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CAPTAIN BEYOND

Heavy Prog • United States


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Captain Beyond biography
One of the more overlooked super groups in the history of rock, CAPTAIN BEYOND was formed by ex-DEEP PURPLE singer Rod Evans, ex-IRON BUTTERFLY guitarists Larry Reinhart and Lee Dorman, and ex Johnny Winter drummer Bobby Caldwell in 1972. The band only put out three albums, and never achieved more than a cult following, but they also managed to put out three strong albums of psychedelic guitar rock, reminiscent of a heavier PINK FLOYD at times. After their 1972 self-titled debut album, Caldwell quit and was replaced by Marty Rodriguez. With Rodriguez, the band produced a 1973 sophomore effort titled "Sufficiently Breathless", after which Evans departed and the band went on hiatus. It wasn't until 1976 that they returned, at which point Caldwell rejoined and Willy Daffern (who had previously played drums for a few bands) replaced Evans on vocals. Their third album, 1977's "Dawn Explosion" went largely unnoticed however, and the band folded shortly afterwards.

The group's best album has to be their first, which also featured an amazing album cover. Their sophomore effort "Sufficiently Breathless" has longer tracks, and is probably more progressive, but it falls short of the sheer firepower of the debut. As for "Dawn Explosion", well let's just say it went unnoticed for a reason.

CAPTAIN BEYOND will likely appeal to fans of HAWKWIND, as they play a similar brand of psychedelic hard rock (albiet a bit heavier). Anyone who enjoyed Rod Evans' work with DEEP PURPLE would also do well to check out the band's first two albums. That said, they never made anything truly essential in one's prog collection, and because of this, people not into their style of music should stay away from them altogether.

: : : Bryan Adair, CANADA : : :

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Captain BeyondCaptain Beyond
Remastered
Fontana Island 1997
Audio CD$1.77
$1.60 (used)
Sufficiently BreathlessSufficiently Breathless
Remastered
Fontana Island 1998
Audio CD$1.47
$1.99 (used)
Live In Texas - October 6, 1973Live In Texas - October 6, 1973
Cleopatra 2013
Vinyl$10.63
$19.99 (used)
Dawn ExplosionDawn Explosion
Remastered
Friday Music 2008
Audio CD$10.03
$8.62 (used)
Live AnthologyLive Anthology
Limited Edition
Cleopatra 2013
Audio CD$16.92
$20.08 (used)
Captain Beyond Only 500 Made Black Velvet Gatefold Jacket with Silver Foil StampingCaptain Beyond Only 500 Made Black Velvet Gatefold Jacket with Silver Foil Stamping
Cleopatra Records
Vinyl$39.99
Captain Beyond & Sufficiently BreathlessCaptain Beyond & Sufficiently Breathless
Raven [Australia] 2009
Audio CD$15.30
$13.98 (used)
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CAPRICORN
Vinyl$298.99
$9.95 (used)
Sufficiently BreathlessSufficiently Breathless
Capricorn
Vinyl$49.99
$7.00 (used)
Captain BeyondCaptain Beyond
Remastered · Import
Universal Japan 2013
Audio CD$86.18
$51.71 (used)
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CAPTAIN BEYOND discography


Ordered by release date | Showing ratings (top albums) | Help Progarchives.com to complete the discography and add albums

CAPTAIN BEYOND top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.94 | 174 ratings
Captain Beyond
1972
3.12 | 59 ratings
Sufficiently Breathless
1973
2.94 | 30 ratings
Dawn Explosion
1977

CAPTAIN BEYOND Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

4.67 | 6 ratings
Far Beyond a Distant Sun - Live in Arlington Texas
2002

CAPTAIN BEYOND Videos (DVD, Blu-ray, VHS etc)

CAPTAIN BEYOND Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

CAPTAIN BEYOND Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

3.00 | 5 ratings
Night Train Calling (EP)
2000

CAPTAIN BEYOND Reviews


Showing last 10 reviews only
 Sufficiently Breathless by CAPTAIN BEYOND album cover Studio Album, 1973
3.12 | 59 ratings

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Sufficiently Breathless
Captain Beyond Heavy Prog

Review by friso
Prog Reviewer

3 stars Captain Beyond - Sufficiently Breathless (1973)

Main composer en former drummer Bobby Caldwell had left the band and the second Captain Beyond album is quite different from the cool and hugely innovative heavy rock masterpiece that is the debut. One of my all-time favorites I must add.

