Header

GENTLE GIANT

Gentle Giant

Eclectic Prog


From Progarchives.com, the ultimate progressive rock music website

Gentle Giant Gentle Giant  album cover
3.86 | 833 ratings | 84 reviews | 28% 5 stars

Excellent addition to any
prog rock music collection


Write a review
Buy GENTLE GIANT Music
from Progarchives.com partners
Studio Album, released in 1970

Songs / Tracks Listing

1. Giant (6:22)
2. Funny Ways (4:21)
3. Alucard (6:00)
4. Isn't It Quiet And Cold? (3:51)
5. Nothing At All (9:08)
6. Why Not (5:31)
7. The Queen (1:40)

Total Time: 36:57

Lyrics

Search GENTLE GIANT Gentle Giant lyrics

Music tabs (tablatures)

Search GENTLE GIANT Gentle Giant tabs

Line-up / Musicians

- Gary Green / lead guitar, 12 string guitar
- Kerry Minnear / keyboard, some bass, cello, lead vocals, backing vocals, some tuned percussion
- Derek Shulman / lead vocals, backing vocals, some bass
- Phil Shulman / sax, trumpet, recorder, lead vocals, backing vocals
- Ray Shulman / most bass, violin, some guitar, percussion, backing vocals
- Martin Smith / drums, percussion

Releases information

Vinyl LP (1970): Vertigo 6360 020
CD (1990): Vertigo 842 624-2
Remastered CD (2004): Repertoire (Distribution Sony/BMG) REPUK1035

Thanks to ProgLucky for the addition
and to Mandrakeroot for the last updates
Edit this entry

GENTLE GIANT MP3, Free Download (music stream)


Open extended player in a new pop-up window | Random Playlist (50) | How to submit new MP3s

Buy GENTLE GIANT Gentle Giant Music


No release results - showing artist results instead
Live at the BicentennialLive at the Bicentennial
Alucard Records 2014
Audio CD$11.62
$14.38 (used)
The Power And The Glory (5.1 Blu-ray/CD Mixed by Steven Wilson)The Power And The Glory (5.1 Blu-ray/CD Mixed by Steven Wilson)
Alucard 2014
Audio CD$13.77
$13.33 (used)
Free HandFree Hand
Remastered
Alucard Records 2010
Audio CD$6.32
$6.28 (used)
In A Glass HouseIn A Glass House
Remastered
Alucard Records 2010
Audio CD$6.66
$4.45 (used)
Acquiring the TasteAcquiring the Taste
Fontana Island 1990
Audio CD$3.59
$2.76 (used)
OctopusOctopus
Remastered
Alucard 2011
Audio CD$12.36
$9.45 (used)
Playing the Fool: The Official LivePlaying the Fool: The Official Live
Remastered
Alucard Records 2010
Audio CD$8.36
$8.00 (used)
Gentle GiantGentle Giant
Import
Island Def Jam 1990
Audio CD$6.85
$6.11 (used)
Memories of Old DaysMemories of Old Days
Box set · Import
EMI Import 2013
Audio CD$2.99
$7.34 (used)
Three FriendsThree Friends
Remastered
Alucard 2011
Audio CD$10.69
$11.54 (used)
Right Now on Ebay (logo)
GENTLE GIANT-S/T-JAPAN ISSUE +OBI iii USD $69.99 Buy It Now 1h 41m
Gentle Giant-I'm Turning Around 7" UK Chrysalis 45 1977 USD $6.30 Buy It Now 3h 55m
Gentle giant-1974 poster size press advert USD $15.78 Buy It Now 5h 31m
GENTLE GIANT - OCTOPUS NEW CD USD $22.18 Buy It Now 5h 47m
GENTLE GIANT "IN A GLASS HOUSE" 1973 ALBUM AND TOUR DATES ADVERT USD $20.45 Buy It Now 5h 51m
Gentle Giant-In A Glass House Die Cut Cover UK Import Nice Copy USD $19.98 [0 bids]
6h 31m
Gentle Giant Octopus 1973 Stereo LP VG++ USD $18.99 Buy It Now 6h 34m
BLACK SABBATH/STATUS QUO/GENTLE GIANT/BEGGARS OPERA/JACKSON HEIGHTS Norway LP 73 USD $14.90 [1 bids]
6h 39m
GENTLE GIANT, GIANT FOR A DAY LP, Capitol EMI SW-11813, 1978 Prog,SHIPS US FREE! USD $11.69 Buy It Now 7h 50m
Kindred/Willis - Gentle Giant Of The Tenor [CD New] USD $16.32 Buy It Now 8h 25m
GENTLE GIANT IN A GLASS HOUSE UK IMPORT VINYL USD $14.99 [0 bids]
USD $19.99 Buy It Now
8h 30m
Gentle Giant In A Glass House Original 1973 LP WWA 002 USD $135.00 [0 bids]
USD $180.00 Buy It Now
9h 9m
Gentle Giant - Power & The Glory (Remixed By Steven Wilson) 2014 [CD New] USD $16.32 Buy It Now 9h 25m
ROCK LP - GENTLE GIANT - THE POWER & THE GLORY (1974) CAPITOL ST-11337 STEREO USD $19.99 Buy It Now 9h 51m
GENTLE GIANT GIANT FOR A DAY NEAR MINT ROCK VINYL RECORD ALBUM USD $3.99 [0 bids]
11h 51m
GENTLE GIANT - POSTCARD SET # 1 - concert posters, promos etc - NEW USD $7.88 [0 bids]
12h 26m
GENTLE GIANT-OCTOPUS-JAPAN SHM-CD 1222 D50 USD $19.50 Buy It Now 12h 51m
GENTLE GIANT - IN A GLASS HOUSE limited edition OOP mini LP replica CD import USD $6.74 [3 bids]
13h 33m
GENTLE GIANT FREE HAND LP URUGUAY USD $21.00 Buy It Now 14h 57m
GENTLE GIANT INTERVIEW LP URUGUAY USD $19.00 Buy It Now 14h 57m
GENTLE GIANT PIEZA FALTANTE LP ARGENTINA USD $20.00 Buy It Now 14h 57m
Gentle Giant The Missing Piece Capitol ST 11696, Original Pressing, Free Ship VG USD $6.80 Buy It Now 15h 21m
GENTLE GIANT Acquiring The Taste LP REISSUE NEW USD $39.47 [0 bids]
16h 8m
Gentle Giant-Civilian-Lp Vinyl Record-Columbia-JC 36341 USD $6.12 [0 bids]
USD $8.80 Buy It Now
17h 36m
Gentle Giant-Interview-Lp Vinyl Record-Capitol-ST-11532 USD $8.80 [0 bids]
18h 3m
Gentle Giant - Missing Piece 1977 Capitol orig. LP USD $7.99 Buy It Now 18h 6m
Gentle Giant - Playing the Fool - Official Live 1977 Capitol orig 2LP's USD $9.99 Buy It Now 18h 21m
Gentle Giant "The Missing Piece" LP USD $4.95 [0 bids]
18h 38m
Gentle Giant "Free Hand" LP USD $4.95 [0 bids]
18h 40m
Gentle Giant Live "Playing the Fool" Double LP USD $4.95 [0 bids]
18h 44m
Prog Swirl Label Promo LP : Gentle Giant ~ Acquiring The Taste ~ Vertico 1005 USD $40.00 [0 bids]
19h 46m
Gentle Giant - Live in Essen Germany 1971 Vinyl LP USD $36.25 Buy It Now 1 day
GENTLE GIANT-S/T 1982 SUPER STAR RECORDS ITALIAN IMPORT LP SU-1026 EXC. VG+ USD $7.99 Buy It Now 1 day
Gentle Giant The Power and The Glory LP+7" Vinyl RE USD $59.99 Buy It Now 1 day
Gentle Giant - The Last Steps (Live 1980) (CD) USD $4.72 Buy It Now 1 day
FIREBALLET TWO TOO 1976 LP ORIG US NM PROMO INSERT PROG YES GENTLE GIANT GENESIS USD $4.99 [0 bids]
1 day
JOHNNY CASH Gentle Giant Of Country LP EXCELLENT CONDITION VINYL RECORD Same ST USD $14.20 Buy It Now 1 day
Gentle Giant : The Chrysalis Years (1975 -1980) 4 x CD Album Boxset USD $14.20 [0 bids]
1 day
Gentle Giant : Missing Piece CD (1996) USD $12.81 Buy It Now 1 day
Giant For A Day: 35th Anniversary Edition [Remaster] by Gentle Giant (CD NEW USD $29.99 Buy It Now 1 day
Gentle Giant "Interview" LP USD $4.95 [0 bids]
1 day
Interview [35th Anniversary Edition] [Remaster] by Gentle Giant (CD NEW USD $29.99 Buy It Now 1 day
Gentle Giant "Acquiring the Taste" LP USD $4.95 [1 bids]
1 day
YUSEF LATEEF THE GENTLE GIANT ATLANTIC JAZZ LP TORN SHRINK USD $15.00 Buy It Now 1 day
Gentle Giant UK show advert 1975 USD $8.69 Buy It Now 1 day
GENTLE GIANT NOT JAPAN MINI IN A GLASS HOUSE UK PAPER SLEEVE CD. USD $25.00 [0 bids]
1 day
GENTLE GIANT Giant For A Day 1978 prog LP on UK 1993 CD w/ Postersleeve USD $11.99 Buy It Now 1 day
GENTLE GIANT IN A GLASS HOUSE LP WWA ORIGINAL PROG PSYCH USD $40.00 Buy It Now 1 day
Three Friends [Digipak] by Gentle Giant (CD, Sep-2011, DRA) USD $10.00 [0 bids]
1 day
In a Glass House by Gentle Giant (CD, Jan-2010, DRA) Remastered! USD $8.00 [0 bids]
1 day
GRACIOUS - This Is Gracious - Prog Rock, 1971 - Mellotron, Gentle Giant 1993 USD $15.00 [7 bids]
1 day
GENTLE GIANT "NM WAX" Giant Steps.(The First Five Years) 1970 9299733 2LP AM7001 USD $7.99 [0 bids]
1 day
LOT OF 5 GENTLE GIANT LP's ~ Three Friends / Octopus / Missing Piece / Power... USD $7.50 [0 bids]
1 day
GENTLE GIANT Playing The Fool Live - UK Double LP - Prog Psych Simon Dupree Ma USD $16.99 Buy It Now 1 day
Gentle Giant, Gentle Giant, New & Sealed, 7 track cd album, Vertigo Records USD $6.30 [0 bids]
1 day
GENTLE GIANT: The Power And The Glory (Rock & Pop Capitol ST-11337 USA LP) USD $9.94 [0 bids]
1 day
Gentle Giant 70s ROCK PSYCH DJ 45 Words from the Wise Mono / Stereo USD $9.98 Buy It Now 1 day
GENTLE GIANT---GIANT FOR A DAY USD $7.00 [0 bids]
1 day
The Missing Piece by Gentle Giant (CD, Dec-1995, One Way Records) USD $6.00 Buy It Now 1 day
Gentle Giant - The Power And The Glory on Capitol Records St 11337 USD $14.99 Buy It Now 1 day
Gentle Giant The Missing Piece LP Vinyl Record USD $3.77 [0 bids]
1 day
Vintage Gentle Giant Acquiring the Taste Record 1971 Vertigo Italy Error Label USD $24.99 [0 bids]
1 day
GENTLE GIANT ~ OCTOPUS ~ VERTIGO SWIRL UK LP 1972 ~ 1/1 2/1 FIRST PRESS ~ PROG USD $623.84 Buy It Now 1 day
Ozric Tentacles - Tantric Obstacles CD 2013 reissue steven wilson gentle giant USD $5.99 [0 bids]
USD $9.99 Buy It Now
1 day
Gentle Giant Acquiring the Taste,Sealed US 1st Press MINT USD $250.00 [0 bids]
USD $400.00 Buy It Now
1 day
GENTLE GIANT 1975 Prog Rock LP FREE HAND VG++/VG+ Captiol ST 11428 USD $4.99 [0 bids]
1 day
GENTLE GIANT "FREE HAND" orig Capitol ST-11428 vintage prog rock classic BEAUTY USD $4.99 [0 bids]
USD $9.99 Buy It Now
1 day
SEALED GENTLE GIANT: Giant For A Day LP CAPITOL RECORDS SW-11813 US 1978  USD $24.99 Buy It Now 1 day
GENTLE GIANT, In a Glass House [Die-Cut sleeve] UK 1st pressing 1Y1 matrix LP USD $34.99 [0 bids]
1 day
GENTLE GIANT, Acquiring the Taste [Vertigo] MASTERDISK USA 2nd pressing LP USD $22.99 [0 bids]
1 day
Kindred Willis - Gentle Giant Of The Tenor CD USD $20.09 Buy It Now 2 days
GENTLE GIANT, THREE FRIENDS, LP, US ORIGINAL, VG+ USD $5.00 [0 bids]
2 days
Gentle Giant in'terview JAPAN NEW SHM MINI LP CD + DVD Audio Quad Mix TOCP-95086 USD $80.99 Buy It Now 2 days
GENTLE GIANT Playing The Fool CD Remastered NEW USD $15.78 Buy It Now 2 days
Gentle Giant - Playing The Fool [CD New] USD $11.68 Buy It Now 2 days
GENTLE GIANT 'FREE HAND' US IMPORT LP USD $39.47 Buy It Now 2 days
GENTLE GIANT Gentle Giant S/T Self-Titled CD BRAND NEW USD $15.86 Buy It Now 2 days
GENTLE GIANT Acquiring The Taste CD BRAND NEW USD $15.86 Buy It Now 2 days
GENTLE GIANT - Live In Stockholm '75 (Deluxe Digi-Pack-NEW) USD $11.04 Buy It Now 2 days
GENTLE GIANT- THE POWER AND THE GLORY, UK 1974, CAPITOL, ST-11337 USD $11.00 [0 bids]
USD $16.00 Buy It Now
2 days
GENTLE GIANT INTERVIEW LP (CANADIAN IMPORT) USD $4.99 [0 bids]
2 days
GENTLE GIANT-RARE ITALIAN G/F+BOOKLET USD $19.50 [0 bids]
2 days
GENTLE GIANT - THREE FRIENDS - JAPAN SHM MINI LP CD USD $59.09 [0 bids]
2 days
GENTLE GIANT "IN A GLASS HOUSE" ALBUM & CONCERT ADVERT 7X7" USD $11.06 Buy It Now 2 days
GENTLE GIANT "Gentle Giant 1970 Acquiring the Taste 1971" 2 in 1 CD USD $9.99 [0 bids]
2 days
GENTLE GIANT - ROME 1974 USD $15.78 Buy It Now 2 days
GENTLE GIANT- 'The Power and the Glory' Album - Original Poster Size Ad - 1974 USD $12.63 Buy It Now 2 days
GENTLE GIANT**ARTISTICALLY CRYME**2 CD SET USD $6.91 Buy It Now 2 days
GENTLE GIANT The Missing Piece LP 1977 PROG PSYCH ROCK Moog Synth Mast x Capitol USD $12.22 Buy It Now 2 days
Gentle Giant Playing The Cleveland Live 1975 CD NEW USD $9.46 Buy It Now 2 days
Gentle Giant / Three Friends USD $4.99 [0 bids]
2 days
1973 UK WWA 002 - Gentle Giant - In A Glass House USD $25.00 Buy It Now 2 days
Excellent Vinyl - 1977 ST-11696 - Gentle Giant - The Missing Piece USD $10.00 Buy It Now 2 days
Gentle Giant - Gentle Giant Japanese Mini LP CD USD $19.99 [0 bids]
2 days
King Crimson - Larks' Tongues in Aspic 30th Anniversary CD Yes ELP Gentle Giant USD $6.99 [0 bids]
2 days
GENTLE GIANT THE OFFICIAL LIVE PLAYING THE FOOL 2X VINYL LP org.1977 prog/rock USD $9.99 [0 bids]
2 days
GENTLE GIANT FREE HAND LP 1975 ORIGINAL GERMAN PRESSING USD $59.99 Buy It Now 2 days
Gentle Giant S/T (Gatefold) {6360-020} **GERMAN IMPORT** **NEAR MINT VINYL** USD $77.77 Buy It Now 2 days
Hot Shots 2LP compilation. Gentle Giant, TYA, Robin Trower, UFO, Blondie etc. Ex USD $3.14 [0 bids]
3 days
Gentle Giant The Power And The Glory + Insert vinyl LP album record UK WWA010 USD $124.69 Buy It Now 3 days

