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Kaleidon biography
Despite strong differences in their musical style, these groups are often mentioned together because KALEIDON came out from the ashes of the promising FREE LOVE after two of these band's members died in a car accident. One of the surviving members, Stefano Sabatini, formed the new group that dedicated their only album in 1973 to the old band.

Born at the end of the 60's in Rome, FREE LOVE only released two good rock singles in their short career, one of which was used as soundtrack to a spaghetti-western film. They seemed to have a very promising career ahead, as demonstrated by their participation to Rome Caracalla Pop festival in 1971, but two of the band's members, Gianni Caia and Steve Stogel, died in a road accident and the other disbanded. Around two years later, keyboardist Sabatini formed KALEIDON, whose only album was in fact entitled "Free Love"; totally instrumental, strongly veering toward jazz, it went totally unnoticed, with the band having a strong line-up change right after its release and splitting after the fourth edition of the "Festival d'Avanguardia e Nuove Tendenze" held in Rome in June 1974.

After leaving KALEIDON, bassist Franco Tallarita joined Ut. His replacement Gianni Colaiacomo later played with BANCO DEL MUTUO SOCCORSO. The last KALEIDON drummer, Francesco Froggio Francica, had previously played with RACCOMANDATA CON RICEVUTA DI RITORNO and shortly PROCESSION. Stefano Sabatini was involved in the short-lived SAMADHI supergroup and later MEDITERRANEO (featuring some ex-SAMADHI members), in 1978 he moved to Los Angeles where he played with many important jazz musicians, and after returning to Italy in 1982 he has had an intense activity in the jazz field.

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KALEIDON discography

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3.08 | 17 ratings
Free Love

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Showing last 10 reviews only
 Free Love by KALEIDON album cover Studio Album, 1973
3.08 | 17 ratings

Free Love
Kaleidon Jazz Rock/Fusion

Review by Finnforest
Special Collaborator Honorary Collaborator

3 stars Classy sax-heavy jazz rock

Kaleidon was a jazz-rock project of esteemed pianist Stefano Sabatini. The origins of the Roman group begin with another band called "Free Love" who began in the late '60s and had a few singles, described in the Barotto book as "in a rather personal rock style." Tragically a car accident took the life of two band members and injured Sabatini. Later Sabatini would form Kaleidon and there were line-up changes, but the album they recorded would feature saxist Massimo Balla, bassist Franco Tallarita, and drummer Giovanni Liberti. Reportedly recorded in 3 days time, the album was named in honor of the previous ill-fated band. Kaleidon played some large shows at the time and were well received but of course the album didn't do much and the band split. Around the same period Sabatini played in the RPI supergroup Samadhi with members of RRR, Teoremi, and Uovo di Colombo. That group would sadly be short lived as well but Sabatini remains a superb jazz keyboardist to this day.

The "Free Love" album consists of a rather understated jazz-rock with more emphasis on the jazz than the rock. In fact there is no electric guitar on the album. It is lead primarily by Sabatini's prominent acoustic and electric piano, and Balla's sax and flute. The six medium length tracks are competent and reflective, but rarely hysteric or explosive. This is thinking man's jazz I suppose, rather subtle grooves that linger in with the most fiery work coming from the sax. The title track is an example of this, raunchy sax play over e-piano and prominent bass. "Inverno '43" is much more simmering, brooding, with sax and bass sounding like they are recalling some great love affair that never lasted. By mid way through the album I notice the lack of guitar but only because the bass (which is good) is too thin and too low in places. I would love to hear the bass competing more with the others. In its weakest moments "Free Love" can be a bit on the dry side especially for fans of jazz/symphonic RPI mixtures with lots of mischief. But it is highly elegant and really grows on you after many plays. "Oceano" throws a curve ball by going with a flute lead rather than the sax for a unique feel. The mournful saxophone and longing piano runs of closer "Free Love" perhaps deal with the memories of the lost band, if that was truly the intent it is a lovely tribute to lost friends. The Mellow issue features average sound quality for the period and no extra goodies or information. Recommended easily to jazz fans but non-jazzers will find little of interest. Great music over drinks! 7/10

Thanks to ProgLucky for the artist addition. and to NotAProghead for the last updates

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