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HEADSPACE

Heavy Prog • United Kingdom


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"We went into rehearsals with no preconceived style in mind", recalls Adam WAKEMAN, "or any riffs for that matter. We just wanted to do music we enjoyed and got a buzz from".

Filling big shoes is an understatement when you're talking about one of the all-time heroes of progressive rock, but legendary keyboardist Rick WAKEMAN's son Adam, also a keyboard player, has been doing just that for some time. Here he's stretched out into the brave new world of modern prog with the help of some fine talent in guitarist Pete RINALDI, bassist Lee POMEROY, Rich BROOK on drums and singer Damian WILSON. The quintet offer a fine selection for their debut EP 'I Am' carving a distinct but digestible bit of well-recorded prog with a sporadically hard edge.

A band to keep an eye on led by the offspring of an icon, and will appeal to fans who appreciate a meeting of contemporary greats as PAIN of SALVATION or COHEED&CAMBRIA with prog staples as RUSH and YES.


- Atavachron (David) -

Headspace official website

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All That You Fear Is GoneAll That You Fear Is Gone
Inside Out Music 2016
Audio CD$10.61
$8.89 (used)
I Am AnonymousI Am Anonymous
Inside Out Music 2012
Audio CD$6.78
$5.78 (used)
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Imports
Audio CD$56.78
Cosmic LandcapesCosmic Landcapes
Import
Scenario Music 2004
Audio CD$39.95
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Scenario Music
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Fdn 3
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I Am Anonymous by HeadspaceI Am Anonymous by Headspace
Century Media
Audio CD$39.14
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Inside Out Music
Audio CD$56.87
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HEADSPACE discography


Ordered by release date | Showing ratings (top albums) | Help Progarchives.com to complete the discography and add albums

HEADSPACE top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.75 | 226 ratings
I Am Anonymous
2012
3.80 | 113 ratings
All That You Fear Is Gone
2016

HEADSPACE Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

HEADSPACE Videos (DVD, Blu-ray, VHS etc)

HEADSPACE Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

HEADSPACE Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

4.03 | 14 ratings
I Am
2007

HEADSPACE Reviews


Showing last 10 reviews only
 All That You Fear Is Gone by HEADSPACE album cover Studio Album, 2016
3.80 | 113 ratings

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All That You Fear Is Gone
Headspace Heavy Prog

Review by poito

3 stars Are you old enough to recognize the spirit of early YES? Then you might recognize the efforts of Headspace not to be found there... without success. Metal Djenty YES? It may not be a bad idea. Not original, but worth to try. Their former I Am Anonimous was a hodgepodge of sounds trying to appear as a complex and original composition that could not pass from a chaotic medley written and played by some wanabees for their own delight, though they took some by surprise. The noise in the media seems to have persuaded the band and surroundings that, maybe, they did have something to mean in music. Whatever happened in these years, they go formal and respectful to musical creation in this album. Still, it is a bit embarrassing to see how many rated this acceptable album higher than all-time masterpieces as Fragile, or Relayer. One by one, each of the band members' musical talent is eons away from their beloved parents. Wilson's singing is just tolerable here, trying at his most, blatantly emulating Anderson. The drums are naif and excessively loudly for the little they have. Guitars are doing an excellent work, but will never get close to Howe, same for the bass and little Wakeman in their respective parts of Squire and dad. Anyway, this time I won't let myself go down by the overrating fever and I will recognize that the boys are growing. I would even say they may get high... in the next, if they manage to write good songs without dressing in YES clothes. They can; songwriting is the best of the album along with the guitar work and some arrangements at the keys. Some tracks are much better than others. Polluted Alcohol is a nice tribute to Zepellin's. The Science Within is a 13 min long epic, the less Yessistic and the less inspired, with senseless jumble lyrics, it bores after a few rounds (as many of the tracks here, there it lies the problem; that will never happen with Fragile, even if it gets stuck forever in the player; that's the difference with the originals and where the real genius shows up!). I liked the high spirit of The Day You Return. The opener and closing tracks Road to Supremacy and Secular Soul are probably the best. 3.5.
 All That You Fear Is Gone by HEADSPACE album cover Studio Album, 2016
3.80 | 113 ratings

