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KLAUS SCHULZE

Progressive Electronic • Germany


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Klaus Schulze biography
KLAUS SCHULZE, one of the most illustrious exponents of the kraut-electronic musical current, was born on the 4th of August 1947, right in Berlin, the heart of the entire action. Before getting to know him as a master of electronic music, Schulze proved to be a skillful and talented young musician (with studies in modern composition at the Berlin University), hard to recognize (nowadays, perhaps) in the underground scene of the 60s. He first of all learned to play the guitar, starring afterwards in several bands as a bassist or a percussionist. His evolution in these ensembles can't be considered essential, still shows the consistency of moving up ahead: from the Düsseldorfian dance group Les Barones and cover-bands frenzied about Rolling Stones to the rock group Psy Free and, finally, to the moment when, from being invited by Edgar Froese to perform as a guest in his band, covering for the absence of the original drummer(I don't know if we're talking yet of Tangerine Dream, perhaps it actually concerns The Ones), he became a full, "registered" member of the group. TANGERINE DREAM's debut, though mainly a first solid album launched three years after the band (or the concept of it) started to form, is Electronic Meditation, the only one including Klaus Schulze. In a nebulous, experimental work, noisy and stoned, such as this one, the best thing we can notice is how Schulze adds flavor and intensity, through hallucinating percussion cliques, to a music that's anyway minimalistic, chaotic and instinctual.

