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BRIGHTEYE BRISON

Eclectic Prog • Sweden


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Brighteye Brison biography
Biography taken from www.brighteyebrison.com

During 1996 to 2000 Linus Kåse, was studying at the Royal College of Music in Stockholm. Being influenced by 70´s oriented prog acts like ELP, GENESIS, GENTLE GIANT and YES he, in addition to being pretty much out of fashion, was dreaming of starting his own band, playing only original music. Soon he found out that his fellow schoolmate Kristofer Eng was a big fan of YES. They continued talking about the progressive rock music of the 70´s until the temptation of starting a band could no longer be ignored. The band was founded early 2000 and started out as a trio with Kristofer Eng on bass, Daniel Kåse (Linus´ brother) and of course Linus Kåse on keyboards and saxophones. BRIGHTEYE BRISON turned quartet as guitarist Johan Öijen joined the band in November 2000.

BRIGHTEYE BRISON´s first studio output (a demo really) entitled "4:AM" saw the light early 2001. Amazingly mixed by studio wizard Per Hallman this offering was enough to give the band their record deal with Rivel Records.
During 2002 BRIGHTEYE BRISON were recording material for the full-length debut album as well as playing live shows. The CD was officially released in January 2003 and just weeks before Per Hallman (who also co-produced the album) had become a fulltime member as BRIGHTEYE´s live soundtechnician and recording engineer. Per also sings and writes (beautiful) music for the band.

2004-2005 BB has been in the studio recording their forthcomming album "Stories"

This band is highly recommended!

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Believers & DeceiversBelievers & Deceivers
Import
Phantom Sound & Vision 2008
Audio CD$21.99
$10.99 (used)
Brighteye BrisonBrighteye Brison
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Rivel Records 2003
Audio CD$66.80 (used)
The Magician Chronicles - Part OneThe Magician Chronicles - Part One
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Progress Records
Audio CD$21.98 (used)

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BRIGHTEYE BRISON discography


Ordered by release date | Showing ratings (top albums) | Help Progarchives.com to complete the discography and add albums

BRIGHTEYE BRISON top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

0.00 | 0 ratings
4:AM
2001
3.41 | 13 ratings
Brighteye brison
2003
3.38 | 19 ratings
Stories
2006
4.05 | 92 ratings
Believers & Deceivers
2008
3.77 | 84 ratings
The Magician Chronicles part 1
2011

BRIGHTEYE BRISON Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

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BRIGHTEYE BRISON Reviews


Showing last 10 reviews only
 The Magician Chronicles part 1 by BRIGHTEYE BRISON album cover Studio Album, 2011
3.77 | 84 ratings

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The Magician Chronicles part 1
Brighteye Brison Eclectic Prog

Review by Morsenator

4 stars Despite its short 44-minute length "The Magician Chronicles - part 1" has enough room to present the talents of the Swedish proggers Brighteye Brison, who yet again after their well received "Believers&Deceivers" put out a very good album. The opening 23 minute epic "The Rise of Brighteye Brison" moves smoothly in its transitions, having an overall pretty symphonic feeling. The keyboard and sax maestro Linus Kåse presents many quite fresh sounds and themes and the rest of the band also fills their parts with quite stellar musicianship. A memorable composition both in melody and structure. The other two tracks are also solid but not quite on the masterpiece level of the first track. This album shows once again that those following the legacy of Yes, Genesis and the kind need not to stick on similar soundscapes and tried patterns to retain that wondrous atmosphere found in the 70s classics.

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 The Magician Chronicles part 1 by BRIGHTEYE BRISON album cover Studio Album, 2011
3.77 | 84 ratings

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The Magician Chronicles part 1
Brighteye Brison Eclectic Prog

Review by Cylli Kat

4 stars This is my first review on PA, it will be brief: I really, really like this album so far. I'm still on the first track, and if this record stays the course, I may end up giving it 5 stars... We can toss about the comparisons to Yes, Flower Kings, Magic Pie, A.C.T,Gentle Giant Spock's Beard, etc. But these guys have crafted a really great album that can stand up to the best of the others. This is prog how I like it best: loads of dynamics, light and shade, strong vocals, interesting melodies and harmonies, challenging musicianship, etc. Right now, I'm giving it 4.5, but again, I may revise this upward. Hats off to BRIGHTEYE BRISON!!!

