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MONKEY3

Psychedelic/Space Rock • Switzerland


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Monkey3 biography
Founded in Lausanne, Switzerland in 2001

MONKEY3 are an instrumental psychedelic rock band from Lausanne/Switzerland showing Picasso (bass), Walter (drums), Boris (guitar) and keyboarder Mister M aboard. The music units elements of stoner, post and space rock, all this presented with a rather hypnotic fundament, a repetitive nature. Their self-released debut came out in March 2003.

One year later Belgium label Buzzville re-issued this album including a differing artwork. Afterwards they extensively toured Europe alongside bands like Alabama Thunderpussy, Mono, Dozer and Hypnos 69. April 2006 they went to the studio again in order to work on the follower album. February 2007 saw the release of '39 Laps' then.

MONKEY3 are currrently preparing for the next album, entitled 'Beyond The Black Sky'. Bands similar in style are The :Egocentrics, 35007, Serpentina Satellite, Los Natas.

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MONKEY3 discography


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MONKEY3 top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.45 | 20 ratings
Monkey3
2003
3.83 | 24 ratings
39 Laps
2006
3.51 | 40 ratings
Beyond The Black Sky
2011
3.93 | 28 ratings
The 5th Sun
2013
3.88 | 16 ratings
Astra Symmetry
2016
3.86 | 111 ratings
Sphere
2019

MONKEY3 Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

MONKEY3 Videos (DVD, Blu-ray, VHS etc)

MONKEY3 Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

MONKEY3 Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

3.83 | 11 ratings
Undercover
2009

MONKEY3 Reviews


Showing last 10 reviews only
 Sphere by MONKEY3 album cover Studio Album, 2019
3.86 | 111 ratings

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Sphere
Monkey3 Psychedelic/Space Rock

Review by BrufordFreak
Collaborator Honorary Collaborator

4 stars Well-paced and highly engaging space/Krautrock from Lausanne (Switzerland). Though these guys have been releasing albums since 2001, this is my first encounter with them.

1. "Spirals" (11:19) four sections: the tension-filled opening three minutes which slowly, almost imperceptibly, builds until the 3:15 mark (Section 2) when a crash of bass, drums, and guitar chords unleash a hard-driving section within which Hammond and, later, guitar show some fine lead chops (though the bass work here is equally attention-grabbing), Section 3 that begins at 5:30 with some PINK FLOYD-like echoed bass solo work with intermittent flashes of aggressive guitar strums, and, at 7:45, when the final harder-driving section with its excellent PINK FLOYD-like slide guitar solo work but finishes with the flare of a WHO or PORCUPINE TREE song. Cool! One of my top three songs from the album. (18/20)

2. "Axis" (6:37) echoed electric guitar plays single note on its bass string in a PF "Run Like Hell" kind of way before echo and delayed electric guitar begins adding notes here and there. Toward the end of the first minute bluesy bass, drums and keys join in. Very space-bluesy for a few minutes until 3:50 when the two-tracked lead guitar leaps to the fore in a Hendrix-kind of way while the background sounds more like Polish heavy proggers RETROSPECTIVE. Awesome shift! Mellotron voices join in just before shift into a more melodic guitar riff enters and tries to hook us in. Return to the heavier, 'tron layered section at the six minute mark to the end. Pretty great song. Definite top three for me. (9.25/10)

3. "Prism" (9:10) two minutes of truly stark space sounds precedes the heavy sludge of slow metal music that erupts and sustains over the next two minutes. At the end of the fourth minute the motif and pacing switches, establishing a much more fast-driving groove by the end of the fifth minute within which the Hammond adds its particular embellishments before a lead electric guitar begins to establish its presence in the sixth minute. At 6:10 a slow decaying metal chord establishes an entirely new motif--one that is graced with the hair-raising DAVID GILMOUR-like guitar solo in the eighth and ninth minutes. (17.5/20)

4. "Mass" (6:30) opens like a FIELDS OF NEPHILIM song with some 1980s sounds oscillating around the soundscape. Even at 0:45 when the heavy grunge metal chords and group play enter and dominate and into the next motif with its heavily distorted PA voice and vocal Mellotron at the end of the second minute am I reminded of FIELDS OF NEPHILIM. 'tron dominates the melody line in the third minute. Flashy 1970s electric guitar solo in the fourth becomes flashier 1980s EDDIE VAN HALEN-like guitar solo by the end of said minute. Powerful and cool but nothing too original. (8.4/10)

5. "Ida" (4:22) opens with wind synth noises over which bass plays a riff in its upper registers. Joined by slow guitar strums and more spacey synth notes/washes before Indian percussion joins in at the one minute mark. At 1:45 heavily fuzzed electric guitar, synth chords, and full drum kit join in to lay down a heavier texture. Guitars begin soloing over the top, one up high more aggressively, and another behind, more controlled support. (9/10)