Immediately after his singular appearence in Tangerine Dream (there's a mention about a similar guest appearence in AMON DÜÜL II, in a 1969 concert) - a specific moment turning out to be just as unique in TD's music - the next big step for Schulze is founding the band called ASH RA TEMPEL, together with two other young masters of that time, Manuel Göttsching and Hermut Enke. The boys bought equipment that was very similar to that used by Pink Floyd, a super-band for which the three had, apparently, a special affectio. The Ash Ra Tempel debut is however much more "drenched", being a stimulating example of kraut-rock, on the space, slow experimental, acid side. Many concerts follow afterwards. Schulze leaves though again after just one year, due to some disagreements about orienting towards blues, a style in whose popularity Schulze couldn't recognize himself. Although Ash Ra Tempel don't visibly slip towards that style which was desire...
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Import · Remastered
Esoteric 2008
Audio CD$9.34
$13.77 (used)
The Dark Side Of The Moog Vol. 1-4The Dark Side Of The Moog Vol. 1-4
Made In Germany Musi 2016
Audio CD$22.24
$46.17 (used)
The Dark Side Of The Moog Vol. 9-11The Dark Side Of The Moog Vol. 9-11
Import
Made In Germany Musi 2016
Audio CD$21.96
$88.99 (used)
MirageMirage
Import
Made in Germany Musi 2016
Audio CD$10.99
$12.95 (used)
The Dark Side Of The Moog Vol. 5-8The Dark Side Of The Moog Vol. 5-8
Import
Made In Germany Musi 2016
Audio CD$23.30
$26.55 (used)
TimewindTimewind
Import
Made in Germany Musi 2016
Audio CD$11.94
$15.04 (used)
XX
Made In Germany Musi 2016
Audio CD$12.23
$15.41 (used)
La Vie Electronique 3La Vie Electronique 3
Box set · Import
101 DISTRIBUTION 2009
Audio CD$12.32
$12.95 (used)
In BlueIn Blue
Made In Germany Musi 2016
Audio CD$12.65
$18.13 (used)
La Vie Electronique I (3 CD)La Vie Electronique I (3 CD)
Box set
REVISITED RECORDS 2009
Audio CD$13.09
$9.26 (used)
Right Now on Ebay (logo)
Klaus Schulze's Wahnfried - Drum'N' Balls [CD New] USD $15.11 Buy It Now
Klaus Schulze-Body Love LP VG/VG- nude cover 1977 Island Rec. free shipping USD $10.00 Buy It Now
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Dreams Klaus Schulze Audio CD USD $26.56 Buy It Now
KLAUS SCHULZE & LISA GERRARD: BIG IN EUROPE [USED DVD] USD $15.57 Buy It Now
La Vie Electronique, Vol. 10 [Digipak] by Klaus Schulze USD $21.23 Buy It Now
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lot of 6 DVDs by Tangerine Dream, Klaus Schulze & Lisa Gerrard (Dead Can Dance) USD $69.95 Buy It Now 9h 54m
Attack of the (Tangerine Dream Klaus Schulze) Clones: Andy Pickford TERRAFORMER USD $14.95 Buy It Now 10h 7m
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Stomu Yamashta's Go LP Jazz Funk Psych Fusion Prog VG+ Klaus Schulze OG Inner USD $9.99 [0 bids]
10h 37m
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2X KLAUS SCHULZE UK VINYL LP TIMEWIND MIRAGE OVED24,BRAIN PROG SYNTH PRO CLEANED USD $3.49 [2 bids]
12h 54m
KLAUS SCHULZE- Body Love +1 Digipak CD, 05 Rmstr, Made in Germany, OOP, Pristine USD $15.19 [0 bids]
13h 2m
Sexy Nude Cover ELECTRONICA LP Body Love KLAUS SCHULZE Island 1977 US Issue! USD $19.00 Buy It Now 16h 48m
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Klaus Schulze ?Audentity Dbl CD with Japanese insert and OBI USD $29.99 Buy It Now 19h 39m
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21h 25m
Klaus Schulze-La Vie Electronique CD / Remastered Album NEW USD $18.09 Buy It Now 1 day
KLAUS SCHULZE SILVER EDITION 10 CD SET SIGNED AND NUMBERED! USD $200.00 [0 bids]
1 day
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KLAUS SCHULZE 33RPM LP TIMEWIND SYNTH MEDITATIONAL GATEFOLD GERMAN PRESS BRAIN USD $26.97 Buy It Now 1 day
Dig It by Klaus Schulze (CD, Oct-2016, Made in Germany) USD $14.82 Buy It Now 1 day
Blackdance - Klaus Schulze 885513014924 (CD Used Very Good) USD $13.67 Buy It Now 1 day
Live @ Klangart - Klaus Schulze 885513015228 (CD Used Very Good) USD $15.56 Buy It Now 1 day
KLAUS SCHULZE RAINER BLOSS Dziekuje Poland 2xVinyl LP USD $19.99 Buy It Now 1 day
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Klaus Schulze Timewind vinyl LP '75 prog CAROLINE UK kraut faust can neu cluster USD $39.00 Buy It Now 2 days
Klaus Schulze - Picture Music LP Germany 1979 re EX/EX # Prog / Electronic USD $18.99 Buy It Now 2 days
Klaus Schulze Mirage 'An electronic Winterlandscape' Brain Records USD $14.00 Buy It Now 2 days
Vol. 14-La Vie Electronique - Klaus Schulze (CD Used Very Good) USD $15.93 Buy It Now 2 days
KLAUS SCHULZE Moondawn French LP 1976 Electronic Kraut Ash Ra Tempel Hear USD $24.99 Buy It Now 2 days
Klaus Schulze-Ballett 4 (UK IMPORT) CD NEW USD $15.74 Buy It Now 2 days
Klaus Schulze-Are You Sequenced? [bonus Cd] (UK IMPORT) CD NEW USD $20.26 Buy It Now 2 days
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Klaus Schulze-Das Wagner Desaster Live (UK IMPORT) CD NEW USD $19.51 Buy It Now 2 days
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Klaus Schulze-Live at Klangart (UK IMPORT) CD NEW USD $19.83 Buy It Now 2 days
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Klaus Schulze - Dziekuje Poland Live '83 [CD New] USD $17.08 Buy It Now 2 days
Klaus Schulze Beyond Recall USD $9.99 Buy It Now 2 days
Blackdance by Klaus Schulze (CD, Jun-2016, MIG) USD $12.85 Buy It Now 2 days
Live @ KlangArt by Klaus Schulze (CD, Jun-2016, 2 Discs, MIG) USD $15.68 Buy It Now 2 days
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EARTHSTAR French Skyline ? 1979 Sky Records AMBIENT/SYNTH Klaus Schulze USD $25.30 Buy It Now 2 days
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Drums 'N' Balls by Klaus Schulze (Audio CD) Universal Music No of Discs 1 CXX USD $20.97 Buy It Now 2 days
Dark Side Of The Moog (5 CD) by Klaus Schulze (Audio CD)Number of Discs 5 CXX USD $43.75 Buy It Now 2 days
Klaus Schulze & Lisa Gerrard: Big in Europe - Vol. 1 Warsaw New DVD USD $34.74 Buy It Now 2 days
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2 days
In Blue (3CD) by Klaus Schulze (Audio CD) Number of Discs 3 Universal Music CXX USD $30.46 Buy It Now 2 days
Dziekuje Poland Live '83 by Klaus Schulze (CD, May-1996, 2 Discs, Magnum) USD $59.99 Buy It Now 3 days
La Vie Electronique 4 - Klaus Schulze Compact Disc USD $21.31 Buy It Now 3 days
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Klaus Schulze-Richard Wahnfried's Miditat (UK IMPORT) CD / Remastered Album NEW USD $15.27 Buy It Now 3 days
Klaus Schulze-Picture Music (UK IMPORT) CD NEW USD $15.74 Buy It Now 3 days
Klaus Schulze-Live At Klangart (UK IMPORT) CD NEW USD $17.10 Buy It Now 3 days
Klaus Schulze-Trancefer (UK IMPORT) CD NEW USD $15.74 Buy It Now 3 days
Klaus Schulze- PrivUe (UK IMPORT) CD NEW USD $15.74 Buy It Now 3 days
Klaus Schulze-Irrlicht (UK IMPORT) CD NEW USD $15.74 Buy It Now 3 days
Klaus Schulze-Inter*Face (UK IMPORT) CD NEW USD $15.74 Buy It Now 3 days
Klaus Schulze-Dziekuje Poland Live 83 (UK IMPORT) CD NEW USD $17.10 Buy It Now 3 days

