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PHROZENLIGHT

Progressive Electronic • Netherlands


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Phrozenlight biography
Phrozenlight is a musical project formed by Bert Hülshoff in the late 90s. As suggested by the name itself (Frozen Light: light without movement, is like dead space) the music can be perceived as a sonic metaphor of harmony of the spheres and chaotische fractal . Consequently,Bert Hülshoff's musical signature offers sustained, otherwordly cinematic ambiences for synthezised textures, electronic arpeggios and computer equipments. This project firstly take its inspiration from Berlin kosmische's electronic school but it also explores the dreamy-like / environmental aspects of organic ambient music. A satisfying musical travel through various moods and atmospheres.

Similar artists in the archives: Von Haulshoven, Klaus Schulze, Tangerine Dream, Rolf Trostel, Baffo Banfi (...)

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PHROZENLIGHT discography


Ordered by release date | Showing ratings (top albums) | Help Progarchives.com to complete the discography and add albums

PHROZENLIGHT top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.33 | 2 ratings
The Beginning
2000
1.00 | 2 ratings
Moon
2005
2.00 | 2 ratings
Creation
2005
3.33 | 2 ratings
Dragons of Pern
2005
3.00 | 2 ratings
Cold Night
2006
1.67 | 2 ratings
Virgil's Aeneid
2006
2.50 | 2 ratings
Sol (G2)
2006
4.00 | 2 ratings
Passion: Crucifixion & Resurrection
2006
4.00 | 1 ratings
April 2006
2006
2.00 | 1 ratings
Dreamland
2006
2.00 | 1 ratings
Crusade
2006
2.00 | 1 ratings
Birth
2006
1.00 | 1 ratings
Song of Albion
2006
1.00 | 1 ratings
Timeless
2006
2.00 | 1 ratings
Time Travel
2006
3.00 | 1 ratings
Is It Art Or A Joke?
2006
1.00 | 1 ratings
Echomachine
2006
2.00 | 1 ratings
Cassiopeia
2006
2.00 | 1 ratings
Verdwaald
2006
1.00 | 1 ratings
Empty Space Expands Forever
2006
2.00 | 1 ratings
Landscapes
2006
2.00 | 1 ratings
Leaving This Dusty Planet To Vaporize Into The Dying Sun
2007
3.00 | 1 ratings
Is There Water On This Planet?
2007
3.00 | 1 ratings
Justinsane
2007
3.00 | 1 ratings
Astral Journey
2007
1.00 | 1 ratings
Space Portals
2007
2.00 | 1 ratings
Dark Lights
2007
4.00 | 1 ratings
Blue Sunset
2007
4.00 | 1 ratings
01-OSC-Synth1x6
2007
3.00 | 1 ratings
Two Space Hours
2007
3.00 | 1 ratings
Sleepers At The Edge Of Time
2007
4.00 | 1 ratings
Landing On Titan
2007
4.00 | 1 ratings
Firestorm
2007
5.00 | 1 ratings
Driftin' Between Starsystems
2007
4.00 | 1 ratings
Cosmic Connections
2007
0.00 | 0 ratings
The Saga of Axis
2007
0.00 | 0 ratings
Wyrdgate
2007
0.00 | 0 ratings
Earth
2007
0.00 | 0 ratings
Summerday
2007
0.00 | 0 ratings
Disturbed Souls
2007
0.00 | 0 ratings
Lost City of Demented Souls
2007
0.00 | 0 ratings
Oxide
2007
0.00 | 0 ratings
Watcher
2007
0.00 | 0 ratings
On The Edge Of Your Conscience
2007
0.00 | 0 ratings
Electronic Resurrection
2007
0.00 | 0 ratings
Quasar
2007
0.00 | 0 ratings
Arrival - Departure
2007
0.00 | 0 ratings
Tidal Flow
2007
0.00 | 0 ratings
Prophet Or Alien
2007
0.00 | 0 ratings
Sundawn
2007
0.00 | 0 ratings
Sonic Images
2007
0.00 | 0 ratings
Freefall
2007
0.00 | 0 ratings
Crystal City
2007
0.00 | 0 ratings
Sunday Afternoon
2007
0.00 | 0 ratings
Return to Earth