The sound-pallet is expanded on 'Sufficiently Breathless'with acoustic guitars, keyboards and percussions. The compositions are hard rock with some inventive hooks, but without the former punch and wild ideas. The rhythmical experimentation is all but gone. The production is slightly better though. The foldout cover artwork is very nice, even from the inside. On the second side band seems to be more free and we find some of the more original compositions.

Conclusion. This is still a good heavy rock album with some catchy song-writing, riffing and a cool sound. Three stars, but only recommended to fans of heavy rock from the early seventies.

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 Captain Beyond by CAPTAIN BEYOND album cover Studio Album, 1972
3.94 | 174 ratings

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Captain Beyond
Captain Beyond Heavy Prog

Review by Menswear
Prog Reviewer

5 stars Enticing.

I snubbed many bands, thinking they were just a poor ersatz of their past glory and again I was proved wrong. Captain Beyond is not a leftover of Deep Purple and Iron Butterfly but indeed closer to a supergroup. And a convincing one at that.

Trippy many times with success, catchy, ballzy sound and stellar vocals, Captain Beyond reminds me of a young band that did stepped aside of the commercial march: Queens of the Stone Age. If you listen carefully, you will hear many things that (perhaps) inspired Josh Homme like the vocal arrangements and the crazy riffing.

It's like expelled tribe members of Survivor formed a band and surpassed themselves!

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 Captain Beyond by CAPTAIN BEYOND album cover Studio Album, 1972
3.94 | 174 ratings

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Captain Beyond
Captain Beyond Heavy Prog

Review by Gatot
Special Collaborator Honorary Collaborator

4 stars Well, I have to admit that I only knew the music of this band only sometime five years ago when a friend of mine indicated that he has the CD of this album. When I listened to this one, I did not try to push or relate very hard with who's who of the band members even though my friend told me that he had this album due to somehow related to Deep Purple as Rod Evans was here. I tried to spin the album as objective as possible without any preconceived mind about what style of music they play or they should play. The result was a great experience.

First off, I had a feeling about vintage sounds the band play along the way through the tracks presented at the track list. My first reaction, the guitar playing is marvelous and admire it. It's not something compared to how Ritchie Blackmore or Jimmy Page play but to me the guitar playing is something that really sound raw with minimum effects such as baby cry and many guitar fills played around the tracks. The track duration is basically short with some of them only one minute more. However the flow of tracks are really nice and I got no trouble at all listening to the album in its entirety. Opened with some sort of raw drumming the "Dancing madly backwards (on a sea of air)" (4:02) moves beautifully with excellent vocal line by Rod Evans. The music is dynamic and relatively fast tempo and then continue to second track "Armworth" (1:48) that serves as a bridge to the next "Myopic void" (3:30) smoothly.

"Mesmerization eclipse" (3:48) is another rock outfit that impresses me in its dynamic and relatively fast tempo. It continues to "Raging river of fear" (3:51) neatly with good transition. While "Thousand days of yesterday (intro)" (1:19) is ambient in style, it then moves beautifully to a dynamic "Frozen over" (3:46) with energetic guitar and vocal line combined with inventive drumming.

Composition-wise, all tracks are excellent and different than typical hard rock music as they impose also some psychedelic style in the music. The melody is basically standard with not so much memorable pieces but all of them lumped together with excellent harmonies stemming from instruments played by the musicians involved. I fail to identify tracks that become my favorites. The reason is simple: this is the kind of album that must be enjoyed in its entirety - so it's hard to identify which tracks are best. I just enjoy the flow of music ...and it's excellent!