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KLAUS SCHULZE discography


Ordered by release date | Showing ratings (top albums) | Help Progarchives.com to complete the discography and add albums

KLAUS SCHULZE top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.49 | 135 ratings
Irrlicht
1972
3.65 | 122 ratings
Cyborg
1973
3.32 | 110 ratings
Blackdance
1974
3.76 | 93 ratings
Picture Music
1975
4.21 | 224 ratings
Timewind
1975
3.70 | 150 ratings
Moondawn
1976
3.97 | 97 ratings
Body Love: Original Filmmusik
1977
4.25 | 234 ratings
Mirage
1977
3.93 | 95 ratings
Body Love Vol. 2
1977
4.11 | 207 ratings
X
1978
3.23 | 74 ratings
Dune
1979
3.04 | 60 ratings
Dig It
1980
3.17 | 46 ratings
Trancefer
1981
3.41 | 65 ratings
Audentity
1983
2.75 | 33 ratings
Angst (soundtrack )
1984
2.23 | 21 ratings
Drive Inn (with Rainer Bloss)
1984
1.69 | 14 ratings
Aphrica (with Rainer Bloss & Ernst Fuchs)
1984
2.79 | 31 ratings
Inter Face
1985
2.59 | 31 ratings
Dreams
1986
2.92 | 22 ratings
Babel
1987
3.59 | 36 ratings
En=Trance
1988
2.33 | 29 ratings
Miditerranean Pads
1990
3.03 | 29 ratings
Beyond Recall
1991
2.23 | 20 ratings
Le Moulin de Daudet
1994
2.59 | 18 ratings
Namlook & Schulze: Dark Side of the Moog
1994
2.46 | 14 ratings
Goes Classic
1994
1.33 | 14 ratings
Totentag
1994
2.93 | 17 ratings
Namlook & Schulze: Dark Side of the Moog II
1995
2.89 | 18 ratings
Namlook & Schulze: Dark Side of the Moog III
1995
3.81 | 42 ratings
In Blue
1995
2.56 | 14 ratings
Namlook and Schulze: The Dark Side Of The Moog IV
1996
3.04 | 19 ratings
Namlook and Schulze: The Dark Side Of The Moog V
1996
3.16 | 30 ratings
Are You Sequenced?
1996
2.62 | 20 ratings
Dosburg Online
1997
3.47 | 15 ratings
Namlook and Schulze: The Dark Side Of The Moog VI
1997
3.61 | 18 ratings
Namlook and Schulze: The Dark Side Of The Moog VII
1998
2.26 | 15 ratings
Namlook and Schulze: The Dark Side Of The Moog VIII
1999
3.02 | 15 ratings
Namlook and Schulze: The Dark Side Of The Moog IX
2002
2.94 | 14 ratings
Namlook and Schulze: The Dark Side Of The Moog X
2005
3.47 | 41 ratings
Moonlake
2005
3.75 | 8 ratings
Vanity of Sounds
2005
3.57 | 7 ratings
The Crime of Suspense
2006
3.00 | 14 ratings
Ballett 1
2006
3.00 | 7 ratings
Ballett 2
2006
3.13 | 8 ratings
Ballett 3
2007
2.78 | 9 ratings
Ballett 4
2007
3.80 | 64 ratings
Kontinuum
2007
3.25 | 35 ratings
Farscape (with Lisa Gerrard)
2008
3.65 | 15 ratings
Namlook and Schulze: The Dark Side Of The Moog XI
2008
3.72 | 10 ratings
Virtual Outback
2008
3.52 | 31 ratings
Shadowlands
2013

KLAUS SCHULZE Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.12 | 34 ratings
Live
1980
3.23 | 35 ratings
Dziekuje Poland (with Rainer Bloss)
1983
3.32 | 19 ratings
The Dresden Performance
1990
3.74 | 16 ratings
Royal Festival Hall Vol. 1
1992
3.81 | 20 ratings
Royal Festival Hall Vol. 2
1992
3.31 | 17 ratings
The Dome Event
1993
3.18 | 13 ratings
Das Wagner Desaster-Live-
1994
3.78 | 9 ratings
Live @ KlangArt 1
2001
3.50 | 8 ratings
Live @ KlangArt 2
2001
3.20 | 18 ratings
Rheingold - Live at the Loreley
2008
3.75 | 8 ratings
Live @ KlangArt
2008
3.21 | 15 ratings
Dziekuje Bardzo - Vielen Dank
2009
3.09 | 15 ratings
Big in Japan
2010

KLAUS SCHULZE Videos (DVD, Blu-ray, VHS etc)