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 Brighteye brison by BRIGHTEYE BRISON album cover Studio Album, 2003
3.41 | 13 ratings

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Brighteye brison
Brighteye Brison Eclectic Prog

Review by apps79
Special Collaborator Neo Prog Team

3 stars BRIGHTEYE BRISON came in life in 2000 in Stockholm,when Linus Kase joined forces with Royal College of Music's student Kristofer Eng.The line-up was completed with Linus' elder brother Daniel and drummer Johan Oijen.Influenced by 70's progressive rock,the band recorded their first full-length album between 2001 and 2002,finally released in 2003 on Rivel Records.The mastering and mix of the album was completed by Per Hallman,later to join the band as a full-time member.

STYLE: Unquestionably this is a mixed bag of sounds with obvious 70's references,headed by the 30-min. epic ''One year alone'',which represents everything around BRIGHTYEY BRISON's sound.The compositions can be adventuruous,challenging and rich yet always catchy and melodic.Lots of piano-driven grooves,symphonic passages,intricate interplays,soft ballad moments,even some fusion parts.In the vocal section contribute three out of four members, delivering often very interesting polyphonic parts.The band insist on using mainly analog keys (organ,mellotron),however the sound is very modern,fresh and pleasant. Heavy Rock,Symphonic Prog,Fusion even Pop are mixed in this album in an interesting way.

INFLUENCES/SOUNDS LIKE: From the 70's imagine the melody and harmonic parts of GENESIS and YES mixed with RUSH's power and GENTLE GIANT/QUEEN multi-vocal harmonies.The closer modern comparison are definitely SPOCK'S BEARD with some touches of compatriots A.C.T. and THE FLOWER KINGS.

PLUS: Despite the variety of influences,BRIGHTEYE BRISON manage to blend them in an awesome way.Fusion meets Pop meets Classic 70's Prog in every track and in a great catchy way.Analog use of keyboards make the sound pleasantly nostalgic.The vocals are excellent,both on the individual or multi-parted performances.Production is of top class.

MINUS: Total lack of originality I would dare to say,with plenty of the contained stuff sounding like SPOCK'S BEARD more than SPOCK'S BEARD themselves.Calmer material can't be even compared with the more intensive parts,being dramatically of less interest.

WILL APPEAL TO:...Classic Prog fans and music followers who want to start their journey to progressive music with a quite catchy album representing the Classic Prog sound today.

CONCLUSION/RATING: ''Brighteye brison'' is a real winner among modern bands' debuts and contains all of this material,which made us love prog music.The band however should find its own identity on the way,before being accused as another clone.The talent is there,I bet they can do it much much better.3.5 stars.

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 Believers & Deceivers by BRIGHTEYE BRISON album cover Studio Album, 2008
4.05 | 92 ratings

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Believers & Deceivers
Brighteye Brison Eclectic Prog

Review by Tobbe J

5 stars I can do nothing else than join this massive choir of praise for this magnificent example of that progressive rock still is a relevant and alive genre!! The things I enjoy the most I guess is that there is not only loads of nods to the old prog-masters (Yes, Genesis, Gentle Giant, Pink Floyd and the likes) of the seventies but also to bands like ELO, Return To Forever and Swedish fusion combos like EGBA and Kornet (also from the seventies)! Somebody here in an earlier review said that they sound more like an American prog band than a Swedish one. I agree on that. You can tell they have been inspired by Echolyn, Spock's Beard. Still they have their own distinct sound firmly rooted in the seventies tradition. It definitely is a huge leap forward from previous album Stories which is nice but perhaps a bit unfocused in comparison to Believers & Deceivers. I don't want to be careful with those fivers so I'll give this five starsNow I just can't wait to see them att Slottskogen Goes Progressive in Gothenburg Aug 22nd. Will be a blast!!

