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CYBOTRON

Progressive Electronic • Australia


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Cybotron biography
CYBOTRON was an experimental electronic music duo formed in Melbourne, Australia, by expatriate German Steve Braund (aka Steve Maxwell Von Braund) and Geoff Green in 1975. The group draws heavily on synthesisers (as would be expected), electronic and acoustic percussion, plus saxophone and played minimalist, repetitive progressive-style electronica in a style that emulated the direction of the 1970's German cosmic sounds.

The name CYBOTRON is derived from a shortening of the name of KLAUS SCHLUZE's "Cyborg" album, a significant influence on Braund, and the use of "tron" as used on the word 'cyclotron'. To Braund the CYBOTRON handle signified half man, half machine. Being a German expat, Braund had been exposed to much of the Krautrock and early electronic rock scene, including the likes of SCHLUZE, CAN, TANGERINE DREAM, ASH RA TEMPLE, AMON DUUL II and the UK's HAWKWIND and PINK FLOYD. The CYBOTRON sound had the duo often referred to as the 'Australian TANGERINE DREAM'.

The initial Braund-Green pairing came on the Braund's 1975 solo work, "Monster Planet", which also featured Gil 'Rats' Matthews (of Billy Thorpe & The Aztecs fame), Jim Keays (of Masters Apprentices) and violinist Harry Vyhnal. "Monster Planet" is credited with being Australia's first electronic rock album. After the completion of "Monster Planet" the CYBOTRON duo was born. (The "Monster Planet" album could be considered as part of the CYBOTRON discography given that both CYBOTRON members contributed to the work.)

CYBOTRON's eponymous debut album, released in 1976, featured the Braund-Green pairing, and added Gil Matthews as drummer (and recording engineer). Composition on "Cybotron" was undertaken by both Braund and Green. The second album, "Colossus" - arguably the peak for CYBOTRON - was released in 1978. For "Colossus" the drumming duties were passed on the Colin Butcher, who also brought additional percussion and synthesiser skills to the table. (Gil Matthews remained involved as the engineer.) For "Colossus" all compositions are credited to Geoff Green alone, a shift from the debut album. "Colossus" sold quite well in Europe and the USA (although poorly in Australia). It looked like CYBOTRON may have been about to make an impact on the international scene with "Colossus", however interest faded as quickly as it had risen. For the third (and ultimately final) album, "Implosion", Green had departed the group. Butcher had vacated the drumming seat before the release ...
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ClearClear
Fantasy 1995
Audio CD$4.96
$3.00 (used)
Cyber GhettoCyber Ghetto
Fantasy 1995
Audio CD$3.75
$1.83 (used)
EnterEnter
Extra tracks
Red River Entertaint 2013
Audio CD$7.66
$4.92 (used)
Motor City Machine Music: An Exploration of CybotronMotor City Machine Music: An Exploration of Cybotron
Import
BGP / Beat Goes Public 2005
Audio CD$10.39
$31.43 (used)
ImplosionImplosion
Extra tracks · Import · Remastered
Aztec 2006
Audio CD$12.87
$28.77 (used)
Sunday Night At The Total TheatreSunday Night At The Total Theatre
Dual Planet 2013
Audio CD$12.48
$20.45 (used)
Cybotron: Enter 2LPCybotron: Enter 2LP
Decision Records
Vinyl$24.95
EmpathyEmpathy
Fantasy 1993
Audio CD$5.99
$1.33 (used)
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CYBOTRON discography


Ordered by release date | Showing ratings (top albums) | Help Progarchives.com to complete the discography and add albums

CYBOTRON top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.14 | 5 ratings
Monster Planet (Steve Maxwell Von Braund)
1975
2.38 | 7 ratings
Cybotron
1976
3.27 | 16 ratings
Colossus
1978
2.56 | 7 ratings
Implosion
1980

CYBOTRON Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

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CYBOTRON Reviews


Showing last 10 reviews only
 Monster Planet (Steve Maxwell Von Braund) by CYBOTRON album cover Studio Album, 1975
3.14 | 5 ratings

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Monster Planet (Steve Maxwell Von Braund)
Cybotron Progressive Electronic

