ALPHONSE MOUZON

Alphonse's breakthrough funk album that is often cited as his best work. What a coup to get not one, not two, but three amazing guitarists both reaching the prime of their careers in Tommy Bolin and Lee Ritenour and Jay Graydon!

1. "Mind Transplant" (4:05) hard drivin' rock with a lot of funk reveals a side of Alphonse that I do not know! Impressive but issuing no memorable riffs, melodies, or solos to make it memorable. (8.75/10)

2. "Snow Bound" (3:05) another impressive rock-oriented album that kind of goes nowhere. (8.75/10)

3. "Carbon Dioxide" (4:38) great drumming beneath those rock guitar riffs from the very opening. When the musicians settle into a flowing groove at 0:45 Tommy Bolin gets to lead into the melody, but then there is a dramatic tempo shift around 1:30 that leads into a very-JEAN-LUC PONTY-sounding high-speed chase passage in which Tommy flies around the fretboard with the more-than-adequate support of second guitarist Jay Graydon. Jerry Peters's Hammond B3 gets the second solo but it's oddly mixed behind everyone else. (8.875/10)

4. "Ascorbic Acid" (3:26) impressive drum opening that leads into a song structure in which Alphonse's snare hits feel off-center, making for a kind of odd distraction throughout. On this song Lee Ritenour gets front billing while Jerry Peters plays some pretty awesome Fender Rhodes beneath. I really admire the incredible tightness of all of the musicians' performances. (8.875/10)

5. "Happiness Is Loving You" (4:09) a bit slower and more melody-oriented, it's another excellent twin-guitar exhibition--though Lee gets the credit as the guy with all the solos. Not a great song but it does have catchy melodies and some pretty great nuanced double-guitar work between Jay and Lee. (9/10)

6. "Some of the Things People Do" (3:40) vocal screams at the beginning let one know that we're in for a Afro-funk song that sounds very much like the recent music coming from EARTH WIND & FIRE (without the horns) or KOOL AND THE GANG and/or THE OHIO PLAYERS. Alphonse's singing voice is okay--he's got plenty of confidence and swag--it's just not a great pop song. (8.75/10)

7. "Golden Rainbows" (6:56) a spacey, cinematic song in the vein of the stuff JEFF BECK, THE ISLEY BROTHERS or NARADA MICHAEL WALDEN will be doing. Nice. (13.5/15)

8. "Nitroglycerin" (3:03) as the title indicates, this one is pretty explosive: more from Alphonse and bassist Henry Davis as much as from the twin guitarists and Jerry Peters. Sounds a lot like Jeff Beck's "Freeway Jam." (9.25/10)

Total Time: 33:06

An album that is most impressive for the dominance of its hard-rockin' lines and sounds to me more like the music that would be coming out of bands like RUFUS and

B+/4.5 stars; a near-masterpiece of hard-drivin' jazz-rock fusion.

Yeah I'm giving this 4 stars despite the two commercial tracks on here with female vocals. The rest is gravy as the say and I actually don't mind "Funky Finger" and "Why Can't We Make It?" too much, at least they are the two shortest tracks on here. I would rather have a consistent album though then one with highs and lows, that's just me but this is an exception for sure. Mouzon has brought in two bass players including Buster Williams. Two sax players including Sonny Fortune. Larry Willis on electric piano but for me it's surprising to hear this amazing drummer also play mellotron, clavinet, electric piano and he is the composer. A talented man who has played with pretty much everyone. "The Essence Of Mystery" was released in 1973 and is Alphonse's first solo album. Check out "Mind Transplant" as well for two of his very best records.

Top five includes the self titled opener and this is my favourite. Oh man it's pretty much perfect and in my opinion the best track he's ever released on a solo album. It's the mellotron that creates atmosphere and the electric piano that seems to echo as it trips along. Reminds me of Miles during this time period. Sax comes in over top but will give way to the electric piano before returning later.