2007
0.00 | 0 ratings
Transportation
2007
4.00 | 1 ratings
Yearsending
2007
0.00 | 0 ratings
Digital Images
2007
0.00 | 0 ratings
Phasewind
2007
0.00 | 0 ratings
Perpetuum Mobile
2007
0.00 | 0 ratings
Lost Memories
2007
0.00 | 0 ratings
Cybercity
2007
0.00 | 0 ratings
A Dream Of Ten Thousands Years
2008
0.00 | 0 ratings
Distance
2008
0.00 | 0 ratings
Deep Space Exploration
2008
0.00 | 0 ratings
Autumn
2008
0.00 | 0 ratings
Spacial Shift
2008
0.00 | 0 ratings
Awakened Emptiness
2008
0.00 | 0 ratings
Sonic Addiction
2008
0.00 | 0 ratings
Cosmic Ritual
2008
0.00 | 0 ratings
Alien
2008
0.00 | 0 ratings
Floating
2008
0.00 | 0 ratings
Far Side Of The Galaxy
2009
0.00 | 0 ratings
Colorful Water
2009
0.00 | 0 ratings
They Are Watching Us
2009
0.00 | 0 ratings
Aeronaught
2009
0.00 | 0 ratings
Time Is Running Out - Part 2
2009
0.00 | 0 ratings
Time Is Running Out - Part 1
2009
0.00 | 0 ratings
Dark Echoes
2009
0.00 | 0 ratings
No Sense
2009
0.00 | 0 ratings
Starlight
2009
0.00 | 0 ratings
Shimmering Light
2009
0.00 | 0 ratings
Short Memories
2009
0.00 | 0 ratings
Basics
2009
0.00 | 0 ratings
Loser
2009
0.00 | 0 ratings
Spring 2009
2009
0.00 | 0 ratings
MOments
2009
0.00 | 0 ratings
Zweven
2009
0.00 | 0 ratings
Evening Dawn
2009
0.00 | 0 ratings
Dark Light, travel through time & back
2009
0.00 | 0 ratings
Nebulae Mist
2009
0.00 | 0 ratings
Zwaartekracht
2009
0.00 | 0 ratings
Dreamzone
2009
0.00 | 0 ratings
Moonrise
2009
0.00 | 0 ratings
Mindstorm
2009
0.00 | 0 ratings
Clear Thoughts
2009
0.00 | 0 ratings
Star Travel
2009
0.00 | 0 ratings
Gerommel in de Studio
2009
0.00 | 0 ratings
Pfffff
2009
0.00 | 0 ratings
Dark Sphere
2009
0.00 | 0 ratings
Suffocated
2009
0.00 | 0 ratings
Desert Planet
2009
0.00 | 0 ratings
Human Beings
2009
0.00 | 0 ratings
Repeated Conflicts
2009
0.00 | 0 ratings
Deep Pulse
2009
0.00 | 0 ratings
My Homeground
2009
0.00 | 0 ratings
Loose Ends
2009
0.00 | 0 ratings
A Lost Evening
2009
0.00 | 0 ratings
Tribal
2009
0.00 | 0 ratings
Speed It Up
2009
0.00 | 0 ratings
Dark Days At The End
2009
0.00 | 0 ratings
A New Beginning
2009
0.00 | 0 ratings
Last Album...?
2009
0.00 | 0 ratings
Return Of The Mad Scientist
2010
0.00 | 0 ratings
Outerworld
2010
0.00 | 0 ratings
Fountain Of Your Fantasy
2010
0.00 | 0 ratings
Mental Tubes
2010
0.00 | 0 ratings
Overtime
2010
0.00 | 0 ratings
Gates Of Darkness
2010
0.00 | 0 ratings
Monotoon
2010
0.00 | 0 ratings
Blue Space Red Dreams
2010
0.00 | 0 ratings
Over
2010
0.00 | 0 ratings
Swimmin' In The Deep
2010
0.00 | 0 ratings
Poems & Dreams
2010
0.00 | 0 ratings
At Random
2010
0.00 | 0 ratings
Dream Spirit's Travel
2010
0.00 | 0 ratings
Arc To The Future
2010
0.00 | 0 ratings
Oceantides
2010
0.00 | 0 ratings
La Fin Du Cycle
2010
0.00 | 0 ratings
Poaske
2010
0.00 | 0 ratings
Poaske
2010
0.00 | 0 ratings
Spaceman's Suit(e)
2011
0.00 | 0 ratings
Nebulatears
2011
0.00 | 0 ratings
Black And White
2011
0.00 | 0 ratings
Phaeton's Last Days
2011
0.00 | 0 ratings
Galactic Wanderer
2011
0.00 | 0 ratings
Exploding Parts
2012
0.00 | 0 ratings
Do You Believe In Random
2012
0.00 | 0 ratings
Dedicated
2012
0.00 | 0 ratings
Cyrqles
2012
0.00 | 0 ratings
Roman Suite
2012
0.00 | 0 ratings
Old Fashion
2012
0.00 | 0 ratings
Relations
2012
0.00 | 0 ratings
0122101020121122012
2012
0.00 | 0 ratings
Ghostplanet
2012