Review by sl75

3 stars This album deserves credit for being probably the first album of the progressive electronic genre to be recorded in Australia. It is a highly experimental effort. The two tracks that make up the bulk of the album, "Shadowfax" and "Spirit", are solo efforts for synthesizer and, although some subtle melodic construction is detectable, both highly abstract in their sound worlds. "Crystal Forest" is similarly abstract despite the incorporation of a more organic instrumental element in the form of Henry Vynhal's electric violin. The title track is therefore quite out of character with the rest of the album, with it's more conventional (indeed limited to one chord) tonal language and it's heavier use of conventional instruments (drums, bass & saxophone) and vocals, although the synthesizer contributions that open and close the piece are just as abstract as the rest of the album. It reminds me somewhat of some of the earliest avant-garde compositions for tape written in the 1950s - much exploration of sound for it's own sake, much reliance on the novelty of the sounds, but at least on initial listening not much evidence of a strong compositional language. Still a very original effort, better than his later work with Cybotron

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 Colossus by CYBOTRON album cover Studio Album, 1978
3.27 | 16 ratings

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Colossus
Cybotron Progressive Electronic

Review by Aussie-Byrd-Brother
Special Collaborator Rock Progressivo Italiano Team

3 stars Australia's Cybotron are an instrumental synthesizer heavy band, who played spacey and repetitive electronica-tinged prog, with an interesting combination of live acoustic and programmed percussion. Taking many elements from German acts like Ashra, Eloy and Tangerine Dream, without ever blatantly ripping them off, the Melbourne band's 1978 album `Colossus' displays plenty of infectious energy, enthusiasm and is packed with top playing and great arrangements.

Considering they're from my home town, it's surprising that I ignored this album for many years! The simple reason is my vinyl LP cover is torn and in terrible condition, so it was kind of off-putting and not pleasant to look at! Fortunately the LP itself is in good condition! But I'll be reviewing the compact disc version, which has a very controversial history that I'll explain later.

After a very spacey and programmed intro with a great build, the title track `Colossus' features a highly unusual treated saxophone blowing away, floating between synths and rattling percussion. Keyboard solos swirl around, stomping drums pounds away - drummer Colin Butcher is relentless on this track! Electronic effects punch through, before a very symphonic finale. It's got quite an upbeat tempo! What a way to start the album! Much of it wouldn't have sounded out of place on a 70's Eloy album.

The ten minute epic `Eclipse' has almost three minutes of killer synth solos and more top drum work - total overkill, yet everything a prog fan could wish for! Very epic and grand, before a nice transition into a floaty middle with phasing effects and a near total fade out. By this point, we're lost in a liquid word of electronic ambience, before a sudden rush back into more synthwork and heavy drums. It's very disorientating and repetitive, creating a very dizzy and overwhelming sensation. Listen to all the maddening keys cut in and out, twirling around, phasing into oblivion, the militaristic percussion leaving you exhausted. An amazing piece, lots of drama and mood here, and killer playing by the band.

Tangerine Dream fans will love `Medusa', a darkly ambient and programmed spacey synthscape. After an ethereal and majestic opening, it develops into a hypnotic, eerie, and trance-like piece. There's driving, almost tribal percussive beats that gradually build in tension throughout the heavily sequenced piece, and it's full of rapturous synth solos. What sounds like a flute near the end creates a very meditative tone. Worth grabbing the album for this one alone.

Processed sax, thick synth stabs, and furious drumming storm through `Raga In Asia Minor'! It's certainly more upbeat than the previous piece, with some faster rocking sections and slower atmospheric moments. It's also extremely repetitious, but sure to get your head nodding in approval or foot tapping along. Very catchy and easy to listen to!

Be aware, the album is available on CD, along with a download version, but bafflingly both contain only a 6 minute version of the final track, with about ten minutes cut out of the original! I have absolutely no idea what the thinking was behind this. Instead, they included a shorter remix of the title track (mostly pointless) and a bonus track `Ride' which is an another short but effective Tangerine Dream/Klaus Schulze-like sequenced piece - decent but nothing that hasn't already been done perfectly well already on the original album. As mentioned above, I do have an original vinyl copy, and within a few weeks I'll have access to a vinyl/USB convertor, so I plan on transferring the album across to MP3 so I can properly listen to and review the full length `Raga In Asia Minor'. I'll then update this review accordingly.

