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AME SON

Psychedelic/Space Rock • France


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Ame Son biography
In 1967, Marc Blanc and Patrick Fontaine were introduced to Daevid Allen after his departure from Soft machine. They both played in its Bananamoon band in Spain during summer '68 and in the south of France at the beginning of '69. They formed Ame son in June '69 with François Garrel on flute and Bernard Lavialle on guitar. The "Catalyse" album has been released in 1970. Ame son played in all the greatest festivals like Amougies, Les halles, Biot, Le Bourget and had a lot of success from both the audience and critics. The music was strongly influenced by early Gong with long psychedelic jam- sessions leaded by flute and guitar. They split in June'71 for the first time. They start again with a different formation in 1973 and are still playing together from time to time.


Why this artist must be listed in www.progarchives.com :
Despite being an amateurish band, Ame son illustrates the late 60's/early 70's french prog scene through his unique "Catalyse" album, offering a primitive psychedelic jam progrock inspired by early Gong fantasia.


Discography:
Catalyse, studio album (1970)

Ame Son official website

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Buy AME SON Music


CatalyseCatalyse
Import
Imports 2011
Vinyl$25.00
Primitive ExpressionPrimitive Expression
Import
Spalax 1998
Audio CD$12.99
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AME SON discography


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AME SON top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.38 | 15 ratings
Catalyse
1970
3.28 | 8 ratings
Primitive Expression
1976

AME SON Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

AME SON Videos (DVD, Blu-ray, VHS etc)

AME SON Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

AME SON Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

AME SON Reviews


Showing last 10 reviews only
 Catalyse by AME SON album cover Studio Album, 1970
3.38 | 15 ratings

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Catalyse
Ame Son Psychedelic/Space Rock

Review by apps79
Special Collaborator Neo Prog Team

3 stars Considered as one of the first trully progressive rock bands in France,AME SON were the brainchild of Marc Blanc and Patrick Fontaine,who both had played with Daevid Allen in Daevid Allen's BannanaMoon during a year period between 1968 and 1969.They decided to form their own band in 1969 in Paris along with Francois Garrel and Bernard Lavialle.AME SON signed with BYG Records,recored the instrumental parts of their first album in London within two days with the final mixing taking place in October 69'.In early 70' ''Catalyse'' sees the light.A CD re-issue on Spalax brough this work out of darkness.

STYLE: Having played next to Daevid Allen,it is rather impossible both Blanc and Fontaine not to be influenced by this significant figure.AME SON blended 60's Psychedelia with a newly established complicated rock sound full of free jamming parts and weird passages to contribute on their own way to what we call today early progressive rock movement.All tracks contain plenty of obscure flute parts,trully psychedelic vocals,somewhat dated and trembling guitars but also stable performance on bass and deep drums all the way.

INFLUENCES/SOUNDS LIKE: GONG are the first band that sticks to your mind and it is more than sure that AME SON have given their albums a lot of spins to inspire themselves...but add also some elements of pre-70's PINK FLOYD in the mixture.

PLUS: This is very obscure and experimental music,considering the time of its release.Quite long compositions ranging from 6 to 9 minutes are a daring step for 1970.The flute parts are dominant and, for me, this is certainly the strong point of this album.A very interesting rhythm section makes the album even more challenging.Vocals are at times expressive and intense. A few bizarre melodies,again based heavily on flutes, are very captivating.

MINUS: As I am not a big fan of GONG or early FLOYD,this style of music leaves me a neutral taste.Additionally guitars are very dated,if not the whole album.The parts of the album closer to Psychedelic Pop leave me also cold.Some jamming parts are good,but other one sound totally meaningless to my ears.Vocals are mediocre for most of the album's running time.

WILL APPEAL TO: I would dare to say that ''Catalyse'' would be a moving experience only to those who were part of the 60/70's transession from Psychedelic Pop to Psychedelic Rock.Anyone deep into GONG or Syd Barrett-era PINK FLOYD will also like this one.

CONCLUSION/RATING: I think I will rate this album having in mind how important it was around the time it was released and I will give ''Catalyse'' 3 stars,though my true rating is closer to 2-2.5...''Catalyse'' didn't stand well against the sands of time,but it remains a ground-breaking experience for early 70's.Approach,after listening to some samples.

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 Primitive Expression by AME SON album cover Studio Album, 1976
3.28 | 8 ratings

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Primitive Expression
Ame Son Psychedelic/Space Rock

Review by fusionfreak

4 stars As a non musician,it's always hard for me to describe music and speak about it otherwise than with my body and soul but I can say it's a fine album with quieter moments,sometimes darker:Le grand cirque de la lune is my favourite track,by the way it's this one which made me buy the official release. One may find it outdated but it's really good hippie folk psychprog,something to check out.Has Michel Fillon something to do with our obnoxious Prime Minister?

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 Primitive Expression by AME SON album cover Studio Album, 1976
3.28 | 8 ratings

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Primitive Expression
Ame Son Psychedelic/Space Rock

Review by Sean Trane
Special Collaborator Prog Folk

3 stars This posthumous archives release is comprising of Ame Son's Catalyse period including when they called themselves Les Primitiv's, some of their recording sessions from 71 and some post-second chapter mid-70's recordings. Fairly aptly titled Primitive Expression, most of these tracks present on this album are not in their polished stages, but are nonetheless worthy of investigating if if you are an Ame Son and Gong fan or like raw psych.

