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MALADY

Psychedelic/Space Rock • Finland


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Malady biography
Founded in Helsinki, Finland in 2010

MALADY is a Psychedelic Rock quintet from Helsinki, Finland composed by Tony Björkman (guitar), Babak Issabeigloo (guitar/vocals), Juuso Jylhänlehto (drums), Ville Rohiola (keyboards) and Jonni Tanskanen (bass).

Their music is very reminiscent to the Scandinavian Prog of the 70's, with influences of Folk and Symphonic music. It's also very soft and melodic, sung in Finnish and featuring plenty of Hammond, Mellotron and many guest musicians.

(Meltdowner)

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MALADY discography


Ordered by release date | Showing ratings (top albums) | Help Progarchives.com to complete the discography and add albums

MALADY top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.77 | 26 ratings
Malady
2015
3.91 | 114 ratings
Toinen Toista
2018
3.90 | 10 ratings
Ainavihantaa
2021

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MALADY Reviews


Showing last 10 reviews only
 Malady by MALADY album cover Studio Album, 2015
3.77 | 26 ratings

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Malady
Malady Psychedelic/Space Rock

Review by Mellotron Storm
Prog Reviewer

4 stars This is the debut of a new young band out of Finland called MALADY released in 2015. A five piece and three of them at least are multi-instrumentalists. We get vocals on four tracks as he sings in the Finnish language and I like his voice. The two short tracks do not have singing on them. Man this makes me regret the decision to hold off doing my Psychedelic list until this Summer. I was going to start this new year but decided I want to review some of the music I already have including stuff that's on the way. The music here is a Folk/Psychedelic cross and for the most part it's quite pastoral and JORDSJO isn't a bad reference at all as this Finnish band uses the old school analog equipment. This is warm and soft but not without it's breakouts.

We get two guests adding flute and another, actually the producer adding mellotron on the short closer. Love the guitar sound and style, in fact I was reminded of LANDBERK at times. Heck I was reminded of Sweden a lot with this one(haha. And I feel that this is a mature release for the debut as they really keep their enthusiasm in check with little in the way of showing off like many young bands like to do. Very disciplined in my opinion. But man this is all about the mood and atmosphere that they bring to the table and I want more. Just love that retro sound when it's done right.

Highlights include the 8 1/2 minute opener with that returning guitar melody throughout that brings LANDBERK to mind. Themes are repeated here and it's surprisingly dark with that opening bass line as sounds echo. Relaxed vocals before 1 1/2 minutes. It does kick in with the guitar and organ providing the amperage. The other song I really like is "Aarnivalkea" and at 10 1/2 minutes it's the longest. Just love that opening sound as the organ floats in while fragile vocals arrive. Bass then guitar before a minute. It's louder 2 minutes in with the organ and drums leading the way. Vocals and mellotron lead then a minute later it brightens thanks to the guitar mostly. Vocals are back and more determined 4 minutes in. The section that follows is energetic and "up" then another calm before 9 minutes.

The third track "Pieniin Saariin" is 8 minutes in length and the vocals bring another band to mind but I can't think of the name. Vocals go from mellow to more passionate like the music. "Unessakavelija" is my final top four. The two shorter songs just aren't nearly as good as the four long ones in my opinion. This one is 7 1/2 minutes long with some piano and even a Canterbury vibe with that organ later on.

Again this one is all about the mood and sound and the seventies never sounded so good. These guys do it right. A very solid 4 stars.

 Malady by MALADY album cover Studio Album, 2015
3.77 | 26 ratings

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Malady
Malady Psychedelic/Space Rock

Review by friso
Prog Reviewer

3 stars Malady from Finland released its first LP on the SVART label in 2015, presenting to the public its analogue sounding retro-prog with influences of early Camel, Meddle-era Pink Floyd and probably seventies Finnish groups like Haikara and Wigwam. By recording the album the authentic way the band reaches a sound that does actually sound like the real thing - an album recorded in the early seventies - but it als greatly diminishes the mixing possibilities. The album does offer a lot for fans of the retro subgenre; great melodic guitars, soft psychedelic rock landscapes, warm organs and some nice echoey fuzz guitars. The singing in the Finnish language adds to the obscurity feel, though the vocals aren't a particular highlight on this release. The album has some great musical themes, chord progressions and solo's, but it all feels like it is (live) performed rather hastily; a mistake that almost every starting band would make back in the seventies. My guess is that this album will charm a lot of people despite its flaws, but I myself would recommend listening to their more mature 2018 follow-up record 'Toinen Toista' first. I wouldn't be at all surprised at all if this band will one day release a great retro-prog album like Jordso's Nattfiolen (2019), so fans of this genre should keep a close eye on this band.
 Toinen Toista by MALADY album cover Studio Album, 2018
3.91 | 114 ratings