3.93 | 11 ratings
Rheingold - Live At The Loreley
2008
3.43 | 7 ratings
Dziekuje Bardzo
2009
3.75 | 4 ratings
Big in Japan
2010

KLAUS SCHULZE Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

2.80 | 5 ratings
2001
1991
3.50 | 4 ratings
Silver Edition
1993
3.21 | 5 ratings
The Essential: 72-93
1994
3.91 | 11 ratings
Historic Edition
1995
3.67 | 6 ratings
Jubilee Edition
1997
2.00 | 3 ratings
Trailer
1999
4.00 | 6 ratings
The Ultimate Edition
2000
3.14 | 7 ratings
Contemporary Works I
2000
3.14 | 7 ratings
Contemporary Works II
2002
3.38 | 13 ratings
La Vie Electronique 1
2009
3.94 | 12 ratings
La Vie Electronique 2
2009
2.83 | 14 ratings
La Vie Electronique 3
2009
3.06 | 13 ratings
La Vie Electronique 4
2009
3.14 | 10 ratings
La Vie Electronique 5
2010
3.97 | 13 ratings
La Vie Electronique 6
2010
2.28 | 10 ratings
La Vie Electronique 7
2010
3.22 | 9 ratings
La Vie Electronique 8
2010
3.00 | 7 ratings
La Vie Electronique 9
2011
3.00 | 7 ratings
La Vie Electronique 10
2011
2.71 | 7 ratings
La Vie Electronique 11
2012
3.67 | 9 ratings
La Vie Electronique 12
2012
4.07 | 8 ratings
The Schulze-Schickert Session
2013
4.00 | 2 ratings
Privée (with U.S.O.)
2016

KLAUS SCHULZE Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

2.29 | 7 ratings
Come Quietly - with Lisa Gerrard
2009

KLAUS SCHULZE Reviews


Showing last 10 reviews only
 Timewind by SCHULZE, KLAUS album cover Studio Album, 1975
4.21 | 224 ratings

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Timewind
Klaus Schulze Progressive Electronic

Review by Progfan97402

5 stars Timewind is the followup to Picture Music and clearly shows this new synth direction that was already obviously shown on Picture Music. This just takes it to the next level. "Bayreuth Returns", for example, is very much dominated by sequencers, and isn't too different from Tangerine Dream's Ricochet (which Ricochet was actually released after Timewind). Unlike Tangerine Dream though, Schulze loved cramming 30 minutes on to one side of the disc, and it shows here. "Wahnfried 1993" is much more calm, without the use of sequencers, and is in fact more in tune with his 1977 album Mirage, so I obviously recommend Mirage if you like what Schulze did on "Wahnfried 1883". The album was dedicated to Richard Wagner, apparently a big influence on Schulze. Nothing short of essential, as far as I'm concerned.
 Picture Music by SCHULZE, KLAUS album cover Studio Album, 1975
3.76 | 93 ratings

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Picture Music
Klaus Schulze Progressive Electronic

Review by Progfan97402

4 stars I never bought into the idea this was the album Klaus Schulze recorded in 1973, but not released until 1975. In fact the reason for leaving Kosmische Musik (basically, the new name of Ohr that Rolf U. Kaiser came up with) was the Cosmic Jokers controversy, which I won't get into. So it's popularly believed Picture Music was from this era, but not released on that label due to Schulze being upset with Kaiser and instead having it released on Brain in '75, after Blackdance (his first for Brain). I always thought that was fishy, because Picture Music was basically an all-synth album, and Blackdance still stuck to the old Cyborg-era gear of Farfisa organ and EMS Synthi A. Turns out I was correct, Picture Music was indeed recorded late in 1974 and sounded very much in tune with that time, it was obvious after Blackdance, he was able to purchase a bunch of new gear, and it shows. He apparently also acquired a modular Moog that previously belonged to Florian Fricke of Popol Vuh, who had no further interest in synthesizers (after 1972 he switched to piano after going through a spiritual/religious conversion). "Totem" is the opening cut, has that pulsing synth rhythm sounding like proto-techno. "Mental Door" starts of calm (if I remember right, it's been a while since I heard this album, I just need to pull it out), but then the middle part has percussion, which was apparently from Schulze himself, but it actually sounds like Harald Großkopf (a friendship that did stem from the Cosmic Jokers controversy), it has his style written all over it. I could be wrong, and it was Schulze on drums. Basically, this is the beginning of the mid to late '70s sound that made Schulze famous, away from the early more primitive organ/synth experiments of previous albums. It's very much an album I can highly recommend.
 Cyborg by SCHULZE, KLAUS album cover Studio Album, 1973
3.65 | 122 ratings

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Cyborg
Klaus Schulze Progressive Electronic

Review by Progfan97402

3 stars Man, is this a difficult listen! A double LP set that really takes it to the extremes, by making sure nothing is under 22 minutes long (25 minutes is the lengthiest). This simply takes the ideas of Irrlicht to the next level. "Synphära", for example, has this lengthy droning organ with lots of synth effects that go throughout this piece. "Conphära" is a bit more like Irrlicht, featuring strange droning sound, and that same distorted orchestra that sounds more like a Mellotron (Schulze never used a real Mellotron until late 1976, and when he did, he preferred choirs). "Chromengel" is simply a bunch of strange space electronic effect, but more is going on in the next piece, "Neuronengesang" has more going on, but still lots of tripped out sci-fi sounds.