More places to buy GENTLE GIANT music online Buy GENTLE GIANT & Prog Rock Digital Music online:
  • AmazonMP3: Search for GENTLE GIANT DRM-Free MP3 Downloads @ AmazonMP3 (USA Only) | AmazonMP3 (UK Only)

GENTLE GIANT Gentle Giant ratings distribution


3.86
(833 ratings)
Essential: a masterpiece of progressive rock music(28%)
28%
Excellent addition to any prog rock music collection(48%)
48%
Good, but non-essential (21%)
21%
Collectors/fans only (3%)
3%
Poor. Only for completionists (0%)
0%

GENTLE GIANT Gentle Giant reviews


Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by Marcelo
PROG REVIEWER
5 stars For me, the best GENTLE GIANT album. One of the great, original and creative bands, and their debut album is a very good example. Really, not too many bands in progressive music history could make so complex interplay between instruments and voices, keeping the beauty of each piece. Great musicians and superb compositions. Although many people doesn't consider this album as the best of GG, I think this is the mandatory start point to understand the band. A must have.

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to Marcelo (BETA) | Report this review (#5984) | Review Permalink
Posted Saturday, December 20, 2003

Review by Sean Trane
SPECIAL COLLABORATOR Prog Folk
4 stars GG's eponymous debut album (also called Tall Tales) mixed bag of feelings as far as I am concerned, with some real strong points but also a few glaring weaknesses (I will not talk of flaws in a such a complex type of music), but the fact is that this album remains a classic debut - no matter what the purist will say. The three Shulman brothers (of Glaswegian origin) were the backbone of a 60's pop outfit before being completely disgusted from the music busness , stopping a successful venture by breaking up and they took the drummer with them before finding Minnear and Green on keys and guitar respectively. The great thing about this album is maybe the most immediate and sincere album, maybe also the one recorded with the most urgency. On the downside, when GG complicates things a bit, it appears like they do for no particular reason except maybe to complicate for the sake of it (more on this/my opinion in the third paragraph) but later when they will do this, it will be better concealed.

I will not spend much time writing description of the tracks (you got some 40 odd reviews coming for this) at the time of re-writing my GG reviews, but what you have to know is that this debut holds almost every element that will make their following albums classic prog albums. Here in this album their ideas sound FRESH, inventive and groundbreaking, some adjectives that I would not use to present you their sixth or seventh album (Power and Freehand) where they almost sound stale and less inspired.

Right from the fairly aggressive-sounding guitars of Giant to the Rigby-esque Quiet And Cold to the definitive Alucard , the first vinyl side sweats out their exuberance, their enthusiasm as if they wanted to avenge themselves from the years of forced hit-playing with Simon Dupree And The Big Sound by taking out their frustration on the studio magnetic tapes by torturing them to exhaustion. Then comes the pièce de resistance in the form of the 9 min Everything Is All (pardon the fun pun) with its absolutely orgasmic intro and developing into a wild track embodying one of the rare drum solo I find not boring - maybe because it is interrupted for a while by a jazzy Liszt-sounding KB. However the rest of the albums pales in comparison with this superb start, a bit like a rookie sprinting right from the start of the 1500 meter race , they seem to run out of steam. The needless Hendrix winks at electrifying their national anthem, being totally useless.

So this album is definitely where all the seeds have been planted, and the harvest to be sown later on!

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to Sean Trane (BETA) | Report this review (#5986) | Review Permalink
Posted Tuesday, February 24, 2004

Review by greenback
SPECIAL COLLABORATOR Honorary Collaborator
4 stars The most hard rock of the GENTLE GIANT albums. Progressive hard rock, but definitely hard rock. The guitar sound is near the best ones of hard rock bands of that period: the guitarist is often in the higher notes, showing us that he can make good solos. Drums and bass are quite good and elaborated. The more basic keyboards are less elaborated, maybe more floating, if we can really call it floating. It is obvious here that they did not find their sound and style, but "Isn'it Quiet and Cold?" Really shows us that they took this direction after: this song is less hard rock and has an impressive balanced instruments ensemble: piano, violin, string instruments.

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to greenback (BETA) | Report this review (#5982) | Review Permalink
Posted Friday, April 09, 2004

Review by Gatot
SPECIAL COLLABORATOR Honorary Collaborator
4 stars Excellent debut album of one of 70s prog pioneers. Gentle Giant's music is explorative in nature and it has a blend of jazz, rock, blues and avant-garde components with the use of multi instruments. One identity that spells-out GG and differentiates them from other band is the type and quality of Shulman brothers (Derek, Ray, Phil) voices especially when they sing together. Their uniqueness is like when you listen to how Queen members sing together, you would easily identify that "It must be Queen!". The same is true for Ian Anderson's of Jethro Tull. Unique. No one has successfully emulated the way the Shulman brothers sing. As GG music, I have not been able to identify any group that compose their music similar with GG's. It's probably ET CETERA, but it's not as unique as GG.

"Giant" is a classic prog track that represents GG's legend, I would say. It's so dynamic and it rocks! I like how the guitar is played to accentuate the vocal at the end every line of lyrics. The music is "discrete"; this is what makes GG music different from others. There are parts of music that beat like a jazz big band music but in the vein of rock. This track is really prog to the corner. It's classic.

"Funny Ways" is a mellow track with an exploration of acoustic guitar, violin and cellos, great vocals. " Alucard" is an upbeat track with relatively complex composition exploring brass instruments, keyboard and violin/cellos. When vocal parts enter the music, it's a unique and enjoyable melody sung by the Shulman brothers. This track is dynamic with high and low points. They fill the low point with soft keyboard/ organ sound followed by brass instruments. It reminds me a bit of VAN der GRAAF GENERATOR. But it's different.

"Isn't It Quiet And Cold?" is a mellow track, performed with an "unplugged" style, with strange and nice composition especially on violin and cellos. The use of vibraphone is nice. "Nothing At All" is the best track that represents my favorite for this track. Oh boy .. the melody is so nice, touchy and memorable! It flows naturally and unlike other tracks, this track has a continuous flow (instead of "discrete" as usually GG music is). The music is soft, the vocal is really great. When guitar part enters the music, it starts slowly and accompanied by a soft keyboard sound. When vocal starts with high tone, the guitar part starts filling the music. The drum solo and piano in the middle of the track have enriched this track. "Why Not?" is also a cool track with stunning guitar.

If you claim yourself as prog lover, you should not miss this album. Buy the CD! "Why Not?" - Gatot Widayanto, Indonesia.

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to Gatot (BETA) | Report this review (#5995) | Review Permalink
Posted Tuesday, July 27, 2004

Review by Menswear
PROG REVIEWER
3 stars Have you ever read the story inside the cover? It's describes how the Giant is meeting and teaming with Gentle Giant. A funny story that shows that GG is both brain and brawl. And the cover is a giant holding Gentle Giant! Humor and good fun is present in their first record. For the brain side, the structure of the songs is less complex than Acquiring the Taste or Octopus. It gives a rougher and lighter side...more rock n' roll and a bit less prog. Giant is an all-time favorite in concert. It's maybe the song that captures the most what is to come for the band. The album focuses maybe more on a ballad-folk combination in Funny Ways, Isn't Quiet and Cold and Nothing at All. It could use more rythm or keyboard, but it's just a personnal taste. To me, it's a weaker album because of the lack of what made the reputation of GG...switching instrument and funny time breaks (keyboard weirdness, xylophone, oboe, vibraphone) that blow your brains with admiration.

Now, GG knows how to rock. And this album shows it on many occasions. Giant and Why Not? has their moment of rock n' roll. So when it gets down to buisness, GG knows what they are doing.

By the way, on a concert, Dekrek (?) said: " The band would like to thank everybody who came here to see us, and I would personnaly thank somebody....Preparation H. Because without him, I could'nt be here tonight...."

Aahh England....So irreverent.

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to Menswear (BETA) | Report this review (#5996) | Review Permalink
Posted Saturday, August 14, 2004

Review by Bj-1
SPECIAL COLLABORATOR Honorary Collaborator
3 stars Behind the wonderful cover art, there is 37 minutes of dynamic, ecletic and varied music, promoted even further with the band's excellent instrumentation, showing both their song writing talents as well as their talents on the instruments. The music is very adventurous and diverse, containing all from blues, folk and hard rock, and gives strong hints of what to come later in their discography, though you also can hear that they were still searching for the right "sound" and form. It's a very impressive debut, despite a few weaker moments ("The Queen") and it can be compared to Jethro Tull and Genesis' more obscure works.

