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DISILLUSION

Tech/Extreme Prog Metal • Germany


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Disillusion biography
Founded in Lepizig, Germany in 1994 - Still active as of 2019

One of the most promising extreme progressive metal bands of the 21st century, DISILLUSION, was formed in 1994 in Lepizig, Germany by Tobias Spier, Alex Motz, Markus Espenhain, Jan Stölzel and the multi-instrumentalist and band's main composer Andy Schmidt, who was the only person from the first bunch that stayed in the band. DISILLUSION remained an unfinished project until Jens Maluschka and Rajk Barthel joined on drums and guitars respectively. Initially influenced by such bands as MESHUGGAH, DISILLUSION released two EP in 2001-2002, adding acoustics to the heavy sound, to follow an old demo, which finally brought them success of the media and fans.

The band's only full-length release so far, "Back to Times of Splendor", was released in 2004 and is a great example of epic modern extreme metal, played with progressive passages and melodic acoustic parts. Not much time has passed since the release of the LP, "Back to Times of Splendor" is already considered to be one of the trademarks of the genre.

Not similiar to any of the following bands, although comparisons could be drawn, DISILLUSION is highly recommended to fans of such groups as OPETH, DEATH, MESHUGGAH, MY DYING BRIDE and ANATHEMA.

The next album is planned to be released in the late spring/early summer of 2006. Stay tuned!

: : : ivansfr0st, LATVIA : : :

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Buy DISILLUSION Music


The LiberationThe Liberation
Prophecy 2019
$10.07
$16.04 (used)
Back to Times of SplendorBack to Times of Splendor
Metal Blade 2004
$25.31
$9.99 (used)
GloriaGloria
Metal Blade 2006
$18.25
$4.95 (used)
Loudness [LP]Loudness [LP]
Music For Nations
$35.65 (used)
Can You Feel It (A Tribute for the New York Giants) - SingleCan You Feel It (A Tribute for the New York Giants) - Single
Tell Me Nothin Productions 2011
$8.98

More places to buy DISILLUSION music online Buy DISILLUSION & Prog Rock Digital Music online:

DISILLUSION discography


Ordered by release date | Showing ratings (top albums) | Help Progarchives.com to complete the discography and add albums

DISILLUSION top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

4.21 | 188 ratings
Back To Times Of Splendor
2004
3.82 | 62 ratings
Gloria
2006
2.83 | 6 ratings
The Liberation
2019

DISILLUSION Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

DISILLUSION Videos (DVD, Blu-ray, VHS etc)

DISILLUSION Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

DISILLUSION Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

2.95 | 3 ratings
Red
1997
2.59 | 10 ratings
Three Neuron Kings
2001
2.55 | 10 ratings
The Porter
2002

DISILLUSION Reviews


Showing last 10 reviews only
 The Liberation by DISILLUSION album cover Studio Album, 2019
2.83 | 6 ratings

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The Liberation
Disillusion Tech/Extreme Prog Metal

Review by pepato

4 stars Disillusion is back to their time of Splendor, indeed. 13 years of waiting since their last full length made me lose any hope of a new album. When I saw "The Liberation", I put it on with a lot of uncertainty. 13 years had passed since "Gloria", that was courageous and experimental, departing from the epic long prog pieces of their debut. As much as I loved "Back to Times of Splendor", I didn't fall in love with their follow-up, cause it sounded like their inspiration had dried out. The long hiatus after that seemed to confirm it, but their comeback proved me wrong.

I was very happy to hear that they went back to their roots. "The Liberation" feels very much like an older brother of BTTOS. Long epic songs, alternating heavy thrashy riffs, chaotic blast beats and long reflective slow sections. Compared to their debut, the sound is much darker and heavier. The growl vocals, which I thought they would abandon for good after Gloria, are back in a much more intense style as before. The arrangements are still a bit chaotic and hypertrophic, which was what to me ruined BTTOS a bit, but the guitar work is tight, with a modern sound that resembles some of the things made by Ihsahn. The songs are less beautiful and dreamy than BTTOS, but they all hit the target when it comes to feelings and emotions. It takes several listens to fully appreciate it.