The opening track was an Ame Son aggregate formation doing a soundtrack piece for a movie where singing-flutist Garrel's brother was playing. It sounds very much like what you can hear on Catalyse (meaning not that well recorded either), even if it is Garrel's brother playing guitar. As often on Spalax releases, track timing are inaccurate, with a second short track of 25 seconds (instead of the 3 announced minutes) is just a short but enjoyable plaything. Rather incredibly, the next Ame Son track was recorded by the Quai D'Orsay (French foreign Affairs) in 71 to promote French culture around the world (that's what the booklet says anyway) and again sounds psych rock very similar to Catalyse's sound and last six minutes as opposed to the 3.5 announced.

The next five tracks are a five-part demo track (recorded on a Revox also in 71) lasting around 20 minutes, for a demo, the quality is rather very acceptable and on the whole this excellent Je Veux Juste Dire (I just Want To Say) is absolutely gorgeous 20 minutes of instrumental psych. Apparently this was used for varying over-dubbing experimentations and the result are giving splendidly.

The next two tracks were a 75 rehearsal of their 68 tracks (written by Stisi, when Ame Son were still known as Les Primitiv's) and at that time they sounded Yardbirds-(Beck era)-like, both tracks sticking out a bit like a sore thumb with the rest of what's present on it, even if Dédoublement is clearly related to Ame Son. The last track is from 76 a reformation concert of Ame Son and of medium interest as well, but not devoid of interest either.

Although of uneven quality, this album is still quite worthy for the first three quarters. But this should be for confirmed Ame Son fans.

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 Catalyse by AME SON album cover Studio Album, 1970
3.38 | 15 ratings

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Catalyse
Ame Son Psychedelic/Space Rock

Review by Sean Trane
Special Collaborator Prog Folk

4 stars Ame Son's only album is one of the earliest "prog" French record (Sept 69) but really it is still very much a psychedelic thing, but undeniably progressive. This groups had roots in the mid-60's under the name of Les Primitiv's and were playing all over France and had been exposed to early Soft Machine on these last's frequent tours of France, especially on the Riviera. As one of their members got drafted in the army, the group went in lethargy and some members started playing with Daevid Allen's Bananamoon in 68 and 69. Upon the return of the drafted, the group reformed and changed their name to Ame Son with flutist Garrel. Signed to Byg Records, Ame Son's album was recorded in two days in London (French vocals later added in a Paris studio) and has Allen and early Soft Machine written all over it, without appearing like a derivate product either. It was generally well received by the press and the public, and they participated in most major festivals in France and Belgium.

To describe their music to progheads is not that easy, because their particular type of psych rock is often truly improvisational, but if dissonant, it did not go in the free-jazz and is much wiser/pleasant than Crimson's Moonchild (note: they don't sound like them at all). Basically a guitar trio with a signing flutist (but not our Tull Mad Flauter, more like Bloomdido Bad De Grass Malherbe), their sound approaches a Floyd-ish (circa Saucerful or live Ummagumma), a calmer Guru Guru (UFO and Hinten) and early Gong (Continental Circus OST), even if vocally they might have been stronger (but as I warned above, recording vocals in a different studio than the music, probably caused difficulties). But Ame Son managed to remain accessible by never over-stretching their talents or their improvisations. In many ways, Catalyse reminds me of Dashiell Hedayatt's jaw-dropping Obsolete (which is also Gong-related) with their raw hippy dreamy rock. Most of their tracks (none shorter than six minutes) are subdivided into sections of which Coeur Fou and Reborn This Morning are the highlights, but there are some real flaws: Coup De H/Sable Mouvants is not only slightly weaker, but definitely not well recorded. Two bonus tracks from a single are added on the Spalax Cd reissue, and they are fairly well in the spirit of the album (even if shorter), but a good remastering job is more than needed for that single and the full album.

After touring extensively France for two years, the group split up in mid-71, after some recording sessions to reform in 73 with a different line-up and made recordings, which also did not materialize, in a second album. AS's only album is one of those French pearl that qualifies as psych proto-prog and is very much recommended to anyone into Gong, Daevid or early Softs and untamed Floyd. For my part, I find this album stunning and in my French top 20 - Zeuhl notwithstanding.

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 Catalyse by AME SON album cover Studio Album, 1970
3.38 | 15 ratings

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Catalyse
Ame Son Psychedelic/Space Rock

Review by Doobie

4 stars this is another great find, the lyrics are simple and, well the ones you can undersand because the rest are in french, very well placed with in the musical composition. the full albums follows the same "ring" that could be perceived from the fist couple of tracks, the play between the guitar and the flute, what was not mentioned above was the very well defined very well played set of drums, wich is a definite point of setting the spacey, raunchy mood for the whole album, specially in tracks like "Coeur foue....". this albums is very free and fluid and I would amply recomend it.

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 Catalyse by AME SON album cover Studio Album, 1970
3.38 | 15 ratings

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Catalyse
Ame Son Psychedelic/Space Rock

Review by oliverstoned
Special Collaborator Honorary Collaborator

3 stars Ame son was a late 60's, early 70's french underground band influenced by early Gong as two members were part of Daevid Allen's Bananamoon band. They released this unique album in '70. This is genuine psychedelism, with long jams leaded by a thrilling flute, loads of excellent psychedelic guitar and even some wha wha on electrified flute. The instrumental moments are excellent, whereas the moments featuring (approximate) singing are more painful and reveal a pop and raw side. Fortunately, the "jam" moments predominate. The album suffers from an amateurish sound and poor production, but remains a very good testimony of the early french progressive scene, with the debut's freshness, when psychedelism and progressive were closely melted.

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Thanks to oliverstoned for the artist addition.

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