Andalusia is the southern region in Spain where the flamenco was born and still florishes. You can divide the musicians and fans in two parts. One considers flamenco as a kind of religion, with strict rules. The other experiences flamenco as a challenging art to broaden their musical horizon. In the second half of the Sixties and in the Seventies that group consisted of many young musicians, but also known experienced guitarists (like Sabicas, Paco De Lucia and Juan Martin), they started to blend flamenco with other styles, from blues and rock to jazz and progressive. This new Spanish music movement was categorized as Rock Andaluz (or Rock Andalus). It became popular in the second half of the Seventies by Triana their pivotal sound on El Patio (1975) and Hijos Del Agobio (1977). Their music has a strong link with the Spanish people their wish for freedom under the brutal dictatorship by Franco,. This is wonderfully expressed in Triana their emotional lyrics, like 'La guitarra a la manana le hablo de libertad ' from the song Rumor.

This CD compilation from Sony Music Spain (released in 1994) is a very comprehensive introduction to the varied and captivating world of the Rock Andaluz, it contains 16 tracks from 5 known bands: Alameda (6), Medina Azahara (3), Iman (3), Cai (2) and Guadalquivir (2).

1. Aire Calido De Abril (4:05) - Alameda: The Morish occupated the southern region of Spain between 711 and 1492, this had a huge impact on everything, also on the development of the music, obviously traced in the Rock Andaluz. In this sultry track the Morish influence is blended in the sound of the keyboards (piano and strings) and the vocals by José Roca, what a passion and expression, perhaps one of the best singers in the Rock Andaluz movement!

2. Tarantos (3:55) - Iman: This is a swinging and powerful fusion of jazzrock and flamenco (tarantos is a typical flamenco rhythm), the dynamic music features an outstanding rhythm-section, mellow keyboards and a guitar player who sounds like the Andalusian answer to Carlos Santana.

3. La Esquina Del Viento (3:17) - Medina Azahara: This is one of the bands that epitomizes Rock Andaluz, along with Triana. But their sound is harder-edged with a tight beat, tasteful keyboards (from lush organ to pleasant synthesizer flights), topped by sensitive electric guitar runs and excellent, very powerful vocals, with obvious hints from the flamenco tradition.

4. El Manglis (7:05) - Gualdalquivir: More swinging jazzrock with a strong rhythm-section and splendid solion saxophone and guitar.

5. Noche Andaluza (5:04) - Alameda: A romantic ballad with wonderful work on piano and strings, the music is carried by Jos' Roca his highly acclaimed voice.

6. Noche Abierta (4:02) - Cai: One of the known Rock Andaluz bands, on this track they present wonderful vocals, strong interplay between electric guitar and keyboards and exciting flamenco guitar play (with rasgueado and picados).

7. Al Caer (4:07) - Alameda: Another strongly Morish inspired atmosphere, especially in the vocals and the subtle colouring of the keyboards and the sound of the electric guitar.

8. Paseando Por La Mezquita (2:40) - Medina Azahara: This is the Rock Andaluz anthem, one of the most popular and known compositions in the genre's history. The music alternates between a catchy beat with powerful guitar riffs and quick synthesizer flights and dreamy with sensitive electric guitar runs, topped by the excellent vocals from Manuel Martinez.

9. Cancion De La Oruga (5:32) - Iman: This is one of the most elaborate tracks with many strong musical ideas, like the Morish sounding keyboards (reminding me of Mezquita) and the propulsive percussion, very captivating.

10. Amanecer En El Puerto (3:57) - Alameda: A varied composition, from a spacey intro with fat synthesizers to a swinging rhythm with spectacular Minimoog runs and in the end first twanging Spanish guitar and senstive electric guitar and finally bombastic with synthesizer flights and sparkling piano.

11. Guadalquivir (5:16) - Guadalquivir: Again swinging jazzrock with soli on saxophone and electric guitar, a top notch band for the jazzrock aficionados.

12. Ninos (3:05) - Iman: A beautiful romantic ballad featuring warm vocals and delicate work on the Spanish guitar and synthesizer.

13. Dos Amores (3:50) - Alameda: A Morish climate with sparkling piano, handclapping and a bit wailing, typical flamenco vocals, then a mid-tempo with a cheerful atmosphere and a wonderful blend of vocals, piano and keyboards.

14. Sone Contigo (3:45) - Cai: First an intro with fat synthesizers and a swinging bass, then a compelling blend of jazzrock, classical, symphonic rock and flamenco with sparkling piano and expressive vocals (this song is from their highly acclaimed album Noche Abierta).

15. Andalucia (4:04) - Medina Azahara: The third appearance of Medina Azahara on this CD, again exciting harder- edged Rock Andaluz with propulsive electric guitar riffs, synthesizer flights and the powerful and emotional vocals by Manuel Martinez, an extra dimension!

