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Amalgam Effect biography
Founded in Denver, USA in 2011

Formed in 2011 with Mathew SPIVACK (lead vocals, flute, guitar) and Chris CHILDNESS (bass, vocalist), the band had several line-up changes with Kody LITTLE (lead guitar, vocals) departure and Calvin MERSEAL (drums) joining the band in 2013. At that period, the band went into a productive writing period. Kody came back to solidify things even further. The band has to rely on many musicians to play the keyboards because they don't have a permanent keyboard player. They had a lot of songs to record (more than 3 hours). The first album "Time of Departure" was the first of a trilogy around the story of Alan Quill struggling artist in this modern society. They played at the Progtoberfest III in Chicago, the second album "As We Were" was just ready for that festival. The music of AMALGAM EFFECT shows some nice interplay between guitar and flute with a solid rhythm section. The influences of JETHRO TULL and RUSH can be heard but in the distinctive own style of the band.

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3.86 | 7 ratings
Time Of Departure
3.71 | 7 ratings
As We Were
3.87 | 12 ratings

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Showing last 10 reviews only
 Sketches by AMALGAM EFFECT album cover Studio Album, 2019
3.87 | 12 ratings

Amalgam Effect Heavy Prog

Review by TCat
Forum & Site Admin Group Eclectic / Prog Metal / Heavy Prog Team

4 stars Amalgam Effect is a Heavy Prog band founded in 2011 in Denver, Colorado. Since that time, the band has released 3 albums centered around a central character, Alan Quill, who is a struggling artist in modern-day society. The 3rd album, released in March of 2019, ends the trilogy of this character and is entitled simply "Sketches". The band's line-up has changed a bit over the years, but currently it has stabilized and is made up of founders Matthew Spivack on vocals, flute and guitar and Chris Childress on bass along with Kody Little on guitar and vocals and Calvin Merseal on drums and keyboards. There are also some guest vocals by Sadie Trigg. "Sketches" is made up of 12 tracks (known as sketches on this album) that have a total run time of over 58 minutes and individual times from 2 minutes to over 8 minutes.

Right out of the gate, the music is a strong lilting folk and rock hybrid with just the right touch of progressiveness. There is definitely an early Jethro Tull vibe, but it seems natural, and maybe a bit more on the rock side at first, but the folk elements are definitely there. The first sketch has some good vocals, the singer with a bit of raspyness to his voice, but not really over doing it, and this flows directrly into the 2nd sketch called "Success?" which has more of a heavy prog sound and is completely instrumental and, working as an overture, touches on some themes upcoming on the album. The flute finally gets introduced in "Sketches, III: Retail Robot" and the comparision to Jethro Tull is now fully merited as it returns to the prog folk-rock fusion sound.

The tracks (or sketches) flow from one to another in a continuous manner and rather smoothly, making this seem like one combined suite, some sketches being instrumental and some with lyrics. The music is more hard centered than your typical prog folk, which also separates it from JT, at least on the acoustic side, and also explains why it fits in the Heavy Prog subgenre better than Prog Folk, but the folk elements are always there, as are the JT similarities.

There are some things that the band uses to distinguish their sound at times also, like a nice heavy bass, occasional female vocals from the guest vocalist, the use of newer Neo-prog elements like a deeper and dark sub bass vocal and a more extended use of blues-inspired hardness. "Sketches VII: The War Song" definitely follows a heavier prog relying on guitar solos and effects as do some other tracks, so even though there is the obvious JT influence, there is enough here that lets you know that the band is good enough to create their own sound too. "Sketches X: The Misfortune of Time" is also a highlight on the album as it shows the progressive instrumental prowess and inventiveness throughout the 8 minute track. And "Sketches XI: But a Beast" has a great instrumental section that is a tip of the hat to early Rush instrumentals.

It's not all great though as one of the longer 8 minute tracks "Sketches VIII: Can't Go Back to Yesterday (Asunderture)" plods along at a robotic midtempo for 6 long minutes before it finally picks up some life. The heavier element needs a bit of variety in there too, like an acoustic sound here or there would have gone a long ways. The problem I see here is the lead vocalist doesn't have a huge range, and doesn't really lend itself to the acoustic sound as well as the heavier sound. "Sketches IX: Forever Broken" tries for a lighter touch, but it doesn't really get good until it gets to the instrumental break and then gets mostly forgotten when the vocals come back in.

Overall, this is a very good album that lacks a bit in variety and needs a bit more range in the vocals, but otherwise is very entertaining and will be an album that will definitely appeal to Jethro Tull and other folk and rock fusion fans. The music is top notch, especially the instrumental sections. The band definitely has a lot of promise, but shared vocals would be an improvement. The band is talented and the production is spot on.

Thanks to rdtprog for the artist addition. and to Quinino for the last updates

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