It doesn't help the fact that in my opinion the quality of the songs is increasing during the tracklist, going from "ok" to "wow". After the beautiful intro, the opener "Wintertide" is indeed a summary of all the elements of the album, but it's the weakest song in the lot. The following "The Great Unknown" is direct and heavy, a short piece good for a single, but not very catchy. Then you have "A Shimmer In The Darkest Sea", with a dark pulsing bass paving the way to a disquieting chorus that proceeds obliquely, very deep and intense. Here is when you start to feel that the album is of a rare quality. The impression is confirmed by the majestic titletrack, an epic masterpiece, really resembling the peak of a mountain reached after a long strenuous journey. Breathtaking. "Time to let go" is another catchy and intense short piece, probably my favourite of the lot: its malinchonic verse and chorus is followed by a break that leaks desperation and intensity. The album finally concludes with a beautiful long epic: "The Mountain" starts dark and heavy just like the opening track, but then it finds itself on the surface of an alien planet: a long instrumental atmospheric piece that reminds of Pink Floyd, woven by the notes of a psychedelic brass. After the mid section, the song explodes in the most violent break, before finding release in an emotional beautiful guitar solo that takes the final chorus by the hand, towards the conclusion of the journey.

Disillusion, despite their low productivity in 16 years, are still able to keep the role of one of the most intense and emotional prog metal bands around.

 The Liberation by DISILLUSION album cover Studio Album, 2019
2.83 | 6 ratings

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The Liberation
Disillusion Tech/Extreme Prog Metal

Review by LMTR14

1 stars Time to let go, this was a fallacy...

This is a case of "I don't usually write reviews here, but this is bad enough for me to do so."

Back to times of splendor was epic melodic death metal, this album is WTF metal. Actually scratch that last part, this album is like 15% metal, 70% filler and 15% stuff I forgot instantly during listening to it! There's really not a lot to say about this album as this can't be considered a serious release, it's a plethora of different ideas (but not actual song ideas, only bits and pieces!) strung together with a lot of choruses, some imitation of BTTOS (obviously the best parts here... though that's not saying much. and imitation is being to generous... rip-off more like), pretentious pretending with non-metal instruments (guest musicians obv) and an unbelievable amount of slow, minimalistic and decidedly un-heavy filler passages that categorically deny any enjoyment or the presence of any FLOW. Really, this dreck is setting a record for how disjointed and un-flowing an album can be! I wasn't expecting too much when buying this blind (I mean Gloria already was the biggest drop a band ever had from one album to the next), but I would at least have expected Disillusion to try seriously, having crowdfunded this album (there sure were enough suckers mentioned in the booklet who must feel really ripped off now). Previously only one album managed to disgust me for me to literally throw it out the car window (Opeth's disasterpiece Heritage, and it was a CD-R, but still...), but since I WAS stupid enough to buy the limited edition, this is instead ending up on Ebay tomorrow after 2 listens. There's nothing to grow on me here, since there's just NOTHING THERE! I can't properly express how disgusted I am by this release as BTTOS is in, and always will remain in, my top 10 albums of all time. What disgusts me most is that now I likely won't even be able to ever go see them live, since now there's TWO horrible albums that will take setlist slots away from BTTOS, and I'm not paying to hear like 1-2 songs I actually want to hear when I have to suffer through so many horrible ones (the pre-BTTOS stuff was decent if nothing special).

1/5 ATROCIOUS! STAY AWAY

PS: I didn't read the lyrics, but from simply listening I can't find any lyrical or thematical connection to BTTOS here. Note that this album is literally advertised as the successor to BTTOS (sticker of the vinyl version, which I also bought...), adding insult to injury!

 Back To Times Of Splendor by DISILLUSION album cover Studio Album, 2004
4.21 | 188 ratings

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Back To Times Of Splendor
Disillusion Tech/Extreme Prog Metal

Review by FragileKings
Prog Reviewer

4 stars I was pretty sure I'd already written a review for this album as I had in mind to do it at least twice since acquiring it a few years back. I was checking out progressive metal bands and somehow stumbled across this one either on Amazon or in the iTunes store.

This is the only album I have by Disillusion but my opinion of it and the band it really high thanks to this release. This is a band that combines many of the elements I enjoy in heavy metal and progressive rock. We have longer songs with complex and varied song structure, fast technical playing, an excellent rhythm section with a great drummer, awesome riffs and a good variety between high speed playing and slower riffs with melodic riffs as well, and softer parts with piano or strings added in as a welcome mood changer but without sounding superfluous. In the two longer tracks, "Back to Times of Splendor" and "The Sleep of Restless Hours" there are parts that stray from the heavier death metal side and wander determined into more progressive territory. There are no flambouyant instrumental sections of blatant exhibitionism. Instrumental passages can be technical but used with a purpose within the song structure.

