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MY DYING BRIDE

Tech/Extreme Prog Metal • United Kingdom


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My Dying Bride picture
My Dying Bride biography
Founded in Halifax, West Yorkshire, England in 1990

MY DYING BRIDE is a band that never stirs up much discussion in the progressive rock community. We often make the assumption that they are the average gothic/doom metal hybrid and nothing more. But if you were to listen to their music, you would here the beauty and details that make MY DYING BRIDE much more than that. Anyone dismissing this band that is even slightly into progressive metal is making a huge mistake.

They were formed after guitarist Andrew Craighan and drummer Rick Miah left their former band ABIOSIS to join vocalist Aaron Stainthorpe and guitarist Calvin Robertshaw. At this point MY DYING BRIDE was now formed.

They went into the studio for the first time on November 24/25 of 1990 to record their first demo "Towards the Sinister". The demo consisted of four original songs from the band, and showed their potential soon to come on their debut full-length album.

Shortly after the release of the demo, they released their first single/EP in 1991 titled "God Is Alone". It was only released as a 7" vinyl and was limited to a small 1,000 copies. The EP was released on a small independent French record label, Listenable Records. The release of the EP marked a huge step forward for the band, as they were soon approached by Peaceville Records. The band has recorded with Peaceville ever since.

The band marked their first release with Peaceville with their second EP, "Symphonaire Infernus et Spera Empyrium". It was released in 1992, and consisted of 3 songs. This was their first release with Adrian Jackson on bass, which left Andrew Craighan playing just guitar. At this point MY DYING BRIDE was now a 5-piece band.

The band kept the same lineup as the EP with the release of their 1992 debut full-length album "As The Flowers". The album gets positive reviews in general, but not nearly as favorable as the next albums to come from MY DYING BRIDE. They released their third EP "The Thrash of Naked Limbs" in early 1993 following their debut album. This EP marked another change in their line-up, as violin and keyboard player Martin Powell had become an official band member. He played on the band's previous works, but more so as a session musician than an official member.

MY DYING BRIDE became a common name in the metal community with the release of "Turn Loose The Swans", which released in October of 1993. This album sounded much different from their debut full-...
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Light At The End Of The WorldLight At The End Of The World
PEACEVILLE 2017
$7.47
$4.46 (used)
The Vaulted Shadows ( Ep Collection )The Vaulted Shadows ( Ep Collection )
PEACEVILLE 2017
$8.57
$6.69 (used)
As The Flower WithersAs The Flower Withers
Extra tracks
PEACEVILLE 2017
$8.25
$10.45 (used)
EvintaEvinta
Box set · Limited Edition
Peaceville 2011
$3.38
$6.36 (used)
The Dreadful HoursThe Dreadful Hours
Remastered
PEACEVILLE 2017
$6.78
$4.33 (used)
34.788% Complete34.788% Complete
Extra tracks · Remastered
PEACEVILLE 2017
$7.31
$5.58 (used)
The Dreadful HoursThe Dreadful Hours
Peaceville 2001
$8.79
$1.50 (used)
For Darkest EyesFor Darkest Eyes
Peaceville 2002
$40.76
$6.86 (used)
Feel The MiseryFeel The Misery
PEACEVILLE 2017
$6.62
$6.90 (used)
Turn  Loose The Swans ( + 2 Bonus Tracks )Turn Loose The Swans ( + 2 Bonus Tracks )
Reissued · Extra tracks
Peaceville 2017
$7.30
$2.02 (used)
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MY DYING BRIDE discography


Ordered by release date | Showing ratings (top albums) | Help Progarchives.com to complete the discography and add albums

MY DYING BRIDE top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.65 | 49 ratings
As The Flower Withers
1992
4.04 | 71 ratings
Turn Loose The Swans
1993
3.87 | 67 ratings
The Angel And The Dark River
1995
3.18 | 36 ratings
Like Gods Of The Sun
1996
2.82 | 36 ratings
34.788%...Complete
1998
3.94 | 43 ratings
The Light At The End Of The World
1999
3.89 | 47 ratings
The Dreadful Hours
2001
4.11 | 63 ratings
Songs Of Darkness, Words Of Light
2004
3.63 | 37 ratings
A Line Of Deathless Kings
2006
3.71 | 35 ratings
For Lies I Sire
2009
3.45 | 34 ratings
Evinta
2011
3.26 | 31 ratings
A Map Of All Our Failures
2012
3.74 | 23 ratings
Feel The Misery
2015

