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BIRTH CONTROL

Heavy Prog • Germany


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Birth Control biography
Psychedelic Krautrock to Heavy Progressive Rock with elements of Blues and Jazz

BIRTH CONTROL were formed at the end of sixties. In those early years they played hybrid jazz rock compositions, mainly instrumental. They recorded their first album for Metronome bringing to the fore an accent for humour and provoking thoughts (the name of the band and the album cover illustrate it as well). Their second album "Operation" shows a great improvement in sound, a kind of heavy rock based sound with subtle jazzy arrangements. This album had a great success for the Ohr label (specialised to promote the rise of the German underground rock scene). In 1972, "Believe InThe Pill" was also released for Ohr. After several replacements, the quintet recorded "Rebirth", a progressive heavy rock album. In 1976, "Blackdoor Possibilities" was a commercial failure due to a more mainstream sound and the inclusion of more jazz elements. "Increase" recorded in 1977 marked a return to the hard rock source. BIRTH CONTROL come back to light in the 90s for many reunion albums as "Jungle Life" or "Two Worlds".

: : : Philippe Blache, FRANCE : : :

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Two Eggs: Two ConcertsTwo Eggs: Two Concerts
MADE IN GERMANY MUSI 2013
Audio CD$11.06
$18.52 (used)
Count On Dracula/Deal Done At NightCount On Dracula/Deal Done At Night
MADE IN GERMANY MUSI 2014
Audio CD$12.08
$18.52 (used)
Hoodoo ManHoodoo Man
Import
Columbia Europe 1994
Audio CD$5.01
$6.90 (used)
OperationOperation
Extra tracks · Import
Repertoire 2002
Audio CD$7.32
$6.88 (used)
Plastic PeoplePlastic People
Import
Repertoire 2001
Audio CD$7.51
$13.76 (used)
Birth ControlBirth Control
Import
Repertoire 2005
Audio CD$21.99
$32.98 (used)
Birth Control LiveBirth Control Live
Import · Remastered
Repertoire 2007
Audio CD$8.96
$12.98 (used)
LiveLive
Import
101 DISTRIBUTION 2003
Audio CD$4.48
$4.94 (used)
Blackdoor Possibilities Satory LiveBlackdoor Possibilities Satory Live
LTM Recordings 2007
Audio CD$13.12
$18.77 (used)
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BIRTH CONTROL shows & tickets


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BIRTH CONTROL discography


Ordered by release date | Showing ratings (top albums) | Help Progarchives.com to complete the discography and add albums

BIRTH CONTROL top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.11 | 48 ratings
Birth Control
1970
3.74 | 75 ratings
Operation
1971
3.80 | 107 ratings
Hoodoo Man
1972
3.63 | 55 ratings
Rebirth
1973
3.80 | 93 ratings
Plastic People
1975
3.56 | 67 ratings
Backdoor Possibilities
1976
3.06 | 32 ratings
Increase
1977
2.10 | 21 ratings
Titanic
1978
2.70 | 20 ratings
Count on Dracula
1980
3.27 | 14 ratings
Deal Done at Night
1981
3.21 | 20 ratings
Bäng!
1982
3.21 | 14 ratings
Two Worlds
1995
3.16 | 19 ratings
Jungle Life
1996
3.14 | 18 ratings
Getting There
1998
3.89 | 25 ratings
Alsatian
2003

BIRTH CONTROL Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.05 | 25 ratings
Birth Control Live
1974
3.19 | 12 ratings
Birth Control - Live '79
1979
3.13 | 5 ratings
Condominium
1994
3.05 | 3 ratings
Live Abortion
2000
3.33 | 3 ratings
Live in Lachendorf
2000
3.00 | 2 ratings
Live In Fulda - Alsatian Tour 2004
2004
3.33 | 3 ratings
35th Anniversary - Live At Rockpalast
2005
3.33 | 3 ratings
We Are Family - Live at 40th Anniversary Tour
2009

BIRTH CONTROL Videos (DVD, Blu-ray, VHS etc)

BIRTH CONTROL Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

4.00 | 4 ratings
Believe in the Pill
1972
2.17 | 4 ratings
The Best of Birth Control
1977
3.67 | 3 ratings
The Best of Birth Control Vol. 2
1978
3.00 | 4 ratings
Rock on Brain
1978
2.12 | 5 ratings
Birth Control - The Very Best of
1990
4.08 | 4 ratings
Birth Control Definitive Collection
1996

