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Eveline's Dust biography
Formed in 2012, Pisa-based Eveline's Dust is yet another young group to come out of Italy's thriving prog scene. The band are inspired by classic English groups such as King Crimson and Genesis, as well as Italian symphonic giants Banco Del Mutuo Soccorso, and, more prominently, modern prog icon Steven Wilson.

The band's debut EP, Time Changes, released in 2013, first established their decisively modern sound. With a symphonic base, rooted in the neo-prog style, Eveline's Dust are not afraid to experiment a little and move past the typical preconceptions of the neo-prog genre. Their music often veers into heavier, almost metal-like territory, and at times even showcases slight jazz rock tendencies. 2016 saw the release of Eveline's Dust's first full length album, The Painkeeper. A concept work, The Painkeeper continued to develop the band's distinctive sound.

-Magnum Vaeltaja

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EVELINE'S DUST top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.86 | 7 ratings
Time Changes
3.88 | 17 ratings
The Painkeeper
3.83 | 38 ratings

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Showing last 10 reviews only
 K. by EVELINE'S DUST album cover Studio Album, 2019
3.83 | 38 ratings

Eveline's Dust Eclectic Prog

Review by TenYearsAfter


Evelin's Dust is an Italian four piece formation that is rooted in 2012, this is its third effort, after the EP Time Changes from 2013 and the highly acclaimed successor The Painkeeper from 2016. I didn't know about the band but during this first musical experience I got impressed.

The opener New Beginning (6.02) alternates between dreamy and sumptuous outbursts featuring a sparkling synthesizer solo and a harder-edged guitar solo, in the realm of jazz rock. An exciting and dynamic start.

Fierce Fear Family (4:32) contains a swinging rhythm with strong interplay, echoes from Rush (interplay and guitar sound), and mellow work on the saxophone.

Hope (9:03) begins and ends with mellow with twanging acoustic guitar and dreamy vocals and saxophone. In between a fluent rhythm with sensational fat synthesizer flights, a strong rhythm-section and propulsive guitar riffs.

The titletrack (3:38) starts dreamy with twanging guitar and piano, then heavy and bombastic featuring strong interplay, what a dynamic and powerful sound. Then a slow rhythm and cynical vocals, turning into a bombastic eruption with biting guitar runs, propulsive rhythm-section and gradually thunderous drums, how exciting.

Lost in a Lullaby (5:38) is a varied track, first a swinging mid-tempo with fiery electric guitar, then slow rhythm with cynical vocals. Halfway a powerful jazz rock inspired guitar solo, again an atmosphere that evokes Rush and King Crimson (bombastic, dynamic), topped with a sensational super fat synthesizer solo and use of the pitchbend button, wow!

Faintly Falling (4:41) is a mellow piece featuring warm twanging guitar, dreamy piano and pleasant female vocals. Then a slow rhythm with a wailing cello sound and emotional female vocals, what a strong vocal performance. Finally dreamy with guitar and that cello sound, simply beautiful.

The final composition Rain Over Gentle Travellers (9:37) shifts from dreamy with piano, guitar and vocals to a swinging rhythm with outstanding interplay, fat synthesizer runs and a fiery guitar solo (like a heavy Allan Holdsworth), very tasteful and dynamic music.

This review was recently published on the Dutch prog website Background Magazine, in a slightly different version.

Thanks to epignosis for the artist addition.

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