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HERBIE HANCOCK

Jazz Rock/Fusion • United States


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Herbie Hancock biography
With a career that covers half of the 20th Century, and shows no sign of slowing down as we move further into the 21st, Herbie Hancock is one of the major music figures of our time. Within the world of progressive jazz/rock fusion he is topped only by Miles Davis when it comes to musical vision, but a bit ahead of Miles and all the rest when it comes to composition and soloing ability. Within the broader world of jazz music in general, his innovations on the piano place him in an elite group that includes Art Tatum, Bud Powell, Theolonius Monk, Bill Evans, Cecil Taylor and Sun Ra. Herbie's piano playing brings together many influences including French impressionism and neo-classicism, Bill Evan's soft touch, Horace Silver's hard bop, McCoy Tyner's quartal voicings and Bud Powell's fast single note lines, and creates a personal style that is instantly recognizable even if you only hear him play one or two notes.

Herbie was born in 1940 and by the age of eleven was performing Mozart's Concerto in D Major in a children's concert with the Chicago Symphony Orchestra. When he was 20 Art Blakey picked him to join his Jazz Messengers. While with Blakey, Hancock learned how to play a mixture of RnB and jazz known as hard bop, a style that would later become the foundation for jazz fusion. Three years later Herbie was asked to join Miles' new quintet. During this time with Miles, Herbie, bassist Ron Carter and drummer Tony Williams developed a totally new and unique way to play behind soloists. Disregarding the more conservative approach of their predecessors, these three didn't just keep time, instead they played with the rhythm and harmony in restless and constantly inventive ways. It was during this time that Herbie developed his unique comping style that combines French neo-classical harmonies with syncopated rhythms and African derived single note lines played in octaves. While with Miles, Herbie also put out several solo albums including some, such as 'Speak Like a Child', that include Herbie's arrangements for small jazz orchestras. His unique scoring for instrumental ensembles reveal the expected French influences, as well as an influence from Gil Evans' orchestrations for Miles Davis. These laid-back and impressionistic albums sound like cool future lounge music for the ultra hipster of tomorrow.

In 1971 Hancock formed his Sextet, an ultra-progressive group that combined free jazz, electronics, futuristic African grooves and extremely invent...
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HERBIE HANCOCK-THEN AND NOW-THE DEFINITIVE-DELUXE EDITION-CD+DVD-NEW/SEALED-2008 USD $10.97 Buy It Now 37m 51s
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6h 10m
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Empyrean Isles [Remaster] by Herbie Hancock (CD, Mar-1999, Blue Note (Label)) USD $4.09 Buy It Now 10h 19m
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The Procrastinator [Limited] by Lee Morgan (CD 1995 Blue Note) Herbie Hancock USD $4.99 Buy It Now 15h
The Essential Herbie Hancock 2 CD SET USD $9.99 [0 bids]
15h 7m
Rock Your Soul by Herbie Hancock (CD, Oct-2007, Kingsroad) USD $10.00 Buy It Now 15h 14m
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HERBIE HANCOCK factory sealed vinyl lp SPEAK LIKE A CHILD USD $19.99 [0 bids]
15h 36m
HERBIE HANCOCK Futureshock 1983 COLUMBIA Jazz LP USD $13.00 Buy It Now 15h 40m
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3 JAZZ LPs~Herbie Hancock~Miles Davis~Heard 'Round The World~V.S.O.P~Headhunters USD $20.50 [11 bids]
15h 56m
HERBIE HANCOCK**MAIDEN VOYAGE (RM)**CD USD $5.95 Buy It Now 15h 56m
LP death wish (ost)
HERBIE HANCOCK
~ USD $19.03
LP river:the joni
HERBIE HANCOCK
~ USD $28.73
LP secrets
HERBIE HANCOCK
~ USD $19.03
LP thrust
HERBIE HANCOCK
~ USD $19.03


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HERBIE HANCOCK shows & tickets