PHROZENLIGHT Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

PHROZENLIGHT Videos (DVD, Blu-ray, VHS etc)

PHROZENLIGHT Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

0.00 | 0 ratings
Historic Edition 1: Year 2001
2007

PHROZENLIGHT Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

0.00 | 0 ratings
Blote Bet
2009

PHROZENLIGHT Reviews


Showing last 10 reviews only
 Passion: Crucifixion & Resurrection by PHROZENLIGHT album cover Studio Album, 2006
4.00 | 2 ratings

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Passion: Crucifixion & Resurrection
Phrozenlight Progressive Electronic

Review by octopus-4
Special Collaborator RIO/Avant/Zeuhl Team

4 stars Since when I have started digging into Phrozenlight's music I had the impression of empty drones leading nowhere, like he's just spending some good time by joking with his electronic equipments. Sometimes the result is good, sometimes not.

This album, for the first time, has a meaning in the sense that the darkness of this ambient music and some of the background sounds are very in accordance with the track titles. I assume you all know the story and regardless the religious aspects I think it's one of the darkest stories ever told.

Musically it's not much different from the other rhythmless long electronic excursions of this artist, but of all the attempts to clone the Tangerine Dream's ZEIT that I have heard from him up to now, this is the most successful, probably because this time he was not really thinking to TD.

The "Friday's track" has some subtle organ and bells and should be giving the idea of the prison. An innocent condemned to a cruel death penalty waiting for his last day, laying wounded in chains. I think this track gives the idea.

Of course the Crucifiction is darker. Now there's real pain, but it also makes me think to the mystic part: the 3 hours eclipse, a portent explaining the God's anger, even though the story was already written. This track is a travel into the darkness of pain and incoming death, it doesn't contain any allusion to the promised resurrection. In some parts it reminds a bit (not too much) to the dark noisy part of Vangelis' Heaven and Hell (the Greek musician, not the books).

The third is the day of the resurrection. The Ooh's may represent the Angels, but they are too dark. What for Christians is a moment or reconnection between Men and God is here a supernatural moment which shows forces greater than Man and for this reason they are in any case perceived as dark.

Of all the ambient drones from Phrozenlight this is the most exciting that I've heard, the on on which he seems to have put some more effort than usual, probably because this kind of dark ambient is more congenial to his way of making music. In this album "outer" is not the space. It's the metaphysical world instead.

A good surprise.

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 Sol (G2) by PHROZENLIGHT album cover Studio Album, 2006
2.50 | 2 ratings

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Sol (G2)
Phrozenlight Progressive Electronic

Review by octopus-4
Special Collaborator RIO/Avant/Zeuhl Team

3 stars With Phorzenlight there's always the risk of getting about one hour of low volume noises which don't go anywhere, and this is what I was afraid of after the previous two albums.

I have to say that even if very few things happen also on the two long tracks of this album, the sounds are not so boring and flat as in "Moon". There's the impression of a chord, some electronic "ooh" and effectively, if you are travelling alone on a starship through the deep space, this is an appropriate soundtrack.

"Helios" is everything but boring, but you have to be in the right mood. This is up to now the track closer to the Tangerine Dream of the Pink Period that this Flying Dutchman has been able to produce even being for his own admission strongly influenced by them. I survived to those rhythmless 26 minutes of keyboards and this is likely to happen again.

"Solarised" is a bit longer, clocking at 31:21. Now the basic chord is minor and the ooh voices include low pitches. For the rest it's honestly almost identical to the other track and it's strange having so few to say about a track of this length apart some "strings" appearing and disappearing suddenly in the background. In particular situations I can enjoy this music. If you are in meditation it can work fine, that's why my rating would be "barely good and absolutely non essential", but it doesn't mean an integer number of stars so I'm rounding it up to three.

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 Virgil's Aeneid by PHROZENLIGHT album cover Studio Album, 2006
1.67 | 2 ratings

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Virgil's Aeneid
Phrozenlight Progressive Electronic

Review by octopus-4
Special Collaborator RIO/Avant/Zeuhl Team

2 stars The idea was not bad: Virgil's Aeneid is the only Roman epic poem and even if mimic of Homer's most famous Iliad and Odyssey it has all the right characteristics to be turned into a concept album.