BIRTH CONTROL Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

4.33 | 3 ratings
The Work Is Done / Flesh And Blood
1971

BIRTH CONTROL Reviews


Showing last 10 reviews only
 Count on Dracula  by BIRTH CONTROL album cover Studio Album, 1980
2.70 | 20 ratings

BUY
Count on Dracula
Birth Control Heavy Prog

Review by TerryDactyl

4 stars I'm really surprised to see how unwelcome this album seems to be here. Why? Why? I ask as I shake my fists at the heavens and try to remember that there really is no place like home. But really such a low rating for Count on Dracula? I don't understand, but I do have a theory, and that is that very few people actually do the one thing that is required for a pure love bond with this record to occur: I can only assume the average listener doesn't REALLY *trust* the count. I suppose to make such an incredibly assumptive and arrogant statement like this means I must back it up, so I guess I will do that now.

Bullet Point One: This album is given most of it's incredibly heavy weight through the inclusion of three songs. These three songs of heaviness are:

1. Count on Dracula 2. The Rescue (Sometime in the Future) 3. Caterpillar

From the opening moment, the snarling organ, the awesome mixture of hard rock and funk, the absolutely bizarre lyrics that assure you that Bern really does trust the count, all the way through to the very end, this song just plain rocks. And maybe the plainness is what turns off many, I don't know, but I like the rocking rollicking quality of the song and the great vocals. A good opener that will soon be surpassed by probably the best song on the record...

And so the rescue went according to plan/ safe and sound safe and sound....The world is about to be blown up and someone somewhere is doing something to help someone get off it (maybe Ford and Arthur?) but it is a great tune, an excellent rocky almost danceable number that usually shakes my groove thing whether I want it to or not. It is true that the next couple songs are a little less exciting, but are they really? That, my friends, is not for my silly little self to decide because they do all rock nicely, groove ferociously and seem to be pretty wonderful in their own special way. "Pick on Me" was actually the single from the album and that they chose it as their single instead of either "The Rescue" or the (I'm about to talk about and gush all over) wonderful and quite gorgeous in its own way "Caterpillar" is a mystery to me and makes me think that Birth Control's lack of popularity had more to do with bad planning than any lack in the band itself! Because, whoa, what a song "Catepillar" is. Awesome lyrics, great music, a super fantastic better than anything Phil Collins ever made kind of song, that makes people who have never actually thought start smoking (from the ears) and people who have thought too much want to lay down on the ground and hurl donuts at the feet of the Virgin. Or that's what it would be like for me if I ever thought or didn't think.

The last two songs are rather nice if not the epic quality of the three I mentioned earlier. Plus, I mean, really it does have THAT cover...and nothing else really matters.

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 Operation  by BIRTH CONTROL album cover Studio Album, 1971
3.74 | 75 ratings

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Operation
Birth Control Heavy Prog

Review by Aussie-Byrd-Brother
Special Collaborator Rock Progressivo Italiano Team

4 stars Although my first Birth Control album was the later proggy `Backdoor Possibilities', I initially fell in love with the band for their initial proto-prog works. I'm a total sucker for all those Hammond- drenched hard rock albums by bands that would later embrace their prog curiosities, so those early albums by Grobschnitt, Beggers Opera, Atomic Rooster and others - load me up! `Operation' by Birth Control sits alongside those sort of LP's, so we're talking melodic accessible rock with lengthy stretches of instrumental workouts and group jamming usually in the middle of each track. The 6 pieces here also frequently incorporate hard R&B, pop/rockers and even a bit classical grandiosity right at the end.

`Stop Little Lady' is such a classic opener, a stomping and relentless Deep Purple-like rocker that balances a memorable melody and chorus with extended jamming. The verses have a spacey keyboard shimmer that always reminds me of those early Eloy albums, and the insanely catchy chorus sung with manic power by the always charismatic Bernd Noske will be stuck in your head for days! I completely lose my mind during the uptempo instrumental electric piano and searing organ run over scratchy grooving electric guitars in the middle too! `Just Before The Sun Will Rise' has a Genesis-like organ drive throughout backed up by a very propulsive beat, Bernd's bellowing in fine throat-shredding form and there's plenty of dangerous acid-rock guitaring and glistening Hammond too. `The Work Is Done' is almost as good as the opener, a 60's inspired darkly grooving R&B rocker with a female chorus and a thoughtful lyric.