A very good album in overall. Get it if you are a fan or if you want some other interesting prog-rock to listen too, though their 1972-1976 works are even better, this one is still worth a try. 3.5/5

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to Bj-1 (BETA) | Report this review (#5999) | Review Permalink
Posted Monday, November 29, 2004

Review by Marc Baum
PROG REVIEWER
4 stars The debut of Gentle Giant is a remarkable album, original and by far the most accesible classic record the band did. The blues and hard rock influences in combination with avant- garde and symphonic prog is a unique observation by a band, which would set new levels in prog the followed years with masterpieces like "Three Friends", "Octopus", "In A Glass House", "The Power And The Glory" and "Free Hand". Their debut holds nowadays more important historical values for the prog scene and is not as highly acclaimed as their forthcoming records but IMO it has far more to offer than some people may think. Let's rate the tracks on "Gentle Giant":

"Giant" is an awesome opening track, the perfect way to start to discover the exciting world of GG. The part in the middle of this song with it's bombastic monumental choir arrangements allways gives me chills. Derek's voice sounds a bit dated in the recording, but it fits perfectly to the mood of this early symphonic prog classic track. If you never heard it, give yourself a favour and download it free on the archives! Track rating: 9.5/10

"Funny Ways" turns down the high volume and is a kind of a nice slow song with chilling voice-lines and nice instrumentation. I absolutely love the mood in this one, you can lose yourself in a dreamland, when you listen to this intensively. Nice song. Track rating: 9/10

"Allucard" is more hard rock influenced in the beginning, with good electric guitar and fantastic trumpet by Phil Shulman. Complex in the middle between the verses and highly enjoyable in the instrumental passages. The vocals are a bit disturbing, but that isn't much represantative for the quality of this track. Overall not the best track on the record but still very good though. Track rating: 8/10

"Isn't It Quiet And Cold" reminds on The Beatles with the nice vocal arrangements by the band and the cello and violins play a big part for the flueness of this song. Not spectacular, but there is much to like about this nice one, specially for Beatles fans. Track rating: 7.5/10

"Nothing At All" is the masterpiece of the album. I don't understand why this song seems so overlooked and forgotten in the catalogue of great songs by this band. The epic track starts with a beautiful quiet part and hunts forward in a fabulous blues part with excellent guitar work by Gary Green. The drum solo, which sets in in the middle part flues brilliantly in a nice piano part, where the piano seems to make a battle with the drums, simply stunning and something that you very rarely hear on a studio record, more something usual for a live album. The ending part repeats the quiet beginning of this track and ends it perfectly. Great lenghty song by Gentle Giant! Track rating: 10/10

"Why Not?" continues there, where the blues section of the previous track left off and rocks pretty well, the lead guitar is awesome and shows the roots of the band in a nice way, not very proggy but highly enjoyable! Why Not? Track rating: 8.5/10

"The Queen" is a bit difficult to rate, it's the brittish hymn in a cool packaged rock version and the outroduction of the record. It ends it pretty well and wants you to repeat listen to this highly enjoyable trip with Gentle Giant. Hm, a rating? Well: Track rating: 8/10

What is left to say now? I highly recommend this record to all prog fans, this is essential early prog and one of these records, which are extremely important for the genre. Definitely the most defining and important prog rock debut together with "Emerson Lake & Palmer" and behind "In The Court Of The Crimson King". If you don't already have it, get it!

Record rating: 9.5 + 9 + 8 + 7.5 + 10 + 8.5 + 8 = 60.5 / 7 tracks = 8.642857143 points = 8.5 points

Gentle Giant - "Gentle Giant (Tall Tale)": 8.5/10 points = 86 % on MPV scale = 4/5 stars

point-system: 0 - 3 points = 1 star / 3.5 - 5.5 points = 2 stars / 6 - 7 points = 3 stars / 7.5 - 8.5 points = 4 stars / 9 - 10 points = 5 stars

Excellent addition to any prog music collection

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to Marc Baum (BETA) | Report this review (#46313) | Review Permalink
Posted Sunday, September 11, 2005

Review by Hangedman
PROG REVIEWER
3 stars As far as prog debuts go this album is pretty fantastic. From the opening song "Giant" you can already hear Gentle Giants classic sound. Most bands on the first release haven't quite perfected their sound, or haven't found a good chemistry yet. Gentle Giant however was ready to amaze right away. This was the first Gentle Giant album I had ever bought, and while not my favorite by any stretch of the imagination, it remains a very strong album that I will put on every couple of months.

For 1970 this piece is some very advanced symphonic music. It utilizes all sorts of "classical" instruments, violin cello etc..., sax, and synthesizers. So you get very diverse sounds. It doesn't need to be said but Gentle Giant is one of the most technically gifted rock bands of all time, and it does come off in this recording. The one thing you can count on Gentle Giant for is complexity.

The biggest difference between this gentle giant album and the others is it is very hard rock oriented. As a result of this it is very fun to listen to. It keeps you paying attention, even if you don't want to be (in fact, I like to listen to the albums I review while I review them, and I've found myself trail off to listen to the album more than once). Also Gentle Giant (especially on this album I find) almost always have great lyrics. "Funny Ways", "Isn't It Quiet and Cold?", "Nothing at All", and "Why Not?" are all very well penned, usually bands with the instrumental talent of Gentle Giant cant write a good lyric to save their life. That's another thing I like about the album.

Despite the fact the album is filled with above average songs, only one manages to be at all memorable. Although the Gentle Giant style I've come to love is definitely present and also well put together, it still hasn't been perfected and comes off a little shaky. There isn't a conceptual or musical direction at all and it feels very loose as a result. The drum solo on "Nothing at All" is a little drawn out, and I find myself bored by the end of it.

The opening track "Giant" is easily in my top 5 Gentle Giant songs, and might even be one of my all time favorite songs. Its shifts from quiet to loud are amongst the most impressive I've ever heard. "Funny Ways" is a very good and strange tune, almost a nod to the bands outlook on music as much is it is a song about the way a person lives. "The Queen" is a stupid filler that runs at 1 minute and 40 seconds. Its completely unacceptable (IMO anyways) to include filler like this that has no conceptual or transitory purpose.

Overall this is not one of the best Gentle Giant albums, but is worth your money. A good place to start, and if your already a fan of these guys and you don't own this album you are committing heresy. 3 stars, and amongst the best debut albums of all time.

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to Hangedman (BETA) | Report this review (#46987) | Review Permalink
Posted Saturday, September 17, 2005

Review by Chus
PROG REVIEWER
3 stars 3 1/2 stars

Maybe it's just me, but I always felt that the song "Giant" holds much resemblance to anything Blood, Sweat & Tears could have done if they were more progressive: Those great jazzy fanfares at the chorus and the vocals that sound a lot like Clayton-Thomas announcing the "Giant's arrival". But then they turn into King Crimson on the bridge with some tasty minimalistic mellotron notes until they reach the major fanfare with renaissance choral; If King Crimson certainly were the band that influenced the implementation of the polyphonic high-mediaeval or renaissance elements in rock music, these guys brought it to full life, although it would not be until around the "Octopus" album that they will exploit them along with the use of fugues and canons in the majority of the arrangements.

In this album "Giant" and "Why Not?" were the main glimpses of what they will become later on. Here, mostly, the album is a swell collection of ballads and rockers. "Funny Ways" and "Isn't it Quiet and Cold" have great usage of cellos, with the latter being reminiscent of the 30's ballads. "Alucard" sounds like a mix of early and late King Crimson, and also has the spookiest vocal harmonies of the album. The one song that I did not like much was "Nothing At All": it starts like another good ballad and then turns into a rocker monster (and they know how to rock without abusing it), but after the strong part of the song they insert a drum solo with electronic effects and a background piano put there for no reason; it's the weakest part of the album, since the tape tricks really spoil the average drum solo and the piano really brings nothing musically when put together with the rythm: it's just musical gibberish. "Why Not" would have been a great track if it hadn't been a reworking of the "Nothing At All" rocking riff, although the classical organ feeds really brings it up a notch, along with a breathtaking bridge featuring the pan flutes. Finally the album's coda is a re-arrangement of the brittish anthem "The Queen" (God Save The Queen), with a rock 'n roll ending; a very original closer, but musically it's just an average rock n' roll/blues song. This album may not be their quintessential, but certainly shows how versatile they can be, and even in this album Gentle Giant makes Yes sound like Led Zeppelin, even though Yes is very academic already; you couldn't imagine how complex their music would be on later albums.

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to Chus (BETA) | Report this review (#94025) | Review Permalink
Posted Tuesday, October 10, 2006

Review by clarke2001
SPECIAL COLLABORATOR Honorary Collaborator
4 stars An excellent album from Gentle Giant. Maybe not their best, but certainly one of the best debuts in business.

I can't make up my mind which track is my favourite, the fact that speaks for itself. There are not so many bad moments here, really. "The Queen" is unnecessary (but not bad) and perhaps the opening "Giant" is a little bit outstretched.

There's a beautiful range of instruments on this album, and almost everything is on the right place: fiery synth solos, multivocal harmonies played backwards, gentle piano parts layered over the drum solo.

You can hear the hard rock elements on this album (an on the "Acquiring The Taste" follower as well), something that will be less present on Gentle Giant's album in the forthcoming years. However, I like that blend that they utilised here.

Perhaps the highlights of the album (I already said that I can't make up my mind, really) are, nice acoustic, almost-folksy ballad parts here. But don't be misguided by the word "Ballad", nothing is simple or static here. The track are well developed, with excellent dynamics and atmospheres. Personally, i think their later works are little bit TOO developed and complex (but not less enjoyable though). There's a good amount of everything here, and this highly recommended for everyone. However, their best titles will appear in years to came. Well-deserved four stars.

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to clarke2001 (BETA) | Report this review (#97521) | Review Permalink
Posted Tuesday, November 07, 2006

Review by OpethGuitarist
PROG REVIEWER
2 stars Giant beginnings.

This debut already has most of the items lined up for GG. While not up to par with albums like Octopus and In a Glass House, it's not that bad of a debut by the band and I'm sure was a sign for things to come. With the exception of Weathers on drums, all of the "classic" members are here.

Alucard is a nice tune with strong key presence. It also probably has the most memorable melody line of all the tracks. I don't find this album to be near as "rocking" as some of my other collabs look at it. Sure the guitar tone has that feel to it, and the ending of Why Not? comes to mind, but their are just as many soft and pleasantries to the album as on other works.

The Queen is a lame track, which I'm sure some considered fairly neat at the time (modernizing of political songs trend), but it really adds nothing to the work, other than some more time to the record. You can find bits and pieces of interesting material here and there, but relatively speaking this is one of the bands weaker efforts, although you must remember it's the debut album.

With few exceptions, their aren't many soaring melodies and intriguing vocal works as found on other GG albums. GG approaches soft sections differently, but it's calming and pleasant enough. We would have much to look forward to though, Gentle Giant being one of the more promising progressive rock bands of the era that really never stood out in the spotlight, but never because of musical quality and more for the opinions of the band themselves.

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to OpethGuitarist (BETA) | Report this review (#102528) | Review Permalink
Posted Monday, December 11, 2006

Review by Mellotron Storm
PROG REVIEWER
4 stars This is where it all started for the band and what impressed me most about this record is how progressive it is.This was the first GENTLE GIANT album I purchased.

The first song "Giant" starts off with organ that builds then the vocals come in. I really like the way he almost shouts the lyrics, which are followed by the same melody played by guitar. It's almost like the guitar responds in kind to the vocals.This song also features some mellotron."Funny Ways" is a top three and it has reserved vocals with lots of violin as well as trumpet, piano and some scorching guitar. "Alucard" is dracula spelled backwards and is indeed a song about vampires.The guitar is good and the organ is great. "Isn't It Quiet And Cold" is a silly song with cello and xylophone.

"Nothing At All" is my favourite tune on this record. Opening with twelve string guitar it sounds like THE BEATLE's "Dear Prudence" from the "White Album". The song does get more aggressive including the vocals. The guitar is really good. "Why Not ?" is my second favourite. The vocals are great ! The organ and drumming are really well done too. We are then treated to some flute and some bluesy guitar.The song ends with what seems like a big jam. "The Queen" is really an instrumental of "God Save The Queen", UK's national anthem.

Some amazing guitar throughout this album and for me this is a low 4 star album that I quite enjoy.

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to Mellotron Storm (BETA) | Report this review (#110907) | Review Permalink
Posted Tuesday, February 06, 2007

Review by UMUR
SPECIAL COLLABORATOR Honorary Collaborator
4 stars "Gentle Giant" is the self-titled debut full-length studio album by UK progressive rock act Gentle Giant. The album was released through Vertigo/Malibu Records in November 1970. Gentle Giant was started by the three Shulman brothers, Derek, Phil and Ray, keyboard player/vocalist Kerry Minnear, guitarist Gary Green and drummer Martin Smith. The Shulman brothers had been mildly successful with their soul/pop act Simon Dupree and the Big Sound (they scored a Top 10 UK hit in "Kites" in the autumn of 1967), but were increasingly dissatisfied with the musical direction their label was pushing them in and created Gentle Giant as an adventurous new unit. A unit with no boundaries to imprison their creative minds.

Listening to the album it becomes obvious right from the start that Gentle Giant are not only boundary pushers but boundary breakers. It´s amazing how many different musical styles and influences they are able to incorporate to their music. Several of the band members are multi-instrumentalists and we are therefore treated to the sound of electric guitar, 12-string acoustic guitar, bass, drums, percussion, cello, violin, saxophone, trumpet, various vintage keyboards and in addition to "regular" lead vocals there are also several multi layered harmony vocal sections on the album. It´s all packed in a pleasant sounding and powerful organic sound production courtesy of Tony Visconti.

The music on the album is an eclectic blend of bluesy hard rocking riffing, semi-jazzy rythms, medieval and classical chamber music influences all packed into an light avant garde rock formula. Lead vocalist Derek Shulman has a powerful and hoarse voice which suits the music well. He is complimented by the higher pitched voice of Kerry Minnear who also often takes the lead. In addition to having two lead vocalists in the band both Phil and Ray Shulman sing backing/harmony vocals, so it´s not only the instrumental part of the music that is intriguing and varied. The same can certainly be said about the vocal side of the music. While Gentle Giant would produce much more complex material on future recordings, we´re still talking a level of complexity that few rock acts could rival in 1970. Tracks like "Giant", "Alucard", "Why Not" and "Nothing At All" are varied, technically and structurally challenging and not to forget just great fun to listen to.

"Gentle Giant" is quite the fantastic debut album. It´s obvious that while we´re talking a debut album, we´re not talking green inexperienced musicians. These guys can play and sing on a higher technical level than most. Add to their skills that they are also very skilled composers and this album damn near got it all. It´s lacking slightly in the consistency department and overall the album feels more like individual tracks put together to form an album rather than tracks written specifically to form a specific mood or atmosphere that would fit the concept of an album. The short closing track "The Queen" also serves as a bit of a clumsy ending to the album, so while the album certainly is great, it´s not perfect. A 4 - 4.5 (85%) rating is still deserved though. I find this one irresistably charming.

