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PATRICK VIAN

Progressive Electronic • France


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Patrick Vian biography
PATRICK VIAN, a son of Boris Vian (a French poet / writer / jazz musician), was born on Apr. 12, 1942 in Angoulême, France. Obviously influenced by his father Boris, he had been much interested in music and joined various rock projects including RED NOISE as a guitarist in his student days. After Red Noise disbanded, he composed and offered some of the music for the film named Hu-Man (produced by Jérôme Laperrousaz) in 1975. And finally in the following year, as a synthesizer player, Patrick recorded his solo work "Bruits Et Temps Analogues" (1976), produced by Jérôme Laperrousaz and released via Egg label, owned by Barclay Records (lots of promising musicians like Vangelis or Tim Blake were under contract with this company).

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Bruits Et Temps AnaloguesBruits Et Temps Analogues
Staubgold Germany 2013
Vinyl$21.90
$19.56 (used)
Bruits Et Temps Analogues LP (Vinyl Album) European Staubgold 2013Bruits Et Temps Analogues LP (Vinyl Album) European Staubgold 2013
Staubgold
Vinyl$37.48
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4.08 | 7 ratings
Bruits Et Temps Analogues
1976

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PATRICK VIAN Reviews


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 Bruits Et Temps Analogues by VIAN, PATRICK album cover Studio Album, 1976
4.08 | 7 ratings

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Bruits Et Temps Analogues
Patrick Vian Progressive Electronic

Review by admireArt

5 stars Yes, 5!

PATRICK VIAN's, "Bruits Et Temps Analogues" is using tags, a 1976, electronic music work, that comes fom "electronics" to cross-over to other destinations. To try to nail this whole work, to (here I go..) "progressive electronic aesthetics", "world/Jazz-fusion without the "exotic Imperial approach" , to "serious music composition" yet un-pretentious, just "genial", to "contemporary classical music constructions,(symphonic/RIO)" to "Ambiental" to progressive music as such, and the additional touch of three,top of the line musicians playing the normal round of elementary, DRUMS, PERCUSSIONS, E.GUITAR and KEYS. Well, I wil still surely be missing something...Really.

It will turn un-wise, for an "only" album like this, not to mention the impeccable musicians alongside Vian's moogs and piano. Drums are poignantly and cheerfully played by Mino Cinelu well aquainted in fact with a wide spectrum of Prog (Gong, Weather Report). Percussions runs on the hand of Georges Granier who also adds Fender Rhodes, marimba, noise and scissors to his collaboration. The very welcomed flavor of Bernard Lavialle (Ame Son) , on the electric.

What else can I say............ It is completely absurd to miss this ****5 PA stars work, now that you know about its existence. "And miss the "bliss". Creative, Progressive/Electronic/Non-blues/Rock/Jazz constructed, crossing over to Electronic/World/Ambiental/Contemporary computer Music"........ in the perfect world of "tagging" it will sound like that....and still, I will miss something. A lost "Prog Jewel".

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 Bruits Et Temps Analogues by VIAN, PATRICK album cover Studio Album, 1976
4.08 | 7 ratings

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Bruits Et Temps Analogues
Patrick Vian Progressive Electronic

Review by Dobermensch

3 stars An altogether different proposition to his previous band 'Red Noise's' 'Sarcelles Lochères' which appeared 6 years earlier. This is far more synthetic and electronic in application. It's a pity it has only been released on vinyl (as far as I know) because this would sound great cleaned up for a cd release.

There's some out of place guitar on the first track, but it's pleasant enough with it's synthesised sound. It's what follows that is particularly good. Lots of really nice 70's electronics, ethnic percussion and jungle sounds.

'Old Vienna' pretty much sounds like a track from Wendy Carlos' 'Clockwork Orange'. He's got that Tangerine Dream throbbing bass thing going on in the background which helps quite a bit as I'm a sucker for that kind of thing.

There's really quite a lot going on here, with 'Barong Rouge' sounding very Gamelan in nature with reverbed guitar and metallic pots and pans being thwacked.

You also get some early sequencers thrown in along with squelches and squeals from various electronics. Slowed down and speeded up tape samples along with Laurel and Hardy car horns makes my day towards the end.

I feel rotten giving this a three rather than four star rating. Probably because it's on crackly old vinyl. Harumphh!

A pretty good effort

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