Peace on earth and mercy mild - GW

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 Sufficiently Breathless by CAPTAIN BEYOND album cover Studio Album, 1973
3.12 | 59 ratings

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Sufficiently Breathless
Captain Beyond Heavy Prog

Review by stefro
Prog Reviewer

4 stars Why this 1973 album from Captain Beyond, the group's second, gets such a bad rep is beyond this writer's comprehension. Issued in the wake of their eponymous, hard-rockin' debut, 'Sufficiently Breathless' saw the expanded line-up fleshing out the first album's nuts-and-bolts sound with a strong injection of dreamy prog atmospherics and Santana-style grooves. As a result, 'Sufficiently Breathless' proves a marked improvement over its predecessor in almost every department. Simply put, this is a fresher, more imaginative and funkier group at work here, whilst the album also features the group's heart-breakingly brilliant signature ballad 'Starglow Energy', a cosmic rock classic of startling power and emotion and a track that has one yearning for the stars. Add the catchy jangle-pop of 'Bright Blue Tango', the Latin-fused anthem 'Drifting In Space' and the impressive closer 'Everything's A Circle', and what you have here is a damn-fine slice of colorful 1970s rock. The real shame is the fact that Captain Beyond could never quite rise beyond the level of cult status, yet thankfully they did leave behind a trio of albums that all true classic rock lovers should hear. Highly-recommended. STEFAN TURNER, STOKE NEWINGTON, 2013

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 Captain Beyond by CAPTAIN BEYOND album cover Studio Album, 1972
3.94 | 174 ratings

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Captain Beyond
Captain Beyond Heavy Prog

Review by Memo_anathemo

3 stars Do you remember the first lead singer of Deep Purple? Rod Evans, after leaving the band formed Captain Beyond with former guitarists of Iron Butterfly, Larry Reinhardt and Lee Dorman and former Johnny Winter's drummer Bobby Caldwell. Together they managed to put together a band that could sound much in the vein of Deep Purple, heavy Led Zeppelin or psychedelic Pink Floyd. the first self titled album is a good effort and for those lovers of classic rock, it is widely recommended. Even though it doesn't reach the top albums of its time, it is a cult album that now has become a jewel.

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 Captain Beyond by CAPTAIN BEYOND album cover Studio Album, 1972
3.94 | 174 ratings

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Captain Beyond
Captain Beyond Heavy Prog

Review by LinusW
Special Collaborator Italian Prog Specialist

2 stars A perfectly decent slab of guitar-driven, adventurous, 70s hard rock, but not enough of anything else.

Riff oriented, up-tempo, slightly murky and gritty hard 'n' heavy music like this with infectious grooves and a bluesy backbone isn't hard to find or imagine. And that's always a bit of a let down when listening to Captain Beyond's debut. You've heard things like this before. In itself that's not a bad thing, but Captain Beyond never really breaks free from the mould enough to make this a memorable disc.

Sure, the power, directness and instrumental aggression here stand out and feel like refreshing kicks in the butt in comparison to similar acts of the time. Bursting with energy, the band revels in punchy, bouncy riff fests and quick, short shifts in direction in melody or rhythm. With a decently engaging rhythm section and the visceral muscle to back it all up, the menacing rumble almost reaches the level of Black Sabbath now and then. Overall, it's a brighter, friskier and livelier journey. The music never stands still, with little room for breathers among the thirteen tracks. But yes, there's still that tendency to revert back to type in bar room brawl-ish, bluesy, hard rock clichés now and then. Disappointing. The best bits tend to be fast and direct barrages of nastier unpredictable riffs or slightly jazzy, busy sections dominated by repetitive and fiery guitar motifs and an enticingly spontaneous rhythmic framework. And while youthful, sprightly hard rock energy dominates, there are a few nice, but not spectacular, acoustic moments around and even touches of psychedelia and space rock to liven up the proceedings. However, most of the the bits that divert from the disciplined and tight rock onslaught are never really expanded or developed upon, serving as ornament rather than truly integrated bits. There is a slight haziness and will to build from repetition that I rather like. A spacier, more textured and dynamic side of the band that never really is brought to the front. In general it is killed off by the restless nature and relentless drive forwards before anything nuanced, layered or dynamic is allowed to take place.

You may love this album for its compact, energetic vitality, but my enjoyment is mired by it. Focus, drive and compact energy might leave you breathless for a while, but after a while Captain Beyond feels rather flat and limited by it. Things just flutter by in quick succession, eagerly hoping you'll enjoy the presentation more than the content.

Initially dazzling, occasionally a blast, regularly a bit of a disappointment.

2 stars.