MY DYING BRIDE Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.42 | 15 ratings
The Voice Of The Wretched
2002
3.18 | 8 ratings
An Ode To Woe
2008

MY DYING BRIDE Videos (DVD, Blu-ray, VHS etc)

4.00 | 4 ratings
For Darkest Eyes
1997
5.00 | 1 ratings
For Darkest Eyes
2005
5.00 | 1 ratings
Sinamorata
2005

MY DYING BRIDE Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

2.33 | 5 ratings
The Stories
1994
3.43 | 11 ratings
Trinity
1995
2.65 | 9 ratings
Meisterwerk I
2000
2.69 | 8 ratings
Meisterwerk II
2001
3.57 | 7 ratings
Anti-Diluvian Chronicles
2005
3.00 | 1 ratings
Introducing My Dying Bride
2013
4.03 | 5 ratings
The Vaulted Shadows
2014
3.13 | 4 ratings
Meisterwerk III
2016

MY DYING BRIDE Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

2.14 | 8 ratings
Towards the Sinister
1990
2.32 | 6 ratings
God Is Alone
1991
3.49 | 17 ratings
Symphonaire Infernus et Spera Empyrium
1992
3.14 | 14 ratings
The Thrash of Naked Limbs
1993
2.14 | 3 ratings
Unreleased Bitterness
1993
2.39 | 10 ratings
I Am the Bloody Earth
1994
2.21 | 10 ratings
The Sexuality of Bereavement
1994
2.74 | 10 ratings
Deeper Down
2006
3.31 | 7 ratings
Bring Me Victory
2009
3.28 | 16 ratings
The Barghest O' Whitby
2011
2.00 | 1 ratings
Excerpts From Evinta
2011
3.92 | 10 ratings
The Manuscript
2013
3.91 | 4 ratings
Hollow Cathedra
2015

MY DYING BRIDE Reviews


Showing last 10 reviews only
 Trinity by MY DYING BRIDE album cover Boxset/Compilation, 1995
3.43 | 11 ratings

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Trinity
My Dying Bride Tech/Extreme Prog Metal

Review by UMUR
Special Collaborator Honorary Collaborator

3 stars "Trinity" is a compilation album by UK doom/death metal act My Dying Bride. The compilation was released through Peaceville Records in September 1995. The original version features material from the band's first three EPs: "Symphonaire Infernus et Spera Empyrium (1992)", "The Thrash of Naked Limbs (1993)", and "I Am the Bloody Earth (1994)" and the A-side track from "The Sexuality of Bereavement (1994)" single. The 2004 re-release features "Vast Choirs" and "Catching Feathers" from the "Towards the Sinister (1990)" demo as bonus material (and a different cover artwork).

The idea to release "Trinity" was great as the three EPs were either out of print, or released in a limited number of copies, which made it hard for the fans to purchase them. There are also quite a few listeners who don't bother with EPs because of the relatively short running times, and that's a problem you don't experience here as "Trinity" (the original version) features 9 tracks and a full playing time of 64:16 minutes.

The quality of the material is a bit up and down though. "Symphonaire Infernus et Spera Empyrium (1992)" is a pre- album release, and it's obvious at this point, that My Dying Bride were slightly immature as songwriters, and that they were still searching for a unique identity. The title track from the EP is where you'll hear most nods toward the sound on the debut album. Especially the sections which feature violin. Ultra doomy riffs, melancholic violin themes, and growling vocals in front. The two shorter tracks from the "Symphonaire Infernus et Spera Empyrium (1992)" are pretty standard quality mid-paced death metal tracks, which are both decent, but not really great.

Out of the three tracks from the "The Thrash of Naked Limbs (1993)", it's the title track and to a lesser degree "Gather Me Up Forever", which are worth the price of admission. The ambient and atmospheric "Le Cerf Malade" isn't that interesting and honestly I think it's a typical EP filler track.

"I Am the Bloody Earth (1994)" originally featured three tracks but Transcending (Into the Exquisite) which is a remix by Stevie Dachau featuring elements from various tracks from "Turn Loose the Swans (1993)" is omitted on "Trinity". Instead the title track and Crown of Sympathy (Remix) are accompanied by the A-side from "The Sexuality of Bereavement (1994)" single. A track which was also included as a bonus track on the limited edition digipack version of "The Angel and the Dark River (1995)" (but recorded during the sessions for "Turn Loose the Swans (1993)"). Transcending (Into the Exquisite) isn't the most interesting track, so it's no big loss that it has been left out of this compilation. Crown of Sympathy (Remix) isn't very interesting either though, as it more or less sounds like someone just put the drum track through a chorus effect and not much else. I much prefer the original version from "Turn Loose the Swans (1993)". Both "I Am the Bloody Earth" and "The Sexuality of Bereavement" are pretty decent quality tracks though.