"Crying Angels" like the opener is trippy and atmospheric with electric piano, bass and drums as the sax then joins in. The drums become the focus before 1 1/2 minutes and it becomes more uptempo. Sax is back and everyone else, just not the atmosphere. Electric piano and sax take turns soloing over top. More mellotron on "Macrobian" but we get strings this time out of that mellotron. The drum intro is impressive. Electric piano comes out of that with bass and sax in tow followed by mellotron. Again the sax and electric piano takes turns leading. "Sunflower" is pretty cool for all the beats and percussions and the electric piano and sax help out as well. The closer makes my final top five and Alphonse puts on a show for us early on.

Man take out the two commercial tracks and this could have been something very special but as it is I'm so glad I own this one.

That is the first album by Alphonse Mouzon I've acquired, a Japanese edition on the CD and I've never regretted it. As an open music fan, I don't mind stylistic uneven tracks ranging from very good jazz-funk to ferocious fusion and drum soloing. More than 50% of the music here is essential for any fusion fan, notably "Baker's daughter", "Nyctophobia" and "Virtue" followed by some ambitious and experimental parts from the "Mouzon Drum Suite". Fusion ballad "Come into my life" is very accessible but well played with lush keyboards and melodies. The suite is quite naturally inspired by rhythms, more specifically African. All musicians show extraordinary playing abilities, I like Stu Goldberg' fast soloing particularly but devastating bass in Virtue and Nyctophobia need to be highlighted too. "Nyctophobia" actually comes from the 11th House times but the version is nothing short of wonder. Absolutely blitz- speeding rhythms team with bass and breathtaking keyboard and saxophone soloing. This is one of the fastest pieces that fusion can offer (check live version of Malaga Virgen from Brand X for another candidate). Though more commercial and accessible music was starting to sneak into Mouzon's music, this is first and foremost a jazz fusion record and composed/executed damn well.

While I wouldn't include this in the greats of Jazz/ Fusion albums I own this was really satisfying. Most feel this is Alphonse's best solo album following his being part of Larry Coryell's ELEVENTH HOUSE and WEATHER REPORT the guy can really impress on that drum kit. Cool that he brought in Tommy Bolin as the main guitarist although it's surprising that this six piece band has three of them in total. Not a guitar album really but it's certainly the lead instrument most of the time. Alphonse also plays farfisa organ, synths and electric piano here surprisingly. Released in 1975 I get a kick out of the pictures of the guys in platform shoes and bell bottoms. Reminds me of my last years in elementary school and first years in high school.

"Mind Transplant" is a top four track with that nice drum intro as bass and electric piano join in quickly followed by guitar which takes over for the electric piano although the latter will be back later. I like the depth of sound a minute in. Synths before 2 minutes and the electric piano is back after 3 minutes as the intensity continues to the end. Nice start. "Snow Bound" is my least favourite but still good, in fact I was lying in bed this morning with this melody in my head. Crazy! The guitar from Bolin is a nice touch helping this track to be somewhat enjoyable.

"Carbon Dioxide" has so much energy to start with the guitar and drums then it settles beautifully before a minute with synths and more. Great sound here and oh this is a top four track for me as well. Check it out before 1 1/2 minutes as the guitar and drums put on a show and I like the melancholic vibe here. "Ascorbic Acid" has a cool drum intro as guitar, electric piano and more kick in after 30 seconds. Some outbursts of sound that come and go that I'm not into and they will end the song too but this is a good one.

"Happiness Is Loving You" is one I liked from the first listen. A feel good, chilled number with some nice guitar over top. "Some Of The Things People Do" is the only vocal and track and the guy can sing. Sure it's somewhat dated but man I was bouncing around to this every time it was on. Could have been a single in my opinion. "Golden Rainbows" is the longest one at almost 7 minutes and a top four. I just like the vibe to this mid paced beauty. Samples of a storm are cool that go on for some time. Some intensity after 2 1/2 minutes and Tommy lights it up a minute later.