As strange as it seems, I have little trouble sitting through all four sides of Tangerine Dream's Zeit (that album can be a very difficult egg to crack, but it only took me a few listens to get it), but I do have that problem with Cyborg, but I do like the ideas found on this album, but I think sometimes it goes on for just far too long at times. I know a Schulze album is usually never an easy listen, but this is one of his more difficult ones. No wonder he did change his approach to something more accessible (but still not as accessible as 1970s Tangerine Dream at their more accessible). Three stars it is.

 Mirage by SCHULZE, KLAUS album cover Studio Album, 1977
4.25 | 234 ratings

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Mirage
Klaus Schulze Progressive Electronic

Review by Progfan97402

5 stars Klaus Schulze released no less than 3 albums in 1977, Body Love Vol. 1, Mirage, and Body Love Vol. 2. Since the other two were soundtracks, Mirage was the only non-album soundtrack album he did that year. This one emphasizes the more calm and sedate side of him, with rather low key use of sequencers when they are utilized. It would be very difficult to deny this album has a huge impact on an obscure French musician named Serge Lefosse, who recorded as Serge Ramses, and released an album in 1978 called Secret on RCA. That album has a similar feel and vibe but was quite a bit shorter. Anyways back to Mirage, "Velvet Voyage"is completely sequencer free, concentrating on synth soundscapes. It's not too terribly different from the more calm and sedate moments of the Body Love albums or even Timewind. "Crystal Lake" features low key use of sequencers but the middle part is free of sequencers. Whatever the case this is without a doubt a high point in the career of Schulze, and I know I'm not the only one who feels that way. This album is simple required in your collection.
 Timewind by SCHULZE, KLAUS album cover Studio Album, 1975
4.21 | 224 ratings

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Timewind
Klaus Schulze Progressive Electronic

Review by Wasabian

5 stars Timewind is the album that I head Klaus Schulze first time in late 90's, and it should be logical why after listening to it. The atmosphere that Klaus Schulze is able to create on Timewind is fantastic: warm, creepy, alienated, lonely, enigmatic. The synthesized choir sounds caried by the rough wind, bleak pulsing, and sounds of possibly arctic birds echoing through the soundscape on this album. Both tracks have a enigmatic feel coated with spatial loneliness, the sound is very full. The synth is very prominent here among the other electronics, so fans of symphonic progressive rock should find much to enjoy here. If you're looking for a great starter-point for becoming a Klaus Schulze fan, this is most likely the best choice. Highly recommended.
 Live by SCHULZE, KLAUS album cover Live, 1980
3.12 | 34 ratings

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Live
Klaus Schulze Progressive Electronic

Review by Modrigue
Prog Reviewer

3 stars Schulze's first live and last analog album

Finally, after eight years of career, here is Klaus Schulze's long awaited live album! Difficultly understandable when you know the German pioneer was already very prolific. Like other electronic artists of the 70's such as his fellow countrymen TANGERINE DREAM, his concerts were often composed of improvised and previously unreleased material. Nowadays, some of these performances can be found as bonus tracks on the Revisited Records Editions or in the "La Vie Electronique" boxsets.

Nonetheless, this live compilation, just titled "...Live...", is a double album compiling more than two hours of sequenced music within four gigs extracts, from 1979 and 1976. All tracks have a typical 'schulzian' duration, i.e. 20 to 30 minutes, except "Sense" which lasts... 51 minutes! The last piece also contains a little surprise... Musically speaking, the style is quite similar to Klaus's melodic and retro-futuristic works during the late 70's, such as "Moondawn" and the two "Body Love". Nonetheless, there is slight difference this time, as the compositions sounds more modern, more sci-fi, maybe due to the usage of rhythm boxes.

I personally consider Disc 1 more interesting than Disc 2. "Bellistique" was recorded in Paris, November 13th 1979. Although the shortest track of this compilation, this is my favorite. An hyper pulsating sequence for an over-trippy music. I cannot think of another piece from Schulze sounding this fast and furious at the time, it simply foreshadows the trance genre of the 90's! Mindblowing! A bit repetitive, however dark and thrilling... Chaotic and atmospheric, the ending is quite frightening. Recorded in Berlin, October 5th 1976, "Sense" is the only track not from 1979. This 51 minutes long mastodon is the central point of the album and features Harald Grosskopf at percussions. After an ambient hazy introduction, a short evanescent mesmerizing loop disappears into smoke to unveil the main theme that will nearly last until the end, with nice spacey variations. A sensation of misty magic reigns over this tune. The mysterious vaporous sequence comes back for the final section. For sure, "Sense" could certainly have been shortened to 30 minutes, but this piece still remains overall quite good. 4 stars.