//LinusW

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 Captain Beyond by CAPTAIN BEYOND album cover Studio Album, 1972
3.94 | 174 ratings

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Captain Beyond
Captain Beyond Heavy Prog

Review by Warthur
Prog Reviewer

4 stars Captain Beyond's self-titled album combines hard rock heroics with prog-derived song suite structures to offer up a memorable trip. With Rod Evans adding a quintessentially hard rock voice to proceedings and Larry Reinhardt delivering a similarly muscular performance, this certainly isn't one of the more delicate or pretty prog albums of the 1970s, but it does deserve to sit alongside the early Queen albums as a good example of how prog song structures can rock with the best of them. The album was dedicated to the late Duane Allman, who had helped convince Capricorn Records to take on the supergroup, and there's definitely a certain bluesiness to the riffing here and there, so if you wanted to hear what the Allman Brothers or Cream would have sounded like had they turned their music in a proggier direction this album might just answer that question.

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 Captain Beyond by CAPTAIN BEYOND album cover Studio Album, 1972
3.94 | 174 ratings

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Captain Beyond
Captain Beyond Heavy Prog

Review by stefro
Prog Reviewer

4 stars A criminally-underrated hard rock outfit featuring former members of both Deep Purple and Iron Butterfly, Captain Beyond would never quite manage to rise above cult status during their initial five-year career despite issuing at least two excellent studio albums. Released in 1972, this self-titled debut effort fused energetic hard- rock prowess and bluesy elements with subtle progressive textures and ex-Deep Purple frontman Rod Evans powerful vocals, creating a dense sound that falls somewhere between Led Zeppelin and Iron Butterfly. With the psychedelic ingredients replaced by melodic guitars and deceptively-intricate rhythms, 'Captain Beyond' remarkably captures the best of several musical worlds, coming off like some kind of prog-tinged proto-metal 1970's rock hybrid that should have been ripe for North American rock radio. For reasons that remain unclear, however, neither this first album or the superior, and overtly-progressive follow-up 'Sufficiently Breathlerss' captured the imaginations of the wider record-purchasing public, the group having to make do with minor- league rock 'n' roll status despite their impressive major-league sound. Both albums are highly recommended for those who enjoy the slightly heavier side of 1970's progressive rock, with this slickly-produced and highly- accomplished album featuring such toe-tapping nuggets as the groove-packed opener 'Dancing Madly Backwards', the catchy rocker 'Raging River Of Fear', the warm melodic strains of 'Thousand Days Of Yesterday' and the catatonic riff-prog of the gutsy 'Frozen Over'. STEFAN TURNER, STOKE NEWINGTON, 2012

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 Captain Beyond by CAPTAIN BEYOND album cover Studio Album, 1972
3.94 | 174 ratings

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Captain Beyond
Captain Beyond Heavy Prog

Review by FragileKings

4 stars Following the paths of the various members of Deep Purple lead me to Captain Beyond. DP Mk I vocalist Rod Evans took up the mic for Captain Beyond. But what thrilled me was that Iron Butterfly's guitarist Larry (Rhino) Rienhardt and bassist Lee Dorman were also part of this outfit. Rhino appeared on the final Butterfly studio effort Metamorphosis before the band split up for a while (restarted later for two albums by "In-A-Gadda-Da-Vida"/"Ball" guitarist Erik Brann). Metamorphosis is my favourite Iron Butterfly album because of the guitar sound and variety of riffs, rhythms and time signatures.

Captain Beyond's first album does not disappoint. It starts off a rock album with no gimmicks or tricks. Rhino's innovative guitar playing is backed by a heavy rhythm section provided by Dorman's bass and the splintering drums of Bobby Caldwell (Who? Well, you know him now!). The man has a full arsenal of drumming skill and he doesn't hold back. Rod Evans was never much of a hard rock vocalist but he gives it a good effort, sometimes surprisingly on the edge, once or twice a little over the edge of his abilities. By the time the album reaches tracks four and five - "Mesmerization Eclipse" and "Raging River of Fear" respectively - you are starting to wonder if these guys plan to just rock away the whole album. In fact, there are only a couple of acoustic parts and no real ballads. Any track that starts slow doesn't stay that way for much more than a minute. Then it's back to the hard rock and roll machinegun attack. The final track "I Can't Feel Nothin' (Part II)" closes the album with a brief but rock out tune that should encourage fist pumping and head banging.