So there are both some quality material on the compilation, some more standard quality material and even a couple of pretty redundant tracks. "Trinity" does serve it's purpose well though, as it helps increase the availability of hard to get non- album material and a 3.5 star (70%) rating is deserved.

(Originally posted on Metal Music Archives)

 Anti-Diluvian Chronicles by MY DYING BRIDE album cover Boxset/Compilation, 2005
3.57 | 7 ratings

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Anti-Diluvian Chronicles
My Dying Bride Tech/Extreme Prog Metal

Review by UMUR
Special Collaborator Honorary Collaborator

4 stars "Anti-Diluvian Chronicles" is a compilation album by UK doom/death metal act My Dying Bride. The album was released through Peaceville Records in May 2005. The compilation was released as a 3-disc digipack featuring a poster and a booklet with an in depth interview with lead vocalist Aaron Stainthorpe. Each disc features more than 70 minutes long music, making "Anti-Diluvian Chronicles" quite the comprehensive release. Although it features remix versions of some tracks (some of which also features newly recorded parts), and a couple of live tracks too, it is more than anything just a representation of the bandīs music from their early days until 2004-2005, featuring a tracklist which covers most of My Dying Brideīs releases up until then. In that respect itīs quite different from the bandīs earlier compilation albums, which focused more on rare and hard to get material. "Anti-Diluvian Chronicles" is more of a "best of" compilation, although that expression may be a bit vulgar when speaking of My Dying Brideīs music.

The compilation is build in reverse chronological order, which means that the tracks on disc 1 are the most recently released material (in 2005), while the tracks on disc 3 are material from the earliest part of the bandīs discography. You can always argue about the choice of tracks for the compilation, but overall I think the chosen tracks serve their purpose well and provide a fine representation of what My Dying Bride is about. Although itīs always preferable purchasing the regular studio albums, and the few remix tracks, changes to tracks, and live versions on this compilation donīt change that, "Anti-Diluvian Chronicles" is still what I would label a successful compilation album with great quality material by a unique sounding artist and a 4 star (80%) rating is deserved.

(Originally posted on Metal Music Archives)

 Meisterwerk II by MY DYING BRIDE album cover Boxset/Compilation, 2001
2.69 | 8 ratings

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Meisterwerk II
My Dying Bride Tech/Extreme Prog Metal

Review by UMUR
Special Collaborator Honorary Collaborator

3 stars "Meisterwerk II" is a compilation album by UK doom/death metal act My Dying Bride. The compilation was released through Peaceville Records in June 2001. Itīs the second part of a two series compilation. "Meisterwerk I" was released in November 2000.

"Meisterwerk II" features a combination of album tracks, rare demo/single/limited edition bonus track recordings, and the video for "For You" from "Like Gods of the Sun (1996)". Like the case was on "Meisterwerk I", the regular studio version tracks are a bit redundant, and itīs the rare recordings that are of most interest. The versions of "Vast Choirs" and "Catching Feathers" from the "Towards the Sinister (1990)" demo, "Follower" which is a bonus track from the Japanese version of "34.788%...Complete (1998)", "Some Velvet Morning" from the Peaceville Records "X" compilation, and the Portishead cover "Roads" from the Peaceville Records "X" compilation. Those five tracks and maybe the video for "For You", are the attractions here.

Iīm sure most listeners can do without the regular studio versions of "Sear Me MCMXCIII", "She Is the Dark", "Two Winters Only", and "Your River", which on their own are quality material, but here work more like redundant filler. Therefore "Meisterwerk II" isnīt the most necessary compilation release, and upon conclusion the end product would have been much more interesting if Peaceville Records had compiled the rare recordings from "Meisterwerk I" and "Meisterwerk II" on one release and left out the regular studio recordings. As "Meisterwerk II" is now a 3 star (60%) rating is warranted.

(Originally posted on Metal Music Archives)

 Meisterwerk I by MY DYING BRIDE album cover Boxset/Compilation, 2000
2.65 | 9 ratings

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Meisterwerk I
My Dying Bride Tech/Extreme Prog Metal

Review by UMUR
Special Collaborator Honorary Collaborator

3 stars "Meisterwerk I" is a compilation album by UK doom/death metal act My Dying Bride. The compilation was released through Peaceville Records in November 2000. Itīs the first part of a two series compilation. "Meisterwerk II" followed in June 2001.