16. Desnudos (4:11) - Alameda: The final track delivers a dreamy ballad with Spanish guitar and clarinet, layered with a fine strings sound and the distinctive Jos' Roca vocals, simply wonderful.

Keyboards and electric guitars with strong Morish undertones, the art of the flamenco guitar, Spanish vocals with distinctive passion, rock, blues, symphonic rock, jazzrock, welcome to the exciting and unique world of the Rock Andaluz!

Also recommended:

Juan Martin : Picaso Portraits (featuring ex-members of Trace, Marillion, Roxy Music and Jeff Beck).

Paco De Lucia Sextet : Live One Summer Night (outstanding and unique prog folk)

Sabicas - with Joe Beck : Rock Encounter (with a very young Tony Levin on bass).

 American Indian Rock Opera - 2006 Holiday Tour Brulé And AIRO by VARIOUS ARTISTS (CONCEPT ALBUMS & THEMED COMPILATIONS) album cover DVD/Video, 2007
4.00 | 1 ratings

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American Indian Rock Opera - 2006 Holiday Tour Brulé And AIRO
Various Artists (Concept albums & Themed compilations) Various Genres

Review by TenYearsAfter

— First review of this album —
4 stars 'The native Americans go Prog!'

In 2010 my passion for the culture of the native American Lakota tribe (aka Sioux) got an extra dimension. I had visited the Pine Ridge reservation (including Wounded Knee), where I witnessed the Third World in the USA: entire families in small shabby houses, most without running water and electricity and the highest ratings with physical - and mental diseases, unemployment, alcohol - and drugs abuse and adolescent suicides in the USA, really heart breaking! But I had also seen hope and pride in the education centre, fuelled by the inhabitants their strong determination to maintain their Lakota culture (almost destroyed by the white men). Back in the nearby Rapid City I stumbled upon that Lakota hope and pride, in the shape of a live DVD entitled American Indian Rock Opera - 2006 Holiday Tour. I couldn't believe my eyes: native American music, blended with acoustic ' and electric guitars and keyboards, wow!

A first session turned out to be an emotional rollercoaster, due to the flood of extreme contrasting emotions the images and the music generated. On one hand I had to think about all those extreme cruelties to the native Americans, done by the white men (even worse than the South-African Apartheid). But on the other hand I was very touched by their mental strength and flexibility to keep on thinking positive, by showing the crowd the wonderful Lakota culture.

On this DVD you can watch a genuine 'pow wow' choreography on stage: on the left and right a huge tipi and in between a musician with traditional drum kits, and in front of the stage the other musicians and the dancers (with their wonderful traditional clothes and feathered headdresses), you will be carried away to the visually breathtaking world of the pow wow, unique!

The way these visuals are blended into the music is very compelling and emotional, especially in Maka Canté (four dancers symbolizing the different directions of the wind), Canon Of Life (duel between a female ballet dancer and a male eagle dancer) and the final track Star People (awesome 'hoop' dancers).

The music sounds accessible and is simply structured, but also a very harmonic progressive blend of folk, New Age and melodic rock: the one moment the music reminds me of Clannad (folky with mellow keyboards), the other moment Kitaro (atmospheric with orchestral keyboards) or Camel (dreamy parts featuring acoustic guitar, flute and piano).

The musical and visual eyecatcher is the very passionate female flute player, what a jawdropping blend of skills and emotion. This ranges from tender to swirling, for me she is the native American version of Dutch prog folk band Flairck their flute play. She shines with moving play in the two Christmas renditions Silent Star Night and O Holy Night, accompanied by a varied keyboards sound, from warm piano runs to bombastic orchestrations.

My highlights.

Shelter From The Storm : From sensitive acoustic guitar runs and passionate flute traverse play in a catchy beat to a bombastic eruption with powerful electric guitar riffs.

Maka Canté : An up-tempo rhythm featuring moving electric guitar play and intense work on the flute, wonderfully blended with the dynamic dancers and their colourful traditional clothes, impressive.

Thunder Across The Plains : A catchy beat with compelling blend of acoustic guitar, flute and piano, this is mighty close to early Eighties mellow side of Camel.

Canon Of Life : First a dreamy atmosphere with piano, acoustic guitar, flute and soaring keyboards. Then a more lush climate delivering electric guitar with howling runs (between Rothery and Latimer), the music in combination with the dancing 'eagle' is magical.

Buffalo Jump : An intro with emotional spoken words about the dangerous bison hunt while chasing a part of the herd to the edge of a cliff, with screen projections about this subject. Then another catchy beat with swirling flute play, powerful native drum beats and moving electric guitar play, the music and images perfectly match.

Star People : A mindblowing final track, starting with spoken words from a grateful band. Then a cheerful and dynamic atmosphere featuring propulsive native drum beats, swirling flute play and howling electric guitar runs, blended with jaw dropping art of the 'hoop' dancing, wet eyes, this is such a compelling musical and emotional experience!

