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Harmonia biography
Before to start a fruitful career in solo, Michael Rother integrated Cluster's side project called Harmonia. Initially formed by Hans Joachim Roedelius and Dieter Moebius, the band had the intention to go further in ambient music approach. Rejecting a great part of the experimental side of Cluster's music (I & II), they recorded "Musik von" in 1974. Michael Rother who produced the same year Cluster's zukerzeit, collaborated in Harmonia for guitars, ambient synth parts. With rather discreet appearances of the band on stage, the promotion of "Musik von" failed to attract the attention of the public. Musically the compositions stay obscure, consisting of complex, "avant-garde" pieces made for electronic gadgets, organs, including drum machines, repetitive pulses. The atmosphere is "abstract", sometimes "cosmic" but still melodic. In 1975, the trio recorded its seminal "Deluxe" with the participation of Mani Neumeier (Guru Guru) on drums. The album was produced by Michael Rother himself. With new, various compositional ideas, inventive synthesized sounds and Rother's guitar signature, this album is more relaxed, light than the previous one. Historically it remains a pre-ambient electronic standard. Brian ENO who is fascinated by the music of Harmonia joined the musicians on stage during a concert at the Fabrik Club in Hamburg.

He finally collaborated with the band in 1976 for their last album "Harmonia 76- Tracks & traces". The music is clearly into ambient, "aquatic", dreamy atmospheres with floating synth effects, repetitive guitar lines. ENO wrote the lyrics and provided some synth parts. After Harmonia's dissolution, Brian Eno will work with Roedelius & Moebius for several personal albums ("Cluster & Eno", 1977/ "Before and After Science", 1977 / "After the Heat", 1979).

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Documents 1975Documents 1975
Groenland 2016
Audio CD$8.06
$9.15 (used)
Groenland 2016
Audio CD$8.06
$7.20 (used)
Musik Von HarmoniaMusik Von Harmonia
Groenland 2016
Audio CD$8.06
$10.20 (used)
Live 1974Live 1974
Groenland Records 2012
Audio CD$10.43
$8.10 (used)
Musik Von Harmonia: LimitedMusik Von Harmonia: Limited
Import · Limited Edition
Imports 2016
Audio CD$24.57
$14.44 (used)
Groenland 2016
$53.00 (used)
Complete WorksComplete Works
Box set
Groenland Records 2015
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HARMONIA - DELUXE New Vinyl LP USD $26.91 Buy It Now
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HARMONIA discography

Ordered by release date | Showing ratings (top albums) | Help to complete the discography and add albums

HARMONIA top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

4.00 | 59 ratings
Musik Von
3.19 | 33 ratings
3.16 | 19 ratings
Tracks & Traces / Harmonia 76
4.95 | 3 ratings
Documents 1975

HARMONIA Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.66 | 13 ratings
Harmonia Live 1974

HARMONIA Videos (DVD, Blu-ray, VHS etc)

HARMONIA Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

HARMONIA Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)


Showing last 10 reviews only
 Musik Von by HARMONIA album cover Studio Album, 1974
4.00 | 59 ratings

Musik Von
Harmonia Progressive Electronic

Review by Mellotron Storm
Prog Reviewer

4 stars I'm still trying to understand why this debut from HARMONIA is rated way higher than their followup "Deluxe" on this site. I prefer the second one where they brought in a real drummer and especially since it was Manni from GURU GURU. On RYM the first two albums are rated almost equally with the "Deluxe" slightly higher. Anyway we get Rother from NEU! joining forces with Roedelius and Moebius from CLUSTER with great results. I'm not a fan of the album cover but it's the music that matters right? Also I really appreciate the pictures in the liner notes of the band and their studio, priceless stuff.