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to UMUR (BETA) | Report this review (#157437) | Review Permalink
Posted Wednesday, January 02, 2008

Review by apps79
SPECIAL COLLABORATOR Neo Prog Team
4 stars Regarded as the most complex of all the well-known progressive rock legends of the 70's,GENTLE GIANT were formed in late 60's/early 70's by three multi-instrumentalists brothers:Derek,Ray and Phil Shulman.From their early begginings GENTLE GIANT knew exactly what they were doing.They wanted to create the most original sound ever to be heard by that time.''Gentle giant'',their debut,was released in 1970 by Vertigo label.It was an album characterized by its originality,complexity and diversity.The band delivered a unique mix of classic/hard rock,jazz improvisations,contemporary classical music and experimental passages...and all these influences were geniusly coverd by unusual polyphonic vocal arrangements,setting the seeds of what was going to come in the near future.Words are rather poor,if we want to talk about the significance of this album for rock history in general.An absolutely essential release for fans of intricate music!

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to apps79 (BETA) | Report this review (#158491) | Review Permalink
Posted Sunday, January 13, 2008

Review by friso
PROG REVIEWER
4 stars Gentle Giant - st (1970)

In the year 1970 the progressive movement explodes with massive releases like Tresspass, Third, Emerson Lake & Palmer, Lizard & Poseidon, H to He and this nice debut of Gentle Giant. Gentle Giant sounds original and fresh from the beginning with only minor influences in the compositions of Zappa, but that debatable. With the debut being the first of a string of eight brilliant albums Gentle Giant became one of the most important groups of the progressive rock genre. Besides being very productive, the band also proves to be highly inventive.

The members of Gentle Giant all play three instruments or more and their range of possibilities is almost limitless. The compositions are very intelligent, with the strangest of rhythms and distinctive atmospheres. Besides that, the band seems to be having fun making this kind of prog and isn't too serious.

The debut is a direct hit for me. Though some of the milder, less progressive compositions on side two have proven to be debatable, it still stands out has a very progressive album, mainly due to the first three tracks of side one an the first track of side two.

'Giant' is a brilliant and bombastic opening track with great wind-sections an original couplet theme (one line of lyrics and a long instrumental theme with plots). The instrumental sections near the end are all very well composed. 'Funny Ways' is Gentle Giant's signature ballad with a dedicated, serious atmosphere, whilst having funny lyrics "My Ways are strange! They'll never change!". The band now plays string instruments like guitar, cello and violin. 'Alucard', 'Dracula' the other way around, is another brilliant track with a very dark/atmospheric, almost Roman Empire like couplet theme with reverbs that come before the vocals. This gives the track a creepy feel, whilst the organ/guitar themes sound a bit like a freak-show. 'Isn't It Quiet And Cold?' is a song in the style of Mister Sandman, classy and well played on various classical instruments. The vocal harmonies are very strong.

On side two 'Nothing at All' stands out as one the most beautiful songs Gentle Giant ever recorded. A dedicated ballad with strong acoustic guitar parts. The instrumental parts are strong, but the drumsolo could have been a bit shorter here. 'Why Not' is a track on which the band plays a form of intelligent hard rock (perhaps a bit like Deep Purple) with some nice folky interludes. I must admit I'm not too impressed by the lyrics here. 'The Queen' is an instrumental rock version of the British anthem (I suppose..?). Again some nice Deep Purple-like guitar solo's.

Conclusion. Perhaps not the best way to start your Gentle Giant collection, but an excellent addition for every progressive rock collection for sure. No band would ever sound like Gentle Giant on it's debut. The band itself would even re-invent itself for their second offering, 'Acquiring the Taste'. This is innovation, this is originality, this is quality and that is what Gentle Giant is about. Four stars.

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to friso (BETA) | Report this review (#161015) | Review Permalink
Posted Wednesday, February 06, 2008

Review by Raff
SPECIAL COLLABORATOR Honorary Collaborator
4 stars The debut album of one of the most distinctive, original prog bands of the so-called 'classic' era contains in embryonic form all the elements that would be developed in their later output. In the space of seven tracks, Gentle Giant run the gamut of styles, from hard-edged rock to exotic, medieval-influenced vocal harmonies. Each of the compositions has its own individual personality, and each is intriguing enough to create a keen awareness of the band's potential for genuinely progressive music. Moreover, the instrumental and vocal abilities of the six band members are so impressive as to leave the listener wanting more, though without giving the impression of 'art for art's sake' so frequent in more recent bands.

Gentle Giant's unusual line-up allows them to make use of a wide range of instruments, some of them not commonly used in any rock genre. That gives their music a richly orchestral feel, particularly evident in the haunting, string-laden "Funny Ways", which features also some superb, intricate vocal harmonies - soon to become one of the unique characteristics of the band's sound. In other tracks, the band explore different musical avenues, such as guitar-driven hard rock in album opener Giant; or lounge-style, languid jazz in "Isn't It Quiet and Cold?" - another song in which strings play an essential part, paralleled by the lazy, sometimes almost poppy vocal lines. On the other hand, "Alucard" (Dracula spelled backwards, for those interested in trivia) is jagged and even dissonant, punctuated by trumpet bursts and eerie, avant-gardeish vocal harmonies; while Why Not?, another hard rock-flavoured number enhanced by a brilliant guitar solo, features a surprise break in the form of beautiful, medieval-style vocal harmonies.

While short instrumental "The Queen" (GG's take on the English national anthem), definitely the least successful item on show, closes the album in a sort of anticlimactic way, the 9-minute-plus "Nothing at All" is undoubtedly the pièce de résistance. Unlike most of their contemporaries, the band never went too much for lengthy compositions, preferring to pack a lot of musical value in shorter, denser tracks. "Nothing at All" is one of their rare concessions to the fashion for 'epics' - starting out with a lovely, melancholy, acoustic melody that develops into a harder-edged ballad, suddenly interrupted in the middle by a drum solo. Though I am aware that not everyone shares my opinion of this song, which in a way is not as coherent as the other tracks on the album, I still find it a very intriguing, unusual composition for the band's standards.

Admittedly, Gentle Giant can be much of an acquired taste. For every person who worships them and thinks they are the best thing that ever happened to music, there are five (or even ten) who are left cold by their unique, highly intellectual take on prog. Personally, I am somewhat in the middle - not truly a dedicated fan, but definitely someone who finds the band's technical proficiency and seemingly endless supply of influences deeply fascinating. While not a masterpiece, "Gentle Giant" is an excellent introduction to the band's musical world, and a very rewarding, warmly recommended listen in itself.

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to Raff (BETA) | Report this review (#162556) | Review Permalink
Posted Sunday, February 24, 2008

Review by Queen By-Tor
SPECIAL COLLABORATOR Honorary Collaborator
3 stars Bluesy beginnings

Gentle Giant were one of the biggest driving forces in the classic years of prog, and this is where it all started. While the album is not as complex or experimental as later efforts would be (they would even experiment more on their sophomore effort, Acquiring The Taste), this one still shows the brothers Shulman starting off with good footing. For the most part the album sounds a lot bluesier than most people would remember the Giant sounding, and heavier in general. There's a lot of emphasis on the guitars and rough vocals on this album, with little room for slow segments (which they still manage to squeeze in anyways), the instrumentations are impressive as usual, and thanks to the large number of musicians/instruments available on the record they were able to come up with some very unique moments.

The album starts off rather surprisingly. While the soft organ may seem familiar to some who have heard some of Giant's later work the heavy guitar riff and aggressive vocals will be very new (yes, even if this is the band's first effort). Giant is a heavy track with a fun horn section and surprisingly aggressive tones throughout. In the middle we also have a slow section which is limited to cymbals and drums as well as a subtle bass section before it explodes back into full motion for the conclusion of the song. A classic Giant track already! More heavy moments come in mixed sections throughout the album, Alucard is driven by an impressive sax section and creepy harmonized vocals, a lot of distortion characterizes the song and the slow section in the middle makes for a great ending when the song picks up the pace once more. The incredibly bluesy Why Not? opens with familiar keyboards humming a tune before the guitars burst through the wall (as if to say, ''OH YEAH!'') and hard rocking blues riffs fill the air for a good five minutes. The screaming chorus section is also wonderfully aggressive.

Of course, it's not all 'heavy as hell'. Most of the other songs on the album are quite chilled, and many sound like the styles that Giant would later come into. Tones of Acquiring The Taste shine through on Funny Ways, a quirky little number with harmonized and soft vocals, not quite to the experimental point of, say, Knots, but impressive none the less. A pleasing violin guides the song through to the piano parts in the middle of the song, which then lead onto the end. Isn't It Quiet And Cold feels similar in vein, a light and bouncy track with more soft and quirky vocals. Vocal melodies in this one are quite catchy along with the wonderful violin section, plinky guitars and other instruments int he background enforce a very light hearted tune.

Most people viewing the track times on the album will also notice something unfamiliar with Gentle Giant, a 9-minute feature tune. Nothing At All brings Genesis quick to mind with it's soft opening, but those comparisons dissolve quickly when Giant starts moving. It's a slow tune, in contrast with the rest of the album, and the echoy slow drums in the middle make for a memorable moment.

A good but not essential album. Gentle Giant certainly got out of the gates running, but their later albums would be much more impressive. An over-use of the slow sections crammed into the middle of songs does seem a little bit out of place and makes for a craving for a song which doesn't lose momentum soon creeps in. While speed changes in a song certainly are 'progressive' it does become annoying when they change something that was otherwise 'a good thing'. Still, some great tunes on the album will please fans, and anyone who wants to see a more raw/aggressive Giant will not be disappointed if they look here. 3 funny ways out of 5! better moments to come from Giant, but a good start.

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to Queen By-Tor (BETA) | Report this review (#182788) | Review Permalink
Posted Thursday, September 18, 2008

Review by Tarcisio Moura
PROG REVIEWER
4 stars The debut album by one of the most original, unique, complex and groundbreaking bands in the world. Hard to write about them, really. Their departure from a pop/r&b outfit to one of the most innovative prog bands of the world (of not THE most innovative) in such a little time is absolute amazing. Still, this is the sole GG album that you will find some hints of their past (Aquaring The Taste, their second, is another story completely). So this is maybe the reason why I always recommend this album to the newbie. Their music was already incredibly unique, but it was also more accessible than a lot that was done soon afterwards. But don't worry, they never really went over the top and always menage to write something that has great harmonies and good hooks, no matter how intricated they were. That rare quality was the main reason behind so much fame and fair prasing.

There are great tunes in this album: Funny Ways, Nothing At All and Why Not being my all time favorites since I first heard them. The group had a superb line up even this early in their career, with everybody doing a fantastic work together. The chemestry worked from day one, although it was clear that Phil Shulman sounds a bit like the odd man out (his Isn't It Quiet And Cold? is a good exemple). Anyway, as a debut GG is a triumph of art over commercialism. They managed to produced something totally different and would eventually won the hearts of many progheads over the years.

They would make more revolutionary and/or successful albums in the following years, but this debut was already awesome and would assure them a place in prog history even if they did not deliver anything after it. So hail to GG! If you're new to their music, this the CD to start. 4,5 stars.

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to Tarcisio Moura (BETA) | Report this review (#184911) | Review Permalink
Posted Monday, October 06, 2008

Review by LinusW
SPECIAL COLLABORATOR Italian Prog Specialist
4 stars Gentle Giant with a little more bite, aggression and heart is just what everybody needs. Drop some of the meticulous composition and entangled melodies and bring on some muscle; more blues and rock altogether, with stable and propulsive bass, guitar and drumming further enhancing that.

The more traditional (yes, traditional is slightly wrong when talking about Gentle Giant) arrangements should please those who not yet have had the pleasure of loving GG's music, but the greatest asset of this album is that almost every aspect of the wide sound of the band is presented here in one form of the other. The traditional, partially folky, yet alluringly jazz-tinged composition of Isn't It Quiet and Cold, rich on string arrangements and delicate plucking and percussion as well as a laid-back, playful and quite a comfy atmosphere stand alongside the rougher Why Not; traditional, well-crafted good ol' fun British rock. Naturally, we get some great vocal harmonies, but the vocal experimentation is still very much a thing of the future, and something the band will come to master in an impressive way.

Just as on Three Friends, the band manages to add a pleasing amount of symphonic qualities, often quite bombastic, melodramatic pieces that reminds me both of the Beatles and on Giant even Ennio Morricone! Keys are rather incorporated in the sound, but still surprisingly humble, filling up holes and fattening up the soundscape more than anything else.

Now, I really like this album, and most songs fill me with that special Gentle Giant joy, regardless of style or atmosphere of the song in question, but I think I have a special place in my heart for Giant and Alucard.

Giant because of that sneaky, mellow beginning that explodes into a veritable feast of cymbal crashes, uncompromising bass and mini-soloing from the guitar. And then there's the building anticipation and proclamation of the refrain, set to a gradually building bass and drums, after a while joined by the keys. Like a wild animal trying to break its chains, and that is more or less exactly how I want my Gentle Giant. This song also features the spaghetti western orchestral interlude, adding some sort of climactic sense of conclusion to it all.