  • Chick Corea + Herbie Hancock at Massey Hall, Toronto on 14 Apr 2015
  • Herbie Hancock and Chick Corea on 18 Apr 2015
  • The 37th Annual Playboy Jazz Festival on 13 Jun 2015
  • The 37th Annual Playboy Jazz Festival on 14 Jun 2015
  • Alfa Jazz Fest 2015 on 25 Jun 2015
  • Herbie Hancock at Théâtre antique de Fourvière, Lyon on 3 Jul 2015
  • Chick Corea + Herbie Hancock at Barbican Centre, London on 6 Jul 2015
  • Chick Corea + Herbie Hancock on 7 Jul 2015
  • Chick Corea & Herbie Hancock | edpcooljazz on 19 Jul 2015
  • Herbie Hancock at Zamek Ksiazat Pomorskich, Szczecin on 22 Jul 2015

HERBIE HANCOCK discography


Ordered by release date | Showing ratings (top albums) | Help Progarchives.com to complete the discography and add albums

HERBIE HANCOCK top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.21 | 5 ratings
Rock Your Soul (aka Jammin' With Herbie)
1961
3.80 | 26 ratings
Takin' Off
1962
3.12 | 6 ratings
My Point of View
1963
3.89 | 16 ratings
Inventions And Dimensions (aka Succotash)
1963
3.80 | 36 ratings
Empyrean Isles
1964
4.28 | 146 ratings
Maiden Voyage
1965
3.02 | 9 ratings
Blow-Up [OST split with The Yardbirds]
1966
4.17 | 28 ratings
Speak Like a Child
1968
3.61 | 19 ratings
The Prisoner
1969
3.63 | 21 ratings
Fat Albert Rotunda
1969
4.06 | 47 ratings
Mwandishi
1971
4.25 | 236 ratings
Crossings
1972
4.13 | 127 ratings
Sextant
1973
4.00 | 6 ratings
The Spook Who Sat by the Door (soundtrack)
1973
3.85 | 139 ratings
Head Hunters
1973
4.07 | 73 ratings
Thrust
1974
3.98 | 17 ratings
Death Wish
1974
3.57 | 40 ratings
Man-Child
1975
3.12 | 20 ratings
Secrets
1976
3.00 | 3 ratings
Herbie Hancock Trio
1977
2.96 | 5 ratings
Direct Step
1978
2.72 | 15 ratings
Sunlight
1978
1.42 | 7 ratings
Feets, Don't Fail Me Now
1979
3.36 | 21 ratings
Mr. Hands
1979
2.15 | 7 ratings
Monster
1980
3.51 | 5 ratings
The Piano
1980
3.04 | 5 ratings
Herbie Hancock Trio With Ron Carter + Tony Williams
1981
1.50 | 2 ratings
Magic Windows
1981
1.00 | 2 ratings
Lite Me Up
1982
2.69 | 24 ratings
Future Shock
1983
3.09 | 8 ratings
Sound-System
1984
4.05 | 3 ratings
Village Life [with Foday Musa Suso]
1985
3.02 | 5 ratings
Round Midnight (O.S.T.)
1986
2.00 | 6 ratings
Perfect Machine
1988
3.04 | 4 ratings
A Tribute to Miles
1992
3.04 | 8 ratings
Dis Is Da Drum
1994
3.02 | 11 ratings
The New Standard
1995
3.92 | 7 ratings
1 + 1 [with Wayne Shorter]
1997
3.83 | 10 ratings
Gershwin's World
1998
2.11 | 9 ratings
Future 2 Future
2001
1.66 | 4 ratings
Possibilities
2005
3.90 | 12 ratings
River: The Joni Letters
2007
3.23 | 12 ratings
The Imagine Project
2010

HERBIE HANCOCK Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

2.33 | 6 ratings
Hear, O Israel
1968
3.00 | 2 ratings
In Concert, Vol. 2 (with Stanley Turrentine, Freddie Hubbard, Jack DeJohnette, Ron Carter and Eric Gale)
1973
2.10 | 2 ratings
Dedication
1974
3.13 | 10 ratings
Flood
1975
3.88 | 6 ratings
V.S.O.P.
1977
3.97 | 11 ratings
V.S.O.P.: The Quintet
1977
4.67 | 3 ratings
V.S.O.P.: Tempest in the Colosseum
1977
3.09 | 4 ratings
An Evening with Herbie Hancock & Chick Corea
1978
4.00 | 4 ratings
V.S.O.P.: Live Under the Sky
1979
4.00 | 3 ratings
CoreaHancock
1979
3.00 | 1 ratings
Herbie Hancock Quartet
1981
0.00 | 0 ratings
One Night With Blue Note, Volume 1 (with Bobby Hutcherson / James Newton)
1985
0.00 | 0 ratings
Jazz Africa (with Foday Musa Suso)
1986
3.00 | 1 ratings
Day Dreams
2002
4.00 | 3 ratings
Directions in Music: Live at Massey Hall
2002
0.00 | 0 ratings
Live: Detroit/Chicago
2005