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Toinen Toista
Malady Psychedelic/Space Rock

Review by friso
Prog Reviewer

4 stars Lately I've gained interest in the Finnish prog scene, mainly due the vinyl reissues of the Svart label. I had never heard of band Malady before, but I ordered both their vinyls after hearing a few songs online. I love that magical atmosphere of the early Camel albums and Malady delivers just that; slightly introverted progressive rock with warm organs, melodic electric guitar (both Latimer his lead-style and Gilmour's early echoey fuzz lead come to mind) and drowsy moody vocals. By singing in the Finnish language the band sometimes reminds me of the artistry of the classic Italian progressive rockbands. As a wild card Malady plays the amazing melodic bass guitar of Jonni Tanskanen, who casts memories of Khan's bassist Nick Greenwood. The whole album is drenched in an lively analogue sound in which the breath of the performance shines through. By not cleaning up minor imperfections (which a musician like me might spot) the music is that much more realistic and personal.

Malady mixes the melodic and rockin' side of Camel with the slightly laid back approach of Pink Floyd's Atom Heart Mother & Meddle period. The final track, the 23 minute 'Nurja puoli' is a surprisingly easy-going example of this mix, with its many melodic sections in the major key - reminding me of that 'Song Within a Song' nostalgic happy-sad vibe. Like most Finnish groups, the traditional folk traditions of the country are also apparent. Within the progressive tradition Malady doesn't invent the wheel here, nor does it pretends to do so. On 'Toinen Toista' this band proves that you actually can re-enact that perfect early seventies feel, and sustain it on an arguably flawless record. You'll find no production glitches here.

Malady from Finland, much like Jordsjo from Norway, represents the fruitful Scandinavian retro-prog movement of these last years. Comparing this fine release to the top records of 2018, this album definitely deserves a place in the top ten of that year.

PS. I would suggest this band be moved to the symphonic prog genre.

 Toinen Toista by MALADY album cover Studio Album, 2018
3.91 | 114 ratings

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Toinen Toista
Malady Psychedelic/Space Rock

Review by Matti
Prog Reviewer

5 stars Great to see this Finnish band finally added. If one listened to albums of Malady in a blindfold test, without knowing the band and their music in advance, it would be very easy to think it was a long-lost item of vintage Finnish-language prog from early/mid- 70's, comparable to Haikara, Tabula Rasa, Fantasia and Nimbus. Malady begun as a side project of a Helsinki-based doom/stoner band in 2010, with guitarist Tony Björkman, bass/guitar/piano player Jonni Tanskanen and drummer Juuso Jylhänlehto being the founding members. The original humble goal was to release a prog album before any of the members would be 50. But apparently everything took place faster than they expected; the eponymous debut was released in 2015, and it was warmly greeted in the Finnish music media, which normally doesn't pay a lot of attention to new progressive rock bands.

Malady makes music in a pure retro style with analog keyboards and recording systems. That results as a warm and natural sound, like it was made in the 70's. Even the vocals of Babak Issabeigloo sound a bit hazy like it is quite often the case in vintage Finnish prog. The charmingly melancholic debut was very promising, and the expectations for the follow-up are definitely fulfilled with this album. The title Toinen toista can be translated in several ways; one of them is 'the 2nd day of February' which was the official date of release in 2018.

The nearly 7-minute title track starts with a meditative psychedelic haziness before it turns into melodic instrumental prog. The sparse and moody vocals arrive after the halfway. Listeners of classic prog feel immediately at home with the sound drawing from the same ancient prog well that gave birth to albums such as In the Court of the Crimson King, Mirage or Meddle. The real Mellotron at the end leads seamlessly into the brief instrumental interlude 'Laulu sisaruksille' (= Song for siblings) starring violin. 'Tiedon kehtolaulu' (= Lullaby of knowledge) is a slightly lighter prog song, graced by the guest appearances for flute and Mini-Moog. 'Etsijän elinehto' is equally full of melodic and emotional depth.

The fifth and final track is a side-long epic 'Nurja puoli' (= The adverse side) which guarantees the album's place among the finest Finnish retro-oriented prog releases in my opinion. The piece is not notably differing from the basic style of Malady with the alternation between instrumental and vocal sections, but it proves that the band handles also large structures with similar ease. The metaphysic lyrics written by Jylhänlehto may not come very close to the listener, but they fit very well to the music's atmosphere. I'm enjoying this album enough for full rating, even though I understand that someone might consider the retro approach as a lack of originality. If you're interested in the Finnish-language prog and enjoy the 70's bands I mentioned above, you'll find it very easy to enjoy this relatively mellow and melodic album.

Thanks to meltdowner for the artist addition. and to Quinino for the last updates

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