GIUSEPPE IELASI

A two track, 36+- minutes total time, uninterrupted, post industrial electronic music, droning soundscapes album, which timing is used wisely as it compresses good ideas in a sequential short time, that even if not all of them truly unique nor original, it highlights the musical understanding both artists reach as a perfect communion of musical agreements and artistic goals.

Now! Does this work stands above other same styled works? It all depends of where you are standing as a listener and which works you are more comfortable with or at least know, or better yet enjoy.

There is where I silently depart.

***

An unimaginative 10 track album which could have some kind of value as a "10 loop samplers" sampler CD and then maybe a DJ or somebody could actually make them come to life from their current cathatonic state, but it is not thought as such or copyright free.

There is something quiet evident in this Ielasi's work , it all sounds like a section (if lucky) of something. Like if you were only given a single track of a master of 32.

Anyway, boring falls short.

*

An empty void fills the room and by void, I talk about the artless marketing noise about a so-so detergent or the most expensive car. That horrible artificial empty sonic nonsense which prevails in the name of "cultural money" or intellectual identification and its correspoding mechanical poses for status or whatever the cultured people understand as art and it as a status fad. I.G.W.T.