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AIDAN BAKER

Progressive Electronic • Canada


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Aidan Baker biography
Aidan Baker is an innovative guitarist and sound researcher coming from Toronto. Next to a handful of collaboration with great figures of the experimental rockin scene such as Tim Hecker and Nadja he published an important collection of microtonal ambient sound tapestries sonically dense and centered on various sound manipulations. Baker is now considered as A leading composer of ambient happenings, renowned for his amazing ritualistically live experiences.

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Half LivesHalf Lives
Gizeh Records 2015
Audio CD$13.02
$12.20 (used)
Fantasma ParastasieFantasma Parastasie
Alien8 Recording 2008
Audio CD$370.99
$9.99 (used)
Hypnodrone EnsembleHypnodrone Ensemble
1-800 PRIME CD 2014
Audio CD$7.35
$7.34 (used)
Triptychs: Variations on a MelodyTriptychs: Variations on a Melody
Important Records 2014
Audio CD$13.41
$9.00 (used)
Noise Of SilenceNoise Of Silence
Essence 2011
Audio CD$12.53
$10.50 (used)
AneiraAneira
Glacial Movements 2013
Audio CD$13.34
$11.00 (used)
Liminoid Lifeforms (Dig)Liminoid Lifeforms (Dig)
Alien8 Recording 2010
Audio CD$7.95
$7.95 (used)
Spectrum of DistractionSpectrum of Distraction
Robotic Empire 2012
Audio CD$6.08
$6.07 (used)
Still LifeStill Life
Primary Numbers 2011
Audio CD$16.37
$28.36 (used)
Already DrowningAlready Drowning
Gizeh Records 2013
Vinyl$41.21
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AIDAN BAKER discography


Ordered by release date | Showing ratings (top albums) | Help Progarchives.com to complete the discography and add albums

AIDAN BAKER top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.00 | 1 ratings
Element (PWYC)
2000
0.00 | 0 ratings
Letters
2002
3.00 | 1 ratings
At The Fountain Of Thirst
2003
4.00 | 1 ratings
Butterfly Bones
2004
0.00 | 0 ratings
Field of Drones
2004
0.00 | 0 ratings
Figures
2005
3.00 | 1 ratings
The Sea Swells A Bit...
2006
0.00 | 0 ratings
Pendulum
2006
4.00 | 1 ratings
Thoughtspan
2007
3.00 | 1 ratings
Dry
2009
2.50 | 2 ratings
Synth Studies
2013
4.00 | 3 ratings
Already Drowning
2013
4.00 | 2 ratings
Hypnotannenbaumdronefuzz
2014
4.90 | 2 ratings
The Confessional Tapes
2015

AIDAN BAKER Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

5.00 | 1 ratings
Aidan Baker+THISQUIETARMY: Hypnodrone Ensemble
2014

AIDAN BAKER Videos (DVD, Blu-ray, VHS etc)

AIDAN BAKER Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

AIDAN BAKER Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

AIDAN BAKER Reviews


Showing last 10 reviews only
 Already Drowning by BAKER, AIDAN album cover Studio Album, 2013
4.00 | 3 ratings

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Already Drowning
Aidan Baker Progressive Electronic

Review by admireArt
Collaborator PSIKE Team

4 stars Disturbingly beautiful!

Avant Garde and dimly lighted post/folk, post-rock passages, accompanied by a solitary parade of female vocalists, taking turns and "inspiration from various myths and folktales about female water spirits." as this release quotes as an invitation.

To set it clear from the start, this is no Prog/Electronic album as such. Aidan Bakerīs, 2013, "Already Drowning" will appeal, to put it in Prog idiom, to those audiophiles who dig Progīs version of "dark" Folk and the obscure and unpredictable Rock in Opposition taggin without the jokes or strident solutions to its compositions (somewhat like "Art Bears", as a musical reference not a music writing comparison).

The bewitching art cover, could turn out to be the best way to intuit what kind of musical-mood one should expect to encounter, yet this album is quiet colorful when it comes to the tones each female vocalist brings to the table.

Intimate and perfectly arranged, its scattered instrumentation, even if minimalistic, fills the musical environments with an extremely deep and disturbingly beautiful and sad atmosphere that focuses entirely on the lyrics and voices of each collaborator and yet like a sirenīs call, hypnotic to the core.

