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TANGERINE DREAM

Progressive Electronic • Germany


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Tangerine Dream biography
Formed in Berlin, Germany in 1967 - Still active as of 2018

Edgar FROESE first formed The Ones in 1965. After several private concerts (notably at Salvador Dali's house), the band changes its name for Tangerine Dream.
After a first release featuring Klaus SCHULZE and Conrad SCHNITZLER "Electronic Meditation" (1969) Tangerine Dream will abandon aleatoric experimentations to concentrate on radical cosmic synth atmospheres. "Alpha Centauri" (1971) will be a landmark of the band's first explorations in electronic realms. Without a regular pulse but just with organ chords, a few manipulated guitar lines and synthesisers effects, "Alpha Centauri" remains an absolute epic and classic cosmic adventure. The following year, the contemplative "Zeit" represents a milestone, an abstract & timeless musical world. "Atem" (1973) whose line up (Froese / Franke / BAUMANN) will participate to TD's classic years until 1977 is an obscure and mind-blowing electronic symphony.

In 1973 start TD's classic & popular Virgin years. The captivating "Phaedra" contributes to the trademark sound of TD, with Moog arpeggio, pulsating sequencer patterns and powerful synthesisers sounds. An all time classic that launched the band's notoriety and career outside of Germany. Next to "Phaedra", "Rubycon", the live "Ricochet" and "Stratosfear" deliver ethereal and complex rhythmical soundscapes. In 1977, the band released the soundtrack of "Sorcerer" (directed by William Friedkin). A dark, moody atmospheric album (with a rather similar material used in previous albums). "Sorcerer" is also the last studio work with the classic TD line up. The vocalist Steve Joliffe and the drummer Klaus Krieger were employed for Paul Baumann's replacement and record "Cyclone". Disconcerted, the album is badly seen by the public and the critic despite that it introduced many interesting elements to TD's music. In 1979, almost in duet, Edgar Froese and Chris Franke record "Force Majeure".

In the 80s, TANGERINE DREAM knew a long and fruitful career in writing music for screen. The departure of Chris Franke in 1988 marks momentarily a hard blow to the band's musical creativity. During the 90s, TD published numerous live albums, soundtracks. Edgar Froese's son, Jerome integrates the band. They release...
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TANGERINE DREAM discography


Ordered by release date | Showing ratings (top albums) | Help Progarchives.com to complete the discography and add albums

TANGERINE DREAM top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.32 | 342 ratings
Electronic Meditation
1970
3.54 | 375 ratings
Alpha Centauri
1971
3.68 | 418 ratings
Zeit
1972
3.57 | 328 ratings
Atem
1973
4.17 | 838 ratings
Phaedra
1974
4.24 | 976 ratings
Rubycon
1975
4.00 | 584 ratings
Stratosfear
1976
3.32 | 224 ratings
Sorcerer (OST)
1977
3.66 | 375 ratings
Cyclone
1978
4.00 | 498 ratings
Force Majeure
1979
3.94 | 330 ratings
Tangram
1980
3.49 | 259 ratings
Exit
1981
3.22 | 172 ratings
Thief (OST)
1981
3.24 | 218 ratings
White Eagle
1982
3.48 | 249 ratings
Hyperborea
1983
2.74 | 63 ratings
Wavelength (OST)
1983
3.05 | 73 ratings
Firestarter (OST)
1984
2.89 | 53 ratings
Flashpoint (OST)
1984
2.86 | 47 ratings
Heartbreakers (OST)
1985
2.81 | 148 ratings
Le Parc
1985
3.72 | 200 ratings
Underwater Sunlight
1986
3.32 | 141 ratings
Green Desert
1986
3.26 | 76 ratings
Legend (OST)
1986
2.82 | 46 ratings
Near Dark (OST)
1987
2.53 | 43 ratings
Shy People (OST)
1987
1.62 | 37 ratings
Three O'Clock High (OST)
1987
3.03 | 107 ratings
Tyger
1987
2.71 | 122 ratings
Optical Race
1988
2.94 | 81 ratings
Lily on the Beach
1989
2.96 | 56 ratings
Miracle Mile (OST)
1989
2.80 | 46 ratings
Destination Berlin (OST)
1989
2.23 | 22 ratings
Catch Me... If You Can (OST)
1989
1.89 | 28 ratings
Dead Solid Perfect (OST)
1990
2.95 | 91 ratings
Melrose
1990
3.48 | 74 ratings
Canyon Dreams (OST)
1991
2.54 | 31 ratings
The Park Is Mine (OST)
1991
2.16 | 25 ratings
Rumpelstiltskin (OST)
1991
2.31 | 20 ratings
L'Affaire Wallraff / The Man Inside (OST)
1991
2.07 | 23 ratings
Deadly Care (OST)
1992
2.45 | 75 ratings
Rockoon
1992
2.73 | 66 ratings
Turn Of The Tides
1994
2.80 | 66 ratings
Tyranny Of Beauty
1995
2.88 | 36 ratings
The Dream Mixes
1995
2.90 | 65 ratings
Goblins' Club
1996
2.82 | 23 ratings
Zoning (OST)
1996
3.14 | 44 ratings
The Keep (OST)
1997
3.00 | 32 ratings
Oasis (OST)
1997
1.69 | 28 ratings
Ambient Monkeys
1997
3.26 | 34 ratings
TimeSquare - Dream Mixes 2
1998
2.64 | 31 ratings
Transsiberia (OST)
1998
3.24 | 17 ratings
Quinoa
1998
3.23 | 53 ratings
Mars Polaris
1999
3.32 | 25 ratings
What A Blast - Architecture In Motion (OST)
1999
3.33 | 32 ratings
Great Wall Of China (OST)
2000
3.01 | 37 ratings
The Seven Letters From Tibet
2000
3.62 | 41 ratings
Dream Mixes 3 - The Past Hundred Moons
2001
3.21 | 35 ratings
Inferno
2002
2.50 | 21 ratings
The Melrose Years
2002
2.68 | 31 ratings
Mota Atma
2003
2.89 | 28 ratings
Dream Mixes 4
2003
3.55 | 52 ratings
Purgatorio
2004
3.50 | 36 ratings
Jeanne D´Arc - La Révolte Éternelle
2005
3.05 | 35 ratings
Kyoto
2005
2.85 | 51 ratings
Phaedra 2005
2005
3.01 | 31 ratings
Blue Dawn
2006
3.75 | 32 ratings
Paradiso
2006
2.82 | 17 ratings
TD Plays TD
2006
2.41 | 17 ratings
One Times One
2007
2.33 | 3 ratings
Destination Berlin
2007
3.31 | 40 ratings
Springtime In Nagasaki
2007
2.99 | 45 ratings
Madcap's Flaming Duty
2007
3.06 | 31 ratings
Summer In Nagasaki
2007
3.05 | 20 ratings
Purple Diluvial
2008
2.55 | 25 ratings
Hyperborea 2008
2008
2.52 | 27 ratings
Tangram 2008
2008
2.87 | 32 ratings
Views From A Red Train
2008
2.66 | 28 ratings
Autumn In Hiroshima
2008
3.44 | 32 ratings
Flame
2009
3.51 | 22 ratings
Chandra - The Phantom Ferry, Part I
2009
3.08 | 12 ratings
Winter In Hiroshima
2009
2.14 | 9 ratings
Dream Mixes 5 [Aka: DM V]
2010
3.00 | 22 ratings
The Endless Season
2010
1.39 | 26 ratings
Under Cover - Chapter One
2010
3.54 | 48 ratings
The Island Of The Fay
2011
3.38 | 30 ratings
The Angel From The West Window
2011
2.44 | 13 ratings
Finnegans Wake
2011
3.38 | 40 ratings
Machu Picchu
2012
3.68 | 19 ratings
The Castle
2013
2.89 | 17 ratings
The Cinematographic Score GTA 5
2014
2.93 | 14 ratings
Chandra - The Phantom Ferry, Part II
2014
3.81 | 67 ratings
Quantum Gate
2017
3.11 | 18 ratings
Light Flux
2017
3.72 | 38 ratings
Recurring Dreams
2019