As has been mentioned in other reviews, the album does an excellent job of combining the technical side of prog metal with the brutal side of death metal. I listened to the album again for the first time in a year or so and once again found myself impressed with the skill and song writing. In particular, the guitar sound is a winner for me. The production quality is also great and only in two parts where the music intentionally becomes chaotic and noisy does the clarity of the sound disappear.

There is only one thing that doesn't totally impress me and that is the clean vocals of Andy Schmidt (Vurtox). There's nothing wrong with them and they affect a certain theatrical sense that suits the music very well. But they make me think of a hardcore punk singer who has decided to sing cleanly with a hint of an operetic tone. The two-part harmoney vocals reduce this effect and the brutal vocals are just fine as they are. Those clean vocals are the only thing that doesn't sit exactly right with me. A minor detail really.

That being stated, once again I will emphasize what a terrific album this is musically. I'm not sure where Disillusion went after this. I think I listened a bit to their sophomore album when I considered which album to get but at the time was more impressed with ths one. An easy four stars!

 Back To Times Of Splendor by DISILLUSION album cover Studio Album, 2004
4.21 | 188 ratings

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Back To Times Of Splendor
Disillusion Tech/Extreme Prog Metal

Review by RuntimeError

5 stars This is one of those 'hidden gems' that people sometimes rave about.

Completely unheard of, the band 'Disillusion' released a masterpiece of aggressive and challenging piece of progressive metal that combines elements from bands such as Opeth and System of a Down. The album opens with 'A Mirror Cracked' - which has become my favourite song in this album. When I first listened to this - the vocals seemed to annoy me but not completely kill the mood. The riffs are absolutely killer, the drive is fantastic and songwriting is phenomenal. The clean section after the 2nd chorus is just so gorgeous. There are obvious Opeth elements but they are quite transparent - anyhow, this certainly should appear to 'Opethians'.

'Fall' continues the riff madness. Instantly you are swept into magnificent progressive metal riffing and absolutely fantastic vocal performance by the frontman 'Vurtox' (yes the vocals are sometimes a little flat but it doesn't really matter at all here) . There is not a single bad moment in this shorter piece - magnificent!

'Alone I stand in Fires' is probably the weakest of the album. While it continues with much of the same mood than the previous songs, it doesn't really do anything special. There is one very cool super heavy section in the middle of the song which is really cool.

The album centerpiece and the title track 'Back to Times of Splendor' opens with a theme violin melody. Yes, the first 3 songs are super heavy blasting progressive metal and then you get a freaking violin opening up a song. The song then evolves into very Opethian riff and aggressive heavy vocals. There are so many fantastic riffs building up this song into the chorus which utilizes the theme melody with the violin. The song goes through many fantastic movements and melodies. The highlight of the album certainly - while the first song is perhaps my favourite, this is in terms of aesthetics a better song.

As the end of the album nears. 'A Day By the Lake' is given. It is a fantastic mellower song that builds itself into a fantastic climax. Starts slowly with echoed guitars and superb drumming. The bass line is fantastic as well (booooaahh boing). I love this song to death.

The final song 'The Sleep of Restless Hours' is another long epic. Going through various stages like it's predecessor 'Back to Times of Splendor'. This song is another killer track which seem a little streched at the end. But the riffs here are again 5/5 and the clean vocal melody is very nice. The final 3-4 minutes is an instrumental, while it's good it doesn't really do much other than fill the album.

In overall, this is a must have for Opeth fans. The harsh vocals are going to annoy you at first but once you get over them, you are in for a treat. The production is a little too loud for my taste and the audio seems to clip a little here and there. In any case, easy 5/5.