****4 PA stars.

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 Aidan Baker+THISQUIETARMY: Hypnodrone Ensemble by BAKER, AIDAN album cover Live, 2014
5.00 | 1 ratings

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Aidan Baker+THISQUIETARMY: Hypnodrone Ensemble
Aidan Baker Progressive Electronic

Review by admireArt
Collaborator PSIKE Team

— First review of this album —
5 stars Krautrock at its best, in today's world, according to Aidan Baker + THISQUIETARMY.

Eric Quach aka THISQUIETARMY and Aidan Baker plus David Dunnett, Felipe Salazar and Jeromie Mortier, all 3 on drums, release this live and kind of brief (41 minutes) yet flawless as intense and exploding with high leagues artistry, one long song performance "Hypnodrone Ensemble" in 2014.

Sophisticated as hell in comparison to the Krautrock of yore , it in return offers the same clashing, super intense, fast paced, epic/hypnotic sounds but through a highly inspired songwriting and an up-front flawless performance.

Avoiding all KRAUTROCK's repetitive protocols like "mild" jokes, "banal lyrics", never-ending drum twists, bland impros just for kicks, boring detours, no, no! No respect for any kind of Krautrock's cheap tricks!

And yes, yes yes! This effort's energized altitudes are set by its highly creative freedom but also by its loosely tight but extremely focused performances that even if " sophisticated" still hold that unpretentious and careless manners of those same memorable Krautrockers.

A frantic intensity rarely found in Baker's releases, it somehow adds up that the quiet restless THISQUIETARMY enhances Baker's classical training both as composer and performer to new altitudes.

Far easy *****5 "flawless as creative and groundbreaking" live release, PA stars.

PD: Yes! I know Mr. Baker is settled in the Prog/Electronic genre but this realease is pure Krautrock.

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 Element (PWYC) by BAKER, AIDAN album cover Studio Album, 2000
3.00 | 1 ratings

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Element (PWYC)
Aidan Baker Progressive Electronic

Review by admireArt
Collaborator PSIKE Team

— First review of this album —
3 stars Deconstruction ahead!

Aidan Baker's "Element (PWYC)", consists of five 1990's composed pieces, finally released in 2000 as his first release.

Experimental to the top, reminds me sometimes of Fred Frith's deconstructions, although Mr, Baker is less preoccupied of being strictly un-musical and of course incisively taking full advantage of over- electrifying his efforts through his electric guitar's sound proclivity towards noise and beyond.

Therefore, expect ambiental distortions couterpointed by raw but bittersweet melody lines , in an early and inspired first release and what at that moment may have sounded like breaking free of the chains of traditional electric-guitar schools and focusing on inventing, the same as Mr, Frith, a self-taught and own, new guitar idiom.

Good enough to climb ***3.5 "imaginary" PA stars.

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 The Confessional Tapes by BAKER, AIDAN album cover Studio Album, 2015
4.90 | 2 ratings

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The Confessional Tapes
Aidan Baker Progressive Electronic

Review by admireArt
Collaborator PSIKE Team

5 stars Experiments through darkness and beauty.

Aidan Baker's 2015 release "The Confessional Tapes" turns out to be both an unexpected "small wonder" and an extraordinary display of Mr. Baker's best attributes both as performer and as songwriter, compressed into ten all perfectly matched songs, which travel trough, I'm quoting Bandcamp's taggins: Ambient, Drone, Electronica, Experimental Jazz, Post-Rock, Shoegaze, Slowcore and Triphop. I, of course, will bring it closer to the Prog-World by adding Prog/Electronics , Progīs Post/Math rock and some slight brushes with the Canterbury Scene and the Prog/Folk one.

Yes! This project leans on all kind of directions, it is as sophisticated as it is raw. Mr.Baker himself sings on some of its pieces yet every composition focuses or develops towards unexpected highlights of pure musical beauty, no matter how roughly constructed or performed or which kind of scratch (or glitch) it uses.

Ok but what makes it tick so loud? For starters, composition wise, it is flawless as it is unique. Why? Due to the fact that all those "taggins" or styles actually happen simultaneously in small fragments in each song and are transfigured into Mr. Bakerīs self aquired musical ways of expression in the same proportion. And each song, although apparently uncrafted or rough, is meticulous constructed or deconstructed by these blending of crossroads with enough space to dwell freely knowing beforehand, that as in life itself, music coexists among noise and silence.