TANGERINE DREAM Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

4.36 | 373 ratings
Ricochet
1975
3.94 | 252 ratings
Encore (Live 1977)
1977
3.80 | 84 ratings
Quichotte
1980
3.81 | 188 ratings
Logos... Live At The Dominion - London
1983
3.98 | 162 ratings
Poland - The Warsaw Concert*
1984
4.24 | 114 ratings
Pergamon - Live at the 'Palast der Republik' GDR
1986
3.34 | 69 ratings
Livemiles
1988
2.96 | 56 ratings
220 Volt Live
1993
3.29 | 30 ratings
Tournado - Live In Europe
1997
3.39 | 31 ratings
Valentine Wheels, Live in London
1998
2.09 | 13 ratings
Dream Encores
1998
3.64 | 26 ratings
Sohoman
1999
3.71 | 28 ratings
Soundmill Navigator
2000
3.59 | 20 ratings
Rockface (Live In Berkeley 1988)
2003
3.32 | 34 ratings
The Bootleg Box Set Vol. 1
2003
3.48 | 15 ratings
Arizona Live
2004
3.11 | 17 ratings
East - Live In Berlin 1990
2004
3.00 | 11 ratings
Ottawa - June 20th 1986
2004
4.41 | 15 ratings
Sydney - February 22nd 1982
2004
3.73 | 11 ratings
Paris - February 2nd 1981
2004
3.13 | 17 ratings
Montreal - April 9th 1977
2004
3.13 | 12 ratings
Aachen - January 21st 1981
2004
2.86 | 18 ratings
The Bootleg Box Set Vol.2
2004
3.05 | 19 ratings
Rocking Mars
2005
2.73 | 13 ratings
Vault IV
2005
2.36 | 6 ratings
Brighton - March 25th 1986
2005
2.31 | 7 ratings
Cleveland - June 24th 1986
2005
3.03 | 10 ratings
Preston - November 5th 1980
2006
3.00 | 2 ratings
Tangerine Dream
2006
3.57 | 11 ratings
Detroit - March 31st 1977
2006
2.67 | 3 ratings
Orange Odyssey
2007
2.67 | 3 ratings
One Night in Space
2007
3.25 | 4 ratings
Loreley
2008
2.67 | 3 ratings
Rocking Out the Bats
2009
2.67 | 3 ratings
Live @ Dussmann Berlin
2009
3.71 | 17 ratings
The London Eye Concert
2009
3.00 | 7 ratings
Izu - Live In Japan 2009
2010
3.83 | 6 ratings
Zeitgeist Concert
2010
2.67 | 3 ratings
Knights of Asheville
2011
3.57 | 5 ratings
The Gate of Saturn (Live at the Lowry Manchester 2011)
2011
2.67 | 3 ratings
Live at Admiralspalast Berlin
2012
2.67 | 3 ratings
Live In Budapest at Béla Bartók National Concert Hall
2012
2.67 | 21 ratings
Starmus - Sonic Universe (With Brian May)
2013
3.00 | 9 ratings
Cruise To Destiny
2013
3.86 | 16 ratings
Sorcerer 2014
2014
3.22 | 9 ratings
Phaedra Farewell Tour 2014 - The Concerts
2014
4.14 | 7 ratings
The Official Bootleg Series Volume One
2015
3.20 | 5 ratings
Supernormal - The Australian Concerts 2014
2015
3.38 | 10 ratings
The Official Bootleg Series Volume Two
2016
4.11 | 9 ratings
Live at Philharmony Szczecin-Poland 2016
2016
3.78 | 9 ratings
The Sessions 1
2017
4.00 | 7 ratings
The Sessions 2
2018
3.31 | 7 ratings
The Sessions III
2018
3.75 | 7 ratings
The Sessions IV
2018
4.00 | 3 ratings
The Official Bootleg Series - Volume Three
2019
3.50 | 2 ratings
Live at Augusta Raurica Switzerland 2016
2019
3.50 | 2 ratings
The Sessions V
2019
4.00 | 3 ratings
Live at Reims Cathedral 1974
2020

TANGERINE DREAM Videos (DVD, Blu-ray, VHS etc)

