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ARIEL KALMA

Progressive Electronic • Australia


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Ariel Kalma picture
Ariel Kalma biography
Ariel Kalma is a talented musician and composer of sacred space music. His musical materials integrates luminously ecstatic-contemplative synthscapes, exotic and acoustic sound ritualism with echoes from early minimalist experiments. In between challenging-proggy materials and a few 'refined' new agey-jazzy tendencies.

Similar artists in the archives: Hamel, Terry Riley, Deuter, Pepe Maïna, Bernard Xolotl

ARIEL KALMA Videos (YouTube and more)


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ARIEL KALMA discography


Ordered by release date | Showing ratings (top albums) | Help Progarchives.com to complete the discography and add albums

ARIEL KALMA top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.00 | 6 ratings
Le Temps Des Moissons
1975
5.00 | 1 ratings
Interfrequence
1980
5.00 | 1 ratings
Musique Pour Le Reve Et L'Amour
1981
0.00 | 0 ratings
Bindu
1984
5.00 | 1 ratings
Serenity
1989
0.00 | 0 ratings
Kalma Meli Melo
2024
0.00 | 0 ratings
The Closest Thing to Silence (with Jeremiah Chiu & Marta Sofia Honer)
2024

ARIEL KALMA Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

ARIEL KALMA Videos (DVD, Blu-ray, VHS etc)

ARIEL KALMA Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

4.00 | 2 ratings
An Evolutionary Music (Original Recordings: 1972-1979)
2014

ARIEL KALMA Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

5.00 | 1 ratings
Osmose (w/ Richard Tinti)
1978

ARIEL KALMA Reviews


Showing last 10 reviews only
 Le Temps Des Moissons by KALMA, ARIEL album cover Studio Album, 1975
3.00 | 6 ratings

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Le Temps Des Moissons
Ariel Kalma Progressive Electronic

Review by admireArt
Prog Reviewer

3 stars Good and original!

Ariel Kalma´s " Le Temps Des Moissons", 1975, developes a quiet ahead of its time set of compositions, which later in time will be known as "World Music". Combining native acoustic instruments alongside Electronic Rock ones and taking full advantage of his "mid-pro" recording studio, he delivers a variety of original musical proposals.

Some moments sound more "native" than electronic prog, but then again the frequent use of the electric guitar brings it closer to KrautRock or the "Eclectic" tagging or Crossover if you wish!

The set of 3 songs is rich in melodical ideas, that flow between the mid-western and Australian native, trance like musical figure repetitions and rhythms, to more electronic/noiseful places and to some heavy/Jazz sax moments, blended in simultaneously or by themselves with the aid of the dephasing of the recording tapes and loops.

The whole experience is surprising, dynamic and daring. A promising first album, worth the hassle of getting it.

***3.5 PA stars.

Thanks to Philippe Blache for the artist addition.

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