HERBIE HANCOCK Videos (DVD, Blu-ray, VHS etc)

4.00 | 1 ratings
Future2Future Live
2002
0.00 | 0 ratings
Watermelon Man
2005
0.00 | 0 ratings
Herbie Hancock & the New Standard Allstars in Japan
2008

HERBIE HANCOCK Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

0.00 | 0 ratings
The Best Of Herbie Hancock
1971
0.00 | 0 ratings
Treasure Chest
1974
0.00 | 0 ratings
Kawaida (with Don Cherry)
1975
3.00 | 1 ratings
Herbie Hancock
1975
0.00 | 0 ratings
The Best Of Herbie Hancock
1979
0.00 | 0 ratings
Live Under the Sky
1981
3.95 | 2 ratings
The Essential Herbie Hancock
1986
0.00 | 0 ratings
The Best of Herbie Hancock
1988
3.00 | 1 ratings
the Very best Of Herbie hancock
1991
0.00 | 0 ratings
Quartet Live
1994
5.00 | 2 ratings
Cantaloupe Island
1994
4.07 | 7 ratings
Mwandishi: The Complete Warner Bros. Recordings
1994
0.00 | 0 ratings
The Blow Up Extra-Sessions
1995
2.00 | 1 ratings
Then & Now: The Definitive Herbie Hancock
2008
0.00 | 0 ratings
Late Night Jazz Favorites
2008
0.00 | 0 ratings
Watermelon Man The Ultimate Hancock!
2010

HERBIE HANCOCK Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

0.00 | 0 ratings
Watermelon Man / Three Bags Full
1962
2.33 | 3 ratings
Rockit
1983

HERBIE HANCOCK Reviews


Showing last 10 reviews only
 The Essential Herbie Hancock by HANCOCK, HERBIE album cover Boxset/Compilation, 1986
3.95 | 2 ratings

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The Essential Herbie Hancock
Herbie Hancock Jazz Rock/Fusion

Review by Matti
Collaborator Neo-Prog Team

4 stars I have long had an intention to listen to Herbie Hancock's most progressive fusion albums from the 70's. Also in general I haven't yet formed a closer picture of the large discography of the legandary American jazz keyboardist, but this 2-CD compilation served as a good basic introduction a couple of years ago. It covers the years from 1962 to 1996 (the CD was released in 2006). I had made myself a "best of the best" single disc of it, and after listening to it this morning with great pleasure I thought to write the first review here.

I'm fond of jazz (favouring more recent stuff, vocal jazz and fusion included) but I'm not an expert in the genre's historical phases. When I listen to a canonised classic jazz musician it's not so important for me to fully ackowledge the musician's place in the genre development. One of Hancock's achievements is the vast diversity, including the aforementioned progressive fusion, hip hop and other danceable styles. Some of his music perhaps goes too much into territories not very pleasant to us prog listeners.

The opening tracks 'Watermelon Man' and 'Round Midnight' (the latter being an overplayed jazz standard, not written by Hancock or even associated to him especially) didn't make it to my own CD, but starting from 'Cantaloupe Island' from his perhaps first masterpiece album Maiden Voyage (1965) the music feels timeless, not worn-out in the least bit. The title track of that album is wonderful, nearly 8-minute composition with plenty of progressivity. The music has intelligence and passion in perfect balance, as well as groove and melody. Side by side with Hancock's piano the leading role is given to e.g. reed instruments, such as Freddie Hubbard's cornet/trumpet.

The late 60's collaborations with MILES DAVIS are also represented, but not the electric fusion side of it. Finishing the first disc, 'Joanna's Theme' is taken from the Death Wish soundtrack (1974). It's really good to have the music in chronological order, so the compilation gives an overall picture of Hancock's different phases. Disc Two wanders from acoustic piano trio stuff to fusion and to the futuristic electricity of 'Rockit'. The New Standard (1996) was an album that covered e.g. Peter Gabriel ('Mercy Street'), Simon & Garfunkel, Prince and Sade. Here it's represented by HH's own tune 'Manhattan'.