That's why I find the three drones in this album very disappointing: electronic music has the power of creating mental images, it can vehicolate the author's impressions and in the worst case the author has the possibility to add noises and gimmicks able to give the listener an idea of what the music is about.

This is not the case. Bert Hulshoff has just taken three episodes or ambients from that epic poem and all the three fail in communicating the idea of the Aeneid. It's just the usual space music, unstructured and inconclusive. It's not totally bad in its own, but the shores of the Avernous river should make a bit more noise and also provide some scary sensations to who looks at them as it's the river which leads to the "aedes", the Kingdom of Deads.

The Sybil is a secondary character in the story, but is a prophetess and in the ancient world was second only to the Delphi's Oracle. It's a very good subject fro a dark ambient track but the author failed even on this subject.

"Deiphobe" can be barely distinguished from tha other two tracks and only "Aeneas and Turnus" deserves a mention as it contains some variations. The "ooh" background sounds make me think more to 2001 A Space Odyssey and would have been more appropriate if related to the Sybil. This is the only reason why I rate this album with two stars instead of one.

...but the Aeneid as concept album is a very good idea. Hopefully somebody else will sooner or later develop it.

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 Cold Night by PHROZENLIGHT album cover Studio Album, 2006
3.00 | 2 ratings

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Cold Night
Phrozenlight Progressive Electronic

Review by octopus-4
Special Collaborator RIO/Avant/Zeuhl Team

3 stars The "ooh" sound which pervades the "Dawn of a New Year" is so spacey and reminding of Clarke's Odyssey that I think it's a dawn seen from the orbit as it gives me the impression of planets moving in slow motion. It's a pity that this artist is capable of creating a so interesting background and avoids putting anything in foreground. This is the main difference between most of his works and those of early Tangerine Dream. The second are good in creating those atmospheric soundscapes but adding also a bit of music sometimes. So even if I like being crawled by this kind of thing maybe laying down on a lawn watching the sky on a summer night, I see no reason for a track like this to last 4, 8, 16 or 32 minutes. Like a fractal, you can take any part of it and expand or contract it as much as you want. It won't change.

"Cold Night" starts better. Still no music, in the common sense, but the noises of remote thunders, rain and winds are a good intro. Unfortunately it doesn't develop enough and remains at that level for 16 minutes. I like it, I enjoy it, but it's just me. I can't suggest this thing to anybody who's looking for music. As well as you may enjoy watching a storm from the warmth of your home, behind your window while drinking hot tea, you may enjoy also this sequence of sounds.

"Dark Noon" has some keyboards. We can hear proper chords, a background and a foreground, even if far from being a melody of any kind. Dark ambient, more than spacey. At least here something happens.

"Dark Water" features some bells the thing closer to a percussion that you can find on this album (and on Phrozenlight's albums in general). An exciting track compared with the rest.

"Cold Smoke" is the less cold track of the album, even though the clean keyboard playing the usual note can be a little "icy". There's more in this part than on most of his whole huge discography. At least this track seems to go somewhere...but never arrives anywhere as usual.

So not really a bad album, but a bit more of inventive like in the last track would have made it really better. I think there are better examples of space rock or progressive electronic around so my 3 stars are rounded very up. Surely non-essential but if you are in search of this kind of music this is as good as another else. Of course between spinning this and Zeit I prefer the second by light-years.

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 Dragons of Pern by PHROZENLIGHT album cover Studio Album, 2005
3.33 | 2 ratings

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Dragons of Pern
Phrozenlight Progressive Electronic

Review by octopus-4
Special Collaborator RIO/Avant/Zeuhl Team

3 stars Phrozenlight is an artist that must be taken in small doses. After his quite good debut very reminding to Tangerine Dream I have got very bored by the following two albums, in particular "Moon" so I decided to give up to him.

Looking for some ambient music I decided to give him another try and even if this "Dragons of Pern" is not too dissimilar from "Moon", there's something more inside.

It's just electronics with no rhythm, nothing that can be called "structure" and of course nothing with the sembiance of a melody, just space music. But the space is more interesting than the dead "Moon". The album title is inspired to a fantasy novel of Anne McCaffrey, that's part of a cycle (the cycle of Pern) and this probably makes the difference.