Disc 2 is unfortunately less inspired. Recorded in Paris, November 13th 1979, "Heart" opens in a calm but spooky atmosphere. It then turns more rhythmic and futuristic, with strange sound effects and synthesizers sounding even Middle-Eastern-ish at times. The second half sees the pace speeding up at the second half as well as pretty cool passages. Schulze plays his keyboard soli like a guitar hero here! An uneven composition, which contains very pleasant moments though. "Dymagic" was recorded in Amsterdam, October 27th 1979, and features Arthur Brown at vocals. The German musician already collaborated with the him on "Shadows of Ignorance", for his album "Dune", released the same year. Quite unique in its own way, this minimalistic track resembles nothing Klaus did before, or even after. It mainly consists in the same electronic loop supporting Arthur Brown's mad vocals. Half-narrated, half-narrated, the English singer enters a shamanic transe and seems to be fully possessed by some unknown demon. All this give the impression of a crossing between an obscure incantation with a mechanical ritual. Except the final section, relaxing and spacey, there are not many changes, even if the rhythm increases in the last third. Easily one of Schulze's weirdest pieces, some will immediately fall in love with its special craziness and esoteric ambiance, while others will just skip this nonsense. 2 stars.

In conclusion, although unequal, "...Live..." remains an interesting yet heterogeneous live compilation. One interesting thing about it is that each listener may have a different appreciation of each part. For me, the interest goes decrescendo: the tracks are respectively great, good, uneven and... bizarre. I would have liked to have the 1977 Köln WDR concert extract "For Barry Graves" featured here, instead of "Dymagic" for example. Another point worth mentioning is that there are not many contemplative soundscapes in this double album, however these 1979 compositions are much more lively than "Dune".

"...Live..." was for a long time the only testimony of Klaus' seventies performances and still remains one of his best live releases. Every fan of the late 70's retro-futuristic side of Schulze should give it a listen to make his own opinion.

After this one, the German keyboard wizard will turn digital, and this will be another story...

 X by SCHULZE, KLAUS album cover Studio Album, 1978
4.11 | 207 ratings

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X
Klaus Schulze Progressive Electronic

Review by Modrigue
Prog Reviewer

3 stars Schulze has 'classical' ambitions

Named after its chronological release order, "X" was certainly the most ambitious electronic record of its time. This massive double album (originally 2x60 minutes, 2x80 minutes for the 2005 Revisited Records Edition) attempts to marry the stretched Berlin School schulzian soundscapes with classical music. Subtitled "Sechs Musikalische Biographen", this tenth opus consists in six pieces, or biographies, each one evoking an artist or intellectual who inspired the German musician. Some tracks incorporate classical instruments, such as cello and violin, and even an entire orchestra, the "Orchester Des Hessischen Rundfunks".

It should be noted that Schulze already manipulated the recordings of a string orchestra in his 1972 debut "Irrlicht", resulting in eerie drone landscapes of desolation. However, this time, the symphonic parts are not modified. Musically speaking, the electronic parts borrow the extended static impressions of "Timewind" as well as more melodic and percussive elements in the vein of "Moondawn" and "Body Love". When we think about it, the symphonic genre is perfectly suited to Klaus' universe and compositional style. After all, he always had a great admiration for the classical composers ("Timewind" was a tribute to Richard Wagner). Therefore, this mixture of genres was an unavoidable exercise for him. With VANGELIS, Schulze was maybe THE 70's electronic artist for such an experiment.

Nevertheless, great ambitions does not necessarily make constant quality, especially during two hours of music. So, didn't Klaus Schulze went too far with "X"?

Disc 1 is still rather dominated by synthesizers. After its ambient contemplative opening, "Friedrich Nietzsche" mixes Harald Grosskopf's percussions, a superb chorus, electronic loops and trippy synthesizer soli to create a slowly evolving, immersive and melancholic soundscape. You travelled through the cosmos to land on a deserted extraterrestrial landscape. One of Schulze's greatest compositions from the seventies! The next two biographies are only ones not including classical music elements. "Georg Trakl" was an Austro-Hungarian poet. This cool piece is a short, calm and mysterious interlude, resembling a little TANGERINE DREAM's hazy style. Klaus was also a science fiction fan: Frank Herbert is the only personality of "X" not of German culture. The track starts with a dark and pulsating sequence in the vein of a TD soundtrack. The result is even more futuristic than Schulze's next album, "Dune". Nonetheless, there are hardly no changes at all during these 11 minutes. Wilhelm Friedemann Bach was a German composer from the family of Johann Sebastian. His musical biography differs slightly from the others of the first disc, as this is the first genuine track to marry classical and electronic music. The atmosphere is tragic, thrilling, reinforced by B. Dragic's frightening solo violin interventions and strange sound effects. An anguishing nightmare when you're in a maze dating back to the Renaissance, trying to escape from an invisible threat. The ending is quite chaotic and enigmatic. 4 stars.