There's no doubt that connoisseurs would have much to argue about what's included and what's not, not to speak about the inability to pack the whole respectable career in just two discs, but even with an emphasis on well known tracks this is more than a decent compilation, and a very functionable introduction.

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 Takin' Off by HANCOCK, HERBIE album cover Studio Album, 1962
3.80 | 26 ratings

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Takin' Off
Herbie Hancock Jazz Rock/Fusion

Review by siLLy puPPy
Collaborator PSIKE Team

4 stars After performing on one album with the Pepper Adams & Donald Byrd Quintet, HERBIE HANCOCK wasted no time TAKIN' OFF into the limelight with his first solo release. Although this is basically a continuation of the hard bop found on the quintet's album, HERBIE is allowed to blossom here and he really stands out amongst the crowds of other hard boppers of the day. His signature piano playing isn't quite as funk-tinged as it would become in the 70s but it is already here gestating in this more traditional take on the contemporary jazz with top notch musicians to back him up. The duo horn section of Freddie Hubbard and Dexter Gordon with bassist Butch Warren and drummer Billy Higgins prove that HERBIE HANCOCK was ready for prime time and luckily for him success came almost instantly.

The album kicks off with "Watermelon Man" which may sound familiar because it's the same tune that was re-recorded for his jazz n' funkfest album "Headhunters" which like this debut upped his stardom another few notches. This first version is a standard jazz bop affair with a nice and easy delivery going on. Fans of HERBIE's later jazz-fusion work may not be impressed with this album since this is a HERBIE HANCOCK going with the flow of the contemporary music scene but he does it with such panache and confidence that it is an excellent album that shows the promise of the diversifying sounds he would later embrace. I prefer the more upbeat songs myself and find the slower ballads less interesting, however the strong tracks alone make this more than a worthy listening experience for pure jazz lovers.

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 Rock Your Soul (aka Jammin' With Herbie) by HANCOCK, HERBIE album cover Studio Album, 1961
3.21 | 5 ratings

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Rock Your Soul (aka Jammin' With Herbie)
Herbie Hancock Jazz Rock/Fusion

Review by siLLy puPPy
Collaborator PSIKE Team

3 stars This album was originally released in 1961 and HERBIE HANCOCK debuts to the recording world on it but it was released under the name PEPPER ADAMS AND DONALD BYRD QUINTET - Out Of This World.

This album not only exhibits the cumbersome band names and titles of jazz albums throughout recording history but also is the perfect example of how a few recorded tracks that went virtually unheard at the time of release would go on to be repackaged, renamed under not only totally different track names and sequential order but also by completely different composers and artists! This album would have probably been a total obscurity in history had it not been for the the fact that it is the very first recording to feature HERBIE HANCOCK.

Let me list all the differences simply as a place to sort out the dizzying variations.

Those released under the artist name

PEPPER ADAMS & DONALD BYRD QUINTET

Original release:

album: Out Of This World

released in 1961 as Warwick W 2041

tracks:

1. Curro's

2. It's a Beautiful Evening

3. Mr. Lucky Theme

4. Bird House

5. Day Dreams

Second version:

album: Out Of This World Vol 2

released in 1988 as Warwick 2041 - 2

tracks:

1. I'm An Old Cowhand (Unreleased)

2. Day Dreams (alt. take)

3. Out Of This World (alt. take)

4. Mr. Lucky (alt. take)

5. Curro's (alt. take)

6. Byrd House (alt. Take)

Third version:

album: Out Of This World: The Complete Warwick Sessions

released in 2010 on CD

tracks:

1. Byrd House

2. Mr. Lucky

3. Day Dreams

4. I'm An Old Cowhand

5. Curro's

6. It's A Beautiful Evening

7. Out Of This World

Many of these tracks have also been released and put together in many ways as HERBIE HANCOCK album compilations as well. These album titles include:

Voyager

Jammin'(with Herbie)

Hancock!