So welcome to the fascinating and emotional world of the native American Lakota tribe with their progressive blend of ethnic music and melodic rock on this unique live DVD, to be discovered for the fans of prog folk.

 Duende Electrico by VARIOUS ARTISTS (CONCEPT ALBUMS & THEMED COMPILATIONS) album cover Boxset/Compilation, 1997
4.00 | 2 ratings

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Duende Electrico
Various Artists (Concept albums & Themed compilations) Various Genres

Review by TenYearsAfter

4 stars In fact this comprehensive 2-CD (including an informative 16-page booklet) is a captivating journey to the often overlooked but very interesting world of Spanish progressive rock, with the focus on Rock Andaluz, the unique blend of progressive rock and ethnic Andalusian flamenco. The variety is incredible, from Sixties rock inspired Smash and legendary flamenco-symphonic rock band Triana to Nuevo Flamenco bands like Ketama and Manteca. But also a few highly adventurous musical projects, like Lole Y Manuel, so creative and emotional Rock Andaluz!

CD1:

1. El garrotin / Smash : Late Sixties UK rock meets Spanish flamenco featuring powerful Spanish vocals, flamenco rhythm guitar and raw, distorted electric guitar.

2. La flamenca electrica / Iceberg : Outstanding swinging jazzrock with lush vintage keyboards (clavinet, Moog, Fender piano, string synthesizer) and awesome interplay, top notch Rock Andaluz.

3. Quiero contarte / Triana : A mid-tempo with flamenco rhythm guitar, wonderful flamenco inspired vocals and moving electric guitar, blended with delicate Fender electric piano.

4. Castrelos / Secta Sonica : Impressive swinging jazzrock with electric piano and conga percussion.

5. San Jose' de Arimatea / Veneno : Three flamenco guitars sounding as a fusion between jazz and flamenco, topped with excellent vocals.

6. Tarantos / Iman : Awesome blend of a flamenco rhythm and jazzrock with lush vintage keyboards, flamenco rhythm guitar and Santana-like sensitive guitar, one of the highlights on this compilation!

7. Tarantos (para Jimi Hendrix) / Gualberto : An exciting musical encounter between classical (beautiful violin play), rock (raw and fiery electric guitar) and flamenco (rhythm and palmas).

8. Al Andalus / Miguel Rios : A compelling example how Arabian music influenced flamenco featuring Morish sounding violins, propulsive ethnic percussion and expressive vocals (the climate reminds me of Kashmir by Led Zeppelin).

9. Baila gitana / Guadalquivir : Swinging jazzrock with a flamenco atmosphere and soli on saxophone and electric guitar.

10. Todo es de color / Lole y Manuel : One of the Rock Andaluz gems on this compilation with wonderful passionate female vocals and flamenco guitar (by Manuel Molina from legendary Smash), topped with majestic Mellotron drops, goose bumps!

11. Aqu' y ahora / Goma : A dynamic rhythm-section with fiery electric guitar and saxophone, the King Crimson avant-garde hints are obvious.

12. Aires de la Alameda / Alameda : A great example of the unique Rock Andaluz with flamenco guitar, sparkling piano, soaring strings and wonderful, a bit melancholical vocals, for me the Spanish answer to Italian progrock legend Francesco Di Giacomo.

13. Hablo de una tierra / Granada con Manolo Sanlucar : The first part delivers majestic Mellotron violins, first blended with flute and then with flamenco guitar, flamenco meets The Moody Blues and Camel! The final part sounds like a tribute to Paco De Lucia, the guitar work is in the vein of his worldwide known composition Entre Dos Aguas, very exciting Rock Andaluz!

Disc 2:

1. Paseando por la mezquita / Medina Azahara : A live version from the 'Rock Andaluz anthem' featuring a propulsive rock guitar riff, a tight beat and cheerful synthesizer flights, topped by strong, flamenco inspired vocals and varied guitar play (from moving to metal), wow!

2. Rock del cayetano / Pata Negra : Two acoustic guitarists who blend flamenco and rock, topped with strong vocals, what an exciting blend of skills and emotion.

3. Tu mirada / Cai : A swinging rhythm with beautiful vocals, sparkling synthesizer runs and a sensitive electric guitar solo.

4. Sole' del tio raimundo / Arrajatabla : Nuevo Flamenco with the Rock Andaluz guitar veterans Raimundo Amador and Luis Cobo Manglis delivering a pleasant blend of rock and flamenco, topped with emotional flamenco inspired vocals.

5. 'Ay, morena! / La Barbera del Sur : Nuevo Flamenco with a modern sounding blend of flamenco and rock, the colouring is very tasteful featuring violin, percussion and saxophone.

