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ASYLUM

Legendary Pink Dots

Psychedelic/Space Rock


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Legendary Pink Dots Asylum album cover
3.57 | 12 ratings | 3 reviews | 8% 5 stars

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Studio Album, released in 1985

Songs / Tracks Listing

Side A
1. Echo Police (4:48)
2. Gorgon Zola's Baby (2:29)
3. Fifteen Flies In The Marmalade (2:47)
4. Femme Mirage (3:35)
5. The Hill (4:22)

Side B
6. Demonism (2:35)
7. Prisoner (5:11)
8. So Gallantly Screaming (11:13)


Side C
1. I'm The Way, The Truth, The Light (8:01)
2. Agape (3:49)
3. Golden Dawn (5:50)

Side D
4. The Last Straw (4:53)
5. A Message From Our Sponsor (4:06)
6. Go Ask Alice (3:25)
7. This Could Be The End (8:03)

Total time: 75:27

Lyrics

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Music tabs (tablatures)

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Line-up / Musicians

- Patrick Q Paganini (Patrick Wright) / violin, keyboards, vocals
- Poison Barbarella (Julia Niblock Waller) / bass, keyboards, vocals
- The Silverman (Phil Knight) / keyboards
- Stret Majest (Barry Gray) / guitar
- Adantacathar (Graham Whitehead) / keyboards
- The Prophet Qa'Spel (Edward Ka-Spel) / voice, keyboards

GUEST:

- Steven Stapleton / tape editing (uncredited)

Releases information

2xLP 1985 Play It Again Sam BIAS 12 BE
2xLP 1985 Penguin Records 30002 GR
CD 1988 Play It Again Sam BIAS 12 CD BE
CD 2001 Cacciocavallo/Soleilmoon CAD 14 US
CD 2002 SPV Poland SPV L-0082 PL

Thanks to kqwiet for the addition
and to Angelo for the last updates
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LEGENDARY PINK DOTS Asylum ratings distribution


3.57
(12 ratings)
Essential: a masterpiece of progressive rock music(8%)
8%
Excellent addition to any prog rock music collection(67%)
67%
Good, but non-essential (25%)
25%
Collectors/fans only (0%)
0%
Poor. Only for completionists (0%)
0%

LEGENDARY PINK DOTS Asylum reviews


Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by tszirmay
SPECIAL COLLABORATOR Crossover Team
3 stars This is another lush psychedelic journey courtesy of those barmy Orangemen , the Legendary Pink Dots, purveyors of strange sounds and bizarre moods and stalwart defenders of the space vibe in the 1980s, when prog was an excellent cadaver indeed. What makes their brand of lunacy so appealing is that they have maintained the Planet Gong weirdness and infused it with some admirable personal traits, the voluptuous violin of Patrick Wright, the stifling guitar growls from Barry Gray, slippery keys handled by Phil Knight and of course, the deadpanned vocals of singer Edward Kaspel , aka The Prophet. This is a snippet laden affair with 15 mini-tracks that sort of flow together helter-skelter but it works in some enchanted way. Things can be pretty standard on tracks like "Echo Police", as well as outright leftfield (get the pun?) on the smelly "Gorgon Zola's Baby" (now that's cheese!) or the seedy "Fifteen Flies in the Marmalade" with a violin riff lifted from Bedrich Smetana's classic Moldau and kookie vocalizings. The haunting voice boots up the "Femme Mirage" program, full of desperate illusions, Arab violin swindling evocatively, oasis guitars and sparse instrumentation coloring the musical dunes. By sheer fluke, a quirky piece like "The Hill" appends to the poetic confusion even more idiosyncrasy and keeps the tension sweatingly palpable. Yes, it's weird, folks, so be warned. Satanic on "Demonic", outright histrionic on "Prisoner" and epic on the 11 minute + "So Gallantly Screaming" where the Dutch lads decide to pick on the poor US of A by editing a line from the "Stars & Stripes" and going on a First Amendment joyride (We Canadians know American history!). This is not surprisingly the album's highpoint as the width offers freedom enough for major introspection and instrumental liberty. Ambient yet bizarre, obtuse and somehow veiled, Kaspel shines here. On the Jesusian "I Am the Way, the Truth, the Light" er?. John 14.6 (we Canadians know our religion especially if we are skeptics), Edward the Prophet goes nirvana on us, deliriously preaching to some imaginary higher order. The violin shows its catty appeal once again, in collusion with the ruffled axe and the pillorying beat. Bees are! A choice piece of holy bread dipped in sweet wine. Other wacky tracks pursue the course, little ditties like the celestial "Agape", the bombastic electronica of "Golden Dawn" with its flinching electric guitar solo, the ominous and unhinged "The Last Straw", the ultra sarcastic "Message from Our Sponsor"(where the ambient copters flutter and Lucifer rants) , the unbalanced "Go Ask Alice" (vocal fx in Dutch) and the ungodly 8 minute closer , vacuously titled "This Could Be the End" which really highlights the Lucy in the Sky with Diamonds philosophy that keeps these trekkers tripping!

I enjoy listening to LPD when I feel my sanity leaving me, generally caused by the massive ongoing daily stupidity we are all faced with in daily life. Was it not Albert Einstein who said "Only two things are infinite, the universe and human stupidity, and I'm not sure about the former" . Not their best album (5 of those will come up very soon from 1988-1992) but a pleasant enough intravenous of banana colored freeze. 3.5 loonie bins

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Send comments to tszirmay (BETA) | Report this review (#278489) | Review Permalink
Posted Sunday, April 18, 2010

Latest members reviews

4 stars During the late '80, I was pretty bored by the music scenario unable to offer something really new and exciting than neo-prog bands imitators of Genesis, and I was looking for something new, but with a more intriguing complexity than the new wave movement, generated from the post-punk and techno-p ... (read more)

Report this review (#437852) | Posted by Pietro Otello Romano | Friday, April 22, 2011 | Review Permanlink

4 stars Ok let's not beat around the bush. This is one of the all time greatest progressive pysch band to ever exist. So why so few reviews? I can't believe that more people aren't crazy about these guys, like I am. If you have never heard of them,you don't know what you're missing. But,all of that asid ... (read more)

Report this review (#140485) | Posted by bob x | Tuesday, September 25, 2007 | Review Permanlink

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