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All That You Fear Is Gone
Headspace Heavy Prog

Review by Angelo
Special Collaborator Honorary Collaborator / Retired Admin

3 stars The opening of Headspace' new album, Road to Supremacy, and certainly the vocals made me feel like listening to an 80s or 90s AOR album. Maybe one by Survivor or Foreigner or perhaps Don Airey's magnificent album K2 - Tales of Triumph and Tragedy. When the music speeds up, that quickly changes - the music moves into solid heavy rock, with sometimes Yes or Rush like bass, and high pitched, wailing keyboards in the background - before going back to a soft piano tune. As solid, and more in vein of a lighter (older) Dream Theater is Your Life Will Change.

The band is capable of doing that, but also of other things - as they show on Polluted Alcohol, a track they described in an interview with iO Pages as having amore 'Paris Texas' vibe. Also on Kill You with Kindness, which has a melodic, melancholic midsection, or the somewhat psychedelic The Element does the band show it's potential for variation.

The musicianship is great, and I love the tightness of Adam Faulkner's drums, the growling of Lee Pomeray's bass and the vocals of Damian Wilson. I'm not too fond of the wailing keyboards but Adam Wakeman shows he can do other things as well, and Pete Rinaldi is far form your average shredder.

This musician ship as well as the variation in music are as evident in the 13 minute track The Science Within Us as in the album throughout, however, I have a hard time spotting something that is really new and original - or something that really catches me and makes me go back again and again. Maybe the album needs more getting used to, maybe it just isn't there. Overall, it's a solid album to have, but not as special as it could have been, given the resumes of the band members. Try before you buy, just in case.

Also published on my blog www.angelosrockorphanage.com

 All That You Fear Is Gone by HEADSPACE album cover Studio Album, 2016
3.80 | 113 ratings

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All That You Fear Is Gone
Headspace Heavy Prog

Review by javajeff

5 stars I really loved their debut album, and their new one is just as good or even better. Damian Wilson's vocals are just stellar on everything he does, and All That You Fear Is Gone is no exception. Adam Wakeman's keyboards sound fantastic, and the musicianship all around is tight and amazing. For me the real standout on this release is the song writing. It is just brilliant! Your Life Will Change, Kill You With Kindness, The Science Within Us, and Borders and Days are the standouts for me if I had to choose, but it the real focus on humanity throughout the album is what makes this an interesting concept. Add some excellent compositions, and you have a top notch release. Anyone interested in progressive rock or progressive metal will love this album.
 All That You Fear Is Gone by HEADSPACE album cover Studio Album, 2016
3.80 | 113 ratings

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All That You Fear Is Gone
Headspace Heavy Prog

Review by BrufordFreak
Collaborator Jazz-Rock/Fusion/Canterbury Team

4 stars Very well produced, great sounding heavy prog rock--much like their debut I Am Anonymous. As a whole the album has great recording and engineering of very competent musical compositions with great theatric vocals from DAMIAN WILSON and awesomely controlled performances from all instrumentalists--including keyboard player Adam WAKEMAN, bass/Chapman Stick player Lee POMEROY, and drummer Adam FAULKNER and guitarist Pete RINALDI. The journey the band takes me on makes me feel as though I am listening to a modern, heavier, almost-metal version of Jesus Christ Superstar. These guys are all polished pros. I just wish there was something new here, something wowing. It is very competent, beautiful sounding heavy prog, but nothing much more. All songs are good--very polished with pretty amazing sonic clarity and power. It's just missing something. And it's too long. (73 minutes.) Maybe the real problem is that it does, in fact, sound so much like their debut; it's as if they have just rehashed previously travelled material with new lyrics. Or maybe it's the feeling that I'm listening to the modern version of FOREIGNER.

Best songs: the prog epic 6. "The Science Within Us" (13:14) and the finale, "Secular Soul" (10:36).