6. Me estoy quitando / Tabletom : Eighties Spanish prog band returns to the scene in the Nineties with a swinging blend of jazz, rock and funk, expressive vocals and powerful saxophone.

7. La pipa de Kif / Ketama : Nuevo Flamenco with a fresh blend of flamenco, rock, funk and fusion, topped with strong vocals and an exciting break with propulsive Afro-Caribbean percussion.

8. Quitate la bata / Kiko Veneno : A slow rhythm with a tight beat, supported by powerful vocals and rock guitar (including subtle fiery runs).

9. Ay que gustito pa mis orejas / Raimundo Amador : Another presence of this prolific and creative veteran, now with a surprising reggae climate and lots of brass.

10. Tarifa / Manteca : Nuevo Flamenco with a swinging rhythm and varied instrumentation (piano, saxophone, trumpet) and strong vocals.

11. Echale, echale /Martires del Compas : Another swinging rhythm on this compilation, with a strong flamenco atmophere featuring sparkling flamenco guitar, along cajon and palmas, the percussion is exciting.

12. Despertar (rondea) / Diego de Moron : The longest track on this compilation (almost 8 minutes), we can enjoy an unique blend of flamenco guitar and the sound of vintage keyboards, especially the string synthesizer, what a captivating musical encounter between flamenco and symphonic rock!

Highly recommended to those who want to explore the captivating world of the Spanish prog and Rock Andaluz. Another good 2-CD compilation is Hijos Del Agobio Y Del Dolor (including a docu DVD).

 Dubber Side Of The Moon by VARIOUS ARTISTS (TRIBUTES) album cover Studio Album, 2010
3.00 | 1 ratings

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Dubber Side Of The Moon
Various Artists (Tributes) Various Genres

Review by TenYearsAfter

— First review of this album —
3 stars "Space reggae version of Dark Side Of The Moon"

As a huge fan of Seventies Pink Floyd I was pleasantly surprised when I stumbled upon this extraordinary reggae version of the most legendary progressive rock album, Dark Side Of The Moon. The musicians are the ''house band' of the Easy Star Records label. After the original 2003 release entitled Dub Side Of The Moon this band was frequently asked to perform the album on stage. Eventually this led to a Dub Side Of The Moon worldtour, meanwhile the sales went over 300.000 copies. Due the this success, the live experiences of the musicians and the evolution of the songs during the years, the label decided to re-release the album in 2010, now named Dubber Side Of The Moon.

It looks like a weird idea to do a reggae version of a progressive rock album, but DSOTM is not the usual prog virtuosity and complexity like Gentle Giant, Yes, King Crimson and ELP. In fact Pink Floyd is on DSOTM more close to blues than classical music, with their melodic, accessible and atmospheric prog. And these elements are starting points for the Easy Star All Stars band on Dubber Of The Moon. Mostly without the legendary guitar - and keyboard sound of Gilmour and Wright, but with pleasant catchy rhythms, the distinctive reggae vocals and the inventive use of modern electronics and exotic percussion. DSOTM is 'a wet dream for hifi snobs', well, Dubber Of The Moon is also an exciting experience on that point. Sometimes I had to think of Ozric Tentacles.

My highlights.

Speak To Me/Breathe : captivating blend of Seventies Pink Floyd and modern electronics.

The Great Gig In The Sky : deep echo and excellent vocals by Kirsty Rock.

Money: great groovy bass and echo vocals.

And Any Colour You Like : sensational use of synthesizers and electronics.

Pretty disappointing is the rendition of On The Run, too much relaxed reaggae, too far away from original ominous atmoshpere, created by the VCS 3 synthesizer sound.

The four bonus tracks are nice, no more or less.

Step It Pon The Rastaman Scene: lots of reggae and electronics, along clarinet by Katie Gabriel

Money : fat bass and echo vocals.

Time: nice instrumental version.

On The Run : fat synthesizer runs and surprising work on the Fender Rhodes electric piano.

If you are a PF fan and up to a very special musical adventure, this is an album to discover. And in fact this music is more progressive than tons of prog albums from the last 3 decades.

My rating: 3,5 star.

 Bohemian Symphony by VARIOUS ARTISTS (CONCEPT ALBUMS & THEMED COMPILATIONS) album cover Studio Album, 1992
3.00 | 1 ratings

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Bohemian Symphony
Various Artists (Concept albums & Themed compilations) Various Genres

Review by TenYearsAfter

— First review of this album —
3 stars Queen was a highly acclaimed band in Japan, with even The Beatles-like scenes on airports and around hotels. So it ain't no surprise that after Freddy Mercury his tragical death (on November 24th, 1991) the two known Japanese progrock musicians Terutsugu Hirayama (Novela, Scheherazade, Teru's Symphonia) and Toshio Egawa (Earthshaker, Novela, Gerard, Scheherazade) founded a band in order to pay tribute to the legendary Queen singer. They named the band the Bohemian Symphony Project and the album Bohemian Symphony.