A short and sweet album, there's really not a bad moment on it, certainly no filler tracks. Perhaps there's not a lot subtlety or depth, but the album sounds amazing on a superficial level. Endless thick keyboards, varied drumming/percussion, inventive programming and effective sax. Some would likely complain that many of the tracks are a little repetitive, but that's missing the point! The album artwork, though a little amateur, is kind of deceptively cool, with the vinyl version revealing a lot mode hidden interesting details than on first glace.

In the end, `Colossus' is probably not a hugely important progressive album in the big scheme of things, but the players in Cybotron can be proud in the fact that they put out several high quality albums, with frequent moments of true originality and real greatness.

Three and a half stars really!

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 Implosion by CYBOTRON album cover Studio Album, 1980
2.56 | 7 ratings

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Implosion
Cybotron Progressive Electronic

Review by sl75

2 stars I'm admittedly not the most committed fan of electronic music, but I will claim an appreciation for the high points of the genre. This is not one of them. Listen to this music, and imagine it being played on conventional instruments (nearly all of it could easily be played thus). It's no more than very basic, very repetitive stoner rock. It relies entirely on the novelty of the sound to set it apart - and even by 1980, I doubt there was anything especially novel about the sounds on this record. "Black Devil's Triangle" is the only piece that is at all genuinely interesting.

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 Cybotron by CYBOTRON album cover Studio Album, 1976
2.38 | 7 ratings

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Cybotron
Cybotron Progressive Electronic

Review by colorofmoney91
Prog Reviewer

2 stars Cybotron's self-titled album is my first exposure to this '70s-era Australian electronic duo, and my first impression was a dissatisfied "meh". Unfortunately, my view of this album hasn't really changed since I've been listening to it off and on for the past few months.

Cybotron would be best described as classic experimental electronic music if only other artists (Klaus Schulze, Tangerine Dream, etc.) hadn't already been doing it better. That's not to say this music is bad, but compared to it's contemporaries, it is just kind of bland and uninspired. Here we've got the synths, sequencers, propulsive krautrock beat, and spacey melodies. The only two points about this album that stand out are that the krautrock beats are considerably energetic compared to most work by Schulze or others, and the occasional saxophone. Unfortunately, neither of these elements make the music sufficiently more interesting than anything else of this same style and don't really make for anything other than a "hey, that's kind of different for a minute" realization that is quickly washed over once the boredom sets back in.

If you want some '70s-era electronic music and are tired of the classic artists in the genre, then this album might be for you. If you're looking for something different and more compelling, or at least equally as compelling as the classic artists, then you should look elsewhere.

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 Colossus by CYBOTRON album cover Studio Album, 1978
3.27 | 16 ratings

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Colossus
Cybotron Progressive Electronic

Review by octopus-4
Special Collaborator RIO/Avant/Zeuhl Team

3 stars An Aussie relative came to my country and left me a tape saying that I should have liked it. Effectively I did. Now I've found this band on PA but I have to base the review on my memory only (and on youtube samples) as I don't have anymore tape cassette readers.

I remember that the music was very similar to Tangerine Dream of the post-pink period, that of Phaedra, Ricochet and so on. They had a sax or something sounding like a sax and their rhythms were faster than TD. I remember them as halfway between TD and Jarre, with also a possible relation with the instrumental Alan Parsons.

There were also spacey parts, but very far from the space travels of Atem and Zeit. I remember also on the second track a keyboard solo reminding of Rick Wakeman, at least in the sound. So even if TD is the principal reference, this band is more rock. Maybe "Kraut".

The fact that this band has a drummer who plays drums, is another difference from TD. Now that I know the Dutch "35007" I have to say that this is the band closer to their music, if we don't consider the sometimes heavy guitars of their first albums.

There's effectively one of the four half-side-long tracks of this LP that sounds like a TD clone. It's Medusa that seems performed by Edgar Froese. Of course I like it. I don't remember if it's the end of Medusa or the Beginning of Raga, but there's a quite long section of spacey noises and bells, then the epic, even if a bit repetitive, starts. I think I have thought to this when listening to "Liquid" for the first time.