3.73 | 14 ratings
Three Phase
1993
2.70 | 10 ratings
The Video Dream Mixes
2000
1.95 | 18 ratings
Live in America 1992
2004
3.50 | 2 ratings
Inferno
2004
3.67 | 6 ratings
Dante's Inferno
2006
3.67 | 12 ratings
Tempodrom
2006
3.57 | 7 ratings
One Night In Space - Live at the Alte Oper Frankfurt
2007
3.50 | 4 ratings
Orange Odyssey - The Eberswalde Concert
2007
4.00 | 2 ratings
35th Phaedra Anniversary Concert
2007
3.00 | 3 ratings
Live at Coventry Cathedral 1975
2007
3.75 | 7 ratings
Madcap's Flaming Duty
2007
3.07 | 5 ratings
London Astoria Club Concert 2007
2007
3.20 | 5 ratings
The Epsilon Journey - Tangerine Dream plays Edgar Froese
2008
3.67 | 7 ratings
Loreley Night of the prog Festival Germany 2008
2008
4.26 | 10 ratings
Tangerine Dream - The London Eye Concert
2009
4.00 | 1 ratings
Rocking Out the Bats
2009
4.00 | 1 ratings
Izu (Live In Japan 2009)
2010
3.60 | 5 ratings
Live In Lisbon
2010
4.00 | 1 ratings
Live In Budapest at Béla Bartók National Concert Hall
2012
4.00 | 1 ratings
Live At Admiralspalast Berlin
2013
5.00 | 2 ratings
Phaedra Farewell Tour 2014 - London
2015
5.00 | 2 ratings
Revolution of Sound
2017

TANGERINE DREAM Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

4.80 | 10 ratings
Alpha Centauri/Atem
1976
4.67 | 18 ratings
'70-'80
1980
3.71 | 32 ratings
Dream Sequence
1985
4.50 | 4 ratings
In the Beginning
1986
3.47 | 17 ratings
The Collection
1987
3.76 | 15 ratings
The Best Of Tangerine Dream
1989
3.86 | 7 ratings
Synthetiseur
1990
2.60 | 10 ratings
From Dawn 'til Dusk
1991
2.85 | 23 ratings
The Private Music Of Tangerine Dream
1992
2.17 | 10 ratings
Dream Music
1992
4.00 | 1 ratings
(3)
1992
2.80 | 5 ratings
The Story Of Tangerine Dream
1993
3.83 | 25 ratings
Tangents
1994
3.00 | 1 ratings
Collection
1994
2.50 | 6 ratings
Atmospherics
1995
2.43 | 7 ratings
Dream Music 2
1995
3.19 | 13 ratings
Book Of Dreams
1995
4.22 | 9 ratings
The Dream Roots Collection
1996
4.48 | 12 ratings
Tangerine Dream (1996 Disky Compilation)
1996
2.47 | 17 ratings
The Hollywood Years - Vol. 1
1998
2.28 | 17 ratings
The Hollywood Years - Vol. 2
1998
2.88 | 8 ratings
Luminous Visions
1998
3.25 | 8 ratings
The Analogue Space Years
1998
2.86 | 7 ratings
The Pink Years
1998
2.52 | 8 ratings
Atlantic Bridges
1998
3.00 | 7 ratings
Atlantic Walls
1998
2.71 | 7 ratings
The Blue Years
1998
5.00 | 1 ratings
Dream Dice
1998
2.25 | 4 ratings
Sea Of Dreams
1998
3.29 | 7 ratings
Tangerine Dream
1999
3.89 | 8 ratings
Tang-go
2000
3.94 | 13 ratings
Antique Dreams
2000
3.56 | 9 ratings
i-Box
2000
4.20 | 5 ratings
Dream Sequence
2000
4.35 | 8 ratings
Journey Through A Burning Brain (Anthology)
2002
2.80 | 5 ratings
The Melrose Years
2003
4.00 | 1 ratings
An Introduction to...
2004
4.00 | 1 ratings
High Voltage
2004
3.00 | 1 ratings
Lamb with Radar Eyes
2004
4.75 | 4 ratings
The Essential
2006
4.00 | 1 ratings
The Essential Collection
2006
4.12 | 17 ratings
Nebulous Dawn (The Early Years)
2006
3.00 | 6 ratings
The Dante Arias Collection
2007
3.00 | 6 ratings
The Dante Song Collection
2007
3.17 | 6 ratings
Starbound Collection
2007
3.17 | 12 ratings
Silver Siren Collection
2007
3.17 | 6 ratings
Ocean Waves Collection
2007
3.00 | 8 ratings
Cyberjam Collection
2007
3.20 | 5 ratings
The Soft Dream Decade
2007
3.25 | 8 ratings
Canyon Cazuma
2007
2.71 | 7 ratings
Hollywood Lightning
2007
2.78 | 9 ratings
Tangines Scales
2007
3.00 | 3 ratings
DM 2.1
2007
2.75 | 4 ratings
Mars Mission Counter
2007
3.00 | 1 ratings
Antique Dream Land
2007
4.00 | 1 ratings
The Very Best of Tangerine Dream
2008
3.00 | 3 ratings
Booster 2
2008
4.00 | 1 ratings
The Vintage Years Anthology
2008
4.00 | 3 ratings
The Electronic Magic of Tangerine Dream
2008
2.95 | 22 ratings
Booster
2008
3.43 | 7 ratings
The Anthology Decades - The Space Years Vol. 1
2008
3.22 | 9 ratings
Axiat
2008
3.00 | 2 ratings
The Soft Dream Decade
2009
3.00 | 4 ratings
Booster 3
2009
4.00 | 2 ratings
Ballads
2009
4.00 | 2 ratings
Music for Sports - Power and Motion
2009
4.00 | 2 ratings
Music for Sports - Cool Races
2009
4.00 | 1 ratings
Vintage Vanguard
2009
4.00 | 2 ratings
The Independent Years
2009
4.00 | 2 ratings
The Electronic Journey
2010
4.50 | 2 ratings
Run to Vegas
2010
4.50 | 2 ratings
Mysterious Semblance at the Strand of Nightmares
2010
4.50 | 2 ratings
Ride on the Ray; The Blue Years Anthology 1980-1987
2011
3.00 | 4 ratings
Booster 4
2011
4.65 | 17 ratings
The Virgin Years 1974-1978
2011
3.75 | 8 ratings
Sunrise in the Third System - The Pink Years Anthology 1970-1973
2011
4.45 | 11 ratings
The Virgin Years 1977-1983
2012
3.00 | 3 ratings
Booster 5
2012
4.00 | 2 ratings
The Best of Tangerine Dream
2012
3.00 | 3 ratings
Booster 6
2013
4.50 | 2 ratings
Lost in Strings Vol. 1
2013
4.00 | 1 ratings
Decades: 1980s
2013
4.00 | 1 ratings
Decades: 70s
2013
4.33 | 3 ratings
Ultima Thule
2013
3.33 | 15 ratings
One Night In Africa
2013
4.33 | 3 ratings
The Best of Tangerine Dream Live
2014
4.00 | 1 ratings
The Deep Run to Vegas
2014
3.00 | 1 ratings
Out of this World
2015
4.00 | 2 ratings
Booster 7
2015
4.50 | 2 ratings
Ultima Thule
2016
3.63 | 8 ratings
Quantum Gate / Quantum Key
2018
4.08 | 3 ratings
The Pink Years Albums 1970-1973
2018
3.91 | 2 ratings
The Blue Years Studio Albums 1985-1987
2019
4.92 | 22 ratings
In Search of Hades (The Virgin Recordings 1973-1979)
2019

