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CARPATHIA PROJECT

Jazz Rock/Fusion • Hungary


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Carpathia Project biography
This is an excellent all-instrumental Hungarian jazz-fusion sextet who combine influences from Jean-Luc PONTY, Jan Akkerman and the DIXIE DREGS. They are the brainchild of guitarist Zsolt Daczi and classically trained guitarist/violinist Tamás Ángyán who boasts some impressive musical antecedents, including his backing the great Pavarotti on stage. The rest of the cast consists of Tamás Zsoldos on bass, Bertalan Hirlemann on drums, Gábor Kovács on keyboards and Dénés Makrovics on flute.

Their eponymous album, released in 1999, is a smoking mixture of jazz, prog, Latin and Eastern Euro (Hungarian) flavours with slight metal touches in the guitar work. With the violin and guitars very much in the forefront, they blend 70's organ and drum sounds of The MAHAVISHNU ORCHESTRA with some powerful electric guitar licks reminiscent of QUEEN's Brian May; some baroque/renaissance flute and Fender piano complete the picture. The album, ranging from rowdy to light, friendly tunes, from tension building passages to infectious grooves, is fairly short and contains practically no fillers. Quite an entertaining album overall.

Recommended for fans of The MAHAVISHNU ORCHESTRA, The DIXIE DREGS, AFTER CRYING and Jean-Luc PONTY.

: : : Lise (HIBOU), CANADA : : :

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Buy CARPATHIA PROJECT Music


CarpathiaCarpathia
Import
Periferic 1999
Audio CD$19.32
$16.99 (used)

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CARPATHIA PROJECT discography of albums and videos


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CARPATHIA PROJECT Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.63 | 14 ratings
Carpathia Project
1999
4.50 | 6 ratings
Carpathia Project II
2011

CARPATHIA PROJECT Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

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CARPATHIA PROJECT Music Reviews


Showing last 10
 Carpathia Project by CARPATHIA PROJECT album cover Studio Album, 1999
3.63 | 14 ratings

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Carpathia Project
Carpathia Project Jazz Rock/Fusion

Review by psarros
Collaborator Neo Prog Team

3 stars 1998 in Budapest and two Hungarian musicians, guitarist Zsolt Daczi (R.I.P.) and guitarist/violin player Tamas Angyan started Carpathia Project.With the help of session members on bass, drums, keyboards and flute the duo recorded its self-titled debut in 1999, a work which was good enough for Periferic Records to release it on CD the same year.

What characterizes this album is the strong amount of energy and passion of its compositions, which come as a blend of fiery Jazz/Fusion, Guitar Rock and Ethnic Music.Daczi and Angyan were not only the driving forces of Carpathia Project but also the two mwn who shine on this record with their satisfying and talented performances.One moment the listener has to face the dynamic riffs, powerful grooves and intricate solos of Daczi, not to mention a few lovely acoustic crescendos he delivers.His work is nicely blended with the violin execution of his bandmate Tamas Angyan, his performance has strong Hungarian Folk and Classical tendencies (Polish act ANKH come to mind) and the interplays between the two are definitely the highlights of this release.The rest of the crew is not far behind, especially Tamas Zsoldos with his incredible jazzy and complex bass lines.Some nice flute work and organ passages here and there make this work more diverse.Another clever move of the band is keeping the length of the album short (just over 37 minutes) and compress the ideas in short forms, without getting the listener tired.

Among the very good and satisfying releases of modern-era Jazz/Prog/Fusion.''Carpathia Project'' is strongly recommended to all fans of powerful Jazz/Fusion with an evident ethnic feeling...3.5 stars.

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 Carpathia Project by CARPATHIA PROJECT album cover Studio Album, 1999
3.63 | 14 ratings

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Carpathia Project
Carpathia Project Jazz Rock/Fusion

Review by Speesh

4 stars 4.5 stars.

A collaborative effort between the two guitarists mentioned on the cover, Angyan and Daczi. And what a great effort! The end result is a hard-hitting kind of fusion vaguely reminiscent of groups like Mindflowers, MCM, and to a lesser extent Liquid Tension Experiment.

What sets this release apart however is the eclectic mix of styles and instruments. Every track has their unique sound, but at the same time they all manage to sound completely different. The musicianship is top notch, especially the violin (also played by Angyan), which is an essential part of the sound.

All of the tracks are relatively short yet manage to create a great fusion vibe on each of them. Many of the tracks are perfect, though a remote few are lacking. Those tracks are 'Smile' and 'Something for You'. I think the difference there is that the band doesn't really play with the same energy. They slow everything down for those songs. They're still nice to listen to, but both aren't really up to par with the rest of the album.

Recommended to anyone really, especially fans of fusion. Fans of the band Mindflowers will surely find something to like here.

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 Carpathia Project by CARPATHIA PROJECT album cover Studio Album, 1999
3.63 | 14 ratings

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Carpathia Project
Carpathia Project Jazz Rock/Fusion

Review by Salviaal

4 stars Here is an interesting collaborative project between two Hungarian virtuosi, Zsolt Daczi and Tamas Angyan. Right from the first track we hear the difference between the two guitarists, one of them has a crunchy tone and uses a jazzy harmonic language while the other has a creamy tone and has more of a standard shred/neoclassical soloing style. If you think that's incompatible, think again; there is fantastic synergy between the players and it sounds like they are communicating with ease. Based on the first track one would think that this is a rather straightforward instrumental shred cd, along the lines of Satriani or Malmsteen, after all it's distributed by a shred label, Guitar Nine Records. However, the second track features a violin riff, with a distinct balkan flavor, with rhythmic alterations of groups of 2 and 3. With each new track a completely new flavor can be heard, some pieces have a latin flavor, others suggest slavonic highlander influences with the use of the lydian modality, and yet others fall into the boundaries of typical modern fusion (there is a track here named "Fusion"). Each track has something new to offer that one wouldn't expect, and the tunes themselves are strong enough that the album has a good listening longevity. It is not clear to me if this was a one-off project or if there's a possibility of another one, but that would surely be a treat, as this is one of the best of its sort that I've heard.

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