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 Believers & Deceivers by BRIGHTEYE BRISON album cover Studio Album, 2008
4.05 | 92 ratings

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Believers & Deceivers
Brighteye Brison Eclectic Prog

Review by tszirmay
Special Collaborator Crossover Team

4 stars As some have already stated so convincingly, this recording is a quantum leap forward (truly honing their style and progressing) from earlier material. In fact, I returned my copy of their debut; it just didn't hit any kind of chord. Some may wonder why a generous rater as yours truly even has dud albums to review but I just coldly get rid of them (sorry too many amazing albums out there!). This is certainly lethal material, incorporating old school exhilarations with modern ornamentations and proposing first-rate vocals to boot. "Pointless Living" launches forward with a current undertone of rage led by an obese and highly trebled bass torpedo recalling the Squire ways, with stunning melodies that slash harshly and just as quickly subside into quasi-folkloric settings, nothing overstaying their welcome, when the vocalist blitzes ahead, escorting his backing vocal cohorts into the land of sublime harmony. A blistering synth solo adds more lather to the spume, rippling uncontrollably. There are hints of classic Caravan or even a proggier version of Pure Reason Revolution (those darn harmony vocals) that explain the traditional way of doing things. Guitarist Öijen (now that's a name for you) unleashes a few intriguing lines, both rhythmically as well as soloing with furious aplomb. "After the Storm" suggests odder environments, jazzier noodlings that appear out of seemingly nowhere, recalling the jazz- rock greats (you know who you are) of the past. The guitar solo is masterful, with touches of Holdsworthian slipperiness, searing notes a la Santana if needed and a rabble rousing synth blast only seduces more. With 2 accomplished and full-time keyboardist (Linus Kase and Per Hallman), a rock solid drummer in Erik Hammarström and the propelled bass bottoms fingered by Kristofer Eng, the colossal 20 minute + "The Harvest" presents church organ and Hammond organ up front and center, buttered by deep mellotron layers and gashed by some weird ambient atmospherics. Verging on gruesome, the bass eruptions are tectonic, bathed in chaotic fuzz until a slowly blossoming theme takes this into another direction. Even though one can easily detect some overt liftings (a Genesis rhythmic snippet here, a touch of Emersonian bravado, some later counterpoint harmony singing that would make Gentle Giant blush with envy), all is done within context and extreme reverence , the introduction of a jazzy saxophone confirming their intelligence in keeping the listener off guard. A restrained respite of gentle ambience prepares a main chorus that recall the simplest innocence , swirling synths patrolling the skies, opaque waves of mellotron filling in the blanks, torching it off to the guitarman , who takes this sucker into the stratosphere. Now if that wasn't enough, catch your breath because the finale is a mastodon epic, the 34 minute "The Great Event" and suavely incorporates all the ingredients that make this a must have addition to any collection. Not to many epics that can knock this one off the podium, this magnificent musical adventure begins with a classic Floydian grandeur, certainly psychedelic ("How would you like to live in space"), deep felt sax swerves and then boosting it up with a more upbeat section, interrupted by that Giant quote I mentioned earlier (incredible gall) and slammed by some inquisitive keyboard densities. Again the double keyboard attack produces some solid playing, the bass pounding uncontrolled, the sax blurting nicely and the raging guitar kicking you in the guts. The displayed daring is unrelenting and almost cocky, willfully stretching the boundaries while maintaining the basic theme throughout. This is no collage of assorted themes and styles, edited together to make one long pretentious megalith like so many have done in the past but instead a musical whole that has shape, form and depth. The unexpected interventions are welcome diversions that heighten their appeal and it becomes easy to see why fans would love this intensely. It's not an easy listen, requiring repeated plays in the audio system thus undeniably revealing new perceptions and appreciations. The vocal work is quite splendid as mentioned previously, even using effects when least expected, the harmony work is sinfully adept at tingling the spine. When dealing with a colossal piece, it behooves the composers to keep things creative yet clearly structured and these Swedes have certainly passed the grade in flying colors, alternating the hard and the urgent with the sweet and the pastoral, various solos adding to the embrace. Yes, its retro yet very contemporary, fully deserving of the high ratings here. I am pleasantly surprised. Now about that first album.....

4.5 Swedish meatballs served with lingonberries

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 Believers & Deceivers by BRIGHTEYE BRISON album cover Studio Album, 2008
4.05 | 92 ratings

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Believers & Deceivers
Brighteye Brison Eclectic Prog

