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BERITS HALSBAND

Jazz Rock/Fusion • Sweden


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Berits Halsband biography
BERITS HALSBAND was a overlooked jazz rock band from Stockholm formed in 1974. It featured as much as 14 members on their only album which contained original fusion with prominent trumpets and flutes, which gives it a relaxing folk feel at times. The members of the band aren't quite known for other musical endeavors but the line-up did feature Tommy ADOLFSSON who is a trumpet player for another Swedish band ARCHIMEDES BADKAR, which is similar in sound that blends jazz, rock and folk music.

::historian9::

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3.68 | 6 ratings
Berits Halsband
1975

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BERITS HALSBAND Reviews


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 Berits Halsband by BERITS HALSBAND album cover Studio Album, 1975
3.68 | 6 ratings

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Berits Halsband
Berits Halsband Jazz Rock/Fusion

Review by Sean Trane
Special Collaborator Prog Folk

4 stars 3.5 stars really!!!

A Swedish 70's JR/F septet that produced (to my knowledge) only one sole self-titled and self-released album in 75. BH's line-up is the usual "prog quartet" with three wind players - two trumpets and a flute, none of which members I've recognised in similar Scandinavian bands of the era. The album is made from four lengthy instrumental steamy upbeat fusion pieces, sometimes reminiscent of Secret Oyster (with wind instruments) or Arbete Och Fritid project. Apparently recorded live in the studio on a two-track tape, the album is a small tour-de-force, since nothing could be modified and there are no weak moments.

The opening 11-mis+ Miror I Koket features some steamy electric fusion, with a slower flute section, some Spanish-sounding trumpet section. The calmer (at first) 18-mis+ Flaxoras track sounds more like a cross-fusion of Headhunters and Mwandishi, with some broody moods, but it never reaches the dissonant of the latter or the funkiness of the former. Lindgren's Rhodes is the sonic centre of this long soundscape, which veers slowly Bitches-like around the end. The album-closing 8-mins Halvags Hinder opens on semi-dissonant slow Rhodes and chimes and bells, but drums, bass and guitar gradually come in, before the three winds make their entrance by the 3-mis mark. It gradually picks up intensity and speeds up only to drop out slowly to its end.

I'm not aware of this album having ever seen a reissue, whether vinyl or CD, but if you do find one, or the original vinyl, don't hesitate a second forking out a few bucks, because every fusion fan will find it a worthy investment, if not a must-have. Certainly one of Sweden's best JR/F album ever? and not just IMHO ;o)))

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 Berits Halsband by BERITS HALSBAND album cover Studio Album, 1975
3.68 | 6 ratings

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Berits Halsband
Berits Halsband Jazz Rock/Fusion

Review by DrömmarenAdrian

3 stars Lovers of jazz rock and fusion, this is the perfect record for you!

Berits halsband was a Sweidsh ensemble which only did one studio record back in the year 1975. Before listening to this I was a little skeptical (much beacuse of that fusion isn't my favourite genre) but after listening I must admit it is hard to give this a low rating. The musicians impress me with a lot of talent and musically visions. They are so coherent and progressive in everything they do. It feels they were doing something great of a big nothing. This doesn't feels like unknown music at all. I think every fan of jazz and fusion should listen to this. But with all their talent, I think it was a pity they didn't do more organized music. So why I give this three and not five stars, is that I have my personal taste, and that music allways is subjective.

The records best track is "Elhamokk" with a toach of the Orient and heavy rock. The amazing melody line is played on flute(Mats Anton Karis). The giant on this record: "Flaxöras hemliga återkomst" contains a lot of great material. It is driven by the blowers: Thomas Brandt(saxophone), Tommy Adolfsson(trumpet) and Bengt Ekevärn(trumpet). Also the guitar(Olof Söderberg) is important and great on this record. We also have a bass player (Göran Fors), a drummer(Michael Lindqvist), a violin and pianist(Jonas Lindgren) and a pianist(Per Lejring).

All the record is sounds from the seventies and it certainly shows one side of rock music that is important. I hesitated about giving such a good record just three stars, but it is still a matter of taste. Recommended for jazz lovers, worthwhile listening for others!

Somebody has written the wronng names on the songs. The long song is "Flaxöras hemliga återkomst" and not "Halvvägs Hildur" which is the last song.

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