*****5 PA stars.

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 Hypnotannenbaumdronefuzz by BAKER, AIDAN album cover Studio Album, 2014
4.00 | 2 ratings

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Hypnotannenbaumdronefuzz
Aidan Baker Progressive Electronic

Review by admireArt
Collaborator PSIKE Team

4 stars Forget all about the noise, bring back the melody!

Multi-instrumentalist Aidan Baker's 2014, 40 minutes long, 3 piece project , "Hypnotannenbaumdronefuzz", focuses entirely on melody, beyond his previous experiments with noise. Again, he projects a low-keyed , no frills, up front, songwriting, similar to that of his earlier efforts.

Each piece relies on its own melody line, which is an almost invisible thread, that moves along extraordinary, yet almost imperceptible arrangements. The variety in its instrumentation, enhances its scope and depth. But nevertheless, its slow-paced melodical moods set the evocative and nocturnal tone of the whole project.

****4 "Imaginative, creative, hypnotic, laid back and up front, small masterpiece", PA stars.

PD. By the way its PA section is still missing like half of his albums, eventually I will upload the other ones I own.

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 Thoughtspan by BAKER, AIDAN album cover Studio Album, 2007
4.00 | 1 ratings

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Thoughtspan
Aidan Baker Progressive Electronic

Review by admireArt
Collaborator PSIKE Team

— First review of this album —
4 stars The flowing nature of Aidan Baker's musical evolution.

If Krautrock evoluted into something these days, it will surely sound like this 2007, "Thoughtspan". Although Aidan Baker is canadian, he sure is one of its best heirs. His fascination with the borders of music/noise, order/chaos or his focused/experimental structures, are close to this sub-genre's stylings. But his tones are rarely playful, rather the opposite, which of course does not mean that he is that obscure, but enough as the prog-electronics who favor these colors. (Throbbing Gristle, Lustmord, Tim Hecker, Coil, Merzbow, etc, etc.)

"Thoughtspan" plays within those borders. Blending straight forward bright and hypnotic steel strings guitar strummings or piano lines among chaotic and inhospitable environments. This is masterfully accomplished, by Aidan Baker (guitar, bass, vocals, flute, drums ) and his two guests, Sarah Gleadow's violin and Lucas Baker's trumpet . (Yeah! Apparently no synths!)

The raw, expansive ("the sky is the limit") and unorthodox "dark"nature of this work as its instrumentation, could also easily stand between the RiO/AV asthetiques. In fact these musical structures actually fit any of these prog sub-genres, even though its small dossages of post/math rock and the droning sensation of the so acclaimed "Shoegaze".

Thereby, if any of these mentioned sub-genres suits your fancy, you are in for a memorable, and above all, a promising ride into the possible future fusion of these prog stylings.

**** 4 "way-ahead, creative "electronic" music" PA stars!

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 Butterfly Bones  by BAKER, AIDAN album cover Studio Album, 2004
4.00 | 1 ratings

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Butterfly Bones
Aidan Baker Progressive Electronic

Review by admireArt
Collaborator PSIKE Team

— First review of this album —
4 stars Post progressive electronic sound + ambient + noise and shoegaze.

Aidan Baker is a Canadian electronic musician which happens to be also a guitar player. His approach to music is mostly experimental, although the results are well structured. "Butterfly Bones" the album I have chosen to put him on the map in the so popular PA Prog/electronic sub-genre, is one of his "tightest" efforts as a whole. From the very beginning you will notice that his "universe" is quiet unique as far as musical language goes.

The charms this project holds are displayed without any kind of meausures that could behold the experimental nature of the music, but simultaneously the experimental side, does not interfere with its song writing.

Dirty environments, crossed with straight forward melodic lines, encompassing a wide structure of voices, choruses, some distant "drum boxes" and "native" percussions here and there, with brushes of clean or very dirty, electric guitar riffs and flowing synths either depicting "glowing" melodic lines, as the "noise-like atmospheres". The songs themselves are inviting and hypnotic, due to the unorthodox beauty of the compositions. And as always the best is its inherent unique musical language.

Maybe Post/Rock followers besides the "Electronics", will appreciate this "new-comer" in PA. As far as me, I have been following him for a while and "Butterfly Bones" is a great way to start knowing him and a keeper.

****4 PA stars, do not miss!

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Thanks to Philippe Blache for the artist addition.

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