 Back To Times Of Splendor by DISILLUSION album cover Studio Album, 2004
4.21 | 188 ratings

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Back To Times Of Splendor
Disillusion Tech/Extreme Prog Metal

Review by Warthur
Prog Reviewer

4 stars Disillusion's debut album is a genius fusion of aggressive death metal and the prog metal sound of the 1990s. It's most impressive for the way the band manage to combine the best of both genres whilst avoiding their less appealing aspects; on the prog metal side, the band bring in all the technically complex and intricate playing and songwriting of the subgenre whilst the death metal aggression allow them to avoid the cheesiness prog metal can stumble into. At the same time, the progressive metal song structures prevent the death metal side of the band from running into a simplistic rut. On the whole, it's a recipe for success.
 Back To Times Of Splendor by DISILLUSION album cover Studio Album, 2004
4.21 | 188 ratings

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Back To Times Of Splendor
Disillusion Tech/Extreme Prog Metal

Review by Conor Fynes
Prog Reviewer

4 stars 'Back To Times Of Splendor' - Disillusion (8/10)

Disillusion is one of those bands I went into listening blindly, going in based solely on the good words of others concerning this album. One of those bands that seems to suddenly cranked their spirits into high gear for this one, the band's debut album has impressed me, to say the least. From what I've heard, the band had only come out with a handful of decent, if not great demos and this came as something of a shock to anyone that had heard the band before. Precedent aside however, 'Back To Times Of Splendor' is an excellent piece of melodic progressive metal that can feel scattered at times, but really leaves an impression on the listener that begs a listen after another.

When speaking of the sound of this band, there is a real mix of disparate progressive metal styles here. Of course, there is the atypical time signatures that one might generally associate with the work of Dream Theater, but there are also many heavier elements here, such as the influence of melodic death metal and the Scandinavian 'viking metal' sound. In any case, the end result is heavy metal that maintains a very melodic sound, and balances equal shares of technicality and epic symphonic sounds. Rounding off the sound is the vocal work of a man credited here only as Vurtox; whose deep voice has a great vibrato to carry even the weakest musical moments here through.

In terms of the songwriting, there are both shorter and longer tracks here, both of which are given a progressive metal do-over. The album's opener 'And The Mirror Cracked' gives the greatest first impression, firing on all cylinders as it opens up furiously. Here, the growls of Vurtox can also be heard, which generally do not amount to much, unfortunately. It is the clean vocals that dominate each track here however. The album is quite good and filled with great musical ideas. It comes close to even being a masterpiece, although this title is robbed due to a feeling that some of the ideas are less developed than they should have been. While the epics here are quite well composed and rarely feel boring, it does feel as if the album could have done without some of the fat on its bones.

 Back To Times Of Splendor by DISILLUSION album cover Studio Album, 2004
4.21 | 188 ratings

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Back To Times Of Splendor
Disillusion Tech/Extreme Prog Metal

Review by Leviun

5 stars From the European Strongest country comes: the greatest album ever!

First of all, i read Prog-Archives warning about ratings but I really love this record. So everything I say about this I will be a suspect and you, the reader, may not want to take my word for it, but please listen to it.

The first song i hear from this album was the title track "Back To Times Of Splendor" and to this day it's still my facourite metal song ever! And that's saying something seen that I like a lot of genres inside Metal music. So, whe I heard this song it really grabbed me and I listened to it for a long long time until I got the full album and I fell in love by this band, just for them to let me down with "Gloria".

But anyway, "Back To Times Of Splendor" starts of with a bang whith the one of the most technical riffs in the whole album, the beginning of "And The Mirror Cracked" blows me away and it will surely blow you too. It ends on a progressive tune with "The Sleep Of Restless Hours", the 17min lenght song.

This album mixes the heaviest sound found in European Death Metal but it also brings to you the most melodic parts ever heard in Progressive Metal. Of course I'm a suspect because this album threw me against my ceiling and slowly brought me to the floor on angels wings. The drums are a major factor on the characteristic sound of this band alongside the techincal bass and the heavy recorded guitars and masterfully played.

You can expect a full album. This song just gives you a sound that many of you Melodic Death Progressive fans were looking for. Opeth or Enslaved fans will find here other band to worship (or at least other album). It joins here impressive progressive progressive elements and well placed melodic parts with very well played riffs, with the "brutalness" of Death Metal.

To sum:

It is a must have album! You must not miss this opportunity to hear a powerfull progressive metal masterpiece.