I want to read some of the liner notes to you which were written by a friend of the band Asmus Tietchens who also has been making electronic music since 1965. He says, "It equalled a sensation when music journals announced in 1973 that Dieter Moebius, Hans-Joachim Roedelius and Michael Rother were planning to work together. Under the name CLUSTER, Moebius and Roedelius had already occupied an indispensable place in the electronic music scene from 1969 on. Rother was known as one of the 1971 founding fathers as well as flamboyant member of the band NEU! Yet the prospect of the three of them joining forces seemed all too delicate to be true. By then, the CLUSTER album "Zuckerzeit" had not been released, and thus prospective listeners had to wonder about what Roedelius and Moebius were actually coming to produce when indulging in rhythmic experiments. The fact that they were going for rhythmic music was clear as day, Michael Rother's name itself representing a guarantee for that. His compositions as well as his unmistakable way of playing the guitar and the keyboards could in fact be considered as crucial for the success of the project NEU! People could not wait to listen to HARMONIA, as the three of them called themselves. It was as early as 1973 that HARMONIA started playing gigs before finally releasing their first album with the plain title "Musik Von Harmonia"(Music By Harmonia)".

He goes on to say "Musik Von Harmonia is a beautiful and elegant, a minimalist and lively album that is almost completely played "by hand", apart from the fact that they used an automatic drum machine. Just like CLUSTER and NEU!, they made do without hybrid sequencers or gigantic synthesizers, but rather focussed on reacting in a sensitive way to each other as well as on creating what seemed like extremely odd sounds and noises". Also "Musik Von Harmonia is experimental pop music in the very literal sense of the words. When regarding the harmonious and rhythmic structures and pieces(pop) and the exquisite sounds and noises as well as their arrangements(experimental), there can be not a single doubt about that".

"Watussi" greets us with that familiar beat and those high pitched sounds HARMONIA would be known for. Other sounds join in on this motorik track. "Sehr Kosmisch" is my favourite. It's fairly dark with these heart beat-like beats along with pulses and waves. Piano and high pitched sounds before 4 1/2 minutes as the mood changes somewhat. A distant sounding rhythm will build until it dominates. It will end though before 7 minutes as it turns spacey with sparse piano. A beat around 9 1/2 minutes pulses as the piano stops and spacey sounds continue. "Sonnenschein" has a driving beat with all sorts of sounds helping out. Catchy stuff, I like it! It stops abruptly. "Dino" is another uptempo motorik sounding track and I like the guitar too.

"Ohrwurm" has these mechanical-like sounds that move around starngley as other sounds hover and pulse. This is somewhat eerie and dark. "Ahoi!" is pastoral with picked guitar and other sounds helping out. At 3 1/2 minutes a different soundscape comes in and replaces the first one fairly quickly. "Veterano" is an uptempo track with a driving rhythm once again. Piano and beats lead the way as the guitar plays over top. "Hausmusik" has piano and percussion standing out to start but a minute in a different sound arrives and it eventually over-takes the previous soundscape. It's rhythmic but spacey then the piano returns as that rhythmic soundscape fades away. There's a melancholic vibe to this track.

A great start for these guys and the magic will continue on their second release "Deluxe".

 Documents 1975 by HARMONIA album cover Studio Album, 2015
4.95 | 3 ratings

Documents 1975
Harmonia Progressive Electronic

Review by LearsFool
Collaborator Post/Math Rock Team

5 stars In the '90's, long after their heyday, and shortly after the close of the post-punk era in which they were first deified, the krautrock bands found themselves the darlings of various music collectors as well as EDM producers looking for inspiration. It was this climate that saw, for one, Harmonia getting their day in the sun, with "Tracks and Traces" dropping in '97, finally allowing their sessions with Brian Eno to be listened to by hordes of hungry fans. Surprisingly, though, it would take longer for some of their other archival material to surface - a collection of live recordings only surfaced in 2007, and only now have we this collection. These tracks represent the carefully recorded and preserved high quality tapes of a one Asmus Tietchens, a massive fan of tapes, Cluster, Neu, and Harmonia from Hamburg who recorded two live shows Harmonia did with Mani Neumeier of Guru Guru on drums in 1975 at different clubs in that city, and who also got his hands on rare tapes of Harmonia studio tracks from the same year. They have now been released in limited amounts to the listening public.