TANGERINE DREAM Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

2.84 | 17 ratings
Lady Greengrass / Love Of Mine (The Ones: pre-Tangerine Dream)
1966
4.01 | 27 ratings
Ultima Thule
1971
4.00 | 2 ratings
Mysterious Semblance at the Strand of Nightmares
1974
3.50 | 2 ratings
Extracts from Rubycon
1975
4.50 | 2 ratings
Excerpt from Ricochet
1975
4.20 | 5 ratings
Stratosfear
1976
4.00 | 1 ratings
Betrayal/Grind
1977
4.00 | 2 ratings
Monolight
1977
4.33 | 3 ratings
Rising Runner Missed by Endless Sender
1978
3.50 | 2 ratings
Excerpts from Force Majeure
1979
4.44 | 9 ratings
Tangram
1980
5.00 | 2 ratings
Choronzon
1981
3.40 | 10 ratings
Das Madchen Auf Der Treppe
1982
3.07 | 8 ratings
Das Madchen Auf Der Treppe
1982
2.59 | 11 ratings
Daydream & Moorland
1983
4.00 | 1 ratings
Cinnamon Road / Hyperborea
1983
3.75 | 4 ratings
Going West
1984
3.82 | 11 ratings
Warsaw In The Sun
1984
3.67 | 3 ratings
Streethawk
1985
3.50 | 2 ratings
Tiergarten
1985
4.00 | 8 ratings
Dolphin Dance
1986
3.00 | 2 ratings
Dancing on a White Moon
1987
3.09 | 4 ratings
Tyger
1987
3.00 | 3 ratings
A Time for Heroes
1987
4.00 | 2 ratings
Marakesh
1988
3.67 | 3 ratings
Alexander Square
1989
4.00 | 3 ratings
Optical Race/Mothers Of Rain/Sun Gate/Ghazal
1989
4.00 | 2 ratings
House of the Rising Sun
1989
4.00 | 2 ratings
Oranges Don't Dance
1990
2.40 | 24 ratings
Quinoa
1992
3.67 | 3 ratings
Rockoon Special Edition
1992
3.50 | 2 ratings
Big City Dwarves
1992
3.00 | 3 ratings
Dreamtime
1993
3.33 | 3 ratings
Turn of the Tides
1994
3.33 | 3 ratings
Midwinter Night
1994
4.00 | 2 ratings
Shepherds Bush
1996
3.50 | 2 ratings
Jim & Pablo: Der Meteor
1997
4.33 | 3 ratings
Das Mädchen auf der Treppe
1997
4.50 | 4 ratings
Limited World Tour Edition 1997
1997
2.22 | 4 ratings
Towards the Evening Star
1997
3.33 | 3 ratings
Sony Center Topping Out Ceremony Score
1998
5.00 | 1 ratings
Ça Va - Ça Marche - Ça Ira Encore
1998
4.00 | 1 ratings
Astrophobia
2000
4.00 | 1 ratings
Stereolight
2000
4.00 | 1 ratings
Meng Tian
2000
3.75 | 4 ratings
DM 4 Bonus CD
2003
3.33 | 3 ratings
Astoria Theatre London
2003
3.64 | 11 ratings
Space Flight Orange
2005
3.33 | 9 ratings
40 Years Roadmap To Music
2006
3.50 | 2 ratings
Rapid Eye Movement
2006
3.55 | 11 ratings
Metaphor
2006
3.36 | 11 ratings
One Night In Space
2007
4.50 | 2 ratings
Madcap's Flaming Promo
2007
3.75 | 12 ratings
Sleeping Watches Snoring in Silence
2007
3.65 | 14 ratings
Bells Of Accra
2007
3.00 | 11 ratings
Das Romantische Opfer
2008
2.73 | 11 ratings
Fallen Angels
2008
3.00 | 3 ratings
Choice
2008
3.25 | 4 ratings
Armageddon in the Rose Garden
2008
3.00 | 3 ratings
A Cage in Search of a Bird
2009
3.67 | 3 ratings
Zeitgeist
2010
3.00 | 4 ratings
Mona da Vinci
2011
3.00 | 3 ratings
The Gate of Saturn
2011
3.17 | 6 ratings
Josephine The Mouse Singer
2014
3.17 | 10 ratings
Mala Kunia
2014
3.18 | 9 ratings
Quantum Key
2015
3.29 | 5 ratings
Particles
2016
4.33 | 3 ratings
Light Flux EP
2017
4.00 | 3 ratings
Tear Down the Grey Skies
2017
4.00 | 1 ratings
Pledge Access Pass
2017
4.50 | 2 ratings
Run To Vegas/Leviathan
2018

TANGERINE DREAM Reviews


Showing last 10 reviews only
 Green Desert by TANGERINE DREAM album cover Studio Album, 1986
3.32 | 141 ratings

BUY
Green Desert
Tangerine Dream Progressive Electronic

Review by mickcoxinha

4 stars Background aside, this is a very good Tangerine Dream album. There is some discussion surrounding this album, whether the remix of the original tapes has changed radically the original music or not. I don't know if it is very important. Structurally, the album either relates to Atem and Phaedra or to White Eagle and Hyperborea, since all them have a twenty minute track (which is usually the main song of the album) and three other songs with varying lengths.

What is interesting about this album is that it was originally recorded with only two members: Froese and Franke. And another treat is that it features some drumming from Franke in the title track. Although you can hear some sounds from synthesizers and drum machines not available in the 70s, the title track is a lot like the longer songs by Tangerine Dream in the early 70s: a structured atmospheric intro and outro, and a lengthy improvised part with marked rhythm and lots of improvisations on synth, keyboards and guitar. The ending of the first song is quite similar to parts of Mysterious Semblances... from Phaedra.