Well, this is not an essential album but I remember that it gave me very good sensations. a bit more than three stars, for who likes TD, 35007 and spacey progressive electronics in general.

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 Cybotron by CYBOTRON album cover Studio Album, 1976
2.38 | 7 ratings

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Cybotron
Cybotron Progressive Electronic

Review by apps79
Special Collaborator Neo Prog Team

2 stars Cybotron was one of the first,if not the first,electronic rock bands in Australia.This duo was formed in 1975 in Melbourne by keyboardists Steve Maxwell Von Braun and Geoff Green,after Von Braun had already put up a solo album a year earlier.Heavily influenced by the electronic/kraut acts of Germany like Kraftwerk,Neu,Tangerine Dream or Ash Ra Tempel,Cybotron released their self- titled debut in 1976 on the small Aussie label Clear Light of Jupiter,the same which released Von Braun's personal effort.

The album opens with ''Arrakis'',a track progressing as it unfolds,offering double analog synth attacks with a KLAUS SCHULZE-vibe and ''Mumbo Jumbo'' follows,this one being an electronic piece with an ethnic touch on saxes and heavy use of percussions.''Gods of Norse'' is a nice piece of Psychedelic/Space/Electronic Rock with a repetitive rhythm and intense loops,maybe the best track of the album.The 9-min. ''Parameters of Consciousness'' is rather too long,very hypnotic with little changes,before the saxes of Von Braun deliver some extra energy after the middle.''Sonic Overide'' will close the album with 10 minutes of pure Electronic/Space Prog with grandiose work on ARP 2600,but again with not much going on,not to refer the very dissonant KRAFTWERK-like middle part.

If I see this album from a historical point of view,its significance to the Aussie Electronic/Prog scene is of great interest.But if I see it from the objective side,this is rather mediocre Electronic Music,and the most important,very unoriginal.Headed only to dedicated fans of Kraut/Electronic..

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 Colossus by CYBOTRON album cover Studio Album, 1978
3.27 | 16 ratings

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Colossus
Cybotron Progressive Electronic

Review by zravkapt
Special Collaborator Post/Math Rock Team

3 stars This is more interesting than the majority of 'prog' releases from 1978. But it's not extremely original or groundbreaking. Cybotron deserve credit for mixing drums and saxophone with synthesizers. An unexpected good mix. These guys had to much going against them to ever really make an impact; 1)they're from Australia, 2)a more well known techno act from Detroit had the same name which confused some people in the early 1980s, and 3)the music industry was moving away from prog and promoting New Wave and Disco.

Formed by the German-born Steve Braund, the music here sometimes reminds me of what the duo Zombi would be doing 20 years later. The title track is the clear standout here. Sort of a prog electronic/symphonic prog hybrid. I'm used to the CD version which has a very edited version of "Raga In Asia Minor". I would love to hear the whole thing because this is the best song after the title track. But I'm not so interested that I would track down the original vinyl. There are two bonus tracks added but they're nothing special.

A lot of this sounds like Tangerine Dream circa Stratosfear mixed with Hawkwind-style sax and typical '70s hard rock drumming. Absolutely nothing essential but this is a nice album to listen to. Nice cover artwork. If you find this cheap pick it up. Otherwise you shouldn't go out of your way and waste your hard-earned money on this album. 3 stars.

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 Colossus by CYBOTRON album cover Studio Album, 1978
3.27 | 16 ratings

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Colossus
Cybotron Progressive Electronic

Review by Neu!mann
Prog Reviewer

3 stars Cybotron might have been something more than just a footnote in musical history, if only:

A) The band had formed in England or America, instead of in the cultural isolation of southern Australia,

B) They didn't share the same name with a popular techno group from Detroit, operating more or less at the same time, and

C) Their career peak hadn't coincided with the violent shift of musical headwinds that capsized so many likeminded outfits at the end of the 1970s.

Too bad, because the band had the potential to make a splash during its all-too brief lifetime, which instead crested on this second album, released in 1978. There's a temptation to brand them as an antipode TANGERINE DREAM, always the yardstick for measuring any musical trio top-heavy with synthesizers. But the aggressive drum work and macho electronic riffing brings their sound closer to the psychedelic space-rock spirit of classic HAWKWIND, right down to the same processed, interstellar sax, played here by bandleader Steve Braund.