Review by Genesis Head

5 stars 2008 was a great prog year. Of all the amazing releases that came out I think that the Swedish bands really stood out the most (Karmakanic, Beardfish and Brother Ape!). And of all these Brighteye Brison's third release entitled Believers & Deceivers, at least to me, is the winner so that is why my first written review in here will be about this particular album. The strong seventies vibe in the music of Brighteye Brison is, as on their previous Stories, ever present. I'm the first person to embrace this since that is really the era I prefer. Nevertheless here is a feel of modern and heavier influences, not in the metal sence, but in the edginess of the performance as well as in the production. Pointless Living, which starts off the album, is a turning point from the work on the slower in pace and very melancholic Stories CD. Brighteye Brison makes a statement in stylistic change and prove that they don't intend to do the same album all over again. The closest in comparison all through the album is probably Drama by Yes. The production is very clever and sounds very satisfying without ever being overproduced. After The Storm is a collaboration between bassplayer Kristofer Eng and Per Hallman and presents a folky progrock song with lots and lots of odd meters with some sudden dashes of fusion thrown in. Guitarist Johan Oijen's soloing is stunning to say the least with a tone to die for and dexterity of highest class. Also the stronghold of the album is it's two long tracks. Hallman's The Harvest is a heavily Yes and Genesis influenced piece. The keyboards are lush with mellotron and hammond in the forefront. Musically we find touches of Psychedelica underlining the lyrical context of the song. With the melodic and powerful outro this epic affects me just thinking about it! The enormous closer by Linus Kase is called The Grand Event and is a sci-fi story true space rock/symphonic style with hundreds of different themes showing up in different disguises during it's 35 minutes! I just have to surrender to this album. Brighteye Brison have released a piece of art with Believers & Deceivers!

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 Believers & Deceivers by BRIGHTEYE BRISON album cover Studio Album, 2008
4.05 | 92 ratings

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Believers & Deceivers
Brighteye Brison Eclectic Prog

Review by Mellotron Storm
Prog Reviewer

3 stars Their previous album "Stories" was barely 3 stars in my opinion. This is a huge improvement and very close to 4 stars. It's 68 minutes long and there's only 4 songs including the almost 35 minute closer.

"Pointless Living" is one i'm not too fond of, it's a straight forward, uptempo track. It opens with some huge bass as the tempo picks up quickly. It settles down and vocals come in after a minute.The tempo continues to change. Not bad really, it's kind of fun. "After The Storm" reminds me of some of the current Jazz flavoured U.S. bands like LITTLE ATLAS. I like this one, it sounds so different from the rest of the album. The guitar after 4 minutes is outstanding. "The Harvest" is over 20 minutes long. Church organ to start with as vocals arrive before a minute with keys. Bass come in prominantly. A haunting calm 3 minutes in, then the guitar starts to make some noise. Spoken words 4 1/2 minutes in. The tempo starts to pick up before 6 minutes. Some great organ runs too. Sax 11 1/2 minutes in over a nice heavy soundscape. Fragile vocals with acoustic guitar 14 minutes in. Cool section. Piano comes in. Mellotron 16 1/2 minutes in. Guitar ends the song in style as organ and bass shine.

"The Grand Event" opens with strummed guitar and mellotron. I like it. Sax comes in briefly. Vocals 1 1/2 minutes in, sax returns a minute later. Mellotron continues. There's a GENTLE GIANT-like vocal arrangement 4 1/2 minutes in.The tempo coontiues to shift as does the mood. Mellotron 17 1/2 minutes. Nice heavy sound 21 minutes in. Huge bass before 24 1/2 minutes followed by piano and mellotron. A change after 32 minutes and spoken vocals come in, followed by guitar to the end.

This reminds me of SIMON SAYS a little, although it's not nearly as bombastic. The bass in both are quite prominant and although both are well done and very proggy, I just can't give them 4 stars. Close though. 3.5 stars.

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 Stories by BRIGHTEYE BRISON album cover Studio Album, 2006
3.38 | 19 ratings

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Stories
Brighteye Brison Eclectic Prog

Review by apps79
Special Collaborator Neo Prog Team

3 stars Depite the use of various instruments and alanog equipment,BRIGHTEYE BRISON are one of those bands,who try to create a more accesible format of progressive rock,easy listened also by non-prog fans.Warning!This has nothing to do with pop or other commercial music forms,this band plays just a more accesible format of prog rock.Formed at the dawn of the millenium,BRIGHTEYE BRISON are lovers of the 70's prog movement and actually four members of this effort are original founders of the band.Only vocalist Per Hallman joined the band a little later,but it must be noticed that he was actually the sound engineer of the band's first release.