As a huge fan of the Japanese progrock since the early Nineties and a huge fan of Queen since the early Seventies I had expected an album that was loaded with sumptuous music. Simply because many known Japanese progrock bands (like Gerard, Vienna, Social Tension, Deja Vu, Novela and Ars Nova) deliver bombastic progrock and Queen is (in)famous for its bombastic and theatrical outbursts in many compositions. But no, in contrary, most of the renditions of the Queens songs on Bohemian Symphony contain a subdued classical sound, I could hardly recognize songs like Radio Gaga, Bicycle Race and We AreThe Champions (it lacks power). In general the songs on this CD sound very beautiful and pure but I miss the fiery Brian May guitar work and the expressive, often theatrical Freddie Mercury vocals.

The best tracks are the more powerful or expressive renditions like Love Of My Life (wonderful, very moving electric guitar play), You Take My Breath Away (lush strings and piano work) and You're My Best Friend (great interplay between classical guitar and violins).

My highlights are Somebody To Love (the violin replaces the vocals very impressive and we can enjoy a strong guitar solo), the legendary Bohemian Rhapsody (great classical orchestrations) and Save Me (exciting bombastic atmosphere).

So on one hand I am a bit disappointed because in many songs I miss the typcial Queen elements. On the other hand, Japanese progrock feature many bands with classical undertones (Mugen, Outer Limits, Bellaphon, Ieraishan, Fromage, Midas), because many Japanese progrock musicians are classically trained. From that point of view this is a wonderful and honest tribute to Freddy Mercury.

My rating: 3,5 star

 Decameron - Ten Days in 100 Novellas - Part III by VARIOUS ARTISTS (CONCEPT ALBUMS & THEMED COMPILATIONS) album cover Studio Album, 2016
3.84 | 49 ratings

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Decameron - Ten Days in 100 Novellas - Part III
Various Artists (Concept albums & Themed compilations) Various Genres

Review by siLLy puPPy
Collaborator PSIKE, JR/F/Canterbury & Eclectic Teams

3 stars The Colossus Projects began their ambitious projects in 2001 to promote the outstanding accomplishments of Finnish progressive rock (which there have been many) and then the whole thing kinda took on a life of its own as the collaboration with Musea Records created a synergistic effect that guaranteed an exposure to a worldwide network of tuned in prog aficionados salivating for something both creative, traditional and, of course, entertaining! After a diverse eclectic palette paving the way for even more sophisticated projects, in 2011 Musea Records released "Decameron - Ten Days in 100 Novellas - Part I" which isn't remotely Finnish but rather a collection of Italian tales excavated from the 14th century. The word DECAMERON is a neologism of the Greek words deca (ten) and mera (days) and THE DECAMERON which is subtitled Prince Galehaut is a collection of novellas written by the author Giovanni Baccaccio (1313-1375) and is structured as a frame story that contains 100 tales told by a group of seven young women and three young men who were sheltered in a secluded villa outside of Firenze (Florence), Italy in order to escape the black death plague that was rampant at the time. Well, three years after the first installment of this series came DECAMERON - TEN DAYS IN 100 NOVELLAS - PART II which continued the themes in musical form with some artists making a reprise and yet others entering the Musea equation for the very first time. Two years later, the label once again released a third installment in the series and in 2016 the various artist release DECAMERON - TEN DAYS IN 100 NOVELLAS - PART III was born.

Once again PART III is a monster of a release with 4 CDs stuffed full of lengthy symphonic leaning progressive rock tracks in thematic unison. Once again as well the packaging is exquisitely beautiful with period artwork gracing the cover and discs alike accompanied by a generous booklet with liner notes continuing the artistic flair as well as band photos and lyrics to those tracks that have them. While the Musea Colossus Projects tend to have the same artists on every most of their releases, PART III contains many new cast members but a few such as Nexus, Jinetes Negros and Rebel Wheel are back for another round. While these compilations are fairly global in nature, this one seems to have an extraordinarily heavy emphasis on Italian bands (12), USAmerican (7) with Argentina coming in at a distant third with only (3). While the music on these behemoths are always thematically connected, on PART III there is also a lot of continuity musically speaking which is one of the reasons i'm finding it less compelling than the other two installments of the DECAMERON series and unfortunately one of my least favorites of the entire Colossus Project that i've encountered.