Like Iron Butterfly's "Metamorphosis", Captain Beyond's first album features ever changing guitar riffs, chord progressions, and time signatures. As my old guitar teacher said about Butterfly, "It's as if they are trying to put as many notes in the song as possible." The album has two song clusters, groups of related tracks with parts and intros. Sometimes it is hard to tell when one track has ended and the next has begun. The lyrics of "Myopic Void" close with the title for "Dancing Madly Backwards (On a Sea of Air)". On the other hand, the 15- second instrumental "Astral Lady" is nothing more than a guitar solo joining "As the Moon Speaks (To the Waves of the Sea)" and "As the Moon Speaks (Return)". You might wonder why the guitar break was only 15 seconds. What was the point of giving it a name? Maybe it was a psychedelic thing.

The guitar sound never gets really heavy with distortion. A suitable comparison would be Oasis's "F**king in the Bushes". Nevertheless, the album rocks and Captain Beyond proves to have no shortage of ideas for the guitar. By the time the album has played through you'll be wondering what hit you.

As a heavy prog album it fits the bill nicely. I actually suspected this album would be on this site and did a search. I am glad to see others recognized it for what it is. Highly recommended to heavy prog and 70's hard rock fans.

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 Captain Beyond by CAPTAIN BEYOND album cover Studio Album, 1972
3.94 | 174 ratings

BUY
Captain Beyond
Captain Beyond Heavy Prog

Review by AtomicCrimsonRush
Special Collaborator Symphonic Team

4 stars Thanks to the reviewers here I was drawn to this album like a moth to a flame. Immediately I was dazzled by crunching riffs with heavy guitars and then amazing time changes locking into killer riffing with dirty guitar sounds and serious vocals. The time sigs changes so dramatically it is hard to keep up but it is such a delight to be treated to an obscurity like this hiding in the prog vaults. It begins with 'Dancing Madly Backwards (On a Sea of Air)' with all the time shifts and then blazes straight into 'Armworth' with Rod Evans' vocals, from Deep Purple, and hard rocking non stop rock rhythms.

The riffs are always prevalent and driving headlong to new half time feels and awesome instrumental breaks with the mind bending guitars of Rhino, from Iron Butterfly. His slide guitar work is absolutely psychedelic and atmospheric. Bobby Caldwell was a brilliant drummer and has a field day on percussion injecting timpani triplets and odd beats throughout. The bass of Lee Dorman is a constant pulse. 'Mesmerization Eclipse' is the first break into a different feel after the non stop opening suite of songs. There is another heavy riff and Deep Purple style vocals. They are much more progressive though, and once again the song reaks into several signatures, the band are brimming over with creativity and one never knows where they will go next, fast to slow to downright out of place, each meter is a pattern that locks on with that ever present heavy guitar. I didn't like the way this faded out slowly but immediately the next riff settles in on 'Raging River Of Fear'. This has a heavy bluesy feel, aggressive vocals and accomplished rhythm changes. The drums on this are incredible, constantly providing new tempos and fast paced beats and fills.

'Thousand Days Of Yesterday (Intro)' settles down the fury with quiet acoustic picking and gentle vocals. The harmonies are nice and the overall feel is melancholy to break away from the heaviness before and after. It doesn't last long as the next moment guitars crunch in and a fast tempo with forced vocals on 'Frozen Over'. The half time feel on this is astonishing injecting new metrics and it then changes completely in the next section. Nobody changes time sigs like Captain Beyond; so rapid and always appropriate. It fades into an accelerated acoustic rhythm on 'Thousand Days Of Yesterdays (Time Since Come & Gone)'.

A fantastic rhythm locks in and Rhino is dynamic in the lead break. It fades and hammering chords intro 'I Cant Feel Nothin (Part 1)'. The drums are dazzling along with another massive riff. The vocals are easy on the ears and close to the Bachman Turner Overdrive style. The music continues non stop with a suite of songs; 'As The Moon Speaks (To the Waves of the Sea)' a quiet acoustic piece of beauty with narrative vocals, 'Astral Lady', 'As The Moon Speaks (Return)' back to the pounding rock of 'I Cant Feel Nothin (Part 2)'.

What a fantastic heavy slice of prog with an obscurity that should be unearthed and played often. A great find for any heavy prog fan and one to return to habitually.

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