Alucard has a weird kind of break-the-rules sleaze-jazz character with wild saxes, spaced up by a swooping synth sound before it reaches the point of eerie vocal harmonies and a masterly executed atmospheric build-up climaxing with 'Terror fills my soul'. In between these two parts there's still a lot of room for mellower, 'jammier' parts; mysterious and playful as usual, first with a building organ, later with emphasis on a restless, pending-doom bass. Excellent brooding atmosphere all over the place.

I love the early stage of Gentle Giant's career, much preferring it to the later, stripped and calculated mad-genius albums that would follow (and in some way begin) with Octopus. If you're like me; this is essential. If you prefer later era; it's not. But I would heartily recommend this album to anyone interested in the band, or perhaps just ready to give them another chance.

4 stars.

//LinusW

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to LinusW (BETA) | Report this review (#190630) | Review Permalink
Posted Thursday, November 27, 2008

Review by SouthSideoftheSky
SPECIAL COLLABORATOR Symphonic Team
4 stars I sometimes listen to a band's whole discography (if it's not too big) before I start to review their albums. I do this in order to get an overview of the band prior to turning to the specifics of each individual album. I have now heard all of Gentle Giant's albums. I started with this debut album a few years back and worked my way through their catalogue in roughly chronological order all the way up to their last album Civilian. But this very first Gentle Giant record is still one of Gentle Giant albums I listen to the most.

The powerful jazzy hard rock of opener Giant and Alucard stands out as the greatest songs. Nothing At All could easily have been the best Gentle Giant song ever if they hadn't insisted on including an unnecessary drum solo in the middle of the song. Having drum solos on a studio album is never a good idea! Still, even this cannot destroy the beauty of this song.

The music on some of these songs is rather heavy and not too far away from what Deep Purple and Black Sabbath were doing at the time. Also, Jethro Tull sometimes comes to mind. The silly Funny Ways and Isn't It Quite And Cold, however, would not sit too well on a Deep Purple or a Black Sabbath album. The lyrics also firmly put them apart from the early heavy metal bands. And the silly lyrics are the weakest link in my opinion. Indeed, Gentle Giant is often a pretty silly band, which is evident from the very band name itself as well as the cover art to some of their albums and the titles of many of their songs.

The album closer is an electric guitar version of God Save The Queen. About five years later Queen, one of my all time favourite bands, would end their album A Night At The Opera with a similar guitar version of this British national anthem. Did Brian May listen to Gentle Giant maybe?

Bearing in mind that this was released already in 1970 it is rather groundbreaking; remember, this was before we had Thick As A Brick, Selling England By The Pound or Close To the Edge, and the same year as Deep Purple In Rock and Black Sabbath's debut. In that perspective this deserves a high rating despite its few flaws. I will be less gentle on some of the bands following albums.

Recommended!

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to SouthSideoftheSky (BETA) | Report this review (#195404) | Review Permalink
Posted Sunday, December 28, 2008

Review by poslednijat_colobar
PROG REVIEWER
4 stars Innovative debut of this magnificent band - Gentle Giant! Gentle Giant are one of the godfathers of the progressive rock as whole and probably the best art rock band of all time - lets say a candidate of this title! They established their own style, that have influenced a thousand of bands and the birth of that own style was founded exactly from the homonymous debut album. All band members are true multi-instrumentalists and created unique style based on very saturated and varied sound, full of complex ideas.

An important thing I want to share with the listeners is, that here we have one calm album without so much dramatical parts. It can be found here different kinds of genres. From medieval to jazz, blues rock, psychedelic rock and, of course, art rock. And yet it's strongly jazz and blues rock-oriented debut album for Gentle Giant; such as Camel's debut. When I listen to Gentle Giant's Gentle Giant it strongly reminds me of Camel's Camel. Especially the sound of Nothing at All (one of the milestones of the album).

I'm not a fan of pure blues, but here the band offer this interesting mixture of blues rock and art rock. One of the less progressive releases from GG. All songs are pretty cool and everything here is excellent addition to your prog collection. 4 stars!

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to poslednijat_colobar (BETA) | Report this review (#208365) | Review Permalink
Posted Monday, March 23, 2009

Review by The Truth
COLLABORATOR Post/Math Rock Team
4 stars This is an excellent piece of music right here! Gentle Giant somehow found ways to mix an almost medievel type of music with hard rock that almost resembles Led Zeppelin yet they have their own style of music! Nothing At All is the best track on the album in my opinion as it starts off as a soft folk ballad but twists and turns into a hurricane of musical wizardry! The bass guitar totally rules as it shifts into the rock oriented part of the song! Isn't Quiet and Cold shows that medievel type of music I was talking about perfectly with the fiddle ruling the show. The Queen is an excellent way to end the album almost as good as Jimi Hendrix rendition of the Star Spangled Banner. This would be a masterpiece but I really don't like stating that when I don't really like the song Funny Ways. Other than that this album is perfect!

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to The Truth (BETA) | Report this review (#212462) | Review Permalink
Posted Saturday, April 25, 2009

Review by SaltyJon
SPECIAL COLLABORATOR Honorary Collaborator
4 stars This debut album from Gentle Giant, while not an absolute masterpiece, is still a very worthwhile addition to any prog-listener's collection. As the band's biography (as well as several of the other reviews) say, Gentle Giant's music is a melting pot of styles and themes. This album is a bit less varied than some of their later efforts, feeling closer to conventional rock, except for a few songs.

The album starts off with a fairly good piece, in my opinion, Giant. The song starts off simply with some quiet organ, then builds up to the full band putting in their efforts. It incorporates horns and some unusual song structuring, giving the listener a fairly tame idea of things to come, though better examples can be found later on the album. 4/5

Next on the bill is Funny Ways. This song starts off with acoustic guitar and a string section, a nice, soft bit after the high-energy opener. The vocals on this song are very nice, the harmonies once again hinting at future works with vocal experimentation. The song then goes into a fun, upbeat section, and ends again in the softer style. A very excellent track from the band. Live performances of it really shine. 5/5.

Alucard comes next. This song is another of the strongest tracks on the album. It has a darker sound to it, with some eerie harmonization on the vocals and saxophone/distorted organs. 4.5/5

Up next is one of the most fun songs on the album, Isn't It Quiet And Cold? The song seems to accurately represent a lonely walk through the streets of a city, with a bit of a bouncing beat and some good string section playing. Some of the backing vocals bring the Beatles to mind, but beyond that this band is a completely different animal. We're treated to a xylophone solo part way through the song as well. Another excellent track, and one of my personal favorites from the album. 5/5.

Then comes one of the most hard-rocking songs on here, Nothing at All. The acoustic beginning brings to mind some of Boston's softer pieces, and as it builds it sounds more like what Black Sabbath could have done at the time. The drum solo near the halfway mark is an interesting way to break the song up a bit, and the sort of spaced out piano fits in well. The piece ends up on a softer note again, and leads into the next. Once again, very good song. 4.5/5

Why Not? seems to be a sort of continuation to the previous song. It continues on in the hard rocking style, with some excellent guitar and strong drums. The guitar solo is great, and shows off Gary Green's bluesy abilities. 4.5/5 again.

The last track on the album is the only one which I think is lower quality than the otherwise consistently great album. It's the group's hard rocking rendition of their national anthem, titled The Queen. While it's not a bad song really, it doesn't seem as if it's coming from the right band. 3.5/5.

(4+5+4.5+5+4.5+4.5+3.5)/7 = 4.43/5

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to SaltyJon (BETA) | Report this review (#213721) | Review Permalink
Posted Monday, May 04, 2009

Review by Rune2000
SPECIAL COLLABORATOR Prog Metal Team
4 stars Where should one start exploring the Gentle Giant discography? Well, why not start from beginning and work it all the way to the end (or most preferably to Free Hand)?

One thing that has separated this band from all the others for me was the solid seven album in-a-row streak that hasn't actually been surpassed by any other artist that I can think of. This comment is based on my rating system that ranks all of them somewhere between 4,39 and 4,62 (out of 5). That's a pretty solid result indeed!

The early Giant has traces of Rock & Roll, Blues and some Beatlesque qualities. Just listen to Isn't It Quiet And Cold? and you'll see what I mean about the latter! Funny Ways is the stand out track that has become a notorious live number, just look it up on YouTube! The band also makes a self-statement with the strong performance of Giant, just like King Crimson and Black Sabbath did at the time.

A great debut that should not be missed by all fans of Progressive Rock!

***** star songs: Giant (6:22) Funny Ways (4:21) Isn't It Quiet And Cold? (3:51)

**** star songs: Alucard (6:00) Nothing At All (9:08) Why Not (5:31) The Queen (1:40)

Total rating: 4,40

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to Rune2000 (BETA) | Report this review (#214703) | Review Permalink
Posted Sunday, May 10, 2009

Review by Ivan_Melgar_M
SPECIAL COLLABORATOR Symphonic Prog Specialist
2 stars One thing a person must learn is when to stop, until a couple of weeks I hated GENTLE GIANT, despite the fact I tried for decades, there was nothing I could rescue from this band, but the miracle happened, when I listened "Three Friends" and "Acquiring, the Taste", liked both albums and even reviewed them with high ratings....I should had stopped there, being that I was already familiar with the rest of their discography.

But then I believed it was the moment to listen again their 1970 debut, all the problems that made me dislike the band previous to the last two releases I reviewed returned, I can't find head or feet in almost any track, some ate boring and tedious, others are faster but with no coherence, seems that GENTLE GIANT forgot the meaning of melody when releasing most of this album.

Maybe this guys wanted to revolution the music and made an extremely complex album, but they also required a quota of sense and feeling, the album is cold, lack of expressiveness and boring from start to end.

"Giant" opens the album with energy, but I believe they didn't knew what they wanted to do, every section is contradictory with the previous, the vocals are so extremely dissonant that seem created for another song, but what is worst, they go nowhere, when I believe they are playing a Hard Rock, they loose the path and play some sort of Jazz hybrid, simply can't stand the track.

If the previous track lost me after a couple minutes, I lost the interest for "Funny Ways" after a few seconds. in very few opportunities I heard a less melodic violin and such a boring singing, when Derek seems to be getting somewhere, he starts to wander around the universe except where he should be, not even when a good piano is added they succeed, because the rest of the instruments are playing something that seems to be another song.

"Alucard" has an interesting start, a contrapuntist duel between keyboards and winds is worth to listen, but when the choirs enter, any good start is forgotten, this is complexity for no reason, I can't find any rational structure or idea, by this point I want to put the CD in the box and sell it, something very hard in my country where few people know or care about GENTLE GIANT...The psyche Hammond performance is magnificent, but not even penicillin can save this song.

"Isn't it Quiet and Cold?"....No, I believe it's silly, monotonous and boring, I wonder why everybody criticise songs as "The Sheriff" or "Harold the Barrel", but are afraid to say anything about this anodyne attempt of being versatile....QUEEN played similar songs years later, but with class, intelligence and taste.

"Nothing at All" has a beautiful melody, not even the vocals ruin it, but the problem is that we're talking about GENTLE GIANT, an icon of Progressive Rock and you should always expect something innovation, in this track the band goes to the opposite side of the musical spectrum, if the previous songs are too weird and complex, this one is nothing special....Hey there's a drum solo....But as the name says "Nothing at All", at least nothing special, but in their defence, can be listened.

The album is closed with "Why Not?, some sort of Bluesy Hard Rock that morphs into a Medieval Folk song, but again they get lost in their own contradictions and unnecessary complexity, despite this, "Why Not?" is the best track in the album for me.

After this experience I decided to stay with the second and third GENTLE GIANT albums which I enjoy a lot and forget the rest of their discography...I was tempted to give 1 lonely star to the album, but being that the two final songs are pretty decent, I believe that 2 stars is the perfect rating......For me of course.

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to Ivan_Melgar_M (BETA) | Report this review (#238915) | Review Permalink
Posted Saturday, September 12, 2009

Review by Evolver
SPECIAL COLLABORATOR Crossover & JazzRock/Fusion Teams
4 stars This is a fantastic debut from a fantastic band. While not the masterpiece that some of their later albums would be, the pieces are all here. The experimentation, the intricate harmonies, the varied song styles all show up on this album, albeit not as intricate and varied as the later releases. And there is more hard rock played on this release than any other Gentle Giant record, although only Why Not? is a pure straight ahead rock tune.

And there is plenty for a progger to enjoy. Giant plays joyfully around the edges of it's time signature. Funny Ways and Isn't It Quiet And Cold? show the band's skills with string arrangements (and xylophone). And Alucard has a delicious, backwards sounding vocal track.

But beware of the 1989 release on Line Records. It has an annoying break inserted between Nothing At All and Why Not?. Those two songs are supposed to flow from one to the other. The space (after the first note of Why Not?) wrecks the effect.