As for the other songs, White Clouds act as a mini-Green Desert, with a vigorous drumming rhythm and all kinds of synthesizer sounds over it, finishing with a short atmospheric synth outro. People who care about instruments might be able to guess which were sounds originally recorded in the 70s and sounds added in the 80s. Astral Voyager is distincive for being based on a sequencer rhythm, certainly a forerunner for the sequenced rhythms of future Tangerine Dream albums. Apart from the sequencer, the song has a new-agey feel, dominated by string synths and flute-like synth melody. The last song is more ambient, with very little rhythm. Interestingly enough, it doesn't sound like anything in either Atem or Phaedra, or with songs from Tangerine Dream mid-eighties album. What sounds closer to it is some of the quieter parts of Edgar Froese solo album Aqua.

We don't really know why Green Desert original music was not released at the time. Maybe not much of it was complete when used to convince Virgin to sign them, and they opted to record a completely new album instead with newly available equipment. Anyway, it is a pretty interesting album, since it sounds a bit like a early 70s album, a bit as a 80s Tangerine Dream album and a bit as something completely new. Although not very polished, it is a great listen to anyone who is fan of Tangerine Dream and prog electronic.

 Phaedra by TANGERINE DREAM album cover Studio Album, 1974
4.17 | 838 ratings

BUY
Phaedra
Tangerine Dream Progressive Electronic

Review by prog_traveller!!

4 stars After the many awards obtained with records such as "Alpha Centauri" (1971), the first to bear the nickname of "Cosmic Music", the monumental double "Zeit" (1972) and the meditative "Atem" (1973) i Tangerine Dream they had consecrated themselves among the main protagonists of the new European electronic music and of Krautrock. Together with Klaus Schulze - who had also played as a drummer in the formation of the debut "Electronic Meditation" (1970) - Tangerine Dream had created a new, surreal and spatial music that took inspiration from the masters of minimalism such as Terry Riley and Steve Reich and by avant-garde composers like Gyorgy Ligeti without forgetting the lesson of psychedelic rock: a record like "Ummagumma" (1969) was very influential at the time in Germany. Their leader Edgar Froese was ambitious and full of new ideas: in the wake of many other German groups of the time such as Can, Amon Duul II, Faust and Klaus Schulze himself, Tangerine Dream sought greater visibility on the international market by signing in 1973 for Richard Branson's Virgin who put The Manor Studio at their disposal to record the new album. Meanwhile the line-up had stabilized with the trio formed by Edgar Froese, Cristopher Franke and Peter Baumann. From the sessions at the Manor came the new album entitled "Phaedra" and released in February 1974.

"Phaedra" was a very important album and had a resounding sales success in England reaching 9th place on the charts. In this album we still find unbridled creativity and cosmic and surreal atmospheres. One of the characteristics of "Phaedra" was the insertion for the first time in the Sequencer instrumentation, a synth that, from that moment on, will constitute a sort of trademark of the group, effectively marking the so-called "Virgin period. ". The beautiful and evocative cover is by Monique Froese. The first side opens with the long title-track (over 17 minutes), a memorable Cosmic ride: the beginning is very atmospheric then the settings become liquid and minimal while in the background a beautiful mellotron melody stands out: the sequencer enters then in unknown territories leading us to visit astral landscapes of unusual beauty. The ending is calm, meditative and almost mystical, characterized by the sounds of mysterious alien birds, the hums and the bombastic melodic lines of the Moog and the Mellotron. The second side opens with the amazing and evocative "Mysterious Semblance At The Strand Of Nightmares", a piece of skill by Edgar Froese who manages to create an eternal and moving Cosmic melody: the Mellotron envelops us in sinuous and iridescent spirals. "Movements Od A Visionary" is instead a more experimental track based on electronic hisses and reverbs and on the minimal sounds of the Moog. The short "Sequent C", a soft flute melody created by Peter Baumann, quietly closes the disc.

"Phaedra" is a brilliant work of Tangerine Dream: the group will subsequently release masterpieces such as "Rubycon" (1975), "Ricochet" (1975) and "Stratosfear" (1976) which will be characterized, however, more controlled and less creative. This is an epochal album that everyone should know.

 Stratosfear by TANGERINE DREAM album cover Studio Album, 1976
4.00 | 584 ratings

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Stratosfear
Tangerine Dream Progressive Electronic

Review by prog_traveller!!

5 stars Let's take the title: a pun that distorts the English term (stratosphere) by introducing the theme of fear, or the cover image, created by Brian Cooke and Trevor Key, the graphic designers of Virgin Records: you can turn it upside down and it is as before, in its sanguine beauty, or the instrumentation used: each member of the German trio plays moog and mellotron, but the electronic resources are accompanied by a Fender piano (Peter Baumann), a harpsichord (Chris Franke), piano and 6 and 12 string guitars (Edgar Froese); the latter one day shows up in the studio with a harmonica, sowing bewilderment among his companions.

Many TD records usually begin with some sound skirmish, from which a sequencer rhythm emerges, which lasts until shortly before the end of the record side, and then ends again in sound paintings. Not here, this LP / CD sounds well composed and for the first time, contains something like songs that nonetheless (in contrast to later attempts) form a unit. The record begins with a very rhythmic piece, but overall the record is rather calm and melancholy, almost as cool and clear as the title as a play on words suggests (Stratosfear onomatopoeic, Stratosphere). Another reason are the sounds that TD use here, which are excellent in my opinion, I have rarely heard more "natural" sounds - clearly recognizable as electronic, but still they never sound artificial. It starts with the wood-like sounding sequencer parts in the first piece and ends with the flute-like tones in the last. In between beautiful guitar or piano parts by Froese, tastefully used sequencers and beautiful Mellotron passages.

"Stratosfear" - The emphasis given to the melody, in the 10'38 "of this trackmarks the stylistic passage of Tangerine Dream for the years to come: from long meditative suites to shorter pieces with simple and well-structured themes. The rest of the album evokes nocturnal and otherworldly atmospheres: the short "The Big Sleep In Search Of Hades", opened by harpsichord and flute (but it is the mellotron to simulate the latter); an attempt to captivate the American public by citing a swamp in Florida: "3am At The Border Of The Marsh From Okefenokee" (it is in this song that Edgar Froese plays his infamous, and ghostly, harmonica); finally the conclusive "Invisible Limits", with a tense dialogue between sequencer and electric guitar melodies before the closing entrusted to the lyrical and expansive sounds of piano and flute-mellotron.