"Nitroglycerin" is the closer and the final top four. Guitar and drums impress as usual in this energetic send off. I like the Fender Rhodes too but Alphonse's drum work takes the cake. Check out the guitar before 1 1/2 minutes as Bolin rips it up but Mouzon is on a mission here. So yeah well worth tracking down for Jazz/ Fusion fans. This one grooves pretty good and there's plenty of energy. A solid 4 stars.

So many great jazz-rock drummers out there in Progland, luminaries like Billy Cobham, Lenny White, Peter Erskine, Jack DeJohnette, Tony Williams, Vinnie Colaiuta and Michael Walden, all made quite a name for themselves in a wide variety of sessions. There are some equally brilliant ones who are, sadly not quite as famous, such as Rayford Griffin (Ponty), Leon Chancler (Santana) and Chester Thompson (Ponty, Genesis). Which brings us to Alphonse Mouzon, a hyperactive drummer who should easily qualify to thump with the legends. His sensational technical display and furious passion are fully developed on this magical recording, a delightful coalition of instrumentalists helping him achieve the perfect groove. He would eventually carve out quite a reputation with Larry Coryell's 11th House, Roberta Flack and Al Di Meola. Guitarists Tommy Bolin, Jay Graydon and Lee Ritenour are into the mood, keyboardist Jerry Peters adding his jazz vibe and bassist Henry Davis keeping things nicely fastened and bolted. I found myself focused on Mouzon's incredible technique throughout the set list, after all, it's his solo outing and he is certainly not timid nor shy.

The eight tracks presented here are relatively short, precise and often hyperactive slices of jazz-funk-rock that explodes with resounding effect. From the opening title track, the intense suggestion is both swift and dynamic, showing off Mouzon's blistering technique and leading the crew into electric rocking horizons. Tingling and vocoder effects on the guitars from Bolin makes the grade while Henry Davis does great things to his bass guitar on 'Snow Bound', a singular display of choppy control, organized chaos and creativity. On the aptly named 'Carbon Dioxide', the mood varies between harsher expanses and softer climes, a definite showcase for Tommy Bolin to rip it up, muscled by a divine bass run and Mouzon's supersonic drumming, easily recalling Cobham's burly delivery. Peters flourishes on organ, adding more punch to the fury. A track that could have gone on for another ten minutes, at the rate they were going (cough, cough)!

Drum solo intro time on 'Ascorbic Acid' and what a powerhouse this one is, the relentlessly impatient burp of the bass egging the players closer to a razor edge, dignified by a pair of tortuous guitar solos that has speed, hysteria, sizzle and substance. Both Graydon and Ritenour duel mercilessly, each a thorough 'in the zone' blast. The much- maligned Ritenour also shines on the next two tunes, the lovely 'Happiness is Loving You', for this is a respected axe man who could have made a greater name for himself then just a gifted session man. Big surprise on the choppy funk tune of 'Some of the Things People Do'. Similar to Dr. John's 'In the Right Place', this is more of a vocal driven funk number that has a nice Southern feel with Ritenour's slinky rhythm work and slippery leads pushing the surprisingly adept Mouzon vocals into the spotlight.

Highlight track unquestionably, 'Golden Rainbows' is quite the rhythmic oasis, giving a bubbly groove that is unshakeable and resolute, thus providing the platform for some serious soloing, a slower-paced steam roller that forges forward bold and confident, with perfectly positioned keys, bass and that powerful drum beat. Bolin takes it over with perhaps some of his best work, in a gritty, talkative style that emotes very obviously and hints at some Hendrixian notions of sustained bluesy notes, lush with sweat and brawn. World class track, period, worth the price of admission. Counter that with the masterful 'Nitroglycerin' , a perfect description for the detonation on display here, a blistering musical racer that careens down the sonic highway with a no-holds-barred, 'pedal to the metal' mad dash to some imaginary checkered flag. Bolin and Mouzon are simply terrifying at surpassing the level of notes and beats thrashing about, seemingly effortlessly. Short, sweet and sick.

Definitely a must for fans of the artists presented above, guitar god aficionados as well as drumming students looking for heroes. This album sits nicely among my many jazz-rock gems.

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