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Various Artists (Concept albums & Themed compilations) Cani Arrabbiati: Opening Themes... A Tribute album cover
3.91 | 15 ratings | 1 reviews | 20% 5 stars

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Studio Album, released in 2010

Songs / Tracks Listing

CD 1:

1. The Samurai of Prog - "Cani Arrabbiati" (Stelvio Cipriani) (5:02)
2. Anima Morte - "Chi Part Two" (Goblin) (3:41)
3. Anima Morte - "Il Grande Silenzio" (Ennio Morricone) (3:11)
4. Anima Morte - "Suspicious Death Of A Minor" (Luciano Michelini) (6:57)
5. Anima Morte - "Gin" (Bruno Nicolai) (2:57)
6. Kate - "Death Die" (Giorgio Gaslini / Goblin) (4:07)
7. Kate - "La Polizia Ha Le Mani Legate" (Stelvio Cipriani) (3:55)
8. Kate - "Posizione Raggiunta" (Luis Bacalov) (2:52)
9. Kate - "Apoteosi Del Mistero" (Fabio Frizzi) (4:09)
10. Senogul - "Magari Ancora Medley" (6:45)
11. Aurora Lunare - "Connexion" (Goblin) (5:24)
12. Aurora Lunare - "Gamma" (Enrico Simonetti) (4:08)
13. Marco Lo Muscio - "Sixty Seconds To What?" (Ennio Morricone) (4:40)
14. Marco Lo Muscio - "La Vittima Designata" (Louis Bacalov) (5:34)
15. Marco Lo Muscio - "Mosť" (Ennio Morricone) (4:42)
16. Marco Lo Muscio - "Profondo Gotico" (Paolo Lazzeri, based on Deep Red by Claudio Simonetti) (7:42)

CD 2:

1. Ozone Player - "Nucleo Antirapina" (Bixio - Frizzi - Tempora) (4:31)
2. The Conspirators of the Occult - "Yell" (Goblin) (3:47)
3. The Conspirators of the Occult - "Liza Sweet Liza" (Fabio Frizzi) (4:05)
4. The Conspirators of the Occult - "La Lucertola" (Ennio Morricone) (6:20)
5. The Conspirators of the Occult - "I Remember" (Walter Rizzati) (1:21)
6. John La Forges - "L'Ossessione" (Stelvio Cipriani) (5:33)
7. John La Forges - "Drug's Theme" (Enrico Simonetti) (5:34)
8. John La Forges - "Indagine Su Un Cittadino Al Di Sopra Di Ogni Sospetto" (Ennio Morricone) (5:18)
9. John La Forges - "Lo Chiamavano Trinita" (Franco Micalizzi) (6:37)
10. Jaime Rosas - "Il Buono, Il Brutto, Il Cattivo" (Ennio Morricone) (3:08)
11. Jaime Rosas - "Un Dollaro Bucato" (Gianni Ferrio) (3:04)
12. Jaime Rosas - "Il Grande Duello" (Louis Bacalov) (3:56)
13. Jaime Rosas - "Tantacoli" (Stelvio Cipriani) (3:49)
14. Mist Seasons - "Puppet On A Chain" (Piero Piccioni) (4:35)
15. Mist Seasons - "Blow Out / Sally And Jake" (Pino Donaggio) (5:40)
16. Mist Seasons - "Chaser" (Piero Umiliani) (6:18)
17. Mist Seasons - "Manaos" (Fabio Frizzi) (5:02)

Line-up / Musicians

Releases information


Thanks to ozzy_tom for the addition
and to progkidjoel for the last updates
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Buy VARIOUS ARTISTS (CONCEPT ALBUMS & THEMED COMPILATIONS) Cani Arrabbiati: Opening Themes... A Tribute Music


VARIOUS ARTISTS (CONCEPT ALBUMS & THEMED COMPILATIONS) Cani Arrabbiati: Opening Themes... A Tribute ratings distribution

(15 ratings)
Essential: a masterpiece of progressive rock music(20%)
Excellent addition to any prog rock music collection(53%)
Good, but non-essential (20%)
Collectors/fans only (0%)
Poor. Only for completionists (7%)

VARIOUS ARTISTS (CONCEPT ALBUMS & THEMED COMPILATIONS) Cani Arrabbiati: Opening Themes... A Tribute reviews

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Collaborators/Experts Reviews

Review by Windhawk
SPECIAL COLLABORATOR Honorary Collaborator
4 stars Finnish organization Colossus has managed to establish itself as something of a high-quality brand name among connoisseurs of niche projects within the world of progressive rock for the last decade or so. Closing in on two dozen releases by now, it has issued albums and deluxe box sets commemorating classic movies, classic literature, and vintage and obscure artists as well as contemporary and well-known ones. Most of their productions consist of material catering for the tastes of those with a soft spot for vintage art rock in general and the symphonic variety of it in particular. CANI ARABIATI ? "Opening Themes" is a double CD issued in 2010, and like all the other projects that comes courtesy of Colossus it was released by the specialist progressive rock label Musea Records.

While more than two hours of Italian movie scores given an art rock treatment would appear to be an exercise aimed towards a small niche, "Cani Arrabbiati" does a good job of documenting otherwise. I would suspect most fans of instrumental art rock should find plenty of material to their satisfaction on this production, and in particular those fond of what one might describe as vintage-oriented arrangements. But the core audience of this double feature is most likely one less than stellar in size: Dedicated enthusiasts of older Italian movies or movie scores who prefer listening to progressive rock for their musical enjoyment.

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