Right from the first track, PART III sounds very different than its counterparts. It begins with an almost showtune sort of track titled "HeeBeeGeeBee" by UK artist Robert Webb. For the first listen, i had to actually check my CD to make sure that someone didn't slip a Broadway musical release into the jewel case by mistake. Nope, this was the right one alright. It just so happens that the entire 4.5 hours of playing time consists of such gleeful merry musical meanderings that could easily fit in the world of theatric drama and such. What's also noticeably different about PART III is that there seems to be a deliberate attempt to simplify the progressive elements with a lot more crossover potential than previously heard. There are more direct and bombastic ear wormy hooks reminiscent of classic Supertramp keyboard runs as well as more simplified guitar parts that often result in simply staccato chords. Garage prog anyone? Yeah, the material is considerably weaker on this one and i have to admit that not one single track jumps out and blows me away as these compilations usually do. I've been wondering if perhaps the different lineup of artists may be to blame but even the artist i'm familiar with don't crank out their usual quality material bursting with passionate delivery.

This one was fairly disappointing i have to say with the first two discs leaving me fairly cold. It does pick up a bit on Disc 3. The Rebel Wheel kick off with a strong track followed by some creativity of Taproban, S.A.L.U.E.N.A and Blank Manuscript which offer some of my favorite tracks of the comp but there are also silly tracks by Castle Canyon and Ozone Player that trade off spoken narrative with operatic vocals. There also seems to be a general lack of vivaciousness most of the tracks are fairly prog-by-the-numbers with lots of nods to 70s Pink Floyd not to mention that the vocals are mostly flat and unsuitable for the music. Not all is a waste of time. There are plenty of moments on this one that are indeed satisfying but nothing that exceeds the satisfaction of the first two DECAMERON editions. The whole affair seems rather sleepy and lazy and only fueling on half octane potential. Several listens later and not only has this not grown on me but actually has become quite irritating for the most part. It's not that the good parts are bad, it's just that most of the album cruises along on automatic pilot and nothing really jumps out and surprises. This may be an omen that the DECAMERON idea has been milked of all its possibilities and time to move on to other ideas. Three editions with bloated quadruple discs is quite the momental task. They succeeded quite well on the first two but the staleness has set in, at least for me. Worth the listen but probably not one i will revisit until several years pass by and i forgot what it sounds like.

In case you're wondering here is the whole list of Colossus Projects released so far:

Tuonen Tytar: A Tribute To Finnish Progressive (2000)

Kalevala - Finnish Progressive Rock Epic (2003)

The Spaghetti Epic - Six Modern Prog Bands For Six Seventies Prog Suites (2004)

Odyssey - The Greatest Tale (2005)

The Colossus of Rhodes (2006)

The 7 Samurai - The Ultimate Epic (2006)

The Spaghetti Epic 2 - The Good, The Bad, & The Ugly (2007)

Treasure Island (2007)

Giallo! One Suite for the Murderer (2008)

The Empire and The Rebellion (2008)

Dante's Divine Comedy Part I - Dante's Inferno (2009)

Dante's Divine Comedy Part II ? Purgatorio (2009)

Rökstenen - a Tribute to Swedish Progressive Rock of the 70's (2009)

The Spaghetti Epic 3 - The Great Silence (2009)

Tuonen Tytar-A Tribute To Finnish Progressive Rock Of The Seventies - Volume Two (2009)

Iliad: A Grand Piano Extravaganza (2010)

The Tales of Edgar Allan Poe: A SyNphonic Collection (2010)

Decameron - Ten days in 100 novellas - Part I (2011)

The Stories Of H.P. Lovecraft: A SyNphonic Collection (2012)

Decameron - Ten Days In 100 Novellas - Part II (2014)

DECAMERON - TEN DAYS IN 100 NOVELLAS - PART III (2016)

 Excalibur IV - The Dark Age of the Dragon by VARIOUS ARTISTS (CONCEPT ALBUMS & THEMED COMPILATIONS) album cover Studio Album, 2017
3.00 | 1 ratings

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Excalibur IV - The Dark Age of the Dragon
Various Artists (Concept albums & Themed compilations) Various Genres

Review by Matti
Prog Reviewer

— First review of this album —
3 stars I have rated the middle part of the Excalibur trilogy with three stars. I think this one's notably better, but since it's still not exactly pure progressive rock or "excellent addition to any prog rock music collection" , I'll round my 3˝ stars downwards. We're dealing with a new chapter in the ambitious Celtic saga, or "rock opera" as some call it, that the Breton-Celtic musician Alan Simon has created over the years. His manager had suggested a new tour in 2015 and Simon felt it would feel right only with new material. He worked more than a year on this project and feels very pleased at the results. The preceding parts were released in 1999, 2007 and 2012 respectively. If you're unfamiliar with them, that's no problem at all in getting to know this album, which one can simply take as an individual, loosely conceptual collection of songs with various vocalists and various moods. The partly orchestrated music could be labeled as Crossover Prog or Celtic rock.