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to Evolver (BETA) | Report this review (#256627) | Review Permalink
Posted Thursday, December 17, 2009

Review by Marty McFly
SPECIAL COLLABORATOR Errors and Omissions Team
4 stars Odd rhymes, twisting melodies which, even melodic, is full of barriers that prevents it from being symphonic. After all, this is famous, mysterious Gentle Giant. It's even soaked into folky elements. I suppose that it's what Eclectic is like, it's multi-everything. Weird time patterns are there I suppose (they should, we're talking about prog here). Is it just me, or this debut of theirs is weak ? Showing some flashes of their later work, but still, it's not so consistent and firm, as it could be. As first album it's OK, but when compared to their later ones, it somehow disappoints. To beat it even lower in my opinion, I don't have nostalgic memories from 70's as some older people (than me) can, so I'll not lie to you. It helps to rate higher sometimes, when other means fails.

4(-), going lower wouldn't be fair, as this is quite important album for understanding whole band. You know the stuff, it's debut, it's like losing virginity, it's just once in your (band's) life.

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to Marty McFly (BETA) | Report this review (#259133) | Review Permalink
Posted Sunday, January 03, 2010

Review by progrules
PROG REVIEWER
3 stars This will have to be my second embarrassment with a review of this famous progband. Instead of being familiar with them for ages I only discovered them a few years ago never ever having heard from them. Strange ? Maybe but not that strange if you realize I have never been on the eclectic side of progworld and my first encounter was pretty traumatizing. My usual category is neo prog, the subgenre I grew up with since 1983 and love now for more than a quarter of a century. When I first heard Gentle Giant I didn't know what to think of it and had only one impulse: turn it off ! But last few years a slight change in my attitude has occurred and I kinda grew used to the band. But a fan I'll never be.

Three Friends was my first review and I quite like the album by now but already stated then as if I had a presentiment: this will be their best suited album for my taste. And after hearing this debut I still believe in that statement. This album is also nice and quite accessible but less brilliant than Three Friends to me.

Giant is the song I know longest of this album because it's a streamsong for a long time now. I'm still not sure how much the weirdness of the bands sound is caused by Derek Shulman's voice. I'm almost used to it by now but I will never really love it. The lyrics are very nice though handling about a giant who is looking at the world from the palm of his hand. Nice, I can say no less. But I will not go that far to call this a great song. 3*.

Funny Ways has a different lead vocalist and this voice is totally different, more soft and gentle than the rawer sound of Shulman. The song creates an interesting atmosphere but again: this is not really my idea of a great song. A little bit better than previous: 3,25*.

Alucard is kind of a rocky song but in a peculiar way. The vocals sound special and give the song a sinister impression. Pretty dark song this. 3*.

Isn't it quiet and cold ? is another proof we're dealing with a versatile album here. Violin and vocals give a roaring twenty's feel to the song. Nicely done. 3,25*

Nothing at all is another versatile and complex track with lots of shifts for a 9 minute song. It starts quiet with gentle vocals. Halfway some original drumming make it sound like a live drum solo on a studio album. Quite original to say the least. I guess this is also one of the better ones. 3,5*.

Why Not is another one in a totally different style. Great guitar is shining on this one. Sounds like an early Gary Moore song to me. Nice stuff but not per se proggy. 3,5*

The Queen is the British national anthem played to GG standards. So slightly weird and a little bit funny but as a real progressive significant effort it fails completely. 1,5*.

All in all not a bad debut really and that is heard through the ears of a non fan. Gentle Giant is indeed a band one can get used to at least to a certain extent. This could be second favorite for my personal taste but I still have to discover Acquiring the taste. Then maybe one or two more and then I will call it a day. I will leave the band to their many fans. Three stars for this debut.

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to progrules (BETA) | Report this review (#259224) | Review Permalink
Posted Monday, January 04, 2010

Review by Bonnek
SPECIAL COLLABORATOR Prog Metal Team
3 stars Right from their debut, Gentle Giant created an entirely new & original blend of music, a quirky mix of prog, hard-rock, blues, classical music, Beatles, King Crimson and boundless eccentricity.

Gentle Giant wasn't love at first sight for me, together with Zappa they managed to introduce themselves either at the wrong time or with an album inappropriate for the novice. Spurred on by the piles of raving reviews on PA, I've been giving them another round during the last year. The outcome this time is a pile of albums scheduled to be hailed with raving reviews! As it turned out, a recommended way to approach the Giant is by taking one step at the time. Not in random fashion but by starting from the debut and continuing from there, one album at the time, waiting with growing anticipation for each new acquisition, as if the albums were being released right now.

Like the best of progressive rock, this is liberated rock music; there are no limits to how a song may develop. And while Gentle Giant mostly write short tracks, the possibilities they explore are endless. A five minute piece from them easily has more twists and turns and adventures then other artists manage in an entire career. They also excel at keeping things tight and rigorous, allowing no room for excesses or indulgencies from any particular member of the band. Each of the first 4 songs are great examples of their huge competence and inspiration. The remaining 3 sound less accomplished to me, the extensive Nothing at All has lots of compelling moments but loses focus due to an ill-fitting drum solo, the 70's blues-rock of Why Not? sounds a bit aged to me and pales against the more original music around it. The national anthem imitation of The Queen doesn't sound all that exciting neither.

Judging this album as the starting point that it was, it's been a most pleasant discovery. I might downgrade it to 3.5 stars when I work my way further down their discography, but for now, it's a gentle 4 stars.

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to Bonnek (BETA) | Report this review (#266386) | Review Permalink
Posted Monday, February 15, 2010

Review by Flucktrot
PROG REVIEWER
4 stars It's 1970. You're in a record store, holding an album with a craggy, illustrated giant on the cover. You know nothing about the band yet. Do you pick up this album?

(I wasn't alive back then, but I DID find myself in record stores facing similar conundrums...unfortunately more often about bands such as Phish. You do the best with what you have, I suppose!)

I'm not sure I would have taken the leap. And I would of course have missed out.

Musically, I think this is more a 3-star album, but I'm rating this an excellent addition for three reasons: 1.) I love the cover, 2.) this is a debut, which can tip the scale, and 3.) like most Gentle Giant albums, this offers a side of the band that you won't see again.

This side is a bit more rock--not all the way through--but particularly on Why Not. Here the band does their blues boogie thing, with the standard bass chords, guitar solo and organ work, but they just do it better than most blues bands. I get the feeling they could have made a name for themselves just doing this kind of song, but of course that's just not the Gentle Giant way.

I also enjoy the creativity and craziness of Giant and Alucard--particularly the jazzy instrumental break in the latter. Nothing at All is very unfocused and perhaps rambling, but of course that's nice in some ways because you don't hear that from the group anywhere else.

An interesting--but not great--debut from what would of course end up being a great band.

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to Flucktrot (BETA) | Report this review (#285304) | Review Permalink
Posted Sunday, June 06, 2010

Review by tarkus1980
PROG REVIEWER
4 stars The most unfortunate mistake that the band made on its fine debut was making it a bit too similar to In the Court of the Crimson King a bit too soon after the release of that prog-defining masterpiece. Though the band largely had its own sound worked out from the very beginning, there are nevertheless a few aspects where the band was still using Court as a crutch. Aside from the obvious comparison of the album cover to Court, the extensive use of saxophones and mellotrons certainly calls up the stylistics of that album, not to mention that "Funny Ways" can be seen as a sort of analog to "I Talk to the Wind" or "Alucard" to "Pictures of a City" (which wasn't on Court but was already part of Crimson's live show). That said, the resemblences to Crimson are not as extensive as some make them out to be (I certainly wouldn't agree with the assertions made by some that there are no resemblences, though; that's just completely irrational), and there are enough great ideas to distinguish this as a fine album unto itself.

Of course, sometimes even the good songs have aspects that probably could have been thought through a little better. The opening "Giant," unfortunately, doesn't rock anywhere near as hard as it could in the hands of (you guessed it) King Crimson; the effective basslines, the organ swirls, the good guitar lines and the bizarre vocal melody are all fine contributions, but they're undercut by (a) Derek Shulman's decision to not put any oomph (or a growl or anything) into his vocal delivery and (b) production that minimizes the impact of the aforementioned positive characteristics. However, the mid-song instrumental passage, with a bunch of lovely minimalist organ and mellotron lines overlaying a nice bassline, intertwined with nice vocal harmonizing and majestic brass, is definitely unique in mood to the band, and makes the song incredibly worthwhile to me.

The "good-but-flawed" category also inclues "Nothing at All," one of the few instances in the GG catalogue where the band goes for an 'epic' time-length (over 9 minutes - mid-length for Yes, but an eternity for GG). The opening two minutes are one of the most beautiful two minute stretches the band ever put out, with amazingly lovely vocal harmonies over a perfect pop ballad melody and mystical acoustic guitar lines, and then after that builds into a more 'rocking' version that would work just fine as a climax to the piece ... but then it turns into a nastily ugly electronic drum solo (with some piano tinklings under it near the end). ARRRGH. Yeah, it ends up going back to the original lovely melody, but man that solo leaves a nasty aftertaste. And it's unfortunately not helped tremendously by the more 'rockin' "Why Not?," which has good basslines but nothing else particularly crunchy or rousing about it (though the softer sung parts are lovely). And come to think of it, the closing 1:40 "The Queen" (a totally random cover of "God Save the Queen") doesn't seem particularly necessary, though not particularly nasty.

Fortunately, the other three tracks, sandwiched between "Giant" and "Nothing at All," rule immensely. "Funny Ways" is a magnificent ballad (mostly sung by Phil Shulman, whose voice is lovely beyond words and a good contrast to Derek), with the band making good use of its versatility by mixing the regular acoustic guitars with cellos (remember, all instruments are fair game with this band). Plus, the song eventually becomes amusingly upbeat, driven by neat piano lines with trumpets on top, then becomes majorly anthemic by combining these trumpets with a fabulous guitar break. Not bad for four freakin' minutes.

Where "Funny Ways" shows off the band's strengths in more delicate material, "Alucard" shows how great the band can be in the instances where it ups the intensity. The main synth riff is absolutely KILLER, both in notes and tone, and Kerry does a great job of augmenting it as necessary to make the accompanying saxophone and guitar parts that much more powerful. Add in a lot of great organ parts and a bunch of distorted vocals fading in and out during the sung parts, and you have the first GG song that ever made me sit up and go "WOW, these guys are really cool!"

Speaking of 'cool' (or in this case, 'cold' - whee, I love stretching for segues), the final part of this glorious trifecta is a moody, playful ballad entitled "Isn't it Quiet and Cold?" Phil's back on lead, singing a delicate vocal melody while bunches of violins (plucked), cellos, electric piano and glockenspiel do their thing underneath. This song actually passed me by the first couple of times I heard it, and I guess I dismissed it because it was so relatively unpretentious, but I hope you won't make the same mistake. Anybody seeking proof that GG didn't just use all these instruments just because they could, but actually had a purpose and focus to what they were doing, should use this track as exhibit A.

So anyway, it's a fine debut, and my #2 for the band overall. There are problems, but the brilliant stuff is no less so than the brilliant stuff on later albums, and that should be enough.

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to tarkus1980 (BETA) | Report this review (#286608) | Review Permalink
Posted Tuesday, June 15, 2010

Review by ZowieZiggy
PROG REVIEWER
3 stars Since I started my reviewing process on PA, I have always been doubtful about GG. Should I review their work or not? To be honest, I am not a huge fan of their music but here we go anyway.

This first album is well in line with what will come later in their production and as such it might be considered as a good debut album. I would even say that the first two songs are quite symphonic and enjoyable.

The so special vocal style that they have developed is already present, but not too much. The jazzy angles are only appearing somewhat later in the album ("Alucard" and "Nothing At All"). The later is the longest piece from the album and is quite diversified: melodic vocals (almost Crosby, Stills & Nash oriented), some hard and hypnotic guitar riffs on the plus side.

On the minus one, the loose drum solo and the jazzy instrumental part appearing during the second half is not so pleasant to my ears (although it is combined with some delicate piano). The whole is not very cohesive.

The closing track (if you accept the version of the English anthem) "Why Not?" also offers some good moments: combining symphonic prog with heavier parts. The finale is a wild combo of blues and jazz. It is very dynamic.

Seven out od ten. Three stars.

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to ZowieZiggy (BETA) | Report this review (#308500) | Review Permalink
Posted Saturday, November 06, 2010

Review by EatThatPhonebook
PROG REVIEWER
4 stars Here, with this excellently done album, starts Gentle Giant, the legendary cult band that became one of the most important and influential prog rock bands, as well as one of the most original, creative and exciting. Adjectives that can perfectly describe their debut album, a brave and innovative work of art, that gave the band a steady start.

Even in this first album we here GG's unique and utterly original taste in writing and arranging songs; the influences are various, from Celtic, Medieval folkish music to hard, but somewhat cheerful melodies, classical, blues, jazz; from complex vocal harmonies to intricate and eclectic instrumental passages. These will be the main elements of the Gentle Giant's sound. We can imagine then how talented these musicians are; The three Shulmans (Derek, lead vocals and guitars, Phil, sax, trumpet, Ray, bass guitar and violin) are the true buck of the band, all three equally very skilled. But I'd like to mention Martin Smith, on drums (who also does a solo on "Nothing at All"), and Kerry Minnear, with his crazy and truly inspiring synthesizer.

"Gentle Giant" is an album full of cheerfulness, as well as of a somewhat creepy tension and preoccupation, something that occurs a lot less, further in their career. However, archaic beauty and mythic strength raise the album to a completely different level, thanks also to the bravery of the whole. The music is beautifully alternated, different moods flow fluently like rarely albums do.