"Meisterwerk I" features a combination of album tracks, rare demo/single/limited edition bonus track recordings, and the video for "The Cry of Mankind" from "The Angel and the Dark River (1995)". If you already own the studio albums, tracks like "The Crown of Sympathy", "A Kiss to Remember", "For You", and "Sear Me III", may seem a bit redundant and itīs probably the rare recordings thatīll be of most interest. The versions of "Symphonaire Infernus et Spera Empyrium" and "The Grief of Age" from the "Towards the Sinister (1990)" demo, "Grace Unhearing (Portishell Mix)" which was a bonus track on the limited edition of "Like Gods of the Sun (1996)", and "Unreleased Bitterness", which is a rehearsal version of the track "The Bitterness and the Bereavement", originally released on a single, which was limited to 1.150 copies. Those four tracks and maybe the video for "The Cry of Mankind", are the attractions here.

So while there is nothing wrong with the quality of the material, you still have to ask yourself, if youīre willing to purchase this compilation if you already own the studio albums. Youīll be paying for four tracks and a video, and quality wise those four tracks are the weakest of the tracks on "Meisterwerk I". Overall I find "Meisterwerk I" to be a bit of a confusing release and the idea to combine regular studio tracks with rare recordings doesnīt work too well. A 3 star (60%) rating is warranted.

(Originally posted on Metal Music Archives)

 The Vaulted Shadows by MY DYING BRIDE album cover Boxset/Compilation, 2014
4.03 | 5 ratings

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The Vaulted Shadows
My Dying Bride Tech/Extreme Prog Metal

Review by thwok

4 stars I think essential ratings should be used very sparingly. For extreme metal releases however, it doesn't get much better than this. MY DYING BRIDE is one of the greatest metal bands in the world, and not as well known as they should be. The Vaulted Shadows compiles the band's most recent extended plays into a full album-length release.

For word nerds like me btw, the term "barghest" comes from northern England and means a large dog-like monster. "The Barghest O'Whitby" does run pretty long for new MDB listeners, but it's one of their "proggiest" works. Sitting through the whole 54 minutes might be tough, but it's really a minor complaint. The Vaulted Shadows demonstrates what the band does brilliantly. Any one with an interest in innovative extreme metal should really enjoy this.

 Deeper Down by MY DYING BRIDE album cover Singles/EPs/Fan Club/Promo, 2006
2.74 | 10 ratings

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Deeper Down
My Dying Bride Tech/Extreme Prog Metal

Review by thwok

3 stars I've listened to the 4 track version of this EP, with the full length and edited "Deeper Down" tracks. The version with only the Uberdoom edit seems to be easier to track down. I imagine the song was edited to make it more digestible to the uninitiated. What's left is the base of the song without the growls. If you're familiar with the band, you probably won't care about the edited versioDn.

"The Child Of Eternity" is a fine, catchy track. There's more variety here in instrumentation and tempo than in the "Deeper Down" edit, despite their similar lengths. Like the last track, it suggests one of MDB's best qualities. Although their songs tend to be long, the band varies them enough to keep them interesting. "A Kiscs To Remember" apparently comes from SINAMORATA. With most of their live material, it's often hard to tell the difference excaept for the applause. This EP is a very fine representation of My Dying Bride's music.

 Unreleased Bitterness by MY DYING BRIDE album cover Singles/EPs/Fan Club/Promo, 1993
2.14 | 3 ratings

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Unreleased Bitterness
My Dying Bride Tech/Extreme Prog Metal

Review by UMUR
Special Collaborator Honorary Collaborator

2 stars "Unreleased Bitterness" is a one-sided 7" flexi disc single release by UK doom/death metal act My Dying Bride. The single was released through the Unbridled Voyage label in 1993. It's a pretty rare item as it was only pressed in 1.150 copies. The track is also included on the "Meisterwerk I (2000)" compilation album.

"Unreleased Bitterness" features a rehearsal version of the track "The Bitterness and the Bereavement" recorded on the 27th of April 1991. "The Bitterness and the Bereavement" was later featured on My Dying Bride's debut full-length studio album "As The Flower Withers (1992)". The rehearsal version on this single is quite raw and features a lo-fi sound quality and therefore "Unreleased Bitterness" is more a fan item that anything, as you can easily live without ever having heard this version of the track unless you're a die hard fan.