3.5 star album marked up for amazing sound and top notch musicianship/performances.

 I Am Anonymous by HEADSPACE album cover Studio Album, 2012
3.75 | 226 ratings

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I Am Anonymous
Headspace Heavy Prog

Review by poito

1 stars There is little room for surprise in the prog rock scene. All we can expect is that every now and then a good songwriter drops by and adds some compositions to the gallery. This album honors the title name. The band gives path to the necessity of some well-known names of making music, maybe some are just trying to keep the family business on (Wakeman's offspring is here at the keys), but unsuccessfully, there is a notable lack of ideas. A pile of prog rock clichés combined in different formats, as if chasing or exploring for some tunes that always manage to run away from these lazy hunters. They almost catch one in the last minutes of In Hell's Name. Just to add something to my collection I'm going to save from the lions the track Invasion. The band has enough instrumental mastery, with nice guitar and keys adding the little salt to the pot. An average voice (Wilson's always was) trying to find a style (is he emulating Jon Anderson here?!), and a flat bass/drum set with nothing to say (Lee Pomeroy adds nothing, is he exhausted?). We all feel nostalgic of past great times, but we do no good by flattering anything that moves under the sun of the Olympo. Read the first sentence in the bio, that's it. Let the children play, let the children grow. One star to compensate for the undeserved starry milky way.
 I Am Anonymous by HEADSPACE album cover Studio Album, 2012
3.75 | 226 ratings

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I Am Anonymous
Headspace Heavy Prog

Review by Progulator
Prog Reviewer

4 stars Adam Wakeman: doesn't wear a cape, even though he is the son of Rick Wakeman; yes, that Rick Wakeman. With all the work Adam has been doing with Ozzy and Black Sabbath, somehow the last place I expected to see him releasing high quality material was in prog metal, and fine prog metal at that, even if it's not nearly symphonic enough to recall his father's work, although several reviewers have attempted to draw comparisons to his father's prog rock; there are none. Yet somehow, Headspace exceeded all my expectations. I, for one, get very bored with so-called prog metal releases, but this I Am Anonymous really hit the nail on the head. Wakeman managed to turn me from a doubter into a believer with smart compositions of epic length and a very special weapon: Damion Wilson.

Headspace's first full length album, I Am Anonymous mixes the best that Wakeman and Wilson have to offer. The tracks are tightly composed and lyrically ambitious, delivering an anti-war message that is both brutal and powerful. Overarching the individual songs are several sections that add loads of depth to the album through the perspective of a soldier and the ideology that he's fed. Apart from the lyrics themselves being brilliant and thorough, each of these overarching sections has a small bit of text that is crossed out, throwing the listener into the mental anguish of a soldier's struggle to cope with reality. Bottom line is that I Am Anonymous is a true lyrical gem, one which sucks you in and forces you to relate to what it's saying. There's actually so much text that you wonder how they are going to fit it into all the songs. Not only do they do so, but Damion's presentation of the lyrics is heartfelt and comprehensible, making the message accessible even without the presence of the album booklet.

What's great about Headspace's composition is that musically each track tells a story. Even without the gorgeous vocals of Mr. Damion Wilson, the songs themselves have a great sense of trajectory. Take "Fall of America," for example. It's large scale makes it possible to represent a number of moods, all of which do a majestic job at expressing the lyrics. The riffs are huge, in your face, and have tons of groove. At times Headspace breaks into hard rock territory, while there's other moments of fantastic dissonance with haunting keys and almost a polyrhythmic feel. The chorus is slow, doomy, and powerful. You can look at just about any track and find a similar story. This whole album is milks the ability to smoothly transitions you from exploding mortars to weeping for the dead as it pulls you in and out of harsh riffs and soulful ballads.