Tangerine Dream mainly use the atmosphere, putting rhythm and harmony very much in the background, to begin to know the group this in my opinion is their exact center, my opinion is very positive.

 Ricochet by TANGERINE DREAM album cover Live, 1975
4.36 | 373 ratings

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Ricochet
Tangerine Dream Progressive Electronic

Review by von bathel

5 stars The Tangerine Odyssey-

We had many forerunners in electronic musical history, such as the German Karl Stockhausen, the Frenchman Pierre Schaeffer and the Italians Luciano Berio and Bruno Maderna. But things caught on rock when George Harrison himself launched the eclectic Electronic Sounds, in the late 60s. By this time, the Moog synthesizer (created by Robert Moog) was already the great villain of rock, competing with the guitar. The Beatles' latest album (Abbey Road) even has its "B" side filled with Moogs. Experimental bands such as The Nice, Popol Vuh and Ash Ra Temple were already starting to include this instrument in their albums. The ultimate face of electronic rock would come to light in the hands of the Germans Klaus Schulze, Edgar Froese and Conrad Schnitzler, or rather, Tangerine Dream, with their first album (fully electronic), Electronic Meditation, recorded in Berlin in 1969 and released in 1970. The group, until today led by Edgar Froese, is responsible for an extensive discography that influenced many people. Klaus Schulze left the band after this first album and became the "number one keyboard player" in the world, with an incredible and unique heritage in rock history. Also with an eclectic, numerous and creative discography, Schulze would be responsible for encouraging people from all over the world. But the focus here is the posthumous tribute to the recently deceased EDGAR FROESE.and his group Tangerine Dream.Edgar had parallel to Tangerine Dream, a very prolific solo career with great albums such as Aqua, Stuntman and Pinnacles among others. Edgar was born in Germany in 1944, after the war. He died on January 20, 2015. In the beginning, Edgar was a guitarist in the experimental Hendrix Power Trio line(1969) where the newly formed band did not contain the main element that would enshrine it all over the world: the synthesizers. With the release of Electronic Mediation (recorded in 1969) in 1970, Edgar would go to the metaphysical, fiction and occult theme. The sound of the new proposal would open up extraterrestrial territories and inhospitable to the ears of rockers accustomed to guitars and limitations of basic rock. The new song was 90% based on synthesizers, organ and mellotron, with some guitar patches and some acoustic drum seams played by Chris Franke, mixed with electronic beats. With the release of strange and bizarre albums such as Atem, Phaedra and Rubycon, the new vanguard of German kraut expanded, leaving even record-loving Pink Floyd's Ummagumma astonished. In 1978 the group revises the kraut line (with the LP Cyclone) closer to progressive rock, and would revise it again with the LP Green Desert (1986) with more insertion of guitars, vocals and acoustic drums. But these 2 albums are one of the few records of the band in this area, which had as pillars Edgar Froese and Christopher Franke, going through numerous formations with excellent guest musicians. In general, they passed through the band, modifying and adding with their utopian touches, musicians like Peter Baumann, Johannes Schoemmeling, Paul Haslinger, Michael Hoenig and, currently Edgar's own son, Jerome Froese, among others more recent. But of the great and remarkable phases that are divided into 3 periods (the vintage), the middle period (the 80s and 90s) and the current one, the most promising ones are from the 70s and 80s. Tangerine Dream characterizes the Berlin School as well as Kraftwerk characterizes the Dusseldorf School...different in proposal and metaphysical conception, but both based on synthesizers. GReat albuns like Ricochet, Pergamon, Alpha Centauri, Phaedra, Rubycon and the second phase White Eagle, Force Majeure,Tyger, Underwater Sunlight, Firestarter(wonderful soundtrack),etc...are a must for any progr. electronic fan!!!

 Rubycon by TANGERINE DREAM album cover Studio Album, 1975
4.24 | 976 ratings

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Rubycon
Tangerine Dream Progressive Electronic

Review by prog_traveller!!

5 stars Tangerine Dream are the greatest representatives of kosmische musik, that extraordinary electronic "new wave" that exploded in Germany at the dawn of the seventies. A scene composed of real musicians, often with a classical background, who managed to give a new meaning to the use of keyboards and synthesizers in the field of music, moving the center of gravity of psychedelic rock from the center of the mind to the periphery of the universe. In 1975 Rubycon was released, an album that attenuated the melodramatic tension of the previous works to converge towards increasingly quiet and clear atmospheres. Considered the pinnacle of "figurativism" by Tangerine Dream, gold record also in Australia, it is a work that relies largely on the soft wailing of keyboards, on the crescendo of sequencers, on a jagged galaxy of timbres.

However, the symphonic and almost "baroque" component of the Tangerine Dream suites remains alive. An essay is the initial "Rubycon Part 1", which takes shape slowly, from an icy and rarefied entrance, up to the progressive opening towards more "airy" and warm sounds, with the modular rhythms of sequencers supported by short melodic phrases, drawn by the mellotron, by the strings and by the organ and by the synthetic choirs. It opens the curtain of the chilling and monodic sounds of moog and some hissing notes of mellotron. A daydream. Imagine nature and its landscapes, noises, sounds, water, birds. See the sky, see the stars, see the galaxies, see the cosmos. It is a relaxing and suggestive melody; of the imposing echoes of voices from the unconscious that expand and leave room for a sound from the abyss, from the depths of the earth. Utopia steps aside and leaves room for elaborate techno. You feel closed in an endless tunnel. The pace becomes more and more disturbing and faster, it becomes obsessive but fate makes it dissolve and sucks it away. It is the tangerine dream.

The second side ("Rubycon Part 2") continues on these soft tones, up to the fading of the final sound, in which only parute and remote melodies remain lost in the boundless spaces. It opens with the whistling of the wind. A nightmare. Imagine a house on top of a hill, open windows, blowing wind, fluttering curtains, someone screaming. Extra-sensory sounds are heard under the keyboards. Strange psychedelic hisses and hisses. The polyphony of Chris Franke's keyboards, who in "Rubycon" does a sublime job to say the least, conclude this human contact with the cosmos.