And

ROCK YOUR SOUL, which is technically a 2007 compilation of versions of these tracks

They have been renamed as they've been repackaged:

1. Jammin' With Herbie = Curro's

2. Herbie's Blues = Bird House

3. Rock Your Soul = Mr. Lucky

4. T.C.B. With Herbie = Out Of This World

5. Soul Power = Day Dreams

6. Cat Call = I'm An Old Cowhand

Note that "It's A Beautiful Evening" is missing from this release

After all that, let me get to the music. Well what we get here is some nice pleasant hard bop fairly standard from the period. Nothing extraordinary yet nothing horrible either. It is interesting to hear the very first recording from HERBIE HANCOCK where he simply accompanies the band and even though you can hear a trace of his jazz funk sound that would evolve into more interesting creations, I don't think this is an essential recording by any means. His piano playing pretty much continues on his very first album "Takin' Off" where it has improved. I guess I would pick this up at a very reduced price but don't lose any sleep if you can't find it. One of those collector's items and a good example of how poorly some earlier jazz albums were re-released over the decades, which makes it extremely confusing.

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 Empyrean Isles by HANCOCK, HERBIE album cover Studio Album, 1964
3.80 | 36 ratings

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Empyrean Isles
Herbie Hancock Jazz Rock/Fusion

Review by Warthur
Prog Reviewer

4 stars Empyrean Isles is a soft, gentle jazz album which offers few hints of the funk-fusion departures that would litter Herbie Hancock's later career (though Cantaloupe Island does have a little funk in its step). Aside from Herbie's piano, Freddie Hubbard is the major soloist here, with excellent cornet work which Herbie is wise enough to allow to take centre stage whenever the spirit's on Hubbard. Capturing the transformation from hard bop to post-bop, Empyrean Isles carries about it a strange, mysterious air which is perfectly captured by the otherworldly cover photo. Alfred Lion and Ruby van Gelder get the absolute best out of the band's sound too.

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 Mwandishi by HANCOCK, HERBIE album cover Studio Album, 1971
4.06 | 47 ratings

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Mwandishi
Herbie Hancock Jazz Rock/Fusion

Review by stefro
Prog Reviewer

5 stars When one speaks of Fusion, a select group instantly spring to minds. Miles Davis, Ian Carr & Nucleus, Return To Forever, the Mahavishnu Orchestra, Billy Cobham, and of course, Herbie Hancock. A beautifully-balanced pianist with exceptional talent, Hancock started issuing records around the same time as The Beatles(his first was 1962's 'Takin' Off') whilst also playing with the likes of Miles Davis and Chick Corea as a sideman and soloist. His first album of note was the coolly atonal 'Maiden Voyage', issued by Blue Note in 1965, but his first forays into fusion-style jazz appeared on 1968's funk-dipped 'Speak Like A Child'. From here on both the quality and experimental nature of Hancock's work began to increase, and the late-sixties transitional albums 'The Prisoner' and 'Fat Albert Rotunda' showcased some scintillating work from Hancock and his team. These last two albums blended spacey fusion histrionics and trad-jazz elements, the old melded with the new, yet were still rooted in the classical textures of the genre's past. As the sixties faded and the seventies began, however, Hancock would unveil 'Mwandishi', his first first full-blown fusion epic. The opening act of a trilogy of classic Hancock fusion albums, 1970's 'Mwandishi' is arguably the pick of the three, a visceral, highly-charged and exhilarating sonic odyssey that takes the listener deep into the musical galaxy of jazz-fusion. This journey is continued on the equally-as- brilliant 'Crossings'(1971) and also on the densely-concocted 'Sextant', yet the failure of the latter would see Hancock quickly abandon his atmospheric fusion style in favour of straight-up jazz-funk, issuing the seminal 1973 album 'Head Hunters', an album that would provide Hancock's breakthrough into the international musical arena. However, despite the lack of commercial success gleaned by 'Sextant' - a strange and difficult album - the fusion -era albums of Herbie Hancock have lasted the years well, still sounding as fresh and vital as they did during the early-seventies. All three are highly-recommended to those wishing to explore jazz-rock, though in this writer's mind 'Mwandishi' is the real masterpiece. Enjoy.

