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SACHA GIBSON

Progressive Electronic • United Kingdom


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Sacha Gibson biography
Sacha GIBSON is an English musician and composer who releases electronic music inspired by (amongst other modern influences) 70's synthesizer music like KRAFTWERK, TANGERINE DREAM, Klaus SCHULZE and others; all of his records are made in Psy Free Sound Lab studios which he started using since the late 1980's.

Sacha Gibson official website

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SACHA GIBSON discography


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SACHA GIBSON top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

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Akkadian Visions
2011
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Psyberion/Mutronic
2011
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The Ice Window
2011
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Machines
2011
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Distant Stars
2011
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Jupiter
2012
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Invisible Voyage
2012
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Auto Adjustment In Progress
2012
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Atmospheric Conditions 1
2013
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Alternate Reality
2013
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Atmospheric Conditions 2
2013
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Atmospheric Conditions 3
2013
3.00 | 1 ratings
Chaos At The Centre Of The Universe
2014

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SACHA GIBSON Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

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Analogue Archives Volume 1
2011
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Analogue Archives Volume 2
2012

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SACHA GIBSON Reviews


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 Chaos At The Centre Of The Universe by GIBSON, SACHA album cover Studio Album, 2014
3.00 | 1 ratings

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Chaos At The Centre Of The Universe
Sacha Gibson Progressive Electronic

Review by admireArt
Collaborator PSIKE Team

— First review of this album —
3 stars A sophistication, tech wise, of early Electronic Music (Italy,1930, give n' take), named as such then, but later adopted by the music schools' idiom and tagged as "Musique Concrete" or a subcategory of the same, which nowadays diversifies into infinity and of course to the Progressive Electronic world.

So, Sacha Gibson in this release moves along those hyper traveled, very early electronic roads. A kind of cultural update for those younger generations, which will hardly look for, less go that far in chronological time backwards, to "discover" this highly unfriendly and demanding electronic environment.

Therefore two good reasons to give it a chance will turn out to be, to know that this "Chaos At The Centre Of The Universe" 2014, is not influenced directly by any of his PA's bio mentioned musicians, opposite to that, it can be directly related to the guys who influenced those early mentioned proggers (1960-70). The next good reason is to testify how sound engineering, recording and keyboard instruments have evoluted since then.

A faithful but unsurprising trip, which covers all the expected protocols but stops there, in our present time (2015).

***3 PA stars.

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Thanks to historian9 for the artist addition.

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