Disc 2 incorporates more classical music elements, but is unfortunately less inspired. In collaboration with an orchestra conducted by Wolfgang Tiepold, "Ludwig II Von Bayern" is the composition where the marriage of Schulze's electronic soundscapes and the symphonic style is the most successful. Using a passage from Vivaldi's 11th concerto in D minor for two violins, cello and strings, it exposes the German artist's admiration for the great classical composers. Supported by a fast synthesizer loop, the first third is superb, elegant and epic. Magic! Nonetheless, this refined musical sculpture only lasts the first ten minutes. The second third is difficulty understandable. An uninteresting and repetitive orchestral passage, sounding as if the record was broken. Was Klaus' part forgotten in the final mix? The last section just recycles the theme from the first third. In fact, this track could have been shortened to its 10 first minutes. Named after a German writer, "Heinrich Von Kleist" features Wolfgang Tiepold at cello. This slow piece is mainly ambient, calm and melancholic, even experimental at times. The problem is that, except the contemplative chorus, nothing really happens during these 30 minutes, which finally become rather boring. 2 stars.

The 2005 Revisited Records Edition is not very essential. The bonus track, "Objet d'Louis", is a poor quality recording of a 1978 performance of "Ludwig II von Bayern", with an orchestra. The reissue also features the original 26 minutes version of "Georg Trakl", rather monotonous.

Ambitious, uneven, daring, however undoubtedly original, "X" is a colossus containing both gorgeous musical pieces and less interesting moments. A controversial release, some will love it immediately, others won't enter this beautiful and nightmarish world at first listen. I personally find this tenth offering a little overrated, but this fusion of electronic and classical elements had to be tried. If "X" had been a single album, consisting in the first disc with the first 10 minutes of "Ludwig II Von Bayern" replacing "Frank Herbert", then it would have been a masterpiece.

As you may understand, this double symphonic opus is not very accessible and definitely not the one to start with for newcomers. However, this ambitious effort remains essential for anyone wanting to explore Klaus Schulze and progressive electronic. After all, the marriage with classical music is not that common in this genre.

"X" unfortunately marks the end of Schulze's 'golden' era. After this one, the quality of his albums will become less regular...

 Body Love Vol. 2 by SCHULZE, KLAUS album cover Studio Album, 1977
3.93 | 95 ratings

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Body Love Vol. 2
Klaus Schulze Progressive Electronic

Review by Modrigue
Prog Reviewer

4 stars It's even better the second time

Despite the title and the sensual cover art, "Body Love 2" is not the soundtrack to a sequel to Lasse Braun's erotic movie. The three compositions were initially candidates to the "Body Love" score, but were finally not retained. However, as Island Records asked Schulze an accessible electronic record, in the vein of "Moondawn" and "Body Love", the German artist choose to release these tracks as an official studio album. By the way, when did Klaus sleep? This ninth opus was already its third one of 1977!

Completely different from the icy depressive soundscapes of his previous effort, "Mirage", the style is - as you expect - pretty much similar to the "Body Love" soundtrack. Supported by Harald Grosskopf's percussions, the music is more melodic, spacey and futuristic.

Longest track of the disc, "Nowhere / Now Here" starts with an ambient and cosmic overture. Slowly evolving with progressively appearing drums, this first half is just mesmerizing, possessing a little floydian feel. The pace suddenly accelerates for the second half, mystical whirlwinding keyboards weave a mysterious web over a quite robotic sequence. The strange ending section is simply stellar! Space-time is distorted, get ready to travel through a sonic wormhole. From nowhere to now here, that's what it is. All makes sense. A brilliant tour de force!

"Stardancer II" is just a (very slightly) rearranged version of the original "Stardancer" from the first opus, maybe a bit more futuristic. The record concludes with "Moogetique", which surprisingly takes us back to Schulze's early years. Contrasting with the other compositions, this track resembles Klaus' drone experiments from "Cyborg" or even "Irrlicht", with added eerie sound effects. A hazy introduction deploys a claustrophobic and gloomy atmosphere. You're wandering into a cold world of sadness and darkness. Enjoyable, but probably my least favorite.

Let's go straight to the point: if you liked "Body Love", you'll enjoy Volume 2. Furthermore, I find this album is more consistent and less monotonous than the movie score. Again, this is neither sensual nor romantic music, but rather a soundtrack to fly between the stars at any speed you want aboard your spaceship.

Although one of Klaus Schulze's lesser-known release, "Body Love 2" is one of his best offerings from the seventies. Don't miss it!

 Mirage by SCHULZE, KLAUS album cover Studio Album, 1977
4.25 | 234 ratings

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Mirage
Klaus Schulze Progressive Electronic

Review by Modrigue
Prog Reviewer

3 stars Do mirages exist in frozen lands?