This is exactly why Damion Wilson, in my opinion, is the absolute perfect singer for this album. He knows how to be intense, he can sing his soul out on the soft parts, instilling the story with a sense of tragedy, and he can even be catchy and rhythmic, falling somewhere between a weird but clever feel half way between Tool and Porcupine Tree. His main strength, however, lies in his ability to interpret the lyrics. On "Soldier" he sounds so sorrowful that you are really asking yourself what you'll do when the war is over, hoping for a proper burial at home. The final track, "The Beginning," shows some brilliant, ethereal and uncanny vocal harmonies between Damion and members of the band, and the entire song is filled to the max with Damion delivering heartfelt lines heightened by gut wrenching lyrical beauty. I have heard this many in many bands and projects, and I must say that his vocal performances on Headspace take the cake; perhaps the finest work he's ever done as a whole.

These British boys certainly deliver both quality and quantity with their latest release, I Am Anonymous. This is an album that deserves thorough inspection, as it is getting better and better with every listen. When I first heard Damion with Rick Wakeman's New English Rock Ensemble, I thought it was a great combination. Little did I know that this Threshold legend of prog metal really was destined not for father, but for son. Adam sure found just the right group of musicians for this fantastic release. I wish them the best of luck and success in the future and am expecting more great releases in the future.

 I Am Anonymous by HEADSPACE album cover Studio Album, 2012
3.75 | 226 ratings

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I Am Anonymous
Headspace Heavy Prog

Review by b_olariu
Prog Reviewer

3 stars Headpsace is a young prog metal from UK but with veterans in prog rock and prog metal realms featuring here. Their first opus released in 2012 at Insideout label and named I am anonymus is a good towards great album, but I can't say is a groundbreaking album as many pretend to be. The cherry on the cake is for sure, at least to me thexcellent vocalist Damian Wilson, he has a super voice and fits perfectly here, also the keyboards of Adam Wakeman sounds pretty much ok, but nothing really impressive. The guitar is crunchy goes very much most of the time in prog metal territory with both mellow passages and more furious ones, each time Pete Rinaldi done a good job. The highlight is for sure, the opening track Stalled Armageddon, this pieces reminds me a lot of Threshold Extinct instinct era, both in manner of composing and aswell the voice of Wilson, a great prog metal tune with tempo changes, smooth passages and all ingredients to be a fairly solid track. The rest I can say are only ok, are good for sure, but nothing really excellent moments to my ears. Still a band to watch in the future they might come with a second offer as a nice surprise. 3 stars, maybe 3.5 in some parts.
 I Am Anonymous by HEADSPACE album cover Studio Album, 2012
3.75 | 226 ratings

BUY
I Am Anonymous
Headspace Heavy Prog

Review by kev rowland
Special Collaborator Honorary Collaborator

4 stars This album was eagerly awaited by many progheads, and with good reason. The line-up alone is enough to get anyone interested, and I tend to have a standard rule of thumb that anything that involves Damian Wilson is worth investigating. The first time I saw Damian on stage was a solo artist with an acoustic guitar opening up for Shadowland and Jadis at the Marquee on the Lurve Ambassadors tour a million years ago, and since then I have been lucky enough to catch him in concert with other groups and have most of his recorded output. To my poor abused ears one of Rick Wakeman's finest albums of his entire career is 'Out There', and who is the singer? Damian. But wait, there's more, who is the bassist? Lee Pomeroy. The Wakeman connection doesn't quite end there as drummer Richard Brooke has also played with Rick and is where he met the others. In fact you have to feel sorry for guitarist Pete Rinaldi as he is the only who hasn't played with Rick ? but at least now he is playing with his son as the keyboard player is none other than Adam Wakeman, who has well as being known for playing with his father has been with Ozzy for the last eight years and I can remember interviewing him years ago when he had the band Jeronimo Road. Now who could have been the singer with that band? Oh yes, that would have been Damian. It's all very incestuous in the prog scene.

So given that we have world class musicians, songwriters, producers and singer would one expect an ordinary album? Of course not. Perhaps somewhat surprising is that the album is more metal oriented than one might expect with Adam's presence, but given than he plays with the price of darkness and Damian fronts Threshold maybe not quite as much after all. But it isn't all blasting guitars and riffs, one of the most effective songs is "Soldier" which is a poignant short number with Damian being accompanied mostly be gentle piano chords ? the use of a tolling bell in the background is simple yet incredibly effective, taking the song to a whole new level of emotion and atmosphere.