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 Head Hunters by HANCOCK, HERBIE album cover Studio Album, 1973
3.85 | 139 ratings

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Head Hunters
Herbie Hancock Jazz Rock/Fusion

Review by Progfan97402

5 stars Herbie Hancock retooled the musical direction he headed for Head Hunters, realizing that people weren't buying his Mwandishi-era albums (I'm sure the same reason a fan of later Tangerine Dream is likely to be scared off of Zeit). It's those albums were a bit over the heads of mainstream listeners. Look, Mwandishi, Crossings, and Sextant were hardly made for mainstream listeners, and since my tastes are not exactly mainstream, I have no problem with these albums and really enjoy them a lot. Hancock simply formed a new band, although retaining Bennie Maupin from the old lineup.

It's nice to see Herbie Hancock did not dumb down his music to reach a wider audience, although Head Hunters is an admittedly more accessible, but instead of doing something overly mainstream, he adopts a funk approach. Certainly funky tendencies showed up on Sextant, particularly on "Hornets" with the funky blaxploitation-type drumming and clavinet, but it often veered on the avant garde. "Chameleon" is the most recognized song on this album and you can imagine tons of rap DJs sampling this song. There's this wonderful funky approach as well as more fusion-oriented passages. He then totally does a drastic remake of "Watermelon Man". If you've heard the 1962 original, with the piano and horns, you can't deny how catchy it is. I even find this song enjoyable even though I was never a fan of his Blue Note-era albums (I couldn't get into them, but I can see many jazz fans would enjoy them so I don't bother reviewing them since they're perfectly good albums I am unable to connect with). This 1973 remake is drastically different with odd Africal rhythms and strange whistle or bottle sounds, and the music updated for electric piano and clavinet. You might have to listen to this several times to notice that the familiar theme does creep up, it's certainly not in that straightforward piano and horn-dominated style of the original. Fusion fans are really going to be blown away with "Sly", an obvious tribute to Sly & the Family Stone. The band really gets into a really intense jam, but the funk influences Hancock has adopted for this album are ever present. "Vein Melter" is the closing piece and the closest to the previous sound you'll get, in fact Bennie Maupin's sax playing was more in lines with what was heard in Crossings. Going for this more accessible funk-influenced fusion certainly helped Herbie Hancock big time. It definitely prevented him from being dropped from Columbia Records (I'm certain had he recorded another album like Sextant, Columbia would have likely dropped him). I really find nothing to fault Head Hunters, it's very much a classic, and it did not require many listens to be amazed by it either!

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 Head Hunters by HANCOCK, HERBIE album cover Studio Album, 1973
3.85 | 139 ratings

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Head Hunters
Herbie Hancock Jazz Rock/Fusion

Review by Sinusoid
Prog Reviewer

4 stars The textbook example of how to sell out and yet keep your musical dignity intact.

I'll go on record saying that SEXTANT might be my favourite album that Herbie Hancock put out, let alone one of his highest artistic triumphs. That artistic accomplishment didn't exactly translate into financial security. And I'm sure that the well-established powerhouse in Columbia Records wanted something that had more commercial viability. In essence, Hancock took a gamble by striking the Mwandishi concept after three albums, reducing the lineup of his band to just five, and taking pages out of Sly Stone and Stevie Wonder as a foundation for his next sonic approach.

HEAD HUNTERS is the resultant album of which most people that know of Herbie Hancock will register in their brains immediately. The music of HEAD HUNTERS is a counterbalance between jazz that the musicians are used to and funk, one of the music styles all the rage back when the album premiered. You could draw parallels to Hancock's career and Miles Davis's at the time, since Davis had notably ON THE CORNER as his big album at the time, another jazz record with strong funk leanings.

In all honesty, despite the more commercial approach the Headhunters (that will be the band name for a time) are going in, the album does retain most of the magic that made SEXTANT special. For starters, Bennie Maupin is the only other holdover from the Mwandishi lineup, a move that almost seems like common sense given how much character Maupin's reeds add to a piece of music (here, hear ''Sly''). Hancock's interpretation of funk crosses over well into the jazz world to the point where ''Chameleon'' is a new jazz standard despite the jam having heavy foreshadowing to hip hop. Where HEAD HUNTERS excels at is setting up a good groove and building on it without overstaying its welcome. It's why ''Chameleon'' has success in the first place, but the rapid fire section of ''Sly'' and the mid-tempo lock groove of a remake of ''Watermelon Man'' add to the overall appeal.