Songs like "Funny Ways", "Alucard" or "Nothing At All" will give hope to the band for a bright future. These songs represent fully the spirit of the Gentle Giant, and will always, unlike some think, while considering albums like "The Power And The Glory",be main chapters of this band's career. This debut is unforgettable, for so many reasons, and truly is a very important collaborator for prog rock evolution, like it or not.

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to EatThatPhonebook (BETA) | Report this review (#385843) | Review Permalink
Posted Monday, January 24, 2011

Review by colorofmoney91
PROG REVIEWER
3 stars The debut, self-titled album by Gentle Giant is exactly what is to be expected: early sounding Gentle Giant. The music here is still complex and interesting, but not nearly as much as it would later become on subsequent releases. The vocals are not as confident and the songwriting is definitely not as strong as on later releases either. But this is the debut album, after all. This music seems mostly like slightly medieval inspired blue-rock. It's not terrible by any means, no, but definitely isn't essential and definitely not recommended for Gentle Giant beginners, who should probably start with In a Glass House or The Power and The Glory.

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to colorofmoney91 (BETA) | Report this review (#429410) | Review Permalink
Posted Friday, April 08, 2011

Review by baz91
PROG REVIEWER
5 stars Gentle Giant is one of the best discoveries you will make as a prog fan. Their music is extremely technical, highly complex and strictly non-commercial. Every prog fan's wet dream! After starting with 'Octopus', I found their debut album in a CD shop, and bought it without hesitation. Since this was their debut, I was worried that this would not be as progressive as 'Octopus', just like how Yes's debut is not as progressive as 'Fragile'. I needn't have worried. 'Gentle Giant' not only surpassed my expectations, but I liked it even more than 'Octopus'!

In fact, I own the Repertoire reissue, which comes in a great LP-replica sleeve. When you open the gatefold (vertically, not horizontally), the iconic giant's face becomes linked to his lower half and a drawing of the band in his hands. The artwork is done by George Underwood, who also did the amazing album cover for the UK version of 'Shine On Brightly' by Procol Harum. On the inside there is a printed story about a gentle giant, written by Tony Visconti, the legendary producer. As on most of the Gentle Giant CDs, there are problems with the remastering. The sound quality is crystal clear, and all the track markers are in the right place, but this version is missing a couple of the synthesizer riffs heard at the end of a couple of the tracks. With help from a friend who owned a different version of the album, I was able to piece together a better version of the album.

The album starts with Giant, which is something of a prog rock classic. The song is perfectly complex, and amazingly played. The See the world in the palm of his hand. section is flawless. The instrumental is brilliant. Perfect song.

Funny Ways is extremely different. The song has an old-fashioned feel to it. The middle section changes completely once more, and there is an epic section with a fantastic guitar solo. A lot less complex than Giant, but still excellent.

With Alucard (which is Dracula backward), we return to the complexity and progressive nature of Giant. Most of this is instrumental, but there are two verses. The highlight of the song comes at 4:38, where each member of the group play their instruments seperately in rapid succession. This song shows just how far the band could themselves and technology in the studio.

Isn't It Quiet And Cold again has the old-fashioned feel of Funny Ways. This song is even less complex, but feels very sophisticated, and is not a dull song at all. Some good instrumentation here.

At only 9 minutes long, Nothing At All would turn out to be Gentle Giant's longest song. This of course is very surprising for such a good prog band, but it goes to show that prog rock doesn't need to be sprawling suites to be good. Nothing At All is a timeless classic. A truly epic song indeed. It's not extremely complex, but the opening to the song is fantastic and plays like a great rock song. Half way through the song changes into an epic 3 minute drum solo which is augmented by the rest of the group occasionally, before coming to the coda. This is one Gentle Giant's most epic songs, and is a wonderful composition.

Why Not? is a brilliant fusion of prog with rock and roll. There is nothing unenjoyable about this track. Of course the highlight of the track is the guitar solo in the outro. If you need to air guitar, then this is the song for you! Gary Green you legend!

The album closes with Gentle Giant's own interpretation of the British national anthem, The Queen. This version is not only better than Queen's God Save The Queen, but was also released earlier. A fine tune it is too!

All in all, this is a stunning debut album. It's not quite as complex as the work they'd release in the future, but the compositions speak for themselves. It's incredibly easy to give this album the five stars it deserves.

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to baz91 (BETA) | Report this review (#430804) | Review Permalink
Posted Monday, April 11, 2011

Review by Warthur
PROG REVIEWER
4 stars Gentle Giant burst onto the scene with an astonishingly well-developed and innovative album comparable to very little else on the scene at the time (aside from perhaps some parts of King Crimson). The incorporation of medieval-inspired harmonies add a novel twist to the music, and the band's command of mood is masterful - Funny Ways, for instance, changes from a quiet folk ballad with trumpet flourishes into a jazzy workout at the drop of a pin.

Although the opening and closing tracks are a bit goofy, look between them and you'll see a big firm slice of early prog that at the point of its release was simply leagues ahead of the competition. Proof positive that Gentle Giant deserve to be considered amongst the top tier of innovating prog bands from the era.

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to Warthur (BETA) | Report this review (#466472) | Review Permalink
Posted Tuesday, June 21, 2011

Review by TheGazzardian
PROG REVIEWER
4 stars Gentle Giant emerged on the music scene in 1970 with their eponymous debut. Growing from the ashes of Simon Dupree and the Big Sound, and a desire to not be swayed so much by the trends of pop music, we find a band doing exactly what they wanted to do and already showing a lot of chops doing so - and somehow, they found a record deal!

They were never hugely successful as a band commercially, but now, over 40 years after this album was recorded, their sound is hugely famous in progressive rock. Hear a medieval influence, some counterpoint, complex vocal harmonies, or (lord forbid) 2 or 3 of those in the same song by a modern band, and you can almost hear the reviewers and fans typing out the phrase "Influenced by Gentle Giant" in their reviews.

How did this infamous band start? Well, quite well, actually!

The influences of rock music are the most apparent on this album. The busy vocals are not really utilised, counterpoint isn't quite so evident as it would be in the later part of their career, and they even have a hard rock song (Nothing At All), yet despite these facts the idea that any band other than Gentle Giant could have been responsible for the music contained in this album is a laughable one.

Assured, precise, talented, emotionally evocative - Gentle Giant is all of these things. Giant starts the album off with a bang, with excellent drums and bass really propelling the track foward. Funny Ways demonstrates the more somber, reflective mood of the band that would also give strength to their future prog ballads (and this track would grow to be one of their live favorites as well). Alucard, by contrast, is dark and spooky, with ethereal vocals and aggressive organ and guitar. Nothing At All is the closest to a traditional rock song Gentle Giant would do until their 9th album, when their prog glory days were behind them. Even "The Queen" at the end, a cover of "God Save The Queen" tacked on to the end almost as a joke, shows a band in fine fetter.

A standout track that I rarely see praised but that really helped this album grow on my is the middle track, "Isn't it Quiet and Cold", a playful string-based track with great melody and a distincly british feel to it.

I can only imagine what it must have been like in 1970 to hear this album and not already know that these guys were going to be known - to discover them and hear this music for the first time. To anticipate their later releases and follow this band through their career. To all you who have not yet heard this band but are about to - I am excited for you! This band is one of the best known journeys in progressive rock, and for very good reason - they are a very good band. And their debut is as good a place to start as any (if not the best), for it is chock full of a great variety of music.

Enjoy!

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to TheGazzardian (BETA) | Report this review (#472380) | Review Permalink
Posted Wednesday, June 29, 2011

Review by Neu!mann
PROG REVIEWER
3 stars "He is coming; Hear him coming; Are you ready for his being?"

Thus sang Derek Shulman on the (unofficial) title track at the top of Gentle Giant's self- named debut album. It was a ballsy way to introduce the new band, but his challenge would go unmet for several years, arguably not until the release of the group's fourth album "Octopus", when they finally began to consolidate an audience.

In the meantime even a Giant feels some growing pains, and in 1970 the baby steps of the new band were awkward indeed. Make no mistake, this was a group of musicians with talent, ambition, versatility, and no lack of daring: in short, an ensemble with enormous potential. Making the leap from the mainstream (and commercially successful) pop stylings of Simon Dupree and the Big Sound to something as willfully off-the-wall as Gentle Giant must have been like learning how to fly by jumping off a cliff...you gotta flap your arms awfully hard, and the effort can be a real strain.

Which is more or less what happened here. The album tries so hard to be eclectic that it comes across instead as somewhat stiff and forced at times (as in the song "Alucard", with its heavy studio effects and contrived backward title). But don't take my word for it; here's Derek Shulman himself, looking back with 20/20 hindsight: "We were babies on the first record...where it was going we had no clue."

At this early stage the weak link in the virtuoso line-up was drummer Martin Smith, a comrade from the Simon Dupree days but clearly out of his depth in the new band (hardly surprising, with such bizarre music). Listening to his clumsy accompanied solo in "Nothing at All", it's easy to see why the song required a polite veil of studio flanger effects drawn across it.

On the other hand, Gary Green was the band's secret weapon in its embryonic days: a traditional blues guitarist clearly not intimidated in the slightest by the decidedly non-blues format of the new outfit. The juxtaposition is weird (for example in the unexpected boogie conclusion to "Why Not?"), but it works, and his old-school efficiency helps to stabilize the flightier fancies of the Shulman brothers.

In retrospect it was a promising debut, but with plenty of room allowed for improvement. Quoting the album opener again: "The birth of a realization; The rise of a high expectation"...with emphasis happily on the latter.

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to Neu!mann (BETA) | Report this review (#630070) | Review Permalink
Posted Saturday, February 11, 2012

Review by Epignosis
SPECIAL COLLABORATOR Eclectic Prog Team
3 stars It would seem that Gentle Giant was either developing a style or just lacked enough solid material to make a full LP; the record does seem laden with filler, be it mediocre acoustic silliness or drum soloing or avant-garde piano. However, they managed to offer a few exceptionally good songs that, weak production aside, could have fit on an album like In a Glass House. This is not the place for someone new to Gentle Giant to start, but for fans, it's an interesting look at their evolution knowing what they would do moving forward.

'Giant' A regal organ leading into an exhilarating raucous riff and Derek Shulman's unrefined voice begins a decade of musical quirkiness from Gentle Giant. Midway through, the music becomes jazzier, almost Zeuhl, with a rare appearance of a Mellotron and symphonic embellishment. 'Giant' is my favorite from this debut album.

'Funny Ways' The much softer Kerry Minnear makes his first appearance on lead vocals here in this eccentric acoustic song. The halfway mark sees the song becoming a piano and organ-led jaunty jam. Gary Green enters with a penetrating guitar solo.

'Alucard' Dracula backwards, this is a blues-inspired rocker with a huge variety of instruments in tow. In stark contrast to the zaniness, the vocals fade in eerily.

'Isn't it Quiet and Cold?' Here is a carefree acoustic number with cheery fiddle and giddy tuned percussion.

'Nothing at All' Twelve-string guitar and hushed vocals opens the longest piece like a creeping dawn. The second section features a groovy blues riff, while the consists of a drum solo from Martin Smith. After this ill-fitting interlude, the beautiful music from the beginning returns.

'Why Not' 'Why Not' juxtaposes Gentle Giant's hard blues rock with the soft pastoral music they would fuse more credibly in the future. It concludes with a standard blues jam.

'The Queen' The final track is a disappointment- a rather boring rock rendition of 'God Save the Queen' ('America the Beautiful' in the US).

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to Epignosis (BETA) | Report this review (#755617) | Review Permalink
Posted Sunday, May 20, 2012

Review by GruvanDahlman
PROG REVIEWER
4 stars Through the years you gather a few albums of certain, unrivalled importance. Gentle Giant's debut is one of them. At the time of purchase I thought it to be something other than it actually was. I can't recall what I was thinking, since it's now 25 years since that time, but I was pleasantly, to say the least, surprised. I've always loved the album but I have also almost always skipped the first song, Giant, since I don't really feel it's an appropriate track for the album as a whole. Now, I may be wrong in other people's eyes but I'm right in my own.

The album is comprised of beautiful, intricate, dreamy, sometimes hard rocking songs, each one of them (bar Giant) capable of producing goose bumps and placing the songs (and the listener) in prog heaven. I cannot pick out any favourites of the songs, since I find them all enchanting and magical. The songs strike a chord with me which alot of the early prog bands seem to do. It's music before everything went too intricate and challenging. This album is quite easy to get into, probably their easiest and IMHO their best.

Being partial to british prog of the early 70's I find the album just as quaint and charming as Trespass, In the court of the Crimson king or say Khan. Still I'd like to point out that all things that made Gentle Giant stand out in the crowd can be found here. It's a great place to start if you're interested in the band specifically or prog as a genre.

Wonderful!

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to GruvanDahlman (BETA) | Report this review (#844976) | Review Permalink
Posted Thursday, October 25, 2012

Review by AtomicCrimsonRush
SPECIAL COLLABORATOR Symphonic Team
3 stars 1970 was a pioneer prog year and Gentle Giant were progenitors of the style. The members at the time became legendary over time; Gary Green on lead guitar, 12 string guitar, Kerry Minnear on keyboard, some bass, cello, lead vocals, backing vocals, some tuned percussion, Derek Shulman on lead vocals, backing vocals, some bass, Phil Shulman on sax, trumpet, recorder, lead vocals, Ray Shulman on most bass, violin, some guitar, percussion, and Martin Smith on drums. The band reached higher heights on albums to come but this is a start in the right direction.