Quality wise there is absolutely nothing wrong with the track, although at this stage it's a bit underdeveloped. It's crushingly heavy and drenched in melancholy just as you'd expect from an early My Dying Bride track, but the sound quality is a bit of a show stopper, and overall a 2.5 star (50%) rating isn't all wrong.

 Symphonaire Infernus et Spera Empyrium by MY DYING BRIDE album cover Singles/EPs/Fan Club/Promo, 1992
3.49 | 17 ratings

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Symphonaire Infernus et Spera Empyrium
My Dying Bride Tech/Extreme Prog Metal

Review by siLLy puPPy
Collaborator PSIKE, JR/F/Canterbury & Eclectic Teams

4 stars SYMPHONAIRE INFERNUS ET SPERA EMPYRIUM is the very first release from MY DYING BRIDE released as an EP way back in 1991 as well as their first on their long lasting Peaceville Records label. While the 12 " vinyl edition released in 1991 consisted only of the 11:38 title track, the CD edition released the following year contained the tracks "God Is Alone" and "De Sade Soliloquay" which were released as a two sided 7" vinyl single limited to 1000 copies the year before. Due to startling originality of the inclusion of the melancholic session violin contributions of Martin Powell on the title track, MY DYING BRIDE gained instant recognition as a major innovator in the nascent death-doom metal sound that only Anathema and Paradise Lost were also developing at the same time period.

It's no doubt that MY DYING BRIDE caught the attention of the world with the track "Symphonaire Infernus Et Spera Empyrium" as it remains one of their most masterful compositions of their entire career exquisitely melding the elements of doom and death metal along with neoclassical darkwave with the addition of the soul piercing violin and highly sophisticated compositional conceptualization. With its humble intro it almost sounds like we're going to the Renaissance fair with its medieval violin setup but soon the down-tuned doomed distortion of heavy guitar riffs enter as does the death growls of Aaron Stainthorpe. The track deftly walks the tightrope of the classical and metal worlds with grace but also carefully paces the fusion effect with pure down and dirty death metal outbursts however the violin never strays too far for too long and always brings the listener into the eternal cauldrons of dread.

The remaining tracks are less symphonically complex and are rooted more in heavier death metal with elements of doom percolating through. "God Is Alone" and "De Sade Soliloquay" are perhaps the heaviest tracks that MY DYING BRIDE has ever released as they are blistering fast in tempo and eschew the violin trademark sound that pretty much defines them on every full length album that follows. These were siphoned from the cauldrons of their earliest demo material therefore sounds as primeval and raw as could be expected. SYMPHONAIRE INFERNUS ET SPERA EMPYRIUM is an excellent debut from MY DYING BRIDE and only one of two where Stainthorpe exclusively utilizes his death growls (the other being the following full-length "As The Flowers Wither." While the title track has gotten around on many of the compilations, the other two have not and can only be found on this EP as well as the collection of the first three EPs "Trinity." This debut release showed great talent that has been successfully in staying relevant for decades after this first hit the market.

 As The Flower Withers by MY DYING BRIDE album cover Studio Album, 1992
3.65 | 49 ratings

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As The Flower Withers
My Dying Bride Tech/Extreme Prog Metal

Review by siLLy puPPy
Collaborator PSIKE, JR/F/Canterbury & Eclectic Teams

4 stars After the attention getting debut of their first EP "Symphonaire Infernus Et Spera Empyrium," MY DYING BRIDE released their first full-length debut AS THE FLOWER WITHERS the following year in the vein of that EP's title track. This album is by and far the heaviest and most brutal of any in the MY DYING BRIDE discography with heavy emphasis on the blistering guitar riffing and pummeling bass and percussive attacks. The trademark lugubrious violins of at-the-time session musician Martin Powell are a vital part to the band's sound at this stage but all hasn't integrated together seamlessly quite yet. At this stage the classically oriented sounds as heard in the symphonic intro "Silent Dance" as well as segments within the larger tracks such as "The Bitterness And Bereavement" and "The Return Of The Beautiful" are more than present but it is quite apparent early on in "Silent Dance" that MY DYING BRIDE was very much an early pioneer of the death-doom metal sound along with contemporaries Anathema and Paradise Lost. AS THE FLOWER WITHERS is also the only full-length release where lead vocalist Aaron Stainthorpe exclusively utilizes his death growls which contribute to the overall soundscape giving a more dirty and raw metal feel as opposed to the slicker, more romantic Gothic utterings of his later clean vocal style.