I would say HEAD HUNTERS has more funk in it than jazz, so the classic jazz fans might be turned off. Yet, any fan of jazz in a retro fashion will find this more than acceptable; especially those with more rock, funk and hip hop backgrounds. For me, the only reason HEAD HUNTERS is not an enjoyable masterpiece is that ''Vein Melter'' is significantly weaker than everything else on the album.

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 Crossings by HANCOCK, HERBIE album cover Studio Album, 1972
4.25 | 236 ratings

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Crossings
Herbie Hancock Jazz Rock/Fusion

Review by Argonaught

3 stars The Crossings is often described as one of the greatest Herbie Hancock's fusion albums, but it has failed to impress me .. matter of fact, I am considering throttling it back to 2 stars only.

The Side A is quite decent, but nothing to write home about - a couple jazz-rock/fusion bits here and there, diluted by some foggy experimental stuff of the "it fell where it got dropped it" kind.

The Side B didn't work out well for me at all. It certainly didn't sound anything like jazz. And I can't remember what it sounded like - for which lapse of memory I sincerely apologize to those who may read this review.

Perhaps, I should force myself to listen to the second part of the CD on my way to Walmart and back :)

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 Maiden Voyage by HANCOCK, HERBIE album cover Studio Album, 1965
4.28 | 146 ratings

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Maiden Voyage
Herbie Hancock Jazz Rock/Fusion

Review by Argonaught

5 stars I do not know if I would necessarily categorize this album as jazz-rock fusion, but I am ever so glad the Maiden Voyage has made it into the Progarchives lists!

(a side note: isn't that incredible that Herbie Hancock, who'd come up with this masterpiece 50 years ago, is still in business!)

To my ear, the Maiden Voyage is the highest achievement in the modal jazz realm. Miles Davis and John Coltrane may have invented modal jazz as a style (subgenre?), and their heir best-loved albums Kind of Blue and A Love Supreme have lots of brilliant stuff, but they aren't quite as pleasant to listen to as a whole. In other words, the Maiden Voyage is probably the most perfect all-around modal album of the 1960s era. I can think of some younger artists who have made even better albums, but to me the Maiden Voyage remains the modal jazz standard, which all newer albums will be measured up against.

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 Flood by HANCOCK, HERBIE album cover Live, 1975
3.13 | 10 ratings

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Flood
Herbie Hancock Jazz Rock/Fusion

Review by stefro
Prog Reviewer

2 stars Thanks to some apparently super-enthusiastic fan devotion towards certain Western rock acts, the 1970's saw a series of live albums, usually double or even triple-sided, issued in Japan only. Titles included the superb Santana triple-live release 'Lotus'(which ended up being one of the biggest-selling import albums ever) and this lengthy offering from Herbie Hancock recorded during 1975. By this time, Hancock had almost completed his gradual move away from the avant-garde-edged psychedelic afro-fusion sound featured on the likes of 'Sextant' and 'Crossings', instead choosing to develop the popular jazz-funk style found on his seminal 'Head Hunters' album. As a result, 'Flood' proves a mixed bag, with Hancock, in an admirable-yet-misguided move, choosing to reel off a live set that encapsulates the three major stages of his career up until that point, with classical jazz readings, experimental fusion sojourns and bristling funk medleys making up this surprisingly flat two-disc effort. With his Head Hunters outfit in tow - Paul Jackson, Bennie Maupin and Mike Clark all back him with highly-competent yet strangely uninvolving performances - 'Flood' seems like a missed opportunity. Hancock's 1970's studio repertoire is, of course, superb, yet for various reasons he has never been able to truly emulate his complex, funk-dipped sound in the live arena. A prime example, 'Flood' starts slowly, offering up a melodic-yet-dull reading of 'Maiden Voyage' before similarly mediocre versions of 'Actual Proof', 'Watermelon Man' and 'Chameleon' fail to heat proceedings up. So, what you have here then is a highly-talented collection of musicians basically going through the motions, the eclectic set-list actually working against the group. Flat, indulgent and ultimately rather restrained, 'Flood' ranks as one of the most disappointing live documents of the fusion era, and as mediocre an album as Hancock is ever likely to put his name too. STEFAN TURNER, STOKE NEWINGTON, 2012

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