As well as I like closing my eyes and let my mind create mental images by following the music, I think that who makes this kind of music does something similar, putting into his work the sensations brought by the mental images coming in this case from the novel. So I can hear a big difference between "Dragon's Cave" and "Dragon's Fight Against Thread", as the second is surely more dramatic and full of "sensations".

It's true that if one jumps randomly from one part to the other it can appear to be all the same, but this is a kind of music who requires attention, something that has to be listened to with headphones.

This album is very close to the TD of the pink period, from which Phrozenlight admits taking inspiration and at least this time he has partially succeeded.

Having mentioned the first two tracks, let's say that "Dragon's Going Between" is different in some way from the other two tracks. The sounds are different: more squared waves and the thing most similar to a major chord that I have listened from this Dutch artist up to now.

Not a disk for everybody. It's pure space electronic ambient, but in its genre I think it deserves 3 stars.

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 Creation by PHROZENLIGHT album cover Studio Album, 2005
2.00 | 2 ratings

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Creation
Phrozenlight Progressive Electronic

Review by octopus-4
Special Collaborator RIO/Avant/Zeuhl Team

2 stars This third album of the Dutch android Phrozenlight offers something more than the previous "Moon".

As well as on Moon, the 5 tracks here don't contain anything else than spacey landscapes, but respect to Moon we can hear some more variations, something that can be interpreted as a chord or even a sequence of chords. The evident source of inspiration is "Zeit".

This means that "Space Folding" is not a boring track even though very few happens. "Floating Sounds" is made of the same ingredients but there's a "strings" sound which permeates the track and adds a classical-like mood. The ambient is more ethereal and sometimes the "chord" is major. I quite like this track.

"Walking In Paradise" is the longest track of the album, even if short respect to the current Phrozenlight's standards. It's another 18 minutes of spacey ambient music (or just sounds). I find this kind of music extremely relaxing and I like going in a sort of trance while listening but this is a consequence of having been a SciFi addict already around while Neil Armstrong was walking on the Moon long before Sting. If you aren't in this mental state it's very likely that you'll have stopped the player long before reaching the third track.

What's the difference between walking in Paradise and leaving Paradise? Apparently leaving is more fun. We have real chords with electronic noises coming and going. This can effectively be compared with the pink TD (but not so good, to be honest). Unfortunately it doesn't last long. After more or less three minutes we are back to the electronic flow of solar winds and subatomic particles that's omnipresent in any Phrozenlight's track. It's a pity that this guy has the technical skill to make good space rock but doesn't invest enough effort in creating anything more than spacey soundscapes.

"Scary Christmas" has a promising title, but at this point surviving to another 16 minutes of cosmic vacuum is very hard. Wanting to make a "siesta" after a heavy lunch this is a very good background, but if this is what you look for just grab ANY of the Phrozenlight's releases. In case you are planning to sleep longer there are "songs" 2 hours long, too.

I'll try some other albums to see if there's any difference but I'm not very optimistic and I suspect that I'll quit reviewing Phrozenlight quite soon.

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 Moon by PHROZENLIGHT album cover Studio Album, 2005
1.00 | 2 ratings

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Moon
Phrozenlight Progressive Electronic

Review by octopus-4
Special Collaborator RIO/Avant/Zeuhl Team

1 stars This is the first of very many attempts to clone Tangerine Dream's Zeit put in place by Bert Hulshoff, aka Phrozenlight. I have to say that this is not the worst but his releases are so similar that I don't know if I'll review any other of his albums after this.

This is not the worst because at least sometimes something happens. A note is replaced by one higher or lower, the volume is a little increased or lowered and unexpectedly, sometimes a new sound is added. The bad is that Phrozenlight seems to have only partially understood Edgar Froese and Tangerine Dream, even of the pink period. He has taken the spacey mood, something that he does very well, but he has missed all the psychedelic and krautrock influences. What is mainly missed respect to TD is the capacity to be hypnotic without having to be boring. TD (I mean in the pink period) have square waves, drums, and at least little variations that are able to make the music change totally without making the listener aware.

The first "phase" in this album has some little variation but is very far from being even remotely compared to Zeit or to Atem. It's not a bad listen, if you are looking for spacey landscapes or you have smoked something illegal this album can work fine, but apart some little exceptions it's like the fans of a battery of servers in a datacenter. A continuous noise that after a while goes in the background of your mind and you become aware of it only when the power goes down and they stop.

The Second Phase is a little more high-pitched respect to the first and there's also a shy attempt to add some rhythm, but in the end it's like the datacenter has been restarted. It's a pity because some of the noises below are not bad. Just a bit of human more and a bit of robotic less and it wouldn't have been bad. I find some parts of this track even enjoyable, until I have something to smoke, of course....