It was the unique blend of instruments - synthesizers, heavy drums, and saxophone - that gave their music such a distinctive punch. Steve Braund may have been an expatriate German living Down Under, but unlike the early kosmische pioneers of TANGERINE DREAM his own band was hardly experimental (at least not on this album). The music here is strictly rock, with the bombastic vitality of all those analog synths and sequencers sounding no less appealing (if not quite as fresh) after more than thirty years.

In truth the album has dated less than the band's cheesy sci-fi name and amateur cover art. And in retrospect it's a good thing they never compromised the authority of their strictly instrumental blitzkrieg with singing. I can't imagine the jet-fueled jams of "Eclipse" or "Medusa" being improved by lyrics, but then again a lot of fans were saying the same thing about TANGERINE DREAM before that band's addition of a vocalist for the "Cyclone" album, released the same year as Cybotron's sophomore effort.

The Australian trio will never be remembered as musical innovators. But they succeeded in forging a singular identity for themselves, no small accomplishment in the creative cauldron of the mid-1970s. It may be too late for a complete rediscovery, but I'm reassured to find they haven't been completely forgotten.

[ Consumer postscript. The available digital version of the album - at Amazon and elsewhere - differs from the original vinyl, cutting more than nine minutes off the epic "Raga in Asia Minor" but adding a pair of bonus tracks as compensation: a short remix of the muscular title track, and the TD influenced sequencer space-out of "Ride". The trade-off actually makes the album shorter than it used to be, but still worth searching for. ]

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 Cybotron by CYBOTRON album cover Studio Album, 1976
2.38 | 7 ratings

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Cybotron
Cybotron Progressive Electronic

Review by philippe
Special Collaborator Content Development & Krautrock Team

3 stars Cybotron is an Australian cult spacey age electronic trip. This album is the first one published under the name. After several listenings I must admit that this one is reminiscence of Klaus Schulze / Tim Blake's golden analog-synth era but Cybotron's original sound features much more propulsive-energetic vibes into the brainey synthscapes. This is surprisingly punchy and epic at the same time. Consequently this is not relaxation music but an inspired-kinetic and atmospheric voyage through inner spaces. It opens with the epically-moving and rhythmical sci-fi soundscape "arrakais". It sounds a little bit dated but the inter-sidereal energies are penetrating and beautifully catchy. Mumbo Jumbo develops epic driven electronic rythms, including cosmic-jazzy grooves. Gods of Norse is a true cosmic peacefulness with strangely grandiose melodies, frenetic hypnotic noises and perpetual drum moves. Parameters of Consciousness is in the same mood, always comibining distinctive sonic-new agey synthesised melodies, sci-fi noises and pulsating hypno-rythms. Sonic Overdrive is an eerie-tranquil textural soundscape for large mellow synth waves and static sound forms. No essential but a pleasant curiosity that deserves a listen for fans of kosmische-astral psychedelica of the 70's.

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 Colossus by CYBOTRON album cover Studio Album, 1978
3.27 | 16 ratings

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Colossus
Cybotron Progressive Electronic

Review by Modrigue
Prog Reviewer

4 stars Colossus is the most known album from CYBOTRON and one of their best. Soundscapes displayed here are very similar to TANGERINE DREAM (Froese/Franke/Baumann period), but in a more melodic and symphonic way, with more distinct and rythmic parts, and less trance and repetitive loops. Furthermore, CYBOTRON introduces an instrument not very much used by electronic bands at this moment: the sax ! This adds quite a refreshing feeling to the music.

The main theme, Colossus, is a very cosmic and catchy sequenced piece, with interesting sound variations. The sax solo adds the mysterious ambiance. The next track, the mini-epic Eclipse, is more contemplative and dreamy. It shares strong resemblance to certain ELOY passages, vocals less. Medusa is the most TD-like piece with its meditative sequencer and robotic rythm. The album ends with Raga, a way more melodic, rocky and playful song, and announcing material on Implosion. Anyway, the final makes you fly in the air.

As if ELOY has made a baby to TD, CYBOTRON proves with Colossus that they have genuine ideas and an unique personnality. The record listens very well and should please all electronic/symphonic progressive fans. Prepare your spaceship !

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