6. "Ellipsis" (14:13) opens with layers of spacey synth noises, blurts, and arpeggi as "Stranglehold"-like bass and drum lines set the pace. Volume pedal controlled guitars, two, move opposite one another in fast pans behind the sound scape. At 5:18 the bomb drops and we enter into a very deep and dirty section thanks to a great Piotr Grudzinski (RIVERSIDE)-like low-end electric guitar riff. Even when this riff exits its powerful echoes are felt, sustained, in the low-end work of the bass and other electric guitar strums. The "Stranglehold" feel is still there, but it's dirtier, nastier, more in an in-your-face "this is what you get!" way. Amazing! The only thing missing is a great Ian Kenny or Mariuz Duda vocal! Amazing how much is inferred, how much potential energy is visible, barely contained, waiting to burst into full onslaught! Incredible subtle build to crescendo. I'm in tears with the emotion from this! Definitely my favorite song on the album--and one of the best prog epics of the year! (29.5/30)

Total Time: 55:11

A/five stars; a rare masterpiece of progressive rock music coming from the overly pretentious Space/Psych subgenre. Definitely one of the best heavy space/psych albums I've heard in a long time!

 Sphere by MONKEY3 album cover Studio Album, 2019
3.86 | 111 ratings

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Sphere
Monkey3 Psychedelic/Space Rock

Review by patrickq
Prog Reviewer

4 stars I suppose that "psychedelic/space" is the most appropriate subgenre in which to classify Sphere, but at times it could just as fairly be called progressive metal. However you slice it, I really like this new album by the Swiss quartet Monkey3.

I'm pretty new to contemporary space rock; the only 2019 releases classified as such on progarchives that I've listened to closely are Entropía by Invernadero (Chile) and |||| by Liquido di Morte (Italy). (Other spacey albums I've enjoyed from 2019 include Transmission by US "Krautrock" group Darsombra and Drone Activity by Ulver, the Norwegian foursome listed under "post-rock.") On one hand, these albums are miles away from Pink Floyd and Hawkwind, the UK-based space-rock pioneers who emerged in the late 1960s. But on the other, I find it fascinating that aspects of the relatively obscure Ozric Tentacles,* also from the UK, but founded in the 1980s, are still discernible in modern space-rock albums. On Sphere, the Ozric influence is clearest via rhythm, specifically the cadences and the use of the rhythm section.

Like much of ||||, several of the songs on Sphere shift substantially over their durations. "Spirals," for example, is an energetic tune that moves from space-rock to nearly anthemic hard rock. If I knew more about contemporary video games, I might say that the second part of this song might work in that genre also. Similarly, "Prism" begins as sludgy atmosphere before eventually evolving into straightforward metal, à la Trans-Siberian Orchestra or Dream Theater, then slows down as a soaring guitar solo, reminiscent at times of David Gilmour, pervades. And most of "Ida" could be a backing track for a neo-prog act like IQ - - until its last minute, which is pure symphonic metal.

The strongest songs here are the opener, "Spiral," and the album-closing pair, the concise "Ida" and the Ozric-invoking "Ellipsis," the latter of which is killer stoner metal, dude.

The middle of the album isn't quite up to the level of the beginning or end, though it's not bad at all. "Axis" is a bit slower and less imaginative than "Spirals," and it sets the stage for the next two songs: the slow-moving "Prism," and "Mass" (apparently featuring Asia guitarist Bumblefoot), a bit of a slog which hardly portends the closing nineteen minutes.

Coincidentally, I consider each of the four 2019 albums I mentioned earlier (from Invernadero, Liquido di Morte, Darsombra, and Ulver) worthy of three stars. Sphere isn't wildly better, but it's clearly deserving of four stars. I'm interested to hear more from Monkey3.

====

*Full disclosure: I'm not an expert of all things Hawkwind, Floyd, or Ozric; my claims are based on those group's best-known works, or, in the case of Pink Floyd, their output during their psychedelic/space phase.

 Sphere by MONKEY3 album cover Studio Album, 2019
3.86 | 111 ratings

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Sphere
Monkey3 Psychedelic/Space Rock

Review by TCat
Special Collaborator Eclectic / Prog Metal / Heavy Prog Team

5 stars 'Monkey3' is a Psychedelic/Space Rock band from Switzerland that I discovered a few years back, and have been impressed with ever since. This band has been around for a while and is considered one of the best stoner bands out there by the likes of artists like John Garcia from the band 'Kyuss'. Their music is mostly instrumental, and on their album 'Sphere', released in April of 2019, this continues to be the case. The band members all go by their first names (or stage names), and the line up consists of Walter on drums, Kevin on bass, Boris on guitar, and dB on keys, with Bumblefoot guesting for a guitar solo. The album consists of 6 tracks and has a run-time of over 55 minutes.