If a little less chugging and heavy, side B's `Flesh and Blood' wouldn't have sounded out of place on a Beggars Opera album, it's a shorter hip-swivelling pop/rocker that's also gently psychedelic. `Pandemonium' is a heavy slab of intimidating plodding rock for the howling vocal sections and prickly unhinged delirious instrumental outbursts for the rest, especially the Hammond plastered over every damn inch of it. Then questionable closer `Let Us Do It Now' takes a left turn and adds some unexpected classical grandeur, bordering on cinematic sophistication. There's constant reflective heartfelt piano throughout, gentle orchestratations and horns to carry the drama, and a restrained and purring crooned vocal from Bernd too. It's not a total success, but I think it just stands out more because it sounds like nothing else on the rest of the disk rather than being no good. For a heavy rock band, there's is no doubt it's very ambitious and surely a sign of the progressive rock leanings they would later take.

Housed in a baffling and attention-getting offensive cover, `Operation' is scorching hot to me. Sure, in many ways, most of the tracks have the same structure (verse, chorus, big instrumental jam, back to verse, chorus), and even the following album `Hoodoo Man' would start seeing them becoming more adventurous and interesting to prog listeners. But I guess I just love the slightly rough sound, and to my ears these kind of riff and burning Hammond-heavy foot-tappers are sweaty, dangerous and damn sexy - even if the final track makes you dress up in your Sunday best and waltz with your lady across the dancefloor instead!

Four stars.

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 Birth Control - Live '79 by BIRTH CONTROL album cover Live, 1979
3.19 | 12 ratings

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Birth Control - Live '79
Birth Control Heavy Prog

Review by Aussie-Byrd-Brother
Special Collaborator Rock Progressivo Italiano Team

3 stars Man, this album always puts me in a great mood every time I play it! Although comprised of only a few tracks and long running times on most, it's really hardly one of their more progressive releases, rather it's just a damn good collection of superb 70's rock played by terrific musicians and a top- notch charismatic vocalist in the form of Bernd Noske. He has a sensational presence on this album, with a mix of gruff, confident and even romantic vocals. The LP is full of extended instrumental jamming amongst mostly straight-forward arrangements, with plenty of super-thick fuzzy organ, funky grooving guitars, commanding drum-work and aggressive bass playing.

What an opener `Titanic' is! Despite some borderline offensive and downright cheesy lyrics ("I've got a sinking feeling..." is particularly memorable!), it's overloaded with fiery bluesy-rock guitar work from Bruno Frenzel, wavering lead vocals, humming Hammond organ, powerful brooding drumming and even a vocoder/guitar back and forth in the middle for good measure! Best track on the album, and it always makes me smile.

Some will not enjoy the obviously funky/disco inspired bass playing on this album that first pops up on `Saturday Special'. Don't be put off by the fact that the track is a rather upbeat crowd-pleasing number, there's still plenty of spots for killer quick little lead guitar fills, very upbeat synth soloing and rattling percussion.

`Seems Like Confusion' is another stomping funk-rocker, made memorable by Bernd really shredding his vocal chords throughout the piece and the spiralling swirling extended keyboard/synth improv in the middle over the bouncing rhythm.

The strutting and punchy `Fight For You' is a real highlight! Cock-sure and crooning sultry vocals from Bernd, who's gunning for the ladies attention with lines like `I can't live without your kisses, your spirit and your soul' - commence swoon, girls! Some great dirty bluesy electric guitar as well, but it's bass player Horst that really steals the piece and makes it his own, just dominating the entire track. Especially listen to his grumbling bass soloing in the middle!

The hard R&B of `The Work Is Done' from Birth Control's terrific `Operation' album has been given a slight disco tweak here, although it's still quite heavy with wailing guitar soloing and shimmering organ. Admittedly this shorter version lacks the pleading lyric and somber atmosphere of the original, but still shows what a great tune it is anyway.

OK, so perhaps the album is a little dated by the endless funky bass playing (as terrific as it is), but there's no denying the talent still on display with the band. On `Live '79' you have a first-rate rock band playing in a more approachable melodic rock style while still incorporating progressive rock sophistication throughout. Well worth three and a half stars to my ears.

Why not dig out a copy for your next long drive on a nice summer day, I guarantee you'll have a great time!

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 Backdoor Possibilities by BIRTH CONTROL album cover Studio Album, 1976
3.56 | 67 ratings

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Backdoor Possibilities
Birth Control Heavy Prog

Review by b_olariu
Prog Reviewer

4 stars On Backdoor Possibilities from 1976 Birth Control explores little bit further on their sound coming with some jazzier elements in their symphonic/heavy prog atmosphere. This is an extravagant album, musicaly speaking, lots of instrumental passages, very well performed, some of them even brilliant like on The farrockaway ropedancer. Some parts has more proeminent keyboards passages then before and have a certain GentleGiant breeze in arrangements, but very nice in the end like on Behind gray walls or No Time To Die. The album overall is dynamic, very good musicianship and is pretty ok in my book, no weak moments and I think is equaly great as Plastic people that why I give 4 stars. Another of Birth Control overlooked albums from their most ambitious period in prog rock realm.