If you look at the song list on the CD's back cover, especially the words "from JETHRO TULL" and "from SUPERTRAMP" appear ridiculously often, just because Martin Barre, Jesse Siebenberg or John Halliwell happen to play on most tracks. There could have been a wiser way to mark the performers, but that's not a big deal. Otherwise the well-known guests on this album are vocalists - or singing players such as Alan Stivell and the mentioned Siebenberg. Michael Sadler (SAGA) and Moya Brennan (CLANNAD) sing two songs each, Bernie Shaw (URIAH HEEP) and Sonja Kristina (CURVED AIR) one song each. Roberto Tiranti is another heavy- style vocalist (on two tracks), while Siobhan Owen (on 'The Last Lament of a Fairy' and achingly delicate 'There Is someone') brings more of the ethereal Celtic romanticism with her beautiful voice and Celtic harp.

The only purely instrumental track is the energetic 'The Fifth Season' starring Martin Barre's electric guitar, and, to a smaller degree, John Halliwell's saxophone. The final 19th track 'Dun Angus II' is among the most pompous ones, featuring the operatic soprano of Maite Itoiz (from Elfenthal, which neither I nor ProgArchives know). It is indeed the exhausting grandiosity, or the fearful possibility of the music to feel exactly like a rock opera, that is the biggest thread to concept albums like this. But in the end this really is primarily a well produced and executed set of songs, some of them rather average and some very enjoyable. Hardly this will approach my list of prog favourites from 2017, but a pretty positive surprise this was anyway.

 The Empire And The Rebellion by VARIOUS ARTISTS (CONCEPT ALBUMS & THEMED COMPILATIONS) album cover Studio Album, 2008
3.60 | 19 ratings

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The Empire And The Rebellion
Various Artists (Concept albums & Themed compilations) Various Genres

Review by TenYearsAfter

3 stars Colossus Project was an Italian musical project featuring four members and a wide range of guest musicians, including known names Keiko Kumagai (Ars Nova) and Fred Schendel (Glass Hammer) and fellow Italians Cristiano Roversi (Moongarden, Submarine Silence and The Watch) and Joe La Viola (Malaavia). The concept-story is based upon Georg Lucas popular Star Wars Episode IV as a tribute, you can read about that in the huge booklet also including words about the foundation of this project, the musicians, the instruments (mainly 'vintage') and the lyrics, embellished with tasteful pictures of all members.

The music sounds very varied, along pure progrock we can also enjoy a pleasant blend of several styles with lush vintage keyboards (especially the Mellotron, Hammond organ and Minimoog synthesizer): bluesy with tasteful work on organ, guitar, saxophone along Minimoog runs and a swinging Hammond solo in The Millennium Falcon - folky with soaring female vocals, flute and Celtic harp in the mellow My Tears For Alderaan - classical in the beautiful instrumental May The Force Be With You - jazzy with powerful saxophone in the short and funny The Millenium Quartet - melodic rock in the propulsive Meeting The Force (strong break with swirling Hammond solo by Fred Schendel) - dreamy with steel-guitar and Fender Rhodes electric piano, flute, acoustic rhythm-guitar and warm vocals in Two Suns - and a kind of 'symphonic rock ballad' in When I Was A Jedi (featuring the distinctive harpsichord sound, Hammond, Moog and dramamtic vocals).

My progrock highlights are the instrumental first composition Astral Prelude (wonderful vintage keyboards and a groovy bass solo, including the 'slap' technique), the alternating The Dark Lord Of The Sith (from intro with fado guitar and a final part with acoustic guitar to bombastic keyboard and Fripperian guitarwork) and especially the epic The Rebellion Suite (3 parts, around the 20 minutes), from beautiful flute ? and violin-Mellotron and howling guitar like Steve Hackett (glissando and 'hammering down') to a swinging bass solo and a compelling grand finale with excellent interplay between Grand piano, Mellotron and emotional vocals, goose bumps!

If you are up to tasteful and varied music that is layered with Moogs, Hammonds and Mellotrons, contains a wide range of instruments and has an important role for the vocals (only 3 songs are instrumental), you will be pleased with Colossus Project.

My rating: 3,5 star.

 Giallo! One Suite for the Murderer by VARIOUS ARTISTS (CONCEPT ALBUMS & THEMED COMPILATIONS) album cover Studio Album, 2008
3.95 | 35 ratings

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Giallo! One Suite for the Murderer
Various Artists (Concept albums & Themed compilations) Various Genres

Review by TenYearsAfter

4 stars This was another interesting release by Colossus and Musea, the socalled Finnish-French Connection. It's entitled Giallo! and based upon the famous movie Deep Red (1975) by Dario Argento. This CD contains five compositions by Italians artists/bands: the short intro and outro are performed by Alfio Costa on keyboards, he also joined the first epic composition from the musial project Dark Session, the other two epics (all more than 20 minutes) are played by the known formation Leviathan, and Floating State.

1. Alfio Costa - Frammento Rosso (Intro) (0.58) : The CD begins with a warm Grand piano sound, then pleasantly blended with the Minimoog synthesizer. A kind of musical warm bath of 60 seconds, very pleasant.