The first track opens with 'Spirals', a track that runs for over 11 minutes. The music features a nice atmospheric synth melody against a smooth and flowing backdrop that will put you in a dreamy state, that is until the full band explodes into motion at the 3 minute mark with heavy guitars and organ, solid drumming that isn't satisfied to just stay in the background, and a rousing bass pattern. The band opens all stops when the come into play, and a killer guitar solo and progressive action carry the rack forward. Before 6 minutes, things calm down to airy effects and a pulsing bass, then echoing power chords from the guitars push things back to a steady beat. The guitar sound gets heavier as things intensify and the guitars get into the drivers seat for the rest of the track, the last minute of the track exploding into full speed.

'Axis' begins with a sawing bass and echoing guitar notes while the drums pick out a moderate rhythm. Psychedelic style sythns take the center stage as they improvise over a heavy background. At 3 minutes, a rousing guitar solo takes over and the heavy beat will make your head start bobbing as the music pushes forward. The rhythm moves to a quicker tempo and a heavier background as synths play a choral effect and take over again. The guitars go into progressive mode as the music almost makes you feel like you are standing at a live show and jumping up and down with the crowd as the excitement intensifies to a climatic ending.

'Prism' has a nice psychedelic and atmospheric beginning with nice effects and spacey keyboards putting you back into a blissful state. A sudden burst of dark energy at the 2 minute mark will wake you up soon enough. Guitars and synths work together to build this into a heavy and progressive sound. Around 4 minutes, progressive riffs kick in and build excitement. Once again, the power of the music will put you into the heavy rocker mode as the track pushes forward, only to come crashing down around 6 minutes and heavy chords against a noisy wall of guitar fuzz finally establish a melodic and slow- burn, killer guitar solo. This variety of colors and moods will make this 9 minute song fly by too quickly. Awesome!

'Mass' comes in with a music box sound and vibrating effects ebbing and flowing behind it. Heavy guitars come in out of nowhere with choral style effects from synth chords and a slow, stoner beat. The drums and screaming guitars with some interesting vocal effects build things up, go quiet as tension still builds, and then everything takes off into a multi-color wall of sound and then a crazy, wild guitar solo takes things into full speed. This is guest Bumblefoot's guitar solo mentioned earlier, and his foot may by bumbly, but his fingers have total control over his guitar. Things return to a slower beat and layers of guitars keep this one quite heavy, loud and dark. At the end, things go back to that blissfulness before fading away quickly. 'Ida' is a more straightforward track which builds off of a simpler sound, but goes into crescendo mode from beginning to end, showing the full range of the band in a shorter amount of time.

'Elipsis' is more of a traditional space rock sound that starts off it's 14 minute journey building off of a simple guitar riff backed by a steady beat and swirling effects and synths. A slow crescendo reaches its zenith when the drums suddenly go into a crazy rapid fire frenzy as the increase in intensity reaches its climax and the heavy guitars continue for a while in the steady rhythm, and then things are broken down by a progressive riff and brought back to a nice floating, trance-inducing sound around the 7 minute mark. After that climax, things float along again for a while supported by that steady beat. Once again, the guitars start to push for another climax and evil sounding vocal effects join in deep in the background. The driving beat push the guitars forward as they demand more intensity. Everything falls apart before the 13 minute mark, and the beat stops as atmospheric synths take the track to its finish.

This is an excellent album full of a lot of dynamic (especially for a space rock or stoner rock band) and it is easy to see why this band is so well revered and is also gaining more and more fans all the time. Their concerts are quite amazing and make for a memorable experience. Since this band has been around for quite some time now, they have become quite good at working together, especially when it comes to knowing how to create amazing jam sessions. I still consider them one of the best psychedelic and space rock bands out there, and there are a lot of them, who also have a strong stoner rock edge to them, and the mix results in an exciting and dynamic sound. Here is another great album for all to hear among many other great albums being released in 2019. 5 stars!

 Undercover by MONKEY3 album cover Singles/EPs/Fan Club/Promo, 2009
3.83 | 11 ratings

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Undercover
Monkey3 Psychedelic/Space Rock

Review by TCat
Special Collaborator Eclectic / Prog Metal / Heavy Prog Team

4 stars Monkey 3 is a stoner/space rock band that usually plays all instrumental music. 'Undercover' is their EP take on 6 covers. They give the songs, most of them quite popular among the progressive rock crowd, the space rock treatment. The have recruited two guest singers to help them with these covers.

