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WARPIG

Heavy Prog • Canada


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Warpig biography
Warpig's formation came the same as so many other rural Ontario bands of the mid 60's. Guitarist/singer Rick Donmoyer toiled the late 60's in a number of groups, including The Turbines, The Kingbees (later The Wot) and Mass Destruction.
But by late '66 Donmore found himself looking for a new project, and hooked up with fellow Mass Destruction alumni Terry Brett on bass, Dana Snitch (keyboards/guitars) and drummer Terry Hook, all Woodstock natives. Endless practices in the Hook basement led to Warpig a few months later. With a mix of influences rivalled by few in the area, the boys soon found themselves a steady on the Toronto independent scene for the better part of the next two years.

The band was seen by a label owner and were signed to FontHill Records in late 1968. They continued on the circuit, while writing original material and financing the recording of their first lp. With the production help of Robert Thomson, it finally saw the light of day in the spring of 1970. The album was full of raw power, with inspirational remnants from everything from the British Invasion to the surf sound, from Chet Atkins to Black Sabbath. Reminiscent of a less-structured Deep Purple album, tracks like the lead-off "Flaggit" and "Tough Nuts" gave you the unbridled passion of a young band doing it their way, while "Advance in A Minor" showed the band's tight structure and classical influences, in what could only be described as 'early eclectic post psychadelic'. A common theme throughout the lp was the band's pounding rhythms and straight forward guitar licks.

A 45 of "Rock Star" b/w "Flaggit" made the rounds of the radio stations, and along with their live show,the following grew. FontHill was bought out by London Records in '71, leaving the band in the lurches as to their status for several months. The band carried on throughout the circuit, when they discovered they were without a label. London reissued Warpig's debut a year later, repackaged and remastered.

The group carried on, writing material while on the road and slipping into the recording studio when they could book some time. But what was supposed to be the band's second lp got shelved when they couldn't find a distributor. Upset with management and the band's general direction, Snitch left the Warpig tent in '73, followed by the complete breakup of the band a short while later. Everyone went on to do outside projects and their own things, Donmoyer carried on in the business for a few...
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WarpigWarpig
Import
Relapse Records UK 2006
Audio CD$13.13
$11.84 (used)
WarpigWarpig
Import
PID 2006
Audio CD$42.48
$42.84 (used)

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3.26 | 8 ratings
Warpig
1970

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WARPIG Music Reviews


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 Warpig by WARPIG album cover Studio Album, 1970
3.26 | 8 ratings

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Warpig
Warpig Heavy Prog

Review by Sean Trane
Special Collaborator Prog Folk

3 stars Sole self-titled album from a Canadian heavy/proto-prog group that did not likely take their names from the Sabbath song. A double guitar quartet, even though Dana Snitch plays keyboards as well (organ & piano mainly) came from Southern Ontario (let's say Toronto was their backyard) and developed a hard-driving prog that hovers between Deep Purple, Atomic Rooster and other hard rockin' British groups of the times. Their only album got released twice, the second time in72 on a different label, got remastered and benefited from a new sleeve "artwork" (the one featured above), but the first pressing is now much- sought after.

The album opener Flaggit was also issued as a single and it's a catchy heavy rock up- tempo blues-derived tune, enthralling despite the band's lack of a distinct sound, but the guitars are well out front. Tough Nuts is more of the same. The following Melody With Balls is a slower and heavier track, where Donmoyer's guitar seems to have slept with Blackmore's Stratocaster and borrowed its timbre. The next (album-longest) track, Advance Am, is quite a (welcomed) change, but the piano-dominated tune is a rather patchy attempt at being progressive, though not entirely convincing, even if the piano seems to be played like a harpsichord. Rock Star is the B-side of the single, but from what I hear, it would've been more successful than its A-side. Sunflight is definitely one of the better track on the album, and is a bit reminiscent of Wishbone Ash and Uriah Heep. Next up is U.X.I.B. (don't ask), starting on a harpsichord that leads you into an organ and heavy guitar blues chords and riffs, before veering slightly psych and a tad oriental, like East Of Eden's debut. The closing Moth is in line with the rest of the album, but it might just be the fastest song of theirs (well outside the slow middle section), and derails completely at the end wuith that looney laughter.

While the second release of their album drew some sales, it might just seem to today's progheads that Warpig's work came a tad too late for that summer of 73. Then first the drummer first, then the keyboardist would leave the band and if the band remained alive, opening concerts for major acts throughout Ontario until 75, even starting a second album, it would be it in terms of releases. The Cd reissue of 06 on Relapse is a legit one and sports the second (London label) sleeve While Warpig might appear a bit raw and rough- edged to symphonic progheads, they were part of the second wave of bands behind the pioneering groups like Nucleus, Plastic Cloud, Collectors (future Chilliwack), Guess Who, etc?. By all means not essential at all, but still a pleasant manner to fill you shelves. Your call really.

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