However, it is important to emphasize that we are not talking about a simple tape recording of songs: in this record the German trio has created something that goes beyond the normal idea of music we are used to. The value of this work is to be found precisely in the philosophical-artistic concept that led to the recording of this album and even more to what influenced posterity. Many giants of electronic music, and not only, have fished with both hands from these records that have paved the way for a totally new genre. In summary we can say that we are facing one of the most important records in the history of music, a milestone that marks the birth of a new world. Going beyond the historical side, we are talking about a record that knows how to penetrate our rational perceptions and that, if listened to with the right mood, gives immense emotions.

 Live at Reims Cathedral 1974 by TANGERINE DREAM album cover Live, 2020
4.00 | 3 ratings

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Live at Reims Cathedral 1974
Tangerine Dream Progressive Electronic

Review by Artik

4 stars I'm reviewing the Live at Reims Cathedral 1974 RSD vinyl edition. What we have here? The answer is: two lps, four sides and two tracks filled with excellent material with occasional flaws in quality of the recordings. The music comes from the times when every Tangerine Dream concert was improvised, so there is almost nothing familliar to the studio albums here. It was performed after Phaedra and before Rubycon and fits exactly there music-wise. The band started to use sequencers for the pulsating rhythms they would be famous for in then near future but we still have tones of floating soundscapes used to build their early trademark kosmische sound. A must for Berlin School enthusiasts and excellent addition to any prog collection so easily 4 stars in general.
 Stratosfear by TANGERINE DREAM album cover Studio Album, 1976
4.00 | 584 ratings

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Stratosfear
Tangerine Dream Progressive Electronic

Review by VianaProghead
Prog Reviewer

5 stars Review Nº 438

Formed in 1967 by Edgar Froese, Tangerine Dream is considered the greatest link between the prog rock music and the electronic music in the last century. Tangerine Dream had a history marked by several different phases. The first phase, between 1969 and 1973, reflects a strong influence of early Pink Floyd's psychedelic work. It comprises the first four studio albums of the band, "Electronic Meditation" from 1970, "Alpha Centauri" from 1971, "Zeit" from 1972 and "Atem" from 1973. These were the years that became known as "The Pink Years". The second phase of the band, between 1974 and 1983, is remembered by fans as the main sound transition period for the project, with keyboards, synthesizers and sequencers being used in their own way. This phase comprises their next eleven studio albums, "Phaedra" from 1974, "Rubycon" from 1975, "Stratosfear" from 1976, "Sorcerer (OST)" from 1977, "Cyclone" from 1978, "Force Majeure" from 1979, "Tangram" from 1980, "Exit" and "Thief (OST)" both works from 1981, "White Eagle" from 1982 and "Hyperborea" from 1983. This phase also includes their first three live albums, "Ricochet" from 1975, "Encore" from 1977 and "Logos... Live At The Dominion ? London" from 1983. This was the phase that became known as "The Virgin Years".

The futuristic sound of Tangerine Dream has influenced several generations and is still remembered today for the absolute singularity that it carried in its productions. This is even more evident when we are talking about the 70's, especially about of their albums that belong to "The Virgin Years". That was also their golden era that is also the phase with their best line up, which comprises Edgar Froese, Christopher Franke and Peter Baumann. This is particularly evident with their albums "Phaedra", "Rubycon" and "Ricochet" which are considered the three main masterpieces of Tangerine Dream. Even in that period they released "Cyclone" that is the only album of their discography with vocals.

So, now let's talk about "Stratosfear", which is the subject of this review. "Stratosfear", the last Tangerine Dream's album by the great trio Baumann, Franke and Froese, shows the group's desire to advance past their stellar recent material and stake out a new musical direction. "Stratosfear" took the style that had been developed on the three previous albums into slicker, more melodic and slightly less abstract territory. It was the first album since their debut to not feature a side-long track. However, "Stratosfear" still is an album consisting of only four songs, where two of them were over ten minutes, cannot be accused of being a commercial sell-out, not even by 70's standards. The organic instruments take more of a textural role, embellishing the effects instead of working their own melodic conventions. "Stratosfear" is also the beginning of a more evocative approach for Tangerine Dream. "Stratosfear" marked the beginning of the band's evolution from their early 70's synthesizer experiments towards a more recognizable and melodic sound. It contains even a stronger blend of Tangerine Dream's acoustic and electronic influences than before.

The title track opens with some relaxed and pleasant chords on guitar, which creates an atmosphere that fits the track very well. The electronic rhythms then start, introducing one of the best and most recognizable melodies that Tangerine Dream ever wrote. "Big Sleep In Search Of Hades" starts with harpsichord laying the foundation for a little melody played on Mellotron-flute that quickly gets stopped by a sinister synth-theme followed by some dark Mellotron strings. The mid-part sounds Eastern influenced. "3 AM At The Border Of The Marsh From Okefenokee" introduced something as unlikely as harmonica to the sound. But, it was used entirely just as an atmospheric effect on the beginning and end of the track. Most of the composition is made up of a pleasant electronic rhythm that slowly moves forward and evolves while Mellotron-flute and atmospheric synths are gracefully on top of it. "Invisible Limits" is the lengthiest track on the album. The funky guitar style on the slowly building opening adds some 70's influences. The opening climaxes in a very loud burst of Mellotron before slowing down to a melodic and laidback guitar theme leads into far faster and more energetic electronic rhythms. The finale sounds quite emotional with its melodic grand piano and longing synth lines.

Conclusion: "Stratosfear" represented the natural and necessary evolvement from the previous albums and that at a time when Tangerine Dream still could change within their signature sound. By treating the sequencers as a third instrument rather than an electronic foundation, "Stratosfear" builds on the softer moments creating a surprisingly warm immediate album. The cyclical nature of the arrangements gives the impression of individual songs rather than a single, epic tone poem. The brisk pacing and accessible melodies would continue to play a prominent role in their subsequent work, especially on "Force Majeure" and "Tangram". As I mentioned before, "Stratosfear" would be the last studio album from the trio Baumann, Franke and Froese and many rank it as one of the best from this fruitful period. And if you like of "Stratosfear", you definitely also should listen to Baumann's first solo studio album "Romance 76".