It starts out with 'Numb', a cover originally from the band Archive. For those that don't know, Archive is a band that does a mostly electronic, trip-hop progressive sound. This cover is not trip-hop at all and it is all instrumental, but is a perfect example of their space rock sound with heavy guitars and lots of synth effects. A great opener, which takes a lot of liberties with the original.

'Watching You' is a cover from Kiss. This one features John Garcia from Kyuss as the lead singer. Much better than anything Kiss has ever done, this one is along the same line as Kyuss, that heavy stoner rock with a lot of great guitar. Kiss was always corporate rock to me, but this cover gives the song new life.

'One of These Days' is the excellent instrumental that opens up the album 'Meddle' for Pink Floyd. This one is a ambitious attempt, and instead of meandering so much in the beginning, it starts off quite heavy from the beginning, but the cover is surprisingly good and you'll have no problem recognizing the song. They definitely do it justice.

'Kashmir' is the Led Zeppelin track that everyone knows. It is sung by Tony Jeloncovich from M.A.N. and Transport League. It's a decent cover, but doesn't change the original much except for the fact that guitars are used in place of the strings. The vocals are heavier in this instance, and it's a decent job, but doesn't change the original or add anything to it as it did with the other tracks so far.

'Burn' is the cover of the Deep Purple song. It is kept at a slower, dream-like rhythm and is actually a great take on the song, and it is also all instrumental and alternates between heavy stoner rock and a bit softer at times. It builds off of the famous riff from the original, but keeps it at a slower, yet heavy tempo. It gets quite intense towards the middle and has a few excellent guitar solos in the middle. It is a definite improvement on the original, believe it or not.

'Once Upon a Time in the West' is a cover from Ennio Morricone, which they have done before on other EPs. This time, we get a live version of it though. It starts out sparse and pensive with a wind effect and a lone electric guitar. Finally after two minutes of this, you get a synth pattern as a base, and the guitar moans and drones in some interesting sounds, then there is a crash of a bell and drums and a slow and heavy melody starts as the guitar slowly slogs out the theme. At 4 minutes, a steady slow pace gets established as the guitar continues moaning out the theme.

The EP is a good entrance into the stoner/space rock of the band, and the covers are pretty good, with 'Kashmir' being the weakest, yet it is still decent. The band's albums are actually better since they have original material on them for the most part, but this will give you insight into their music. The band is actually quite talented and those that love the stoner style rock will love them. This EP is definitely worth looking into, but then so is all of their music. This is one of those bands that should be more popular than what they are. If you love the heavy music of Black Sabbath or other 70's hard rock, this is also right up your alley.

 Beyond The Black Sky by MONKEY3 album cover Studio Album, 2011
3.51 | 40 ratings

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Beyond The Black Sky
Monkey3 Psychedelic/Space Rock

Review by Epignosis
Special Collaborator Eclectic Prog Team

3 stars Perhaps more aptly labeled as heavy instrumental rock with psychedelic tendencies, Monkey3's third album essentially pieces together various hard rock riffs with some electronic sounds spiraling in and out intermittently. These eight instrumentals are not very memorable, but I suspect they're not supposed to be. I feel like there's a lack of compositional creativity here, with most of the pieces amounting to well-crafted jams.

"Camhell" Alternating between sedated, bass-led thudding to overpowering, monstrous rock, the opener is equal parts sleepiness and psychosis.

"One Zero Zero One" Melodic bass paired alongside toms introduces a moderate piece of rock music that features harmonic lead guitars.

"Black Maiden" "Black Maiden" enjoys a series of gradual builds, initially with heavy percussions and light guitar. There is again a repetitive but melodic bass providing the hypnotic foundation. Occasional bursts of energy pierce through.

"Tuco the Ugly" A light interlude, this piece has a repetitive acoustic rhythm backing sporadic guitar string bends.

"K.I." A second short piece, this one is vastly different from what came before: A positive onslaught of raging guitars and drums that pummel the listener into submission.

"Motorcycle Broer" Alternating power chords jump back and forth, giving way to a simple, lighter rhythm. It eventually erupts in a squealing lead guitar display.

"Gate 57" This moderate rock opus features a pleasing electric guitar phrase at the end.

"Through the Desert" The final piece initially makes me think of being alone in a cold desert. It eventually adopts a monotonous rhythm guitar with light synthesizer tones howling over it. All that stops to bring in a thrash-like, less hypnotic rendering. It is an extremely repetitive piece that differs in dynamics only.

Thanks to rivertree for the artist addition. and to Quinino for the last updates

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