3.5 stars

Subtitled 'An electronic winter landscape', this seventh album from Klaus Schulze is dedicated to his big brother Hans-Dieter, who taught him drumming and just died shortly before. The least we can say is that all these points are reflected in the music. Although the German pioneer deploys an impressive amount of various electronic devices here, this sonic research does not extend the futuristic and melodic approach previously adopted on "Body Love", or even "Moondawn". No Harald Grosskopf here, so no percussive elements either. The two 30 minutes compositions are atmospheric, static, like on "Timewind". However, instead of the oneiric and surrealistic soundscapes of the 1975 opus, "Mirage" proposes a musical trip to far away icy soundscapes, frozen for eternity, out of time, crystalline and melancholic. The track contain six sections each, but they're difficulty distinguishable from one to another.

The ambient and gloomy opening of "Velvet Voyage" resembles the 'screams' part of PINK FLOYD's "Echoes Part 2". Like "Wahnfried 1883", there are almost no sequences, but rather slow stretched and depressive waves, even taking us back to the "kozmische musik" years at times. The contemplative ending is great. A cold beauty, however a bit too imposing.

The highlight of the record is the superb "Crystal Lake", which perfectly carries its name. A dreamy and crystalline painting with unique bells sonorities. The middle section is melancholic, sad, and even a little mystic. Then the 'bells' sequence returns. Undoubtedly Schulze's iciest composition. For me, the lake is located underground, in some mysterious crystal cave, reflecting every entering murmur.

With "Mirage", the German artist proposes something different and goes one step further. Considered by some fans as his summit, I find this seventh opus slightly overrated though, mainly due to "Velvet Voyage". But I adore "Crystal Lake". Nonetheless, this album remains one of his most original, personal, majestic, and definitely his most depressive.

Do not expect futuristic or lively music here. "Mirage" is a disc to listen to when you're in a particular mood, melancholic, looking at the snow fall through the window at the winter...

 Body Love: Original Filmmusik by SCHULZE, KLAUS album cover Studio Album, 1977
3.97 | 97 ratings

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Body Love: Original Filmmusik
Klaus Schulze Progressive Electronic

Review by Modrigue
Prog Reviewer

3 stars No bontempi keyboards here

3.5 stars

Klaus Schulze's first soundtrack is for... an erotic movie! Believe it or not, his previous albums "Timewind" and "Moondawn" were already used by German film director Lasse Braun as background music for his scenes. Logically, he directly asked the electronic musician to compose the score for his next production, "Body Love". But don't worry, there are no soporific, flat or lazy composition here. Schulze still proposes a musical trip through his hypnotic and slowly evolving soundscapes. Then... is this a follow up to "Moondawn", or even "Timewind"? More precisely, "Body Love" can be seen rather as futuristic evolution, mainly due to the percussive elements of future ASHRA drummer Harald Grosskopf, but also due to the dynamicity of the tracks and their science-fiction sonorities.

"Stardancer" can be described as a more lively and upbeat version of "Totem", from the "Picture Music" album. After a trippy cosmic introduction, pulsating sequences and synthesizer waves give life to mystical whirlwinding keyboards. It even sound Middle-Eastern-ish at times. Mesmerizing! Probably my favorite passage of the record. Dedicated to his girlfriend, "Blanche" is maybe the more suited piece to an erotic scene of the entire soundtrack. In contrast with the other tracks, this is a kind of electronic romance. Beginning with a delicate and calm piano introduction, it displays a relaxing and oneiric sonic landscape. No rhythm here, just a peaceful ambiance.

Longest composition of the album, the 27 minutes "P.T.O" can be seen as extended version of "Stardancer". After a magnificent spacey and contemplative opening, the middle sequenced section is not bad but tends to become a little repetitive and monotonous. This passage could have been shortened. The deliverance arrives with a delightfully surprising break introducing the final part, which brings the listener somewhere between the stars...

Quite different from TANGERINE DREAM's movie scores, "Body Love" is a good soundtrack and even surpasses "Moondawn" in terms of variety and attractiveness. Harald Grosskopf's drums are a welcomed addition and brings a futuristic tone to Schulze's stretched soundscapes. I did not see the film, but, except for the piano overture of "Blanche", I can difficulty imagine how well the music is suited... To be honest, I would not recommend to play it neither for a romantic dinner nor to make love. Instead of erotic and sensual tracks, what we have here somehow foreshadows the 'trance music' of the nineties!

During your Klaus Schulze musical journey, don't be afraid by the soundtrack denomination or the nature of the movie it addresses. "Body Love" should by no means be considered as a minor effort by the German pioneer and is at the level of his other studio opuses of the 70's. Do not hesitate to dive into this nice retro-science fiction ambiance and give it a listen!

Thanks to ProgLucky for the artist addition. and to Ricochet for the last updates

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