Prog is my Ferrari. Jem Godfrey (Frost*)

 Lily on the Beach by TANGERINE DREAM album cover Studio Album, 1989
2.94 | 81 ratings

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Lily on the Beach
Tangerine Dream Progressive Electronic

Review by bpeterson

5 stars I am not able to relate to the naysayers of this album. I feel they are sadly missing out on one of the most beautiful and thought transcending albums created by Tangerine Dream. I am not a consumer from a professional artist/musician standpoint, but rather from a human emotive standpoint. Maybe this is the disconnect. For me, Lily on the Beach is a put your headphones on, close your eyes, turn up the volume experience. The sounds, the guitar, the keyboard/piano, the drums, the woodwind (Long Island Summer), I am absorbed by them, moved to a place beyond thought. Really, as far as progressive electronic rock, this album is a stunner. I could listen to Lily on the Beach endlessly, every single track is luminous, energized.
 Daydream & Moorland by TANGERINE DREAM album cover Singles/EPs/Fan Club/Promo, 1983
2.59 | 11 ratings

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Daydream & Moorland
Tangerine Dream Progressive Electronic

Review by Warthur
Prog Reviewer

3 stars This is the second single Tangerine Dream managed to spin out of their work contributing soundtrack music to a couple of episodes of the legendary long-running German police procedural Tatort. These two tracks came from the episode Miriam, and having never seen it I have no idea how appropriate they are to the action, but they're fairly standard mid-1980s Tangerine Dream soundtrack bits. The quasi-orchestral style backed by mysterious vocoder lyrics on Daydream reminds me of a more stately, baroque take on some of the group's work on The Keep, Moorland, appropriately enough, is spookier and more foreboding.

Not really worth tracking down on its own, I'd say - but the tracks are available as bonuses on the Pilots of Purple Twilight collection, so if you were already considering picking that boxed set up they're worth a listen and their presence certainly sweetens the deal a bit (but if you were on the fence about getting it, I don't think these are the tracks to make you say "hell with it, I'm putting my money down").

 Stratosfear by TANGERINE DREAM album cover Studio Album, 1976
4.00 | 584 ratings

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Stratosfear
Tangerine Dream Progressive Electronic

Review by Mysterioussines

5 stars With what is generally accepted on a play of words, Stratosfear did indeed reach new heights of a largely musical unexplored region. Its cover, perhaps harking back to the film 2001 A Space Odyssey, portraying a series of reflective Monolith like structures stretching into the distance across some alien landscape. From the get go it invited you on a journey, with the promise of adventure and unimaginable rewards.

UK - 1976: The first commercial Concorde flight takes off from Heathrow Airport to Bahrain. In July ? The heat wave peaks with temperatures reaching 35.9 °C (96.6 °F). December ? Punk rock band the Sex Pistols achieve public notoriety as they say several swear words live on Bill Grundy's TV show, following the release of their debut single . In the UK, Inflation stands at 16.5% ? lower than previous year's level, but still one of the highest since records began in 1750.

I was 14.

The events of 1976 meant little to me, except maybe the long hot summer of '76 - playing with friends in the glorious sun. However, something of much greater import happened: Tangerine Dream released Stratosfear. Its impact on me was seismic. There are some events in life that we use as markers. There was life before the marker and life after it. Stratosfear was such an event for me. Trying to figure why it was is another matter, but I shall try.

Music at that time was mainly pop orientated in the UK charts. My main exposure to music was the radio and Top of the Pops on TV. Both these were mainstream and unadventurous in their offerings. At the same time, in Germany, trying to shed the ghosts of WW2 and eager to express itself musically, a new musical form was evolving, completely forsaking the old traditional music whilst desperately trying to avoid pop music. The likes of Tangerine Dream, Kraftwerk, Neu and many others were experimenting, utilising the recent development of synthesisers as a catalyst. A new Germany required a new form of music. Music for the present generation which was a complete break from the past and from tradition and mired in history. Germany was reinventing itself.

Tangerine Dream formed in the late 60's. Their first albums were a mixture of acoustic and electronic sound generators. It wasn't until Phaedra (1973) and Rubycon (1975) that synthesisers played a major part and started to define their sound. This new music demanded new instruments. Broken from the shackles of traditional instruments (though not completely abandoning them), synthesisers promised unimaginable sounds.

Stratosfear differed from their earlier albums; the tracks shorter and more melodic. For a band that embraced improvisation, they were also much more structured. The music presented a greater breadth of tonality, aided by the inclusion of acoustic instruments like the grand piano, chembalo and mouth organ. These were the early days of electronics and TD experienced lot of problems with their equipment while recording: Peter Baumanns new sequencer did not work properly. When it finally did, the multi-track recorders broke down and at one point, began smoking. As Froese put it:

"When I appeared in the studio one day with a harmonica, the absurdity of the situation was revealed. It was supposed to be a joke, retort to the unpredictability of the technology, but after playing it during the beginning of 3 a.m. At The Border Of The Marsh From Okefenokee, everybody decided to leave it on. So much had happened during these sessions - master tapes at times disappeared from the studio, finished tracks were mysteriously erased and the mixing console finally went up in smoke. The events which occurred during the making of Stratosfear alone would fill an entire book!".

I like to think that it was because of this rather than in spite of this that Stratosfear is, in my opinion, such a masterpiece and holds such a special place in my heart.

From the first evocative strums of the 12 String Guitar to the last plaintive classical notes of flute and piano, Stratosfear is a perfect ecosystem that with reference to its title, envelops you, creating a perfect musical world. There is humanity here, supported by the use of traditional "hands on" instruments. We are transported to a new world, not scary in the alien sense, despite the use of Fear in the album title, but rather in the pioneering sense - to be explored and ultimately settle down in.

I have become increasing fascinated by the concept of the whole being greater than the sum of the parts. For me, this is perfectly illustrated by not only the lineup of Froese,Franke & Baumann, which many refer to as the "classic" lineup, but also by the arrangement of tracks on the album which, due to their no doubt deliberate order, tell a story. The ever-changing pace and dynamics, both in and between tracks propel the listener through ever changing emotions. They are akin to a geographical journey taking us from the atmospheric heights to the depths of Hades via marshes ending on what seems the full stop or destination of Invisible Limits. Perhaps the idea of Invisible Limits is to question their existence, that there are no limits and the journey can go on. Personally, I think its a journey that could not have been accomplished without the new technology. It is intrinsic to the story, the foundations upon which this structure is built. As occasionally happens, the right people were using the right equipment at the right time. I never tire of listening to it. Every time its as if it's the first time and I get a feeling like remembering your first kiss, the first time you felt love or holding your new born baby. It still excites, enthrals and surprises me and the fact that it can after over 40 years is a source of great wonderment to me.

Thanks to ProgLucky for the artist addition. and to E&O Team for the last updates

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