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 Plastic People  by BIRTH CONTROL album cover Studio Album, 1975
3.80 | 93 ratings

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Plastic People
Birth Control Heavy Prog

Review by b_olariu
Prog Reviewer

4 stars Plastic peolple from 1975 is regarded as one of the best Birth Control albums and for good reason for sure. Is one of my fav aswell from the band. With this album the germans manage to come with a more elaborated compositions in compartaion with previous albums, the combination of heavy prog elements are well melted with more symphonic ones and even some canterbury moments can be traced here and theere. Opning with the killer title track , clocking around 10 min, is truly a joy to listen from start to finish. Excellent innstrumental intro of the piece with lush organ and energic playing, aswell top notch musicianship. Maybe to some this album lacks in energy face Hoodoo man or Operations who were very heavy prog with driving guitars and keyboards, but Plastic people is more calculated more tight and have no weak moments for sure. I like the voice, or the voices, Peter Föller and Berd Noske done a great job, from dramatic parts from the title track to more subtle ones, the vocal department is well offered here. So, one of the better prog rock albums from mid '70 in general but kinda unfairly unnoticed in comparation with other names and albums from that period, definetly Birth Control sets new standards in their own sound and desearves attention from all prog lovers. 4 stars easy.

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 Hoodoo Man  by BIRTH CONTROL album cover Studio Album, 1972
3.80 | 107 ratings

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Hoodoo Man
Birth Control Heavy Prog

Review by stefro
Prog Reviewer

4 stars Whilst the first six albums from this taboo-baiting outfit are all well worth exploring, it is probably 'Hoodoo Man' which best personifies the lightning-hot heavy rock sound Birth Control were, during their earlier days at least, so adept at producing. Featuring yet another controversial sleeve design - this time it's a gruesomely overweight woman toying with what can only be described as some kind of bizarre, wind-up skeletal junkie - 'Hoodoo Man' finds the German outfit in blistering form. Indeed, everything about 'Hoodoo Man' simply exudes confidence, the improved production quality showing off the group's razor-sharp brand of manic, high-tempo power-prog to ear-shattering effect. This time around then the focus is very much on bristling grooves, crazed organ solo's and pumped-up riffs, the evil, psych-tinged sound of 'Operation' now fully mutated into a powerful new strain of galloping proto-metal best emphasised by the crushing rhythms of 'Suicide', the gloriously anthemic strains of fan-favourite 'Gamma Ray' and, best of all, the charging organ-drenched groove of 'Get Down To Your Fate'. A remarkable song, 'Get Down To Your Fate' is Birth Control cruising at full steam, rushing breathlessly through eight minutes of heavy prog mayhem as frenzied organs, chiming guitar licks and drummer Bernd Noske's throaty vocals swirl into a manic whole that never lets up for a minute. As progressive as it is heavy - bluesy foundations underscore the more experimental elements - 'Hoodoo Man' pulls of the very difficult trick of allowing its creators to wander freely amongst the seared landscape reaped by their own sonic carnage, yet never losing focus and heading off into those frustratingly over-elaborate prog cul-de-sacs that many groups fall into, ultimately going nowhere. Not Birth Control. Every track here has a purpose and a power, the dynamic tone set by opening gambit 'Buy!' meticulously maintained throughout. By their own admission, this was always a group in search of the easy shocks, an image that has at times undoubtedly overshadowed the actual music being cooked up, yet here the combination of deliberately provocative imagery and pulsating heavy rock makes for a wonderfully heady brew. Amongst their very best, 'Hoodoo Man' comes highly recommended. Heavy stuff indeed. STEFAN TURNER, STOKE NEWINGTON, 2012

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 Plastic People  by BIRTH CONTROL album cover Studio Album, 1975
3.80 | 93 ratings

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Plastic People
Birth Control Heavy Prog