"Daddy Fucking Loves You' is based on a conversation that Damian had with a soldier, where the soldier told him of the time he was trying to describe to his young child why he had to go overseas and eventually he burst out with that statement in frustration. It is fifteen minutes long, and starts with gentle acoustic guitar and clear vocals, but it soon becomes a prog metal monster. The riffs sound as if they could have come from Fear Factory, not a prog act, and one can imagine a mosh pit going for this one ? until Lee and Pete decide that they are going to lock horns and provide a load of complexity not normally associated with industrial metal. Dischords and jagged edges as the song twists and turns means that this takes on a life of its' own as it cross musical boundaries and creates a huge statement. It has taken these guys five years to produce their first album, something to do with them all being busy on other projects, let's hope that it isn't as long until the next one as this is the beginning of an incredible musical journey. www.insideout.de

 I Am Anonymous by HEADSPACE album cover Studio Album, 2012
3.75 | 226 ratings

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I Am Anonymous
Headspace Heavy Prog

Review by Warthur
Prog Reviewer

3 stars Calling their debut full-length I Am Anonymous is a ballsy move on the part of Headspace, particularly since progressive metal is a reasonably crowded field with an audience hungry for novelty - had they released an album a little too generic and derivative of pioneers in the style, they'd have written their own epitaph with the title. As it stands, the album does often sound rather... well... anonymous, with the prog metal checklist ticked off in rote fashion, but it's buoyed up somewhat by subtle, nuanced performances by Adam Wakeman on keyboards and Damian Wilson on vocals. From the paranoid refrain of "They know now!" on Stalled Armageddon onwards, it's clear that Wilson has a real knack for getting to the emotional core of a composition, whilst Wakeman manages to combined technically impressive keyboard work with a deft sense of when to seize the spotlight and when to give the other performers space to do their thing. Not a classic, but a good example of this sort of prog metal project, even if the title does cut a bit too close to home.
 I Am Anonymous by HEADSPACE album cover Studio Album, 2012
3.75 | 226 ratings

BUY
I Am Anonymous
Headspace Heavy Prog

Review by Gallifrey

4 stars "Doesn't It Make You Feel Like Murdering Someone?"

It took me a while to get my hands on I Am Anonymous. Back in the distant past of 2012, it was right at the top of my list. That album cover, that name, that logo, the fact that they were touring with Haken all pointed towards this album being insanely badass. At the time, I didn't really know much about the great Damian Wilson aside from the fact that he was once in Threshold, who I kind of liked, and I didn't really care for Adam Wakeman being Rick Wakeman's son, because firstly talent isn't really genetic and secondly I didn't really like Yes to start off with. But I Am Anonymous was supposed to be the greatest damn thing I'd heard in the entire year.

I'll admit, the first time I listened to it I was really disappointed. "God, this sounds like Dream Theater." I said, rather disgruntled. And not a good DT clone either, like Haken. This was the DT clone where they put things in 5/8 simply because they wanted to make it into 5/8, not because it worked with the music. I mean, some of those parts are cool, why are you adding an extra couple of semiquavers just so some idiots can masturbate to numbers? Rather annoyed, I put I Am Anonymous into my 3-star section and went on grumpily.

So now, you're probably wondering what's changed. Or not, since you don't actually give a [&*!#] and just want me to talk about the music. But anyway, you'll notice I now give this album a full 4 stars. Although, for many people (who are stupid), 4 stars isn't really a high grade, for me it's a really high grade. In fact, I was even considering raising I Am Anonymous to 4.5 a while ago, but abruptly changed by mind when I got to a certain section, which I will address later. But to be honest, all of my first impressions of this were true to a certain extent, so what changed?

Let's get two things out of the way first that might clear up why I like this album so much now;

1. Damian Wilson's voice is [%*!#]ING AWESOME 2. That guitar tone is [%*!#]ING AWESOME

It's strange how something as simple as that can turn an album of wank into something I genuinely enjoy. Because every time Damian's not singing, there's a riff running along with that really chunky sounding tone. I have no idea why it sounds so awesome, it just does. And Damian's voice is so poignant here. I have since heard him on other albums and I can honestly say this is his best performance, and it's ever so slightly different to what he does elsewhere, the sign of a great singer. The fact that here he does a different delivery to what he does on March of Progress, and yet you can still tell it's the same guy. In trying to describe the vocals here, I have eventually landed on something I call a "James Blunt-ism". And I'm sure there are much better singers than Blunt who do it, but he's probably the most well-known. It's that sort of reserved voice when you pull back and start attempting to sound like Leonard Nimoy. And Wilson's at it for this entire album, and it's fantastic. In fact, the first couple of minutes of "Daddy Fucking Loves You" feature probably the best vocal performance from 2012.

But it's not just that. One of the benefits of having such a chunky and epic guitar tone means that when you get it grooving, YOU GET IT GROOVING. God damn some of these riffs are head-bopping. And yes, they still do that annoying thing Dream Theater do when they change the riff too often for you to get in its rhythm, but songs like "Die With A Bullet" and "Invasion" that stay in the same time signature long enough are damn funky and really get your blood pumping. And the way Damian hits some almost hip-hop inspired rhythms on his vocal is fantastic to both listen to and emulate. In fact, as much as people will kill me for saying this, it reminds me a bit of the way David Draiman from Disturbed accentuates his delivery, with extreme focus on rhythm and giving his voice a more "punchy" feel. Both of the songs are about murdering people, too. They do a pretty good job of translating that into the music, since listening to "Die With A Bullet" while walking does really make me feel like a murderous killing machine.

And although this is a progressive band taking on a pretty serious topic like Post-Traumatic Stress Disorder, we don't see an abundance of the insanely cheesy lyrics that normally adorn this type of music. In fact, some of the lyrics are actually pretty poignant and well written. I'm not sure who wrote the lyrics here, (although Damian mentioned he wrote "Die With A Bullet" in his thanks column), but the album moves from solemn ("Soldier", "Daddy Fucking Loves You") to absolutely brutal ("Die With A Bullet") and doesn't really feel clichéd or out of place. I love the way that the lyrics, when read from the booklet, read like a train of thought as opposed to a line-by-line poem like a lot of bands. The band tells the tale of post-war and (presumably) flashbacks through the 5 stages of grief. Although this feels like the sort of crap a prog band would pull (each 25 minute song represents a stage of grief!!?!?!!!!1!one), it's not as blatant as that and actually fits the music.

But obviously, I Am Anonymous still has its shortcomings. There are the aforementioned dumb time changes. There's the middle 10 minutes of "Daddy Fucking Loves You" which goes from wank to wank without pause and makes for some of the dreariest listening ever. And then there's "Invasion", which takes too strongly from the wrong end of Porcupine Tree (at times sounding like a direct copy of "The Incident"), but luckily has a pretty decent ending that saves it. There are a few moments that are ruined by solos or stupid keyboard sounds, especially the solo in "Stalled Armageddon" which sounds insanely out of place, and the unnecessary inclusion of the keyboard solo in the almost-perfect "Die With A Bullet". Headspace are still a Dream Theater clone at heart and whenever this comes through it destroys quite a lot of the integrity, but I don't exactly blame them.

I Am Anonymous is most certainly an enjoyable album. It has a lot of character and a lot of melody. Although I listen to it because of the fantastically catchy melodies and stunning vocal delivery, you could just as easily listen to it for technical proficiency and interesting (although personally annoying) rhythmic ideas. I'd like to say that this is an incredible album, but it definitely turns to a complete mess in certain sections. Although for some reason, people seem to like that.

8.2

Originally written for my Facebook page/blog: www.facebook.com/neoprogisbestprog

Thanks to atavachron for the artist addition.

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