 Back To Times Of Splendor by DISILLUSION album cover Studio Album, 2004
4.21 | 188 ratings

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Back To Times Of Splendor
Disillusion Tech/Extreme Prog Metal

Review by Bonnek
Special Collaborator Prog Metal Team

3 stars Disillusion hit the world with an exceptionally strong modern prog metal album, very eclectic in style and borrowing as much from classic 90's prog metal as from melodic progressive death metal and symphonic black metal.

In a way they sound like an upgraded version of Green Carnation, maintaining a similar epic vibe, but adding more adventurous and varied songwriting. Unlike many prog metal acts, Disillusion won't fish for your attention by daft or flashy musicianship but by their outstanding compositions, which remain dynamic, engaging and accessible for the entire 57 minute duration of the album. An exceptional achievement in a genre where albums usually wear themselves out before they're halfway through. It's quite the contrary here. The quality of the material even keeps getting better and better as the album goes along.

The band is categorised as Tech/Extreme but I wouldn't give too much weight to that. There are death metal elements but generally the music is very melodic, progressive and certainly not technical. To a certain extent you could compare the music to Opeth but there are a lot of elements that set them apart from the Swedes. The vocals for instance also vary inbetween death metal grunts and clean vocals, but the singing voice is more theatrical and anthemic then Opeth. It sits quite close to the melodic vocal moments of Borknagar and Dimmu Borgir. Also the keyboards add a decisive symphonic element. Luckily Disillusion avoids the melodic cheese and power metal clichés of much prog metal acts.

Highly recommended to fans of modern metal in the vein of Green Carnation, Opeth, Edge Of Sanity. At least 4 stars in one of my highest rated subs, Tech/Extreme.

 Back To Times Of Splendor by DISILLUSION album cover Studio Album, 2004
4.21 | 188 ratings

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Back To Times Of Splendor
Disillusion Tech/Extreme Prog Metal

Review by Flucktrot
Prog Reviewer

3 stars Despite some rumors that Vurtox was a Klingon, it has been confirmed that he is indeed human, and not to mention the creative force behind a very compelling progressive metal album.

I'm not one to be easily swayed by progressive metal, especially the technical kind, but positive reviews spurred me to check Back to Times of Splendor out, and I do not regret it.

This is a big, heavy sound, but it never seems overly so, or cheesy in my opinion. The guitars have a slightly-out-of-tune quality that I have to believe is more a band trademark than any production limitation. The vocals are largely positive, especially the harmonies, even though I only appreciate harsh and growling vocals in moderation.

Cracked may be the highlight for me, as it covers a lot of musical territory in its relatively short duration, at least short in prog terminology. The epics, Splendour and Restless, are also highlights, the former with a memorable outtro, perhaps similar to Opeth's Deliverance (though probably not as mindblowing), and the latter with a great mellow buildup, but unfortunately also containing a cop-out false ending.

Overall, a quite solid metal album--I was generally surprised and taken aback by some of the power contained within. Despite all the positives, there are surprisingly some fairly simple songwriting techniques that Vurtox failed to acknowledged--or perhaps intentionally decided to stick it to the man--that could have bolstered this solid release even higher.

 Gloria by DISILLUSION album cover Studio Album, 2006
3.82 | 62 ratings

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Gloria
Disillusion Tech/Extreme Prog Metal

Review by msphelps

4 stars Thankfully, when I first listened to Gloria, I came in without the baggage of ever having listened to Back to Times of Splendor. Allow me a quick digression: Back to Times of Splendor was just such a perfect album that anyone having heard it first was probably a bit off-put by Gloria when it was released. I mean, the eclectic mix of sounds at work on this album is, at first glance, horrendous in comparison. And yet, listening to it with a clean slate, Gloria was a fantastic listen for me. Disillusion really know how to make an album interesting. Each track plays differently from the last and keeps your attention to hear what is coming up. Granted, there are a few failures in the mix--"Save the Past" is just a bit embarrassing, and "Avalanche" sounds like it should be better than it is. But those few missteps are more than made up for with the number of fine listens and the diverse range of genres they draw from on this album. "The Black Sea" brilliantly fuses their former death metal sound with the industrial influences prevalent on Gloria. "Too Many Broken Cease Fires," my favourite track here, has elements reminiscent of post-metal. The title track even has trace influences from dance music. This album is excellent, and a welcome addition to any collection.
Thanks to ProgLucky for the artist addition. and to Quinino for the last updates

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