The first studio track, "Tiki-Taka", is a unique beast in the Harmonia discography, a dark track filed to the brim with skittering instruments, including a never before or since used by them nagoja harp. This alone makes "Documents" a revelatory release, showing a never before seen part of the supergroup's creative consciousness. Its studio cousin is "Proto-Deluxe", a standard though as usual fun and relaxing cut of theirs. The other revelations come from the live cuts, which merge their electronic styles and experiments with psychkraut jamming that compares to live Floyd and the first Ash Ra Tempel album. This is another very different side of the band. Altogether, this is a revealing and excellent little collection, proving once and for all the varied, versatile, and enduring creativity of these legendary musicians.

 Deluxe by HARMONIA album cover Studio Album, 1975
3.19 | 33 ratings

Harmonia Progressive Electronic

Review by Fido73

5 stars How can an album like Harmonia Deluxe, which I consider one of the ultimate Krautrock album, be classified in Progressive Electronic, is beyond me !?! For me, there is 2 type of Krautrock, one organic, like Can, Popol Vuh & Amon Düül and the other, electronic like Clauster, Neu! & this band, Harmonia.

Harmonia is a collaboration between 3 of Krautrock most important creator, Moebius(Clauster), Roedelius(Clauster) & Rother(Neu!). Unfortunately, they made only 2 album, Musik Von Harmonia(1974) & Deluxe(1975) there is a 3 one but not release long after the band was over. It's a shame because the 2 album made by Harmonia are amongst the best album made in Germany during the 70's.

It seems like I'm in the minority of people who really like this album, I like Deluxe so much that I can listen to it in loop for hours without being tired of listening to the same music over and over. The first time I heard it was a very cheap MP3 version that a friend of mine got me from the internet. I didn't like it and was very disappointed because I really like their first one and also, I'm a big, big fan of Krautrock. Since I disapprove illegal downloading and have a enormous CD collection, I had to have that one legal, even if I didn't like it that much. I had their first one so I had to have the second one, for my Krautrock collection. I finally found the remaster version at the HMV in downtown Montréal. Not the place to find a rare album like that ;)

I'm glad I bought it because? It's amazing what a CD with a good sound can change your perception of music your already know and didn't really getting it. I finally got it, it's a cross between the best part of Autoban by Kratfwerk, Hallogallo by Neu! and anything by Clauster. I was looking for an album like that ever since I became a fan of the album Autoban by Kraftwerk and found that their other album, has good as they might be, are more techno than anything. Since my discovery of Krautrock, I knew I was gonna find it, the album. In fact, I found 2, one is Can Future Days and the other, Deluxe by Harmonia. I was surprise to find that it's not as popular of an album in PA that I tough it would be, so I may be in the minority here but, If you like electronic Krautrock, you should try it, you might never know, It could be a winner like it did to me. So I gladly rating it 5 stars, Essential: a masterpiece of progressive rock music, at least for me it is.

 Harmonia Live 1974 by HARMONIA album cover Live, 2007
3.66 | 13 ratings

Harmonia Live 1974
Harmonia Progressive Electronic

Review by admireArt
Prog Reviewer

3 stars This one is hard to rate impartially. But that is the idea of universal information.

So here it goes.........I never considered Harmonia as a "guitar leaded" band. Their studio albums, by rule, never stick to the same option of styling, among so many choices of electronic gadgets usually found in studios and the ones each brought in. The best part of this "Live-1974" cd, is that you will never have noticed it is "live". No applauses, cheers, whistling nor stuff like that. The "live" music went directly to the tape.

The performance is constructed as a sole base. The songs, most of the time are intense in repetition, more than in creativity. The incessant drum box beats more than once overshadow, the frontal music. Now, talking straight, they have to rely constantly in the "human" nature of the electric guitar performance, which of course has always been an integral part in their "studio" albums, but never that much, as to become too much.

So, an outdated drum box sound, a somehow leadind guitar, which at times is not that creative, because it is holding the whole song alone, because the other two guys are busy, "live" controlling their synths, sequencers, drum boxes and other simmilar tools.

The song writing has its occasional awesome heights, the "drone" like "live" experience should have been amazing, but as recorded material or album as such, ***3.5 "I admire the band, but this is "universal" information" PA stars.