''Stories'' is the sophomore effort of the band and it was released in 2006.After several listenings all I can say is that the band's sound is heavily based on vocal harmonies and arrangements and the smooth sound of the constantly alternating instruments.If you're searching for complex or heavy sounding music,try better somewhere else.The influences of the band are obvious and undeniable.The analog keyboards will bring GENESIS to your mind,some classical music influences refer straight to ELP,the vocal harmonies are a strong yet carefully arranged imitation of GENTLE GIANT or even YES.Unfortunately one more thing I noticed is that,as the album unfolds,it gets weakier and weakier.The first fouror five tracks are well- crafted,70's influenced prog rock,while the later ones follow a kind of ballad-like form that gets me a bit tired along the way.Of course these tracks deliver also musicianship of high quality but they have also a slightly AOR-ish flavor.At the end of my listenings,the best way I could describe this album would be a combination of NEAL MORSE's works with ADVENT's Gentle Giant-ish prog rock...

BRIGHTEYE BRISON are a band with potential,noone can deny this IMO.A bit of experience and a more alternating heavy/smooth sound could give them some more credits on prog community.For now,this is a decent second effort by the band,easily recommended for those who search the more mellow side of progressive rock.Fans of YES,SPOCK'S BEARD,NEAL MORSE and GENTLE GIANT should spend also some time giving this album a few spins...Recommended,3 stars...

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 Believers & Deceivers by BRIGHTEYE BRISON album cover Studio Album, 2008
4.05 | 92 ratings

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Believers & Deceivers
Brighteye Brison Eclectic Prog

Review by jarild

5 stars The Swedes in Brighteye Brison deliver a flawless album with Believers & Deceivers. I tend to go for albums that at first listen has at least something that grabs me enough to make it worth listening to again. After that it has to have enough depth not to make me bury it deep down in the archives. Well, the first time listening to this album was an electrifying experience. The opening track Pointless Living just has that deep impact of originality and when the short but intense instrumental part takes off I'm no longer in doubt that this band is destined to go far. Brighteye Brison are very much influenced by 70's progressive rock like Genesis and Gentle Giant which is obvious in the use of many counterpointed parts and analogue instruments. However the spirit of the album to me lands in the tradition of the distinct late 70's/early 80's reminding me of albums like Drama by Yes or A by Jethro Tull. The drive and strong force of the performance of this tight band is much welcomed and I love it! Another trademark for Brighteye Brison is obviously the grand vocal harmonies which are used to astonishing effect. I keep coming back to this album and I still find it very engaging. With epic songs The Harvest and The Grand Event this album has enough to make me going for a long time to come.

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 Believers & Deceivers by BRIGHTEYE BRISON album cover Studio Album, 2008
4.05 | 92 ratings

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Believers & Deceivers
Brighteye Brison Eclectic Prog

Review by progslave

5 stars I had received the band's previous effort Stories a couple of weeks before I got my hands on Believers & Deceivers. I love the lush sounds on the beautiful and somewhat melancholy Stories so I was pretty surprised by the direction the band had taken with Believers. The seventies approach to the music is still there but the playing and overall sound is tighter. I feel that the songwriting derive from a quite different pond this time around. From the very start we are introduced to the heavy rockin' side of the band on the opening track Pointless Living. Erik Hammarstrom is the new guy here and his drumming is simply amazing. The jazz/fusion prog song After The Storm has lots of time changes and features fantastic solos on synth and guitar. Per Hallman is the composer of The Harvest, the first of the album's two epics. This is in true symphonic prog style and after its 20+ minutes it just leaves me breathless. The lyrics about an inmate isolated inside a padded cell works so fine with the highly Genesis/Yes influenced music. A part with a saturated bass solo while the voices inside his head start to take over is chilling. The song ends with another great guitar solo over a very fine symphonic arrangement. The Grand Event is keyboardist Linus Kase's masterpiece. It's glorious 35 minutes contains some very beautiful themes that recur in various shapes. From the Pink Floydish opening through the Gentle Giant inspired vocal arrangements to the Procul Harum-like meditations this song pretty much covers all that a symphonic prog freak like myself could ever wish or hope for. I find some hard rocking efforts here but in the meantime the thoughtfulness that I so much enjoyed on Stories is very present as well. The band members play miscellaneous instruments like the Theremin and Kases saxophone is sometimes very reminiscent of David Jackson/VDGG. Believers & Deceivers is an amazing symphonic prog album all the way through and I can't recommend it enough!

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