The Third Phase starts in crescendo from few seconds of silence, then it's even promising when after 1 minute it reminds to some "lunar" parts of the 2001 Space Odyssey soundtrack. The fact is that the discovery of the monolyth in the movie takes few minutes while in this track it takes more than 25 and at the end the aliens don't receive any signal.

The Fourth Phase is different. The background chords seem to be two....

Well, cut in short pieces this is not totally bad, but playing a single chord adding a soundscape here and there is not the same of composing Zeit. I personally enjoy this music sometimes, but I can't suggest it to anybody else. If you look for spacey landscapes they are the only thing that you can find in this album, or in most of the Phrozenlight's production. There are surely some exceptions. I can't believe that he has released the same album about 100 times.

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 The Beginning by PHROZENLIGHT album cover Studio Album, 2000
3.33 | 2 ratings

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The Beginning
Phrozenlight Progressive Electronic

Review by octopus-4
Special Collaborator RIO/Avant/Zeuhl Team

3 stars Coming to this album after having listened to some of the latest drones of this "flying dutchman" I've been a little surprised. While almost his whole production is made of 1 or 2 hours length tracks made just of a bass note and spacey sounds for which he gets inspiration from the pink period of Tangerine Dream.

This album has music, instead. It's spacey ambient as all the rest but we have five distinct tracks that can be distingued one from the other and are also good enough.

"Desert City" with its loops is very close to the early TD or even to Edgar Froese's works like "Aqua" or "Epsilon in Malaysian Pale". The sounds used are very similar, too. It doesn't happen a lot, but the music has a sense, something that will go almost lost in his more recent releases.

"Dreaming Dolphin" is very spacey and reminds clearly to "Zeit" that's not a bad thing, absolutely. Very similar to "Birth of a Liquid Pleiades" even in the length.

The story doesn't change too much with "Moondawn On Speed". This track has some electronic percussions, an element that will disappear from most of the subsequent production. A very good track.

"Temple of Syrix" has no percussions, instead. There are some square waved sounds in the foreground giving the idea of a melody about to start. It doesn't happen, but little variations make it change continuously. Edgar Froese is still the reference.

Finally "Trance Express" works well. It contains a sort of background melody that the repetitivity helps to identify.

For fans of Progressive Electronic and in particular of early Tangerine Dream (Up to Phaedra).

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 Cosmic Connections by PHROZENLIGHT album cover Studio Album, 2007
4.00 | 1 ratings

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Cosmic Connections
Phrozenlight Progressive Electronic

Review by colorofmoney91
Prog Reviewer

— First review of this album —
4 stars Cosmic Connections is the sound of explorations in enigmatic deep space. Compared to most of Phrozenlight's albums released prior, this album is a bit darker. The sound effects used give this album a horror/sci-fi kind of feel - mechanical grating, high-pitched hypnotic frequencies, cosmic growling, all firmly placed atop an airy drone. I see this album as the evil counterpart to "Driftin' Between Starsystems", and it even runs at the same 70-minute runtime. I can definitely see the Klaus Schulze Irrlicht/Cyborg influences on this album. Cosmic Connections is definitely another highlight in the Phrozenlight discography, and the sinisterly cosmic atmosphere can really help conjure up some dark imaginative landscapes.

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 Driftin' Between Starsystems by PHROZENLIGHT album cover Studio Album, 2007
5.00 | 1 ratings

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Driftin' Between Starsystems
Phrozenlight Progressive Electronic

Review by colorofmoney91
Prog Reviewer

— First review of this album —
5 stars Driftin' Between Starsystems is a definite highlight from Phrozenlight. Though it may be long (a bit over 75 minutes), "Driftin'" is an entirely progressive electronic voyage that recalls some of Klaus Schulze's early works like "Irrlicht" and "Cyborg". Here we have the standard electronic drones, metallic resonances, spacey sound effects, and airy/windy atmosphere, but also something that sounds like harsh electronic bagpipes and a near-symphonic dirge at the end. The symphonic portion of this track plays its part perfectly, adding almost a victorious and ethereal ending to the harsh experimental electronic voyage that the previous 44 minutes consisted of. Something that has always bothered me about some of Phrozenlight's output is the lack of progression throughout his long tracks, which made them seem obnoxiously long, but on "Driftin'" this problem is solved completely. Highly recommended progressive electronic in the best form.

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Thanks to Philippe Blache for the artist addition.

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