 Musik Von by HARMONIA album cover Studio Album, 1974
4.00 | 59 ratings

Musik Von
Harmonia Progressive Electronic

Review by admireArt
Prog Reviewer

5 stars I'm not going to bore you with the musicians whereabouts, why they played together ?, or if they sound like their respective origins, to be honest, I care for the musical results, the rest is for historians. If not for the date of issue, to keep track, of who came first with what. So, taking that into account, this, 1974, HARMONIA album, has become with time, more like a perfect and accurate forecast, of how progressive-electronic, did develop, to what it is today, WOW! How they were able to ellaborate, play, imagine or at least intuit these languages?,. is by far, what makes this project a 5- PA stars (for me), super Progressive-.Electronic project. Add to that, the perfect distribution of the songs, their timing and the variety of electronic ideas and tendencies they cover (from experimental, to ambient, to pulses to drum-boxes, to electric guitar/synth compositions, all merged together into one, UNPRETENTIOUS, 42 minute-album, and into single, 3 to 10 minutes, songs. When others, at the time, were caught in exploring only, specific parts of the whole picture, Harmonia was having fun, using the most relevant and unexplored elements and putting them all together, as a result of this "brainsorm", no impossition is felt when listened, a lot of surprises are encountered, and the perfect identity of each song is never lost in the bundle. And to close things down, even though, it offers some "serious" song-writing, it never loses its humour or unpretentiosness. Very "Krautrock" in that aspect. So. *****5 PA stars, just for having such a long, long term vision and for being able to conjure and record it, for us P.E. audiophiles!
 Musik Von by HARMONIA album cover Studio Album, 1974
4.00 | 59 ratings

Musik Von
Harmonia Progressive Electronic

Review by colorofmoney91
Prog Reviewer

4 stars Harmonia's first albums sounds exactly like a collaboration effort from Cluster and Neu! without all of the boring repetitiveness that suffocates some of Neu!'s discography.

Musik Von basically sounds like Cluster, but a lot warmer and eclectic with a stronger element of poppy Kraftwerkian melody (somewhat comparable to Zuckerzeit). The krautrock-inspired strong motorik beat expected from Neu! (experts at this method) propels a good amount of these tracks.

With the longest track, "Sehr Kosmisch", being just over 10 minutes and along with "Ohrwurn" being the most experimental and drone-oriented on the album, Musik Von is very manageable for listeners looking for something retro and reasonably accessible and melodic in regard to krautrock-inspired electronic music.

The range of tempi on this album are surprisingly refreshing, ranging from rather fast and powerful to slow and sentimental, though always employing the typical '70s German electronic groove.

A lot of this album sounds a lot like the underrated Kraftwerk and Kraftwerk 2 albums but injected with a considerable amount of emotion while still remaining mostly robotic and cold. I think fans of Cluster and early Kraftwerk will find much to enjoy about Musik Von, but for those looking for something even more obviously rooted in krautrock then Harmonia's follow-up album may be more appropriate.

 Harmonia Live 1974 by HARMONIA album cover Live, 2007
3.66 | 13 ratings

Harmonia Live 1974
Harmonia Progressive Electronic

Review by Guldbamsen
Special Collaborator Retired Admin

4 stars Chug chug chugging along

If you know those old electronic rhythm devices such as you´d find on old organs - that snuffle and chug like a puffing steam train, then look no further if you want to know how this sounds applied to music.

Harmonia was a German trio consisting of Michael Rother off legendary Krautrock band NEU! and the 2 electronic wizards from Cluster Hans-Joachim Roedelius and Dieter Moebius. One could almost call this a super group, if these guys were better known to the world outside of Germany and the few Krautrock connoisseurs out there.

As the title suggests this record was cut in 1974, and luckily so because all 3 musicians here was at the very top of their game. None of these tracks feature anywhere else in their discography (at least to my knowledge), which means that you get 5 sparkling new tracks. On top of this, the sound quality of this release happens to be vibrant and warm, and by the flick of the switch - with eyes closed - ready for a mind movie, you´re transported back in time to this tasty and imaginative gig. This is serious headphone music, and it helps big time if you can picture the Penny Station in Griessen Germany filled with long haired freaks and folks sitting on their jackets smoking, drinking, tripping doing their very best to escape the earthly bounds of the floor.