While the longer tracks tend to portend the future of where the band was heading, some tracks like "The Forever People" are exclusively rooted in the death metal past with unapologetic heaviness and aggressive bombastic ear assaults sans any trace of symphonic effects of wailing violin. On the more progressive tracks like "The Bitterness And The Bereavement" the band utilizes all of their magic in one behemoth of a composition with sensual tear inducing violin wails meeting Sabbath inspired doom guitar chords stomping so hard that it registers on the Richter scale while the suffocating atmospheres deplete all the remaining oxygen from the room. As if the sophistication of their dread-inducing instrumental talent wasn't sufficient enough, MY DYING BRIDE has always delivered the most thought provoking lyrics based in painful romances, utter despair and complete collapse of faith and all of that was already present from the beginning having been fully developed at this stage as perfectly heard on some of the most sophisticated tracks such as the outstanding masterpiece "The Return Of The Beautiful" where all of their early and later sounds play together in perfect harmony.

AS THE FLOWER WITHERS is one of the most woefully underrated albums of MY DYING BRIDE's entire discography. While they pretty much steered their distinct sound exclusively into the atmospheric doom metal arenas starting with "Turn Loose The Swans," there is something mysterious and profound about this one. Not only does it retain the primeval ooze effect of nascent metal's birth pangs but has an intense energetic delivery absent from subsequent releases. The exclusive use of death growls may dissuade the fans of the romantic clean approach but i find this early sound of MY DYING BRIDE to be equally as compelling to experience upon returning visits. The progressive touches and the sophistication of the compositions puts this on a whole other level of the day and the dual guitar assaults of Andrew Craighan and Calvin Robertshaw are allowed to shine like on no other album that came after and even delved into Morbid Angel territory with blistering riffs and squealing solos on "Vast Choirs." While i'd be hard pressed to pick a favorite album from MY DYING BRIDE being that their canon is so incredibly consistent, i ,in no way, can rank AS THE FLOWER WITHERS as an inferior product. On the contrary i find this to be a stimulating attack of the senses that offers a higher octane value than anything that would soon follow.

 The Thrash of Naked Limbs by MY DYING BRIDE album cover Singles/EPs/Fan Club/Promo, 1993
3.14 | 14 ratings

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The Thrash of Naked Limbs
My Dying Bride Tech/Extreme Prog Metal

Review by siLLy puPPy
Collaborator PSIKE, JR/F/Canterbury & Eclectic Teams

4 stars MY DYING BRIDE had such positive reaction to their innovative use of symphonic embellishments and violin in their unique signature sound that by the time they got to their 2nd EP they made violinist a full-fledge member of the band and steered their sound incrementally away from the aggressive death metal world more into atmospheric doom metal arenas. THE THRASH OF NAKED LIMBS followed the debut full-length "As The Flower Withers" and was the turning point where heavy guitar assaults were deemphasized and the dread inducing atmospheres accompanied by poetic visions of woe became the dominant force. While Aaron Stainthorpe utilized his death growls exclusively on the title track, for the first time he introduced his clean Gothic styled vocals which offered a new mood setting feel to their music.

While the title track is an expected death-doom track with heavy Sabbath inspired guitar in slowed down splendor, "Le Cerf Malade (The Sick Stag)" introduces a new aspect of the band, namely a propensity for thick brooding dark ambient passages. This track is exclusively instrumental with no metal to be found and has brief lyrics in French that are a fragment from a poem of the same name from the 17th century Frnech poet Jean de la Fontaine. "Gather Me Up Forever" proves they indeed a metal band and jumps back into the death-doom metal pattern that the title track dished out only some harder driving uptempo passages. This track is quite successful at showing how MY DYING BRIDE was masterfully composing doom metal with ambience and progressive touches and lots of attention paid to the most minute sound dynamics.

As heard on THE THRASH OF NAKED LIMBS, the transition was near complete but remnants of the early death metal stage of the band was still a significant part of the band's sound although less emphasized than on the previous releases. MY DYING BRIDE was cautious about morphing too quickly from one world to the next and only proceeded as it made sure that nothing sounded stilted or done so without a satisfying unification of the styles at hand. Personally i find THE THRASH OF NAKED LIMBS to be yet another exemplary and satisfying listen with three tracks equally interesting as they place emphasis on different aspects of the band's different strengths. As with the "Symphonaire Infernus Et Spera Empyrium" EP, this one can be found on the box set "The Stories" or the much easier found "Trinity" compilations.

Thanks to J-Man for the artist addition. and to Quinino for the last updates

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