Gentle Giant's self titled debut opens with 'Giant' that signifies the signature sound of one of the most revered and influential artists in prog history. The album boasts some of the most beloved songs such as 'Funny Ways', 'Alucard', yes, that's Dracula backwards, and the labyrinthine lengthy 'Nothing At All'. This is a rather short album but does the job before it wears out its welcome. As an early prog album it still has some refining required, but it is nevertheless an important album for the band paving the way for all that made Green, Minnear, Smith, Shulman, Shulman and Shulman great.

You might say, this debut was a start in the right direction, but Gentle Giant was yet to show the masses how acquiring the taste of their music is so essential, and they will soon have three friends, including their record label that would become entangled in their progressive style like an octopus. Though it would be like throwing stones in a glass house, as the label and music industry would desire the power and the glory of the popular mainstream sound rather than allowing the Giant a free hand in their own style. The band gained popularity and received many an interview and found the missing piece in how to create unique and incredible music that was labelled pretentious for the sake of it. However, playing the fool, they decided on becoming nothing more than a giant for a day, complete with cardboard masks, leading them to be scraping the barrel becoming mere civilians again. Then the Giant came stumbling totally out of the woods, toppled from the beanstalk, and as he crashed to the ground, cried in horror "I lost my head! "

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to AtomicCrimsonRush (BETA) | Report this review (#854107) | Review Permalink
Posted Saturday, November 10, 2012

Review by J-Man
PROG REVIEWER
4 stars Formed from the ashes of Simon Dupree and the Big Sound in 1970, British progressive rock act Gentle Giant released their eponymous debut album later that year and broke down more barriers than we've come to expect from bands these days. A wildly creative and innovative observation indeed, this album combines dozens of styles into a brand of eclectic rock that can only be described as one-of-a-kind; whereas most progressive rock bands began focusing on a romantic, symphonic style by this point in time, Gentle Giant offered a style that was vastly different from their contemporaries. The compositions here may come across as a bit more embryonic than Gentle Giant's future masterworks, but this is still an immensely enjoyable listen, as well as a crucial one for understanding the history of early progressive rock.

Those only familiar with Gentle Giant's subsequent classics may actually be a bit surprised when going back to this 1970 debut; while their core mix of rock, jazz, medieval music, and avant-garde is fully in-tact, this album has a harder and rougher edge than the band's later observations. One listen to the fast-and-furious riffage in the opening track, "Giant", and it's clear that we're still dealing with Gentle Giant, however - the bluesy riffs, powerful vocals, and solid musicianship come together in a magical way that few acts manage to do, and this opener is easily the highlight of the album. Other tracks like the quirky "Funny Ways", the funk-infused "Alucard", and the epic "Nothing At All" also remain classics in Gentle Giant's catalogue. "Isn't It Quiet And Cold" sounds like it could've been straight from The Beatles' Sgt. Pepper's Lonely Hearts Club Band (not a bad thing, if you ask me!) and "Why Not" is also an exceptional heavy rock track with some cool medieval tendencies. "The Queen" (an obvious nod to Jimi Hendrix, I would assume) is an odd way to close out the album, but it's not horrible by any stretch. I find that this effort lacks some of the consistency that defined some of the Giant's later masterpieces, though it still remains engaging for its entire duration.

In spite of being only a debut album, Gentle Giant is also a masterful example of high-grade musicianship; the band would go down in the history books as one of the best playing ensembles in progressive rock for a reason, and it even shows at this early stage in their career. Almost the entire group is composed of multi-instrumentalists, many of whom also contribute vocals. Gentle Giant's ultra-complex vocal harmonies and avant-garde tendencies infrequently appear here, but they still offer up a level of sophistication that was almost unheard of back in 1970. The production is a bit rough around the edges, but it doesn't serve as a major hindrance; while it may not rival the sonic perfection heard on Free Hand or Octopus, the sound is still warm and charming.

Gentle Giant is one of the most innovative debuts in progressive rock history, and it also remains a captivating listen over forty years later. Although it is often overshadowed by the band's next six albums - which, admittedly, are more consistent observations - it is not something to be overlooked by any fan of eclectic progressive rock. I wouldn't recommend this as an entrance point into the world of Gentle Giant, but any more experienced listener should check out this seminal debut without hesitation!

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to J-Man (BETA) | Report this review (#856197) | Review Permalink
Posted Sunday, November 11, 2012

Review by siLLy puPPy
PROG REVIEWER
5 stars What an outstanding debut by one of my favorite bands of all time. GENTLE GIANT didn't waste anytime after their pop stint as SIMON DUPREE & THE BIG SOUND ramping up the creativity and creating some seriously addictive fusion that takes everything from the pop sensibilities of their previous musical incarnation to Renaissance music, jazz and classical infusion in their unique construction.

The thing that has always impressed me the most about this band is it was a total democracy of geniuses who took part in every part of the creative process whether it be the songwriting or even playing the instruments thus earning the notoriety of being considered complex even by progressive rock standards. The amount of musical instruments used on this album is also staggering. They manage to keep an extremely accessible sound despite the complexity.

Although this album is rated lower than the several following ones, I simply cannot see why this album deserves a lower rating. I love every single track on here as much as the other more popular ones. No, it isn't as musically developed as the apex of their later stuff but taken for what it is, it is a near masterpiece in its own right. 4.5 rounded way uP!

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to siLLy puPPy (BETA) | Report this review (#1092106) | Review Permalink
Posted Wednesday, December 18, 2013

Latest members reviews

4 stars Gentle Giant is one of the most amazing bands I've ever heard. Every men involved in this musical project is a musical genius! Everyone sings, writes and plays more than one common instrument. I have to admit that this record is absolutely awesome, although the band had not found their true id ... (read more)

Report this review (#1088079) | Posted by MyDarling95 | Monday, December 09, 2013 | Review Permanlink

5 stars In my first sentence I can only slightly repeat what one of the respected reviewers (namely, Marcelo) had already written. The best. For me this is absolutely the greatest of their albums where you just see no flaws (apart from too long drum solo, surely). It listens on one breath, one wink of an ... (read more)

Report this review (#1057987) | Posted by Woon | Thursday, October 10, 2013 | Review Permanlink

5 stars Gentle Giant's "Gentle Giant", the first album of this brilliant band was released in 1970 when Gentle Giant were still a new group, and their sub-musical genre was moving from progressive rock to hard rock. In this album Gentle Giant haven't used a lot of advanced and strange instruments, but this ... (read more)

Report this review (#928177) | Posted by FenderX | Monday, March 11, 2013 | Review Permanlink

4 stars The first of the Gentle Giant albums is already an impressive release. Most of the Gentle Giant sound is already here in a more than embryonic state. The complexity, the medieval / renaissance touch, the almost gritty guitar sound sometimes, beauty next to strangeness, the almost lo-fi productio ... (read more)

Report this review (#843771) | Posted by Moogtron III | Tuesday, October 23, 2012 | Review Permanlink

3 stars I have to say that Gentle Giant's debut album is actually probably my least favorite from them (pre-Giant For a Day). The album very distinctly sounds of a band still trying to find their way; the quirky diversity that pervades most later albums from Gentle Giant here is more of a confused and disjo ... (read more)

Report this review (#621686) | Posted by Zargasheth | Friday, January 27, 2012 | Review Permanlink

4 stars "A truly unique and progressive experience with a large number of influences from a wide number of other musical genres this album encompasses the eclectic nature of progressive music" This seems to be one of the first albums that I can really associate with the "Progressive Rock" of the late ... (read more)

Report this review (#566397) | Posted by progistoomainstream | Friday, November 11, 2011 | Review Permanlink

5 stars Before writing any thing, I would like to say just like bands as YES, GENESIS, RUSH, KANSAS, EL & PALMER etc.... I put GENTLE GIANT in the highest place, as even creativity as of virtuosity, in the story of the progressive rock. Proceeding in the analysis of the disk , they already begin in gre ... (read more)

Report this review (#502597) | Posted by maryes | Saturday, August 13, 2011 | Review Permanlink

5 stars The gentlest music I've ever heard apart from thunderstorms Personally I prefer the first part of Gentle Giant career, where together with customary virtuosity, there is also a great emphasis on the melodies and great romantic atmosphere: I find that latter aspect of their style over time has ... (read more)

Report this review (#403110) | Posted by Dark Nazgul | Friday, February 18, 2011 | Review Permanlink

4 stars Review #8 Gentle Giant's1970 self-titled debut album. I find it a pity that Gentle Giant (GG) only have approximately 200-400 ratings for each of their first half a dozen albums or so AND they do not have any of their albums in the PA top 30 studio albums of all time. Surely this must change. ... (read more)

Report this review (#393663) | Posted by BarryGlibb | Friday, February 04, 2011 | Review Permanlink

5 stars Gentle Giant by Gentle Giant The most charming album in my collection but also among the most charming albums in Progressive Rock, and you have to look far and wide to find a more charming album art work, that giant is so cool (it frightened me at first but now). NOW to the music, the musi ... (read more)

Report this review (#345195) | Posted by Icarium | Monday, December 06, 2010 | Review Permanlink

3 stars Just adding my two cents worth of opinion on an album, already well reviewed by more intelligent people than myself. I am very impressed by their live albums, but I hardly know any of their studio albums. A discovery of their the studio albums is therefore in order. This album and their c ... (read more)

Report this review (#282386) | Posted by toroddfuglesteg | Monday, May 17, 2010 | Review Permanlink

4 stars What an awesome debut. I really can not believe this album is ranked as the worst of their "classic era" on PA. Even with lower rating than Interview. Hopefully my review will do some justice. Allow me to be honest with you. I'm certainly not a Gentle Giant die-hard fan.I do own most of their ... (read more)

Report this review (#268659) | Posted by Morningrise | Saturday, February 27, 2010 | Review Permanlink

4 stars My first review of a GG recording, must go to this 1970 masterpiece. Gentle Gaint (The Album) is born in the earliest melting pot of Prog. and in that perspective its stunningly progressive, with a lot of Jazz, Folk and Chamber/Classic inspiration, combines with a Heavy Blues and even Rock-n-R ... (read more)

Report this review (#268457) | Posted by tamijo | Friday, February 26, 2010 | Review Permanlink

3 stars This is the perfect example of how progressive rock started. Given a rock-blues band basis, adding experimentation, and there you have one creative little band. With a debut album. Gentle Giant has both the blues, the experimentation and, why not say, classical music experience (both XVIII th ... (read more)

Report this review (#233170) | Posted by aSimionescu | Thursday, August 20, 2009 | Review Permanlink

5 stars I'm confused as to why there are claims that this album is simple hard rock; it's far from it with the exception of perhaps one track. It's true that here is a harder, rougher, and more frantic Giant, but I see more in common with King Crimson than I do Led Zeppelin or Deep Purple. The album star ... (read more)

Report this review (#214618) | Posted by Failcore | Saturday, May 09, 2009 | Review Permanlink

2 stars This is not a bad debut for Gentle Giant, but nowhere near their best. This is not a good place to start if you're just discovering them. To my ears it's more a Hard Rock record than a Prog Rock record. Still it's highly original and inventive Hard Rock. Giant begins the album on a strong not ... (read more)

Report this review (#201763) | Posted by AdamHearst | Thursday, February 05, 2009 | Review Permanlink

3 stars The debut album of the great band Gentle Giant. This album sets of a chain reaction of outbursts within the progressive rock scenario of 70's in England, with the fantastic sound that comes from the creative giants the Gentle Giant are. This band, throughout the history of it's discography add a ... (read more)

Report this review (#200948) | Posted by EMLonergan | Wednesday, January 28, 2009 | Review Permanlink

4 stars The first of many to come. A wonderful debut album with wonderful compositions. A different approach than say Free Hand or In A Glass House. There's rock, jazzrockfusion and folk ingredients in the songs. A lot of horns, wich will disappear in the latter albums of the band. A definate h ... (read more)

Report this review (#189222) | Posted by Kingsnake | Friday, November 14, 2008 | Review Permanlink

5 stars The coolest art rock album ever recorded ! Dynamic guitars, electric keyboards that actually sound like themselves ( ie not trying to imitate a full orchestra ) grooving blues rock sections, vocal harmonizations, string ensembles. trum ... (read more)

Report this review (#184759) | Posted by Vibrationbaby | Sunday, October 05, 2008 | Review Permanlink

2 stars The Giant's debut release. I won't go into a song-by-song breakdown, since that's already been done by several reviewers. I will simply say that even though some consider this to be a progressive effort, I consider it a pretty straightforward rock record; lots of blues and commercial sounding(for ... (read more)

Report this review (#167671) | Posted by wbiphoto | Wednesday, April 16, 2008 | Review Permanlink

Post a review of GENTLE GIANT "Gentle Giant "

You must be a forum member to post a review, please register here if you are not.

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Copyright Prog Archives, All rights reserved. | Legal Notice | Privacy Policy | Advertise | RSS + syndications

Other sites in the MAC network: JazzMusicArchives.com — the ultimate jazz music virtual community | MetalMusicArchives.com — the ultimate metal music virtual community


Server processing time: 2.13 seconds