All of these tracks sound improvised with blowing ambient synth landscapes that consistently prowls the airwaves like soft and delicate wolverines in flight. Together with Michael Rother´s spacey and lingering guitar work, the music takes on an effervescent characteristic, that makes the music soar and glide in and out of psychedelic terrains and electronic currents.

It is a boat ride just as much as it is a train journey, - a realistic musical adaptation of a trip through the swooping autobahn on a huge robotic vessel. The music is cradling and motorik laden, but still a long way from being gentle and sedate. It feels determined like a commercial ferry ploughing through the streets headed for its home harbour. Just like German engineering the rhythm boxes showers this release in a very conform coating, but that only ads to the mystery, as to why this album sounds so free.

If you enjoy your music psychedelic, chugging, minimalistic, improvised and hypnotic, then you could do worse than this fine record, which is a fine example of a journey well spent on your bottom. Your head on the other hand has been places, where objects move like echoing slow lightnings through the skies, and your senses feel heightened and crisp like a metaphysical conductor licking the rail road tracks in sheer exuberance.

 Deluxe by HARMONIA album cover Studio Album, 1975
3.19 | 33 ratings

Harmonia Progressive Electronic

Review by Warthur
Prog Reviewer

2 stars The process of recording Neu! 75 was characterised by sharp disagreements over musical direction. These seem to have left a bad taste in Michael Rother's mouth which persisted to the recording of this second Harmonium album, which adds Mani Neumeier from Guru Guru to provide compelling motorik drumming but fails to provide him (or any of the other instrumentalists) with any really compelling compositions to get their teeth into. Failing to reach the standards of its predecessor, the album at points (particularly when the vocals creep in) reminds me of an inferior attempt at the sort of ambient rock that Brian Eno had perfected on Another Green World at around the same time. Not the finest hour of Cluster, Rother, or Neumeier to be honest.
 Musik Von by HARMONIA album cover Studio Album, 1974
4.00 | 59 ratings

Musik Von
Harmonia Progressive Electronic

Review by Warthur
Prog Reviewer

3 stars Musik Von Harmonia consists of the members of Cluster joining Neu!'s Michael Rother to explore a fusion of their musical approaches. The result is an album which displays both the driving, proto-punk tendencies of Neu! and Cluster's always exceptional production values and synth mastery. To be honest, the two musical approaches never quite meet in the middle - tracks tend to be either Neu!-ish guitar-led punk-ish affairs or Cluster-type ambient works, though to be fair it's hard to see how the two approaches could be completely reconciled. But if you like both Neu! and Cluster, then it's worth tracking down Harmonia just to get more of the same - especially on the Neu! side of things, since they released precious little material over their career. That said, it is worth noting that "more of the same" means just that - Harmonia don't really expand the boundaries of Krautrock in the same way that their constituent members did in their main groups.
 Tracks & Traces / Harmonia 76 by HARMONIA album cover Studio Album, 1976
3.16 | 19 ratings

Tracks & Traces / Harmonia 76
Harmonia Progressive Electronic

Review by snobb
Special Collaborator Honorary Collaborator

3 stars Last Harmonia's album is a product of early electronic super group. No jokes, great German early electronic experimentators Moebius, Roedelius and Rother there collaborates with British ambient guru Brian Eno.

Unhappily, result isn't so great, as could be expected. Harmonium changed direction from their earlier experimental works to more accessible, and Eno lyrics, vocals and some electronic ambient effects doesn't bring the magic to refresh the sound.

Album was recorded in 1976, but didn't released till 1997. Looking from now, it sounds simplistic and quite dated. For sure, Cluster and Eno ambient sound fan will easily find there many pleasant elements, but for not such involved listener this work is pleasant, but dated recording, more nostalgic reminder about mid 70-s electronic music, then really good music to listen today.

Thanks to Philippe Blache for the artist addition. and to easy livin for the last updates

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