2. Dark Session - Visions of Helga (26.11) : The musical project Dark Session is an offshoot of the ELP-inspired band Tilion and features multi-instrumentalist Flavio Costa who has invited guest musicians Alfio Costa (vintage keyboards) and Hamadi Trabels ('dark speaking voices'). The name of the band points at the often dark atmospheres with a remarkable frequent use of the unsurpassed Mellotron from the very first moment: a majestic violin-section sound, followed by flute-Mellotron and blended with the distinctive harpsichord sound and sensitive electric guitar runs in a spacey, a bit ominous climate. Then Dark Session creates a great tension between the mellow parts (with soaring and melancholical Mellotron, fragile guitar and twanging acoustic guitar) and the more powerful and bombastic interludes (with propulsive guitar riffs, howling and fiery guitar, a powerful and dynamic rhythm-section and fiery wah-wah guitar), often King Crimson's dark and violent album Red comes to my mind but with the fat sound of the Minimoog flights! Dark Session their music also reminds me of Japanese King Crimson- clone Bi Kyo Ran because of the biting Fripperian guitar sound and the powerful rhythm-section. Anyway, despite these obvious references, I was carried away to Progheaven during this Mellotron drenched composition!

3. Leviathan - Vecchi Giochi (21.03 - four parts) : Nowadays Leviathan is a trio that has invited a male and female singer on this song. Again we can enjoy 24-carat symphonic rock and vintage keyboards like the Minimoog, Hammond and Mellotron. It starts with beautiful Grand piano, classical orchestrations and inspired Italian vocals, the the music alternates between dreamy, compelling, mid-tempo rhythms and bombastic featuring sparkling piano and fluent Hammond runs. Due to the heavy Moog Taurus bass pedal sound and the Hackett-like guitar, Leviathan evokes Wind & Wuthering-era Genesis, what a wonderful music! The final part is great delivering a slow rhythm with bass pedals, synthesizer flights and choir-Mellotron, topped with passionate Italian vocals, goose bumps!

4. Floating State - Suite Dall'inconscia dell'Assassino (25.06) : Without any doubt this six-piece formation makes the most adventurous and varied progrock on Giallo!, less traditional and more experimental with avant-garde and jazz elements. The basic in this composition is a swinging rhythm with a lush instrumentation (from classical guitar, flute and saxophones to vibraphone, a wide range of vintage keyboards and even the distinctive Theremin) and lots of intersting changing climates, at some moments pretty experimental like a part with Hammond and piano. The interplay is strong and I was pleased with parts featuring choir-Mellotron, vibraphone and warm vocals.

5. Alfio Costa - Mirrors (outro) (1.34) : The final track begins with ominous sounding Grand piano, then gradually turns into dreamy, simply wonderful!

 The Spaghetti Epic 3 by VARIOUS ARTISTS (CONCEPT ALBUMS & THEMED COMPILATIONS) album cover Studio Album, 2008
4.21 | 49 ratings

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The Spaghetti Epic 3
Various Artists (Concept albums & Themed compilations) Various Genres

Review by TenYearsAfter

3 stars The Musea/Colossus collaboration presents on this progrock project (from 2008) three progrock bands, each with an epic composition.

First Little Tragedies from Russia with a track entitled The Voice Of Silence (19.30). The music deliver lots of spectacular bombastic parts with dazzling synthesizer runs and ELP inspired Hammond work. We can also enjoy exciting interplay between flowing guitar/keyboards and powerful saxophone/organ, fuelled by a propulsive rhythm-section. Very subtle is the blend of flamenco rhythm guitar in some parts, it gives a special flavor to the music.

Then Yesterdays from Hungary with the song Suite Pauline (20.00), in comparison with their contribution to the 4-CD CD box Dante's Inferno, the emphasis is less on folk and more on Seventies keyboard oriented symphonic rock. It contains many changing climates and interesting musical ideas with wonderful work on vintage keyboards, often in duel with other instruments: choir-Mellotron and electric guitar, reed organ and Glockenspiel, trumpet/violin- Mellotron and classical guitar with flute. I also enjoyed a part with the impressive church-organ sound and an interlude featuring an exciting duel between drums and choir- and violin-Mellotron, joined by Fripperian guitarwork, goose bumps!

Finally the Italian formation N.O.T. with the song Epilogo (23.28): it sounds very alternating and dynamic with many bombastic climates featuring powerful Hammond work, flashy synthesizer runs, howling electric guitar, pleasant Mellotron waves, often very compelling. The music reminds me of early King Crimson and Outer Limits, especially in the final part with sumptuous violin-Mellotron waves, propulsive electric guitar play and powerful drums.

Another interesting album from Musea and Colossus, especially the vintage keyboard aficionados will be delighted!

My rating: 3,5 star.

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