Review by stefro
Prog Reviewer

4 stars Variously bracketed under both the 'krautrock' and 'progressive' tags, Germany's taboo-baiting Birth Control were in fact neither, yet at the same time also both. Starting life with their deliberately-provocative self-titled 1970 debut - an album which came housed in a sleeve designed and shaped to replicate a larger-than-life contraceptive pill - this was a group who really didn't care who they offended or what they said. From the off, they displayed a gritty, bluesy, organ-blessed heavy prog-rock sound, not unlike fellow Germans Frumpy, that featured on both their debut and the excellent follow-up 'Operation', in the process quickly finding themselves a local and enthusiastic audience. Further success would arrive after the release of both 'Hoodoo Man' and the less polished 'Rebirth', yet for 1975's psychedelic-flavoured 'Plastic People' a slight change of direction was evident. Lacking the drilled guitar solos and squealing organs of old, 'Plastic People' introduced a more atmospheric Birth Control sound laden with synthesizers and keyboards galore, the individual songs lacking the fiery rush of their previous outings yet adding a more sophisticated instrumental sheen. Ultimately in would kick-start the group's slow decline into more commercial territory, yet 'Plastic People' was nevertheless one of the finest Birth Control albums, displaying an as-yet-undiscovered technical side perhaps missing from the Hendrix-flecked psych-rock of their initial clutch of albums. This new virtuosity is best displayed on the lush, nine-minute title-track, and even more so on the superb closer 'This Song Is Just For You', a piece that blends a melodic, pink-floyd-tinged hue with surprising lyrical candour and woozy synthesized background to at times thrilling effect. As a result, 'Plastic People' is Birth Control's warmest release, a rich, carefully-layered about- turn for an outfit usually not known for their musical subtlety, and one of the group's must-have albums for curious listeners. Alongside 'Operation' and the rampantly heavy 'Hoodoo Man', this impressive 1975 album is certainly one of Birth Control's best. STEFAN TURNER, STOKE NEWINGTON, 2012

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 Birth Control Live  by BIRTH CONTROL album cover Live, 1974
3.05 | 25 ratings

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Birth Control Live
Birth Control Heavy Prog

Review by stefro
Prog Reviewer

4 stars Featuring five extended versions of pieces taken from the albums 'Operation' and 'Hoodoo Man', this excellent live offering from the taboo-baiting German prog-rock outfit Birth Control finds the group in impressively muscular mode. Stretching such nuggets as 'The Work Is Done' and 'Gamma Ray' into epic new forms, this double-sided 1974 release - the group's first live album - showcases Birth Control very much near the apex of the impressive early powers. Of course, like many other 1970s rock groups, their later material starts to edge closer towards the realms of lightweights pop, yet for a brief while Birth Control truly were a formidable beast, blending jagged riffs, pounding percussion assaults and a series of deliberately controversial subject matters(abortion, murder, deviant sexuality) into their own powerful brew of rocked-up progressive proto-metal. Hard, edgy, tough and very impressive, this is a fine live album indeed. STEFAN TURNER, STOKE NEWINGTON, 2012

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 Hoodoo Man  by BIRTH CONTROL album cover Studio Album, 1972
3.80 | 107 ratings

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Hoodoo Man
Birth Control Heavy Prog

Review by progshachar

5 stars What an astounding German group what a brilliant record. Love it. It's so powerful and full of surprises. I think it can't be compared to any other group I know. It is strong as deep purple; brilliant in its own way, there is a unique sound of keyboards - organ, synthesizer and even church organ. The singing is great All songs are 7-9 minutes long and full of twists and changes like prog is when it's done great. Buy us a strong opener. Suicide is very powerful with great organ to start followed by a great guitar. Love it. Get down to your fate start quietly.... and then it explodes into blazing strong music. Incredible. Gamma Ray is the stronger in my opinion. Many changes of style, drums solo and lovely music. Hoodoo man is also powerful with church music in the middle of the song. Kaulstoss is a nice ending to the record. The bonuses are also quite good including live performances. All in all it is very good. Evert time I hear it I enjoy it more. A real Jewel

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 Backdoor Possibilities by BIRTH CONTROL album cover Studio Album, 1976
3.56 | 67 ratings

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Backdoor Possibilities
Birth Control Heavy Prog

Review by Astryos

4 stars I find this album from Birth Control completely oriented towards symphonic progressive rock. The music still maintains some of the group's familiar hard rock-ish feel but you will not find guitar riffs here. These moments are hidden behind tight bass and drums' rhythms. If I should give some references, I would say that the sound of "Backdoor Possibilities" is very close to PFM's work on "Chocolate Kings" with a Gentle Giant and maybe a (jazzy) Lucifer's Friend's touch. The group sounds fresh and the production is very vivid. I would